119251 Résultats
Classification:
expositions
expositions
Titre:
Tangente - Alain Paiement
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Localisation:
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Date:
23 avril 2003 au 23 novembre 2003
23 avril 2003 au 23 novembre 2003
Titre:
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Classification:
expositions
expositions
Date:
23 avril 2003 au
23 novembre 2003
23 avril 2003 au
23 novembre 2003
Localisation:
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1854-1858, printed 1854-1858
1854-1858, printed 1854-1858
Titre:
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
1854-1858, printed 1854-1858
1854-1858, printed 1854-1858
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
événements
événements
Actions:
Description:
Pedro Ignacio Alonso est chercheur en résidence au CCA, professeur à la Universidad Católica au Chili et professeur invité à la Architectural Association à Londres. Il présente les premières installations d’usines soviétiques composées de grands panneaux de béton dans le Cuba de Fidel Castro et le Chili de Salvador Allende pendant la guerre froide. Cliquez ici pour(...)
Pedro Ignacio Alonso est chercheur en résidence au CCA, professeur à la Universidad Católica au Chili et professeur invité à la Architectural Association à Londres. Il présente les premières installations d’usines soviétiques composées de grands panneaux de béton dans le Cuba de Fidel Castro et le Chili de Salvador Allende pendant la guerre froide. Cliquez ici pour(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
26 mai 2011 , 18h
26 mai 2011 , 18h
Titre:
Séminaire de chercheur en résidence : Pedro Ignacio Alonso
Actions:
Description:
Pedro Ignacio Alonso est chercheur en résidence au CCA, professeur à la Universidad Católica au Chili et professeur invité à la Architectural Association à Londres. Il présente les premières installations d’usines soviétiques composées de grands panneaux de béton dans le Cuba de Fidel Castro et le Chili de Salvador Allende pendant la guerre froide. Cliquez ici pour(...)
Séminaire de chercheur en résidence : Pedro Ignacio Alonso
Actions:
Description:
Pedro Ignacio Alonso est chercheur en résidence au CCA, professeur à la Universidad Católica au Chili et professeur invité à la Architectural Association à Londres. Il présente les premières installations d’usines soviétiques composées de grands panneaux de béton dans le Cuba de Fidel Castro et le Chili de Salvador Allende pendant la guerre froide. Cliquez ici pour(...)
Classification:
événements
événements
Date:
26 mai 2011
18h
26 mai 2011
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
expositions
expositions
Actions:
Description:
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
Localisation:
Salles principales
Salles principales
Date:
2 mai 1990 au 21 octobre 1990
2 mai 1990 au 21 octobre 1990
Titre:
Ernest Cormier et l'Université de Montréal
Actions:
Description:
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
Ernest Cormier et l'Université de Montréal
Actions:
Description:
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
Classification:
expositions
expositions
Date:
2 mai 1990 au
21 octobre 1990
2 mai 1990 au
21 octobre 1990
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Eero Saarinen
Collection Eero Saarinen
Numéro de référence:
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
Personnes et institutions:
Date:
1956-1964
1956-1964
Titre:
Collection Eero Saarinen
Actions:
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
Collection Eero Saarinen
Actions:
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1956-1964
1956-1964
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:010
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller (Maria Szadