118964 Résultats
Classification:
dessins
dessins
Numéro de référence:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Date:
probably between 1745-1775
probably between 1745-1775
Titre:
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Classification:
dessins
dessins
Date:
probably between 1745-1775
probably between 1745-1775
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Mark Goulthorpe Hyposurface project records
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Mark Goulthorpe Hyposurface project records
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Model Room at Sir John Soane's Museum, 2017
Actions:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Model Room at Sir John Soane's Museum, 2017
Actions:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2012
2012
Titre:
Questioning Pictures: Photograph of column capital at Karnak in Philae
Actions:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of column capital at Karnak in Philae
Actions:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2012
2012
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2016
2016
Titre:
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2016
2016
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Painting Cabinet, Sir John Soane's Museum, 2017
Actions:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Painting Cabinet, Sir John Soane's Museum, 2017
Actions:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Palamede, sculpture by Antonio Canova
Actions:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Palamede, sculpture by Antonio Canova
Actions:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
L’architecte Bijoy Jain de Studio Mumbai présente ses derniers projets. Des pièces à ne pas manquer : Umberto Riva, Bijoy Jain présente le travail de Bijoy Jain et Umberto Riva, deux architectes qui partagent un profond intérêt pour les matériaux, le travail de l’artisan et les processus architecturaux.
L’architecte Bijoy Jain de Studio Mumbai présente ses derniers projets. Des pièces à ne pas manquer : Umberto Riva, Bijoy Jain présente le travail de Bijoy Jain et Umberto Riva, deux architectes qui partagent un profond intérêt pour les matériaux, le travail de l’artisan et les processus architecturaux.
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
6 novembre 2014 , 18h
6 novembre 2014 , 18h
Titre:
Des pièces à Mumbai : une discussion avec Bijoy Jain
Actions:
Description:
L’architecte Bijoy Jain de Studio Mumbai présente ses derniers projets. Des pièces à ne pas manquer : Umberto Riva, Bijoy Jain présente le travail de Bijoy Jain et Umberto Riva, deux architectes qui partagent un profond intérêt pour les matériaux, le travail de l’artisan et les processus architecturaux.
Des pièces à Mumbai : une discussion avec Bijoy Jain
Actions:
Description:
L’architecte Bijoy Jain de Studio Mumbai présente ses derniers projets. Des pièces à ne pas manquer : Umberto Riva, Bijoy Jain présente le travail de Bijoy Jain et Umberto Riva, deux architectes qui partagent un profond intérêt pour les matériaux, le travail de l’artisan et les processus architecturaux.
Classification:
événements
événements
Date:
6 novembre 2014
18h
6 novembre 2014
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
expositions
expositions
Titre:
Tangente - Alain Paiement
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Localisation:
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Date:
23 avril 2003 au 23 novembre 2003
23 avril 2003 au 23 novembre 2003
Titre:
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Classification:
expositions
expositions
Date:
23 avril 2003 au
23 novembre 2003
23 avril 2003 au
23 novembre 2003
Localisation:
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1854-1858, printed 1854-1858
1854-1858, printed 1854-1858
Titre:
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
1854-1858, printed 1854-1858
1854-1858, printed 1854-1858
Personnes et institutions:
Sujet:
architecture
architecture
