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Canada is situated geographically, historically, and culturally between old empires (Great Britain and France) and a more recent one (the United States), as well as on the terrain of First Nations communities. Poised between historical and metaphorical empires and operating within the conditions of incomplete modernity and economic and cultural dependency, Canada has(...)
Canadian cultural studies: a reader
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Canada is situated geographically, historically, and culturally between old empires (Great Britain and France) and a more recent one (the United States), as well as on the terrain of First Nations communities. Poised between historical and metaphorical empires and operating within the conditions of incomplete modernity and economic and cultural dependency, Canada has generated a body of cultural criticism and theory that offers unique insights into the dynamics of both center and periphery. The Reader brings together for the first time in one volume recent writing in Canadian cultural studies and work by significant Canadian cultural analysts of the postwar era.
Architecture du Canada
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Founders of the Congress for the New Urbanism, Andres Duany and Elizabeth Plater-Zyberk are at the forefront of this movement, and in Suburban Nation they assess sprawl's costs to society, be they ecological, economic, aesthetic, or social. It is a lively, thorough, critical lament, and an entertaining lesson on(...)
Théorie de l’urbanisme
janvier 2000, New York
Suburban nation : the rise of sprawl and the decline of the American dream
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Founders of the Congress for the New Urbanism, Andres Duany and Elizabeth Plater-Zyberk are at the forefront of this movement, and in Suburban Nation they assess sprawl's costs to society, be they ecological, economic, aesthetic, or social. It is a lively, thorough, critical lament, and an entertaining lesson on the distinctions between postwar suburbia-characterized by housing clusters, strip malls, office parks, and parking lots-and the traditional neighborhoods that were built as a matter of course until mid-century. It is an indictment of the entire development community, including governments, for the fact that America no longer builds towns.
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janvier 2000, New York
Théorie de l’urbanisme
Donald Judd: October files
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Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as "specific objects." Critics labeled it minimalism. Perhaps(...)
Donald Judd: October files
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Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as "specific objects." Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic.
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How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van der Rohe's fascination(...)
Drawing and experiencing architecture: the evolving significance of city's inhabitants in the 20th century
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How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van der Rohe's fascination with perspective, Team Ten's interest in the humanisation of architecture and urbanism, Constantinos Doxiadis and Adriano Olivetti's role in reshaping the relationship between politics and urban planning during the postwar years, Giancarlo De Carlo's architecture of participation, Aldo Rossi's design methods, Denise Scott Brown's active socioplactics and Bernard Tschumi's conception praxis.
Théorie de l’urbanisme
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Countering the prevailing view, which reduces Lefebvre’s theory of space to a projection of his philosophical positions, Stanek argues that Lefebvre’s work grew out of his concrete, empirical engagement with everyday practices of dwelling in postwar France and his exchanges with architects and planners. Stanek focuses on the interaction between architecture, urbanism,(...)
Henri Lefebvre on space: architecture, urban research, and the production of theory
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Countering the prevailing view, which reduces Lefebvre’s theory of space to a projection of his philosophical positions, Stanek argues that Lefebvre’s work grew out of his concrete, empirical engagement with everyday practices of dwelling in postwar France and his exchanges with architects and planners. Stanek focuses on the interaction between architecture, urbanism, sociology, and philosophy that occurred in France in the 1960s and 1970s, which was marked by a shift in the processes of urbanization at all scales, from the neighborhood to the global level. Lefebvre’s thinking was central to this encounter, which informed both his theory of space and the concept of urbanization becoming global.
Théorie de l’architecture
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally(...)
Moscow monumental: Soviet skyscrapers and urban life in stalin's capital
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital. It tells a story that is both local and broadly transnational, taking readers from the streets of interwar Moscow and New York to the marble-clad halls of the bombastic postwar structures that continue to define the Russian capital today.
Modernisme
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Ludwig Mies van der Rohe was one of the leading figures of twentieth-century architecture. With in-depth, scholarly essays, photographs, and plans, this book traces the multifaceted development of his work, including his first Berlin buildings, his villa projects, his work at the Bauhaus in the 1930s, and his American projects of the postwar years. Jean-Louis Cohen was(...)
Ludwig Mies Van Der Rohe: Third and updated edition
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Ludwig Mies van der Rohe was one of the leading figures of twentieth-century architecture. With in-depth, scholarly essays, photographs, and plans, this book traces the multifaceted development of his work, including his first Berlin buildings, his villa projects, his work at the Bauhaus in the 1930s, and his American projects of the postwar years. Jean-Louis Cohen was the director of the Institut francais d'architecture until 2003 and is currently a professor at New York University. He has an established reputation as a leading international historian of architecture. His broad and encompassing perspective makes this book a reliable and comprehensive introduction to the work of Mies van der Rohe.
Architecture, monographies
The just city
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In The Just City, Fainstein draws on the work of John Rawls, Martha Nussbaum, Iris Marion Young, Nancy Fraser, and others to develop an approach to justice relevant to twenty-first-century cities, one that incorporates three central concepts: diversity, democracy, and equity. Fainstein also tests her ideas through case studies of New York, London, and Amsterdam by(...)
The just city
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In The Just City, Fainstein draws on the work of John Rawls, Martha Nussbaum, Iris Marion Young, Nancy Fraser, and others to develop an approach to justice relevant to twenty-first-century cities, one that incorporates three central concepts: diversity, democracy, and equity. Fainstein also tests her ideas through case studies of New York, London, and Amsterdam by evaluating their postwar programs for housing and development in relation to the three norms. She concludes by identifying a set of specific criteria for urban planners and policymakers to consider when developing programs to assure greater justice in both the process of their formulation and their effects.
Théorie de l’urbanisme
Case study houses
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The Case Study House program (1945–1966) was an exceptional, innovative event in the history of American architecture. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. Highly experimental,(...)
Case study houses
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The Case Study House program (1945–1966) was an exceptional, innovative event in the history of American architecture. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. Highly experimental, the program generated houses that were designed to redefine the modern home, and thus had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day. With over 150 photos and plans and a map of where all houses are (or were) located.
Architecture résidentielle
Habitat marocain documents
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Casablanca’s Habitat Marocain housing project was built between 1954 and 1956 by Swiss architects Jean Hentsch and André Studer, part of the major postwar reconstruction and expansion undertaken by the French colonial administration after World War II. The building was intended to house local inhabitants rather than European expats, and that intention guided the(...)
Habitat marocain documents
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Casablanca’s Habitat Marocain housing project was built between 1954 and 1956 by Swiss architects Jean Hentsch and André Studer, part of the major postwar reconstruction and expansion undertaken by the French colonial administration after World War II. The building was intended to house local inhabitants rather than European expats, and that intention guided the architects in their design, which reflected a number of ethnographic assumptions about the Moroccan populace. This richly illustrated book explores the process of designing and building Habitat Marocain, illustrating the complicated interplay of ethnographic imagination and design synthesis, as well as the increasingly informal further development of the project after it was officially completed.
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