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Designing Cities examines the most important design and presentation principles of urban design, using selected historical examples and contemporary international competition entries designed by practices including Foster + Partners, KCAP Architects & Planners, MVRDV, and OMA.
Designing cities : basics, principles, projects
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Designing Cities examines the most important design and presentation principles of urban design, using selected historical examples and contemporary international competition entries designed by practices including Foster + Partners, KCAP Architects & Planners, MVRDV, and OMA.
Théorie de l’urbanisme
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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches,(...)
From the things themselves : architecture and phenomenology
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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches, Chinese and Japanese gardens, to the work of contemporary architects.
Théorie de l’architecture
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The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual(...)
Architecture's pretexts: spaces of translation
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The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual and formal situation/context as pretexts and design paradigms. Connections between diverse bodies of information will be cultivated along with the ability to posit consequential relationships for the production of architecture.
Théorie de l’architecture
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Seeing is Believing: The Politics of the Visual is a personal and analytical investigation into the politics of visual communication. The book explores the complex and reciprocal dynamic between world and image in our visually mediated society.
Seeing is believing: the politics of the visual
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Seeing is Believing: The Politics of the Visual is a personal and analytical investigation into the politics of visual communication. The book explores the complex and reciprocal dynamic between world and image in our visually mediated society.
Théorie de l’art
The battle for modernism: Quadrante and the politicization of architecture discourse in facist Italy
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The other side of twentieth-century architectural history in Italy and Europe. Quadrante rallied supporters and organized the most prominent practitioners and benefactors of Italian rationalism into a coherent movement that advanced the cause of specific currents of modern architecture in interwar Italy. Through a detailed study of Quadrante and its circle of architects,(...)
The battle for modernism: Quadrante and the politicization of architecture discourse in facist Italy
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The other side of twentieth-century architectural history in Italy and Europe. Quadrante rallied supporters and organized the most prominent practitioners and benefactors of Italian rationalism into a coherent movement that advanced the cause of specific currents of modern architecture in interwar Italy. Through a detailed study of Quadrante and its circle of architects, critics, artists, and patrons, the book investigates the relationship between modern architecture and fascist political practices in Italy during Benito Mussolini's regime (1922-1943).
Théorie de l’architecture
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How and why Palladio has become the most influential architect of the Renaissance and beyond.For more than four and a half centuries, his works have continuously provided a touchstone for architects, not only in the Veneto, where architects were able to scrutinize his works firsthand, but abroad as well. Indeed, his followers are legion; however, the manner in which his(...)
Palladio's Legacy: architectural polemics in eighteenth-century Venice
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How and why Palladio has become the most influential architect of the Renaissance and beyond.For more than four and a half centuries, his works have continuously provided a touchstone for architects, not only in the Veneto, where architects were able to scrutinize his works firsthand, but abroad as well. Indeed, his followers are legion; however, the manner in which his oeuvre has been interpreted varied considerably according to time and place. His successors have ranged from those advocating a return to classical orthodoxy to those who have sought to borrow from his work more freely. Yet as the call for architectural reform grew ever more urgent over the course of the eighteenth century, this polysemy came to be overshadowed by a rationalized classical interpretation of Palladio's work.
Théorie de l’architecture
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The book chronicles the thirty-year history of the evolution and development of Seaside, Florida, its global influence on town planning, and the resurgence of place-making in the built environment. Through a rich repository of historical materials and writings, the book chronicles numerous architectural and planning schemes, and outlines a blueprint for moving forward(...)
Visions of Seaside: foundation, evolution, imagination
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The book chronicles the thirty-year history of the evolution and development of Seaside, Florida, its global influence on town planning, and the resurgence of place-making in the built environment. Through a rich repository of historical materials and writings, the book chronicles numerous architectural and planning schemes, and outlines a blueprint for moving forward over the next twenty-five to fifty years. Among the many contributors are Deborah Berke, Andrés Duany, Steven Holl, Léon Krier, Elizabeth Plater-Zyberk, Aldo Rossi, and Robert A. M. Stern.
Théorie de l’urbanisme
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La transcription d'une conférence de Jacques Derrida autour de la figure de l'aveugle et de l'aveuglement en art : un document à double titre inédit, seule trace d'une exposition que Derrida réalisa au Louvre en 1991, et unique conférence qu'il donna dans une école d'art, celle du Havre.
A dessein, le dessin – Suivi de « Derrida à l’improviste » par Ginette Michaud
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La transcription d'une conférence de Jacques Derrida autour de la figure de l'aveugle et de l'aveuglement en art : un document à double titre inédit, seule trace d'une exposition que Derrida réalisa au Louvre en 1991, et unique conférence qu'il donna dans une école d'art, celle du Havre.
Théorie de l’art
$29.00
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Une réinterprétation leibnizienne de l'opposition traditionnelle entre jardins géométrique et paysager.
Leibniz, Herrenhausen et Versailles : le jardin à la française, un parcours de la modernité
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Une réinterprétation leibnizienne de l'opposition traditionnelle entre jardins géométrique et paysager.
Théorie du paysage
$59.00
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Dans une approche pluridisciplinaire ouverte aux autres champs des sciences humaines, elle étudie les interactions entre le droit et la création artistique et s'intéresse notamment aux économies de l'art, au statut de l'image, aux relations entre l'art et la technique, au statut du corps et aux redéfinitions de l'identité.
Le droit après la dématérialisation de l’œuvre d’art
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Dans une approche pluridisciplinaire ouverte aux autres champs des sciences humaines, elle étudie les interactions entre le droit et la création artistique et s'intéresse notamment aux économies de l'art, au statut de l'image, aux relations entre l'art et la technique, au statut du corps et aux redéfinitions de l'identité.
Théorie de l’art