36173 Résultats
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This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques - often used alongside digital technologies - to the worldwide proliferation of self-published artist's books and ephemera. "Print/Out" features(...)
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This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques - often used alongside digital technologies - to the worldwide proliferation of self-published artist's books and ephemera. "Print/Out" features(...)
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Print / Out : 20 years in print
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This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques - often used alongside digital technologies - to the worldwide proliferation of self-published artist's books and ephemera. "Print/Out" features focused sections on ten artists and publishers - Ai Weiwei, Edition Jacob Samuel, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Robert Rauschenberg, Superflex and Rirkrit Tiravanija--as well as rich illustrations of additional printed projects from the last 20 years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schutte and Kelley Walker.
Print / Out : 20 years in print
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This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques - often used alongside digital technologies - to the worldwide proliferation of self-published artist's books and ephemera. "Print/Out" features focused sections on ten artists and publishers - Ai Weiwei, Edition Jacob Samuel, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Robert Rauschenberg, Superflex and Rirkrit Tiravanija--as well as rich illustrations of additional printed projects from the last 20 years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schutte and Kelley Walker.
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livres
Publication:
mars 2012
mars 2012
Sujet:
Arts graphiques imprimés
Arts graphiques imprimés
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livres
Titre:
Francesca Woodman's notebook
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure,(...)
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure,(...)
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Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure, Woodman found five tattered school exercise books, printed in 1906, side-stapled and inscribed in fine cursive penmanship with notes from physics lectures or poems in English and Italian. To these evocative objects, Woodman--already fully formed as the photographer we recognize and admire today--added her characteristic black-and-white photographs, either as small paper prints or as prints made on transparent film that allows the writing beneath to show through, further embellishing them with her own captions or remarks. This facsimile edition of one of these notebooks was selected for publication by Woodman's mother and father as an artist's book of particular beauty and revelatory content that provides unprecedented insight into the emphatically narrative logic of Woodman's photography. Housed in a lightweight printed box, it includes an afterword by George Woodman, Francesca's father, that contextualizes the work within the photographer's artist's book production.
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure, Woodman found five tattered school exercise books, printed in 1906, side-stapled and inscribed in fine cursive penmanship with notes from physics lectures or poems in English and Italian. To these evocative objects, Woodman--already fully formed as the photographer we recognize and admire today--added her characteristic black-and-white photographs, either as small paper prints or as prints made on transparent film that allows the writing beneath to show through, further embellishing them with her own captions or remarks. This facsimile edition of one of these notebooks was selected for publication by Woodman's mother and father as an artist's book of particular beauty and revelatory content that provides unprecedented insight into the emphatically narrative logic of Woodman's photography. Housed in a lightweight printed box, it includes an afterword by George Woodman, Francesca's father, that contextualizes the work within the photographer's artist's book production.
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livres
Publication:
mars 2012
mars 2012
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences.(...)
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences.(...)
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Olaf Otto Becker : under the nordic light, a journey through time / Iceland 1999-2011
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences. "Under the Nordic Light" contains both new and previously published photographs of Iceland.
Olaf Otto Becker : under the nordic light, a journey through time / Iceland 1999-2011
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences. "Under the Nordic Light" contains both new and previously published photographs of Iceland.
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livres
Publication:
mars 2012
mars 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Thomas R. Schiff : prospect
Thomas R. Schiff : prospect
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From vernacular movie theaters of the 1930s and spectacular hotel resorts to libraries, private residences, universities, museums and the fantastical buildings of Las Vegas, Thomas Schiff's "Prospect "documents quintessential American architecture at its grandest. Schiff uses panoramic views to draw out vertiginous effects of scale and drama from the sweeping interiors he(...)
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From vernacular movie theaters of the 1930s and spectacular hotel resorts to libraries, private residences, universities, museums and the fantastical buildings of Las Vegas, Thomas Schiff's "Prospect "documents quintessential American architecture at its grandest. Schiff uses panoramic views to draw out vertiginous effects of scale and drama from the sweeping interiors he(...)
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Thomas R. Schiff : prospect
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From vernacular movie theaters of the 1930s and spectacular hotel resorts to libraries, private residences, universities, museums and the fantastical buildings of Las Vegas, Thomas Schiff's "Prospect "documents quintessential American architecture at its grandest. Schiff uses panoramic views to draw out vertiginous effects of scale and drama from the sweeping interiors he portrays: "In the past, I've always looked for a photograph and tried to isolate a tiny area that would make a good print," Schiff says. "With panoramic photography, you approach it a different way. Instead of trying to isolate a photograph, you look for an entire area where there is a good view in all directions." Among the more than 200 photographs in "Prospect" are buildings by some of the titans of contemporary architecture, such as Norman Foster, Frank Lloyd Wright, Louis Kahn, Zaha Hadid and Renzo Piano.
