1221 Résultats
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
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Résumé:
The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
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Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
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livres
livres
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septembre 2017
septembre 2017
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xviii, 429 pages : illustrations, maps ; 25 cm
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xviii, 429 pages : illustrations, maps ; 25 cm
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London ; New York : Routledge, 1998.
London ; New York : Routledge, 1998.
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Places through the body / edited by Heidi J. Nast and Steve Pile.
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xviii, 429 pages : illustrations, maps ; 25 cm
Places through the body / edited by Heidi J. Nast and Steve Pile.
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xviii, 429 pages : illustrations, maps ; 25 cm
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livres
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London ; New York : Routledge, 1998.
London ; New York : Routledge, 1998.
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xiv, 292 pages : illustrations ; 26 cm
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xiv, 292 pages : illustrations ; 26 cm
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Farnham, Surrey, England ; Burlington, VT : Ashgate, 2015.
Farnham, Surrey, England ; Burlington, VT : Ashgate, 2015.
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Art, technology and nature : Renaissance to postmodernity / edited by Camilla Skovbjerg Paldam and Jacob Wamberg.
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xiv, 292 pages : illustrations ; 26 cm
Art, technology and nature : Renaissance to postmodernity / edited by Camilla Skovbjerg Paldam and Jacob Wamberg.
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xiv, 292 pages : illustrations ; 26 cm
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livres
livres
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Farnham, Surrey, England ; Burlington, VT : Ashgate, 2015.
Farnham, Surrey, England ; Burlington, VT : Ashgate, 2015.
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livres
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xi, 146 pages : illustrations ; 21 cm
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xi, 146 pages : illustrations ; 21 cm
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Calgary, Alberta, Canada : University of Calgary Press, ©2004.
Calgary, Alberta, Canada : University of Calgary Press, ©2004.
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Passages : explorations of the contemporary city / [Graham Livesey].
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xi, 146 pages : illustrations ; 21 cm
Passages : explorations of the contemporary city / [Graham Livesey].
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xi, 146 pages : illustrations ; 21 cm
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livres
livres
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Calgary, Alberta, Canada : University of Calgary Press, ©2004.
Calgary, Alberta, Canada : University of Calgary Press, ©2004.
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392 pages : illustrations ; 25 cm
Description:
392 pages : illustrations ; 25 cm
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London : Continuum, 2002.
London : Continuum, 2002.
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The third text reader on art, culture and theory / edited by Rasheed Araeen, Sean Cubitt, and Ziauddin Sardar.
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392 pages : illustrations ; 25 cm
The third text reader on art, culture and theory / edited by Rasheed Araeen, Sean Cubitt, and Ziauddin Sardar.
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392 pages : illustrations ; 25 cm
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livres
livres
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London : Continuum, 2002.
London : Continuum, 2002.
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vii, 350 pages : illustrations ; 24 cm
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vii, 350 pages : illustrations ; 24 cm
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Pittsburgh : University of Pittsburgh Press, 2025.
Pittsburgh : University of Pittsburgh Press, 2025.
Titre:
Writing architectural history : evidence and narrative in the twenty-first century / Aggregate Architectural History Collaborative.
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vii, 350 pages : illustrations ; 24 cm
Writing architectural history : evidence and narrative in the twenty-first century / Aggregate Architectural History Collaborative.
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vii, 350 pages : illustrations ; 24 cm
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livres
livres
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Pittsburgh : University of Pittsburgh Press, 2025.
Pittsburgh : University of Pittsburgh Press, 2025.
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livres
livres
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$35.95
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Résumé:
Postmodernism stood for everything modernism rejected: fun, exuberance, irresponsibility. But beneath its glitzy surface, postmodernism had a dirty secret: it was the fig leaf for a rapacious new kind of capitalism. It was the forcing ground of ''post truth,'' by means of which western values were turned upside down. But where do these ideas come from and how have they(...)
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Résumé:
Postmodernism stood for everything modernism rejected: fun, exuberance, irresponsibility. But beneath its glitzy surface, postmodernism had a dirty secret: it was the fig leaf for a rapacious new kind of capitalism. It was the forcing ground of ''post truth,'' by means of which western values were turned upside down. But where do these ideas come from and how have they(...)
