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'Making and Being' draws upon the lived experience of Susan Jahoda and Caroline Woolard, visual arts educators who have developed a framework for teaching art with the collective BFAMFAPhD that emphasizes contemplation, collaboration, and political economy. The authors share ideas and pedagogical strategies that they have adapted to spaces of learning which range widely,(...)
Making and being: embodiment, collaboration, & circulation in the visual arts
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'Making and Being' draws upon the lived experience of Susan Jahoda and Caroline Woolard, visual arts educators who have developed a framework for teaching art with the collective BFAMFAPhD that emphasizes contemplation, collaboration, and political economy. The authors share ideas and pedagogical strategies that they have adapted to spaces of learning which range widely, from self-organized workshops for professional artists to Foundations BFA and MFA thesis classes. This hands-on guide includes activities, worksheets, and assignments and is a critical resource for artists and art educators today.
Théorie de l’art
Steven Leiber: Catalogs
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer(...)
Steven Leiber: Catalogs
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer catalog, Leiber’s catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman’s Semina journal and the exhibition catalog for ''Documenta V'' (1972). Leiber’s reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more.
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would(...)
juillet 2020
Sol Lewitt: Not to be sold for more than $100
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would always sell for $100. “His wall drawings were already selling for thousands of dollars, so he wanted to have some artwork that everybody could buy,” notes Jason Rulnick. This body of work consists of over 800 folded, torn and cut paper works, including cut maps, reproductions, and manipulated silver gelatin photographs. Thanks to extensive research throughout various private and public collections around the world, this volume includes over 100 color plates, along with an index/description of all 870 known works, information that has been made available through the artist's day books and journals uncovered (in the studio) by Veronica Roberts.
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Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist’s work in New York to date, held at The Shed in fall 2019 as part of the arts space’s opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed “the queen of land art”(...)
Agnes Denes: Absolutes and intermediates
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Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist’s work in New York to date, held at The Shed in fall 2019 as part of the arts space’s opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed “the queen of land art” by the New York Times, famed for her iconic Wheatfield—A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers.
Womens work
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In 1975, Alison Knowles, founding member of Fluxus, and experimental composer Annea Lockwood co-edited and self-published 'Womens Work', a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This facsimile edition, comprising a book and poster housed in a(...)
Womens work
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In 1975, Alison Knowles, founding member of Fluxus, and experimental composer Annea Lockwood co-edited and self-published 'Womens Work', a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This facsimile edition, comprising a book and poster housed in a printed folder, gathers the work from both issues.
Théorie de l’art
Les pierres sauvages
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Une chronique de la naissance de l'abbaye du Thoronet en Provence au XIIe siècle, sous la forme du journal du maître d'oeuvre. Grâce à des recherches historiques et à son expérience d'architecte, l'auteur fait revivre un chantier médiéval avec les problèmes techniques, financiers ou doctrinaux qui pouvaient se poser.
Les pierres sauvages
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Une chronique de la naissance de l'abbaye du Thoronet en Provence au XIIe siècle, sous la forme du journal du maître d'oeuvre. Grâce à des recherches historiques et à son expérience d'architecte, l'auteur fait revivre un chantier médiéval avec les problèmes techniques, financiers ou doctrinaux qui pouvaient se poser.
Théorie de l’architecture
Nouveaux jeux intéressants
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Les ludophiles trouveront ici de quoi satisfaire leur passion : mots croisés ou carrés, cryptogrammes, rébus, séries défectives, problèmes logiques, anagrammes et autres jeux de lettres. Avec les solutions en fin d'ouvrage.
Nouveaux jeux intéressants
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Les ludophiles trouveront ici de quoi satisfaire leur passion : mots croisés ou carrés, cryptogrammes, rébus, séries défectives, problèmes logiques, anagrammes et autres jeux de lettres. Avec les solutions en fin d'ouvrage.
Littérature et poésie
livres
Perec/rinations
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"J'aime Paris", "J'aime jouer" : avec ses deux amours cardinaux, Georges Perec a composé une ludique visite de la capitale, en autant d'étapes que d'arrondissements. Comme dans un jeu de piste, il y a des énigmes à résoudre, des questionnaires de culture générale, des exercices pédestres légèrement tordus (par exemple : comment aller de Faidherbe-Chaligny au cours de(...)
Perec/rinations
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"J'aime Paris", "J'aime jouer" : avec ses deux amours cardinaux, Georges Perec a composé une ludique visite de la capitale, en autant d'étapes que d'arrondissements. Comme dans un jeu de piste, il y a des énigmes à résoudre, des questionnaires de culture générale, des exercices pédestres légèrement tordus (par exemple : comment aller de Faidherbe-Chaligny au cours de Vincennes en empruntant six rues dont les noms commencent tous par la même lettre), qui nous plongent dans un Paris labyrinthe. Chaque arrondissement se décline de surcroît dans une grille de mots croisés (très coton)
livres
mars 2014
Littérature et poésie
$135.00
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This monographic issue takes stock of the studio’s production from 2012 to the present, from its most recognised works, such as Copper House II and the Ahmedabad Residence, to more modest projects like the Ganga Maki Textile Studio in the Himalayan foothills, MPavilion 2016 in Melbourne, and a winery extension in the south of France. The issue also features handmade(...)
El Croquis 200: Studio Mumbai (2012-20019) in-between spaces
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This monographic issue takes stock of the studio’s production from 2012 to the present, from its most recognised works, such as Copper House II and the Ahmedabad Residence, to more modest projects like the Ganga Maki Textile Studio in the Himalayan foothills, MPavilion 2016 in Melbourne, and a winery extension in the south of France. The issue also features handmade furniture shown at Maniera gallery in Brussels, which draws on universal materials and traditional Indian craft.
El Croquis
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly(...)
The beauty of everyday things
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty.
Théorie du design