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Classification:
périodiques
périodiques
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$12.00
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers(...)
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers(...)
Titre:
Afterall 31, Autumn / Winter 2012
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers discussing the same artist's work from varied perspectives. The print journal itself is visually rich, with numerous accompanying illustrations. Published in editorial and research partnership with Museum van Hedendaagse Kunst Antwerpen (M HKA); Smart Museum of Art and Open Practice Committee, University of Chicago; arteypensamiento, Universidad Internacional de Andalucia (UNIA); and Central Saint Martins College of Art and Design, University of the Arts, London.
Afterall 31, Autumn / Winter 2012
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers discussing the same artist's work from varied perspectives. The print journal itself is visually rich, with numerous accompanying illustrations. Published in editorial and research partnership with Museum van Hedendaagse Kunst Antwerpen (M HKA); Smart Museum of Art and Open Practice Committee, University of Chicago; arteypensamiento, Universidad Internacional de Andalucia (UNIA); and Central Saint Martins College of Art and Design, University of the Arts, London.
Classification:
périodiques
périodiques
Publication:
janvier 2013
janvier 2013
Sujet:
Revues
Revues
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livres
livres
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$35.95
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni(...)
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni(...)
Publication:
octobre 2017
octobre 2017
Titre:
The curious Mr. Pettena: rambling around USA 1971-73
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni Pettena (born 1970 in Bolzano) belongs to the original group—along with Archizoom, Superstudio and UFO—of radical Italian architecture. Without denying his background in architecture, he was convinced of the need to rethink the meaning of the discipline, just like the other “radicals”, using the languages of “spatial” research of Conceptual Art and American Land Art, instead of the traditional languages of architectural planning.
The curious Mr. Pettena: rambling around USA 1971-73
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni Pettena (born 1970 in Bolzano) belongs to the original group—along with Archizoom, Superstudio and UFO—of radical Italian architecture. Without denying his background in architecture, he was convinced of the need to rethink the meaning of the discipline, just like the other “radicals”, using the languages of “spatial” research of Conceptual Art and American Land Art, instead of the traditional languages of architectural planning.
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livres
livres
Publication:
octobre 2017
octobre 2017
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livres
livres
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Description:
408 pages : illustrations (some color) ; 29 cm
Description:
408 pages : illustrations (some color) ; 29 cm
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Washington, D.C. : National Museum of American Art and National Portrait Gallery, Smithsonian Institution ; Hanover : Distributed by the University Press of New England, 1993.
Washington, D.C. : National Museum of American Art and National Portrait Gallery, Smithsonian Institution ; Hanover : Distributed by the University Press of New England, 1993.
Titre:
Revisiting the white city : American art at the 1893 World's Fair / organized by Carolyn Kinder Carr and George Gurney ; essays by Robert W. Rydell and Carolyn Kinder Carr ; catalogue of works by Brandon Brame Fortune and Michelle Mead.
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408 pages : illustrations (some color) ; 29 cm
Revisiting the white city : American art at the 1893 World's Fair / organized by Carolyn Kinder Carr and George Gurney ; essays by Robert W. Rydell and Carolyn Kinder Carr ; catalogue of works by Brandon Brame Fortune and Michelle Mead.
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Description:
408 pages : illustrations (some color) ; 29 cm
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livres
livres
Publication:
Washington, D.C. : National Museum of American Art and National Portrait Gallery, Smithsonian Institution ; Hanover : Distributed by the University Press of New England, 1993.
Washington, D.C. : National Museum of American Art and National Portrait Gallery, Smithsonian Institution ; Hanover : Distributed by the University Press of New England, 1993.
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archives
archives
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Description:
143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
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Titre:
Jean-Louis Cohen fonds, 1968-2023
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Jean-Louis Cohen fonds, 1968-2023
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
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archives
archives
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livres
livres
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480 pages : illustrations (some color) ; 34 cm
Description:
480 pages : illustrations (some color) ; 34 cm
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New York : Museum of Modern Art, ©2005.
New York : Museum of Modern Art, ©2005.
Titre:
Friedlander / Peter Galassi ; with an essay by Richard Benson.
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480 pages : illustrations (some color) ; 34 cm
Friedlander / Peter Galassi ; with an essay by Richard Benson.
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480 pages : illustrations (some color) ; 34 cm
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livres
livres
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New York : Museum of Modern Art, ©2005.
New York : Museum of Modern Art, ©2005.
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livres
livres
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Rural Urban Framework
Rural Urban Framework
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$32.00
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This volume presents the projects of Rural Urban Framework, the non-profit collective of architects based at the University of Hong Kong and led by Joshua Bolchover and John Lin, whose work starts from a careful analysis of the recent urbanization triggered by villages and rural collectives in China to found a procedural and participatory work where architecture can never(...)
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This volume presents the projects of Rural Urban Framework, the non-profit collective of architects based at the University of Hong Kong and led by Joshua Bolchover and John Lin, whose work starts from a careful analysis of the recent urbanization triggered by villages and rural collectives in China to found a procedural and participatory work where architecture can never(...)
Titre:
Rural Urban Framework
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$32.00
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This volume presents the projects of Rural Urban Framework, the non-profit collective of architects based at the University of Hong Kong and led by Joshua Bolchover and John Lin, whose work starts from a careful analysis of the recent urbanization triggered by villages and rural collectives in China to found a procedural and participatory work where architecture can never be considered a finished product (as we are often used to in the West) but a relational element open to the context in which it operates.
