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The Feel of the City exposes the sensory experiences of city-dwellers in Montreal and Brussels at the turn of the century and the ways in which these shaped the social and cultural significance of urban space. Using the experiences of municipal officials, urban planners, hygienists, workers, writers, artists, and ordinary citizens, Nicolas Kenny explores the implications(...)
The feel of the city: experiences of urban transformation
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The Feel of the City exposes the sensory experiences of city-dwellers in Montreal and Brussels at the turn of the century and the ways in which these shaped the social and cultural significance of urban space. Using the experiences of municipal officials, urban planners, hygienists, workers, writers, artists, and ordinary citizens, Nicolas Kenny explores the implications of the senses for our understanding of modernity.
Théorie de l’urbanisme
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"Story and Sustainability" explores the role of story in planning theory and practice, with the goal of creating U.S. cities able to balance competing claims for economic growth, environmental health, and social justice. In the book, urban practitioners and scholars from fields as diverse as American studies, English, geography, history, planning, and criminal justice(...)
Théorie de l’urbanisme
janvier 1900, Cambridge, Mass.
Story and sustainability : planning, practice, and possibility for American cities
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"Story and Sustainability" explores the role of story in planning theory and practice, with the goal of creating U.S. cities able to balance competing claims for economic growth, environmental health, and social justice. In the book, urban practitioners and scholars from fields as diverse as American studies, English, geography, history, planning, and criminal justice reflect critically on the traditional exclusionary power of storytelling and on its potential to facilitate the transformations of imagination, theory, and practice necessary to create sustainable, democratic American cities.
Théorie de l’urbanisme
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Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the(...)
Art, époques et styles
septembre 2009
Twilight visions: Surrealism and Paris
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Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. This volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity.
Art, époques et styles
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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing(...)
janvier 1900, Munich / Berlin /London / New York
China's new dawn : an architectural transformation
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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing ground for the world's most innovative designers and engineers. Layla Dawson's groundbreaking survey of architectural currents in China lays out not only the historical events that have brought the country to this unique position, but explores the challenges inherent in opening up the country to outside forces and ideas. She examines projects by Chinese and non-Chinese architects, including Zaha Hadid's Soho City masterplan, Rem Koolhaas's CCTV Headquarters, Norman Foster's Shanghai Tower and plans for the Beijing 2008 Olympic Games. As Dawson demonstrates how conflicting architectural philosophies are visible in China's newly rising skyline, she takes an unblinking look at the liabilities China faces by opening itself up to foreign influence.
livres
Invention of art
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In The Invention of Art, Larry Shiner argues that the category of fine art is a modern invention, and that the line drawn between art and craft resulted from key social transformations in Europe during the eighteenth century. He looks at works by Hogarth, Rousseau, Woolstonecraft, Emerson, Marx, Dewey and Benjamin to show how the modern system maintains its dominance(...)
Invention of art
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In The Invention of Art, Larry Shiner argues that the category of fine art is a modern invention, and that the line drawn between art and craft resulted from key social transformations in Europe during the eighteenth century. He looks at works by Hogarth, Rousseau, Woolstonecraft, Emerson, Marx, Dewey and Benjamin to show how the modern system maintains its dominance through the assimilation of artists and musicians who resist it, and the distinctions it draws between artists and artisans, and high art and the crafts.
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septembre 2001, Chicago
Théorie de l’art
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A profound social change can be observed in the areas of mobility, work, and trade, as well as in the practice of faith, especially in cities. As a result, certain building typologies such as petrol stations, offices, shopping centers, cinemas, and churches are being used less, thus becoming increasingly obsolete and contributing to the obsolescence of the city. Three(...)
Rethinking obsolete typologies: Transformation potentials and scenarios
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A profound social change can be observed in the areas of mobility, work, and trade, as well as in the practice of faith, especially in cities. As a result, certain building typologies such as petrol stations, offices, shopping centers, cinemas, and churches are being used less, thus becoming increasingly obsolete and contributing to the obsolescence of the city. Three strategies must be considered for the efficient transformation of these structures: the conversion of existing architecture and the preservation of the gray energy they embody; the maximization of land use; and the strengthening of ecological functions to improve the urban microclimate and the quality of living space.
Théorie de l’architecture
livres
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562 pages : illustrations (chiefly color) ; 25 cm
Basel, Switzerland ; Boston [MA] : Birkhäuser Verlag GmbH, [2019]
Architecture in Norway : an architectural history from the Stone Age to the 21st century / Nils Georg Brekke, Per Jonas Nordhagen and Siri Skjold Lexau ; translation from Norwegian into English, Hege Hernæs, Justin le Furjah.
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562 pages : illustrations (chiefly color) ; 25 cm
livres
Basel, Switzerland ; Boston [MA] : Birkhäuser Verlag GmbH, [2019]
$48.00
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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large:(...)
The possibility of an absolute architecture
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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Etienne-Louis Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms.
Théorie de l’architecture
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The city of Mumbai in India is undergoing dramatic transformations and the forces driving these changes in the city are forcing new modes of urbanism and urbanization to be realised. In particular, social, economic and political forces are aggressively pushing the evolution of an urban form in which local architects and planners are struggling to qualitatively intervene.(...)
Reclaiming (the urbanism) of Mumbai
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The city of Mumbai in India is undergoing dramatic transformations and the forces driving these changes in the city are forcing new modes of urbanism and urbanization to be realised. In particular, social, economic and political forces are aggressively pushing the evolution of an urban form in which local architects and planners are struggling to qualitatively intervene. This collection of essays and writings examine both the status quo in current developments while exploring stimulating projects that are emerging on the margins that provide hope for future directions of urbanisation in the city.
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Parmi les stigmatisations formulées par l'Internationale situationniste, l'urbanisme occupe une place spécifique en tant que forme spatiale de domination de la marchandise ou comme décor naturel du capitalisme. Ses diatribes et attaques constituent une véritable déclaration de guerre contre l'idéologie dominante du fonctionnalisme et du modernisme, entendue comme voie(...)
février 2008, Paris
Le grand jeu à venir: textes situationnistes sur la ville
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Parmi les stigmatisations formulées par l'Internationale situationniste, l'urbanisme occupe une place spécifique en tant que forme spatiale de domination de la marchandise ou comme décor naturel du capitalisme. Ses diatribes et attaques constituent une véritable déclaration de guerre contre l'idéologie dominante du fonctionnalisme et du modernisme, entendue comme voie royale du progrès économique et social. Nulle part mieux que dans les transformations de l'art de bâtir, la prégnance de cette nouvelle doxa n'est manifeste. En dépit de quelques travestissements culturels, l'architecture renoue avec sa fonction politique d'inscrire la division de la société dans l'espace, imposant à chaque classe sociale sa place.