Thomas R. Schiff : prospect
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From vernacular movie theaters of the 1930s and spectacular hotel resorts to libraries, private residences, universities, museums and the fantastical buildings of Las Vegas, Thomas Schiff's "Prospect "documents quintessential American architecture at its grandest. Schiff uses panoramic views to draw out vertiginous effects of scale and drama from the sweeping interiors he portrays: "In the past, I've always looked for a photograph and tried to isolate a tiny area that would make a good print," Schiff says. "With panoramic photography, you approach it a different way. Instead of trying to isolate a photograph, you look for an entire area where there is a good view in all directions." Among the more than 200 photographs in "Prospect" are buildings by some of the titans of contemporary architecture, such as Norman Foster, Frank Lloyd Wright, Louis Kahn, Zaha Hadid and Renzo Piano.
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mars 2012
mars 2012
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Monographies photo
Monographies photo
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
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Résumé:
Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
Titre:
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
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livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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In The Raw and the Cooked, Peter Bialobrzeski (born 1961) sets forth the most complete account of his vision of the Asian megacity. From the simplest shack to the tallest highrise, from vernacular buildings made from scavenged materials to corporate buildings made from steel, concrete and glass, Bialobrzeski records the demented proliferation as Asia’s cities reach higher(...)
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In The Raw and the Cooked, Peter Bialobrzeski (born 1961) sets forth the most complete account of his vision of the Asian megacity. From the simplest shack to the tallest highrise, from vernacular buildings made from scavenged materials to corporate buildings made from steel, concrete and glass, Bialobrzeski records the demented proliferation as Asia’s cities reach higher(...)
Titre:
Peter Bialobrzeski: the raw and the cooked
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In The Raw and the Cooked, Peter Bialobrzeski (born 1961) sets forth the most complete account of his vision of the Asian megacity. From the simplest shack to the tallest highrise, from vernacular buildings made from scavenged materials to corporate buildings made from steel, concrete and glass, Bialobrzeski records the demented proliferation as Asia’s cities reach higher into the sky and farther across the land. This publication collects a series of tableaux from 14 countries around the world, in which economic transformations are shown to have brought dizzying disparities between wealth and poverty. It depicts these cities with a seductive glow that renders them eerie and unreal as expressions of progress.
Peter Bialobrzeski: the raw and the cooked
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In The Raw and the Cooked, Peter Bialobrzeski (born 1961) sets forth the most complete account of his vision of the Asian megacity. From the simplest shack to the tallest highrise, from vernacular buildings made from scavenged materials to corporate buildings made from steel, concrete and glass, Bialobrzeski records the demented proliferation as Asia’s cities reach higher into the sky and farther across the land. This publication collects a series of tableaux from 14 countries around the world, in which economic transformations are shown to have brought dizzying disparities between wealth and poverty. It depicts these cities with a seductive glow that renders them eerie and unreal as expressions of progress.
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livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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Titre:
Pablo Lopez Luz
Pablo Lopez Luz
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The aerial photographs of Pablo Lopez Luz (born 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual(...)
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The aerial photographs of Pablo Lopez Luz (born 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual(...)
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Pablo Lopez Luz
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The aerial photographs of Pablo Lopez Luz (born 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual information, and the extraordinary impact that urban populations have as they encroach in ever-increasing circles upon the landscape around them. "Pablo Lopez Luz" contains color photographs produced over the last five years in Acapulco, Chiapas, Mexico City and Tijuana, plus another series made in Hong Kong.
Pablo Lopez Luz
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The aerial photographs of Pablo Lopez Luz (born 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual information, and the extraordinary impact that urban populations have as they encroach in ever-increasing circles upon the landscape around them. "Pablo Lopez Luz" contains color photographs produced over the last five years in Acapulco, Chiapas, Mexico City and Tijuana, plus another series made in Hong Kong.
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livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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An encounter with Aaron Siskind inspired American photographer Alan Cohen (born 1943) to abandon his doctoral program in thermodynamics and instead pursue a career in photography under Siskind’s tutelage. For the past two decades Cohen has traveled the world, using the medium of black-and-white photography to record places marked by the political acts or the covert(...)