Rural Urban Framework
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This volume presents the projects of Rural Urban Framework, the non-profit collective of architects based at the University of Hong Kong and led by Joshua Bolchover and John Lin, whose work starts from a careful analysis of the recent urbanization triggered by villages and rural collectives in China to found a procedural and participatory work where architecture can never be considered a finished product (as we are often used to in the West) but a relational element open to the context in which it operates.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$34.95
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The renowned Institute of Architecture at the University of Applied Arts Vienna presents selected student works from 2009. The design studios of star architects Zaha Hadid, Greg Lynn and Wolf D. Prix offer students countless possibilities to exhaust architectural parameters across borders. The open studio structure, which enables students to work on the same topics from(...)
$34.95
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The renowned Institute of Architecture at the University of Applied Arts Vienna presents selected student works from 2009. The design studios of star architects Zaha Hadid, Greg Lynn and Wolf D. Prix offer students countless possibilities to exhaust architectural parameters across borders. The open studio structure, which enables students to work on the same topics from(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mai 2010
mai 2010
Titre:
IAO studios: Hadid Lynn Prix, selected student works 2009
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The renowned Institute of Architecture at the University of Applied Arts Vienna presents selected student works from 2009. The design studios of star architects Zaha Hadid, Greg Lynn and Wolf D. Prix offer students countless possibilities to exhaust architectural parameters across borders. The open studio structure, which enables students to work on the same topics from their first term up to their graduation, creates dynamics, which would not be possible at this scale in a conventional study structure. This publication should serve as an inspiration for a new dynamic generation of architects.
IAO studios: Hadid Lynn Prix, selected student works 2009
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$34.95
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The renowned Institute of Architecture at the University of Applied Arts Vienna presents selected student works from 2009. The design studios of star architects Zaha Hadid, Greg Lynn and Wolf D. Prix offer students countless possibilities to exhaust architectural parameters across borders. The open studio structure, which enables students to work on the same topics from their first term up to their graduation, creates dynamics, which would not be possible at this scale in a conventional study structure. This publication should serve as an inspiration for a new dynamic generation of architects.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$39.95
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Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or(...)
$39.95
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Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or(...)
Titre:
Shuhei Endo : paramodern architecture
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Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or arranged on different levels to create a membrane around open spaces. This approach is most evident in the "great roofs" that house Endo-designed offices, such as Rooftecture N (Nisinomiya, Hyogo, 1998), or spaces for relaxation and meetings, such as Rooftecture T (Fukui, 1997), as well as private homes, such as Springtecture H (Harima, 1998) and Rooftecture M (Maruoka, 2001). Born in 1960 in Shiga Prefecture, Japan, he graduated in 1986 from the Kyoto School of Art and then joined the Osamu Ishii & Biken Associates architectural studio. In 1988 he founded the Shuhei Endo Institute in Osaka and began teaching at Kinki University, Kobe Design University, and the Fukui Institute of Technology.
Shuhei Endo : paramodern architecture
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Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or arranged on different levels to create a membrane around open spaces. This approach is most evident in the "great roofs" that house Endo-designed offices, such as Rooftecture N (Nisinomiya, Hyogo, 1998), or spaces for relaxation and meetings, such as Rooftecture T (Fukui, 1997), as well as private homes, such as Springtecture H (Harima, 1998) and Rooftecture M (Maruoka, 2001). Born in 1960 in Shiga Prefecture, Japan, he graduated in 1986 from the Kyoto School of Art and then joined the Osamu Ishii & Biken Associates architectural studio. In 1988 he founded the Shuhei Endo Institute in Osaka and began teaching at Kinki University, Kobe Design University, and the Fukui Institute of Technology.
Classification:
livres
livres
Publication:
septembre 2006, Milano
septembre 2006, Milano
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$89.95
(disponible sur commande)
Résumé:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or(...)
$89.95
(disponible sur commande)
Résumé:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or(...)
Titre:
Shuhei Endo : paramodern architecture
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Prix:
$89.95
(disponible sur commande)
Résumé:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or arranged on different levels to create a membrane around open spaces. This approach is most evident in the "great roofs" that house Endo-designed offices, such as Rooftecture N (Nisinomiya, Hyogo, 1998), or spaces for relaxation and meetings, such as Rooftecture T (Fukui, 1997), as well as private homes, such as Springtecture H (Harima, 1998) and Rooftecture M (Maruoka, 2001). Born in 1960 in Shiga Prefecture, Japan, he graduated in 1986 from the Kyoto School of Art and then joined the Osamu Ishii & Biken Associates architectural studio. In 1988 he founded the Shuhei Endo Institute in Osaka and began teaching at Kinki University, Kobe Design University, and the Fukui Institute of Technology.
Shuhei Endo : paramodern architecture
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Prix:
$89.95
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Résumé:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or arranged on different levels to create a membrane around open spaces. This approach is most evident in the "great roofs" that house Endo-designed offices, such as Rooftecture N (Nisinomiya, Hyogo, 1998), or spaces for relaxation and meetings, such as Rooftecture T (Fukui, 1997), as well as private homes, such as Springtecture H (Harima, 1998) and Rooftecture M (Maruoka, 2001). Born in 1960 in Shiga Prefecture, Japan, he graduated in 1986 from the Kyoto School of Art and then joined the Osamu Ishii & Biken Associates architectural studio. In 1988 he founded the Shuhei Endo Institute in Osaka and began teaching at Kinki University, Kobe Design University, and the Fukui Institute of Technology.
Classification:
livres
livres
Publication:
mai 2003, Milano
mai 2003, Milano
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$25.00
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground(...)
$25.00
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground(...)
Titre:
Columbia in Manhattanville. Renzo Piano. Diller, Scofidio + Renfro.
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university.Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.
Columbia in Manhattanville. Renzo Piano. Diller, Scofidio + Renfro.
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$25.00
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Résumé:
In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university.Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