Titre:
Everything all the time, everywhere: How we became Postmodern
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$35.95
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Postmodernism stood for everything modernism rejected: fun, exuberance, irresponsibility. But beneath its glitzy surface, postmodernism had a dirty secret: it was the fig leaf for a rapacious new kind of capitalism. It was the forcing ground of ''post truth,'' by means of which western values were turned upside down. But where do these ideas come from and how have they impacted on the world? In this brilliant history of a dangerous idea, Stuart Jeffries tells a narrative that starts in the early 1970s and still dominates our lives today. He tells this history through a riotous gallery that includes, among others: David Bowie, the iPod, Madonna, Jeff Koons’s the Nixon Shock, Judith Butler, Las Vegas, Margaret Thatcher, Grand Master Flash, I Love Dick, the RAND Corporation, the Sex Pistols, Princess Diana, Grand Theft Auto, Jean Baudrillard, Netflix, and 9/11. We are today scarcely capable of conceiving politics as a communal activity because we have become habituated to being consumers rather than citizens. Politicians treat us as consumers to whom they must deliver. Can we do anything other than suffer from buyer’s remorse?
Everything all the time, everywhere: How we became Postmodern
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$35.95
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Postmodernism stood for everything modernism rejected: fun, exuberance, irresponsibility. But beneath its glitzy surface, postmodernism had a dirty secret: it was the fig leaf for a rapacious new kind of capitalism. It was the forcing ground of ''post truth,'' by means of which western values were turned upside down. But where do these ideas come from and how have they impacted on the world? In this brilliant history of a dangerous idea, Stuart Jeffries tells a narrative that starts in the early 1970s and still dominates our lives today. He tells this history through a riotous gallery that includes, among others: David Bowie, the iPod, Madonna, Jeff Koons’s the Nixon Shock, Judith Butler, Las Vegas, Margaret Thatcher, Grand Master Flash, I Love Dick, the RAND Corporation, the Sex Pistols, Princess Diana, Grand Theft Auto, Jean Baudrillard, Netflix, and 9/11. We are today scarcely capable of conceiving politics as a communal activity because we have become habituated to being consumers rather than citizens. Politicians treat us as consumers to whom they must deliver. Can we do anything other than suffer from buyer’s remorse?
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livres
livres
Publication:
octobre 2021
octobre 2021
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Social
Social
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237 pages : illustrations (some color), facsimiles, maps ; 24 cm.
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237 pages : illustrations (some color), facsimiles, maps ; 24 cm.
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London : Reaktion, 2000., ©2000
London : Reaktion, 2000., ©2000
Titre:
The consumption of Kuala Lumpur / Ziauddin Sardar.
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237 pages : illustrations (some color), facsimiles, maps ; 24 cm.
The consumption of Kuala Lumpur / Ziauddin Sardar.
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237 pages : illustrations (some color), facsimiles, maps ; 24 cm.
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livres
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London : Reaktion, 2000., ©2000
London : Reaktion, 2000., ©2000
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xiv, 130 pages : illustrations ; 24 cm.
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xiv, 130 pages : illustrations ; 24 cm.
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Gainesville : University Press of Florida, ©1997.
Gainesville : University Press of Florida, ©1997.
Titre:
Roland Barthes on photography : the critical tradition in perspective / Nancy M. Shawcross.
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xiv, 130 pages : illustrations ; 24 cm.
Roland Barthes on photography : the critical tradition in perspective / Nancy M. Shawcross.
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xiv, 130 pages : illustrations ; 24 cm.
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livres
livres
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Gainesville : University Press of Florida, ©1997.
Gainesville : University Press of Florida, ©1997.
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livres
livres
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440 pages : illustrations (some color), maps ; 26 cm
Description:
440 pages : illustrations (some color), maps ; 26 cm
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Cambridge, Mass. : MIT Press ; Washington, D.C. : Association of Collegiate Schools of Architecture, ©2012.
Cambridge, Mass. : MIT Press ; Washington, D.C. : Association of Collegiate Schools of Architecture, ©2012.
Titre:
Architecture school : three centuries of educating architects in North America / Joan Ockman, editor ; with Rebecca Williamson, research editor.
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440 pages : illustrations (some color), maps ; 26 cm
Architecture school : three centuries of educating architects in North America / Joan Ockman, editor ; with Rebecca Williamson, research editor.
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440 pages : illustrations (some color), maps ; 26 cm
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livres
livres
Publication:
Cambridge, Mass. : MIT Press ; Washington, D.C. : Association of Collegiate Schools of Architecture, ©2012.
Cambridge, Mass. : MIT Press ; Washington, D.C. : Association of Collegiate Schools of Architecture, ©2012.
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