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An encounter with Aaron Siskind inspired American photographer Alan Cohen (born 1943) to abandon his doctoral program in thermodynamics and instead pursue a career in photography under Siskind’s tutelage. For the past two decades Cohen has traveled the world, using the medium of black-and-white photography to record places marked by the political acts or the covert(...)
Titre:
Alan Cohen: Earth with meaning
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An encounter with Aaron Siskind inspired American photographer Alan Cohen (born 1943) to abandon his doctoral program in thermodynamics and instead pursue a career in photography under Siskind’s tutelage. For the past two decades Cohen has traveled the world, using the medium of black-and-white photography to record places marked by the political acts or the covert actions of others; places marked by time through the course of natural and often catastrophic occurrences. Crumbling stone walls and other near-invisible demarcations of political boundaries are among the mute witnesses he chooses as his subjects. “I have come to understand that history, in a contemporary image, can be sited,” Cohen writes. “Events can--and do--become geography.” This book tracks the evolution of Cohen’s work over a 40-year career, reflecting the artist’s belief in photography as both a social document and a meditative art.
Alan Cohen: Earth with meaning
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An encounter with Aaron Siskind inspired American photographer Alan Cohen (born 1943) to abandon his doctoral program in thermodynamics and instead pursue a career in photography under Siskind’s tutelage. For the past two decades Cohen has traveled the world, using the medium of black-and-white photography to record places marked by the political acts or the covert actions of others; places marked by time through the course of natural and often catastrophic occurrences. Crumbling stone walls and other near-invisible demarcations of political boundaries are among the mute witnesses he chooses as his subjects. “I have come to understand that history, in a contemporary image, can be sited,” Cohen writes. “Events can--and do--become geography.” This book tracks the evolution of Cohen’s work over a 40-year career, reflecting the artist’s belief in photography as both a social document and a meditative art.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Jonas Wood : interiors
Jonas Wood : interiors
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Interiors follows Los Angeles-based painter Jonas Wood's previous thematic monograph, Sports Book. In this new volume, Wood (born 1977) explores his longstanding fascination with intimate interiors, such as the houses he grew up in, his studio and other spaces of his everyday life. Wood renders these interiors with a disorienting combination of scrupulous exactitude and(...)
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Interiors follows Los Angeles-based painter Jonas Wood's previous thematic monograph, Sports Book. In this new volume, Wood (born 1977) explores his longstanding fascination with intimate interiors, such as the houses he grew up in, his studio and other spaces of his everyday life. Wood renders these interiors with a disorienting combination of scrupulous exactitude and(...)
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Jonas Wood : interiors
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Interiors follows Los Angeles-based painter Jonas Wood's previous thematic monograph, Sports Book. In this new volume, Wood (born 1977) explores his longstanding fascination with intimate interiors, such as the houses he grew up in, his studio and other spaces of his everyday life. Wood renders these interiors with a disorienting combination of scrupulous exactitude and absolute flatness.
Jonas Wood : interiors
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Interiors follows Los Angeles-based painter Jonas Wood's previous thematic monograph, Sports Book. In this new volume, Wood (born 1977) explores his longstanding fascination with intimate interiors, such as the houses he grew up in, his studio and other spaces of his everyday life. Wood renders these interiors with a disorienting combination of scrupulous exactitude and absolute flatness.
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livres
livres
Publication:
mai 2012
mai 2012
Classification:
livres
livres
Titre:
Laura Owens
Laura Owens
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Laura Owens (born 1970) is one of the most vital artists to emerge from the 1990s Los Angeles art scene, and a refreshingly uplifting presence in the world of contemporary painting. This catalogue accompanies the artist's first solo museum exhibition in Germany, and reproduces for the first time a range of her more recent works.
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Laura Owens (born 1970) is one of the most vital artists to emerge from the 1990s Los Angeles art scene, and a refreshingly uplifting presence in the world of contemporary painting. This catalogue accompanies the artist's first solo museum exhibition in Germany, and reproduces for the first time a range of her more recent works.
Titre:
Laura Owens
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Laura Owens (born 1970) is one of the most vital artists to emerge from the 1990s Los Angeles art scene, and a refreshingly uplifting presence in the world of contemporary painting. This catalogue accompanies the artist's first solo museum exhibition in Germany, and reproduces for the first time a range of her more recent works.
Laura Owens
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Laura Owens (born 1970) is one of the most vital artists to emerge from the 1990s Los Angeles art scene, and a refreshingly uplifting presence in the world of contemporary painting. This catalogue accompanies the artist's first solo museum exhibition in Germany, and reproduces for the first time a range of her more recent works.
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livres
livres
Publication:
mars 2012
mars 2012
