118964 Résultats
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:045
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:045
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Retired General's House, Retired General's Place and Tower Hill
Actions:
DR1988:0291:045
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Retired General's House, Retired General's Place and Tower Hill
Actions:
DR1988:0291:045
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:046
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:046
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Hotel, Retired Actor's Place, Row Houses, Apartment House, Market, Carpenter's Place, Mason's Place, Fabricator's Place, Farm Hospital and Farm Cemetery
Actions:
DR1988:0291:046
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Hotel, Retired Actor's Place, Row Houses, Apartment House, Market, Carpenter's Place, Mason's Place, Fabricator's Place, Farm Hospital and Farm Cemetery
Actions:
DR1988:0291:046
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:047
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:047
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Animal Hospital, Cross-Over House and Collector's House
Actions:
DR1988:0291:047
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Animal Hospital, Cross-Over House and Collector's House
Actions:
DR1988:0291:047
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:048
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:048
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Farm Grove, Hedge Walk, Horseshoe Place, Maypole, Post Office, Butterplace, Toll-taker's Place, Trapper's House, Accountant's Office and Suicide's House
Actions:
DR1988:0291:048
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Farm Grove, Hedge Walk, Horseshoe Place, Maypole, Post Office, Butterplace, Toll-taker's Place, Trapper's House, Accountant's Office and Suicide's House
Actions:
DR1988:0291:048
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:049
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:049
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Presentation drawing for the Lancaster/Hanover Masque
Actions:
DR1988:0291:049
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Presentation drawing for the Lancaster/Hanover Masque
Actions:
DR1988:0291:049
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Classification:
expositions
expositions
Titre:
Livres d’architectes
Livres d’architectes
Actions:
Description:
Cette exposition présente trois périodes de l’histoire du livre d’architecte : le milieu du XVIe siècle, où les architectes font leurs preuves dans le domaine, la fin du XIXe et le début du XXe siècle, alors que les architectes considèrent le design de livre comme un complément important à leur carrière professionnelle et l’époque actuelle où certaines firmes(...)
Cette exposition présente trois périodes de l’histoire du livre d’architecte : le milieu du XVIe siècle, où les architectes font leurs preuves dans le domaine, la fin du XIXe et le début du XXe siècle, alors que les architectes considèrent le design de livre comme un complément important à leur carrière professionnelle et l’époque actuelle où certaines firmes(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
24 juin 2004 au 26 septembre 2004
24 juin 2004 au 26 septembre 2004
Titre:
Livres d’architectes
Actions:
Description:
Cette exposition présente trois périodes de l’histoire du livre d’architecte : le milieu du XVIe siècle, où les architectes font leurs preuves dans le domaine, la fin du XIXe et le début du XXe siècle, alors que les architectes considèrent le design de livre comme un complément important à leur carrière professionnelle et l’époque actuelle où certaines firmes(...)
Livres d’architectes
Actions:
Description:
Cette exposition présente trois périodes de l’histoire du livre d’architecte : le milieu du XVIe siècle, où les architectes font leurs preuves dans le domaine, la fin du XIXe et le début du XXe siècle, alors que les architectes considèrent le design de livre comme un complément important à leur carrière professionnelle et l’époque actuelle où certaines firmes(...)
Classification:
expositions
expositions
Date:
24 juin 2004 au
26 septembre 2004
24 juin 2004 au
26 septembre 2004
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Domestic Commissions
Domestic Commissions
Numéro de référence:
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Personnes et institutions:
Date:
[between 1838 and 1861]
[between 1838 and 1861]
Titre:
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Niveau de description archivistique:
File 2
File 2
Date:
[between 1838 and 1861]
[between 1838 and 1861]
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Date:
11 mai 2016 au 16 octobre 2016
11 mai 2016 au 16 octobre 2016
Titre:
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Classification:
expositions
expositions
Date:
11 mai 2016 au
16 octobre 2016
11 mai 2016 au
16 octobre 2016
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Jean Michaud
Fonds Jean Michaud
Numéro de référence:
AP012
Résumé:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
AP012
Résumé:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Personnes et institutions:
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
Titre:
Fonds Jean Michaud
Actions:
AP012
Résumé:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Fonds Jean Michaud
Actions:
AP012
Résumé:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Brian Hatton, chercheur principal et boursier Mellon au CCA en 2009, est professeur à lArchitectural Association à Londres.
Brian Hatton, chercheur principal et boursier Mellon au CCA en 2009, est professeur à lArchitectural Association à Londres.
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
24 septembre 2009 , 18h
24 septembre 2009 , 18h
Titre:
Brian Hatton : Wandering in the Open Plan
Actions:
Description:
Brian Hatton, chercheur principal et boursier Mellon au CCA en 2009, est professeur à lArchitectural Association à Londres.
Brian Hatton : Wandering in the Open Plan
Actions:
Description:
Brian Hatton, chercheur principal et boursier Mellon au CCA en 2009, est professeur à lArchitectural Association à Londres.
Classification:
événements
événements
Date:
24 septembre 2009
18h
24 septembre 2009
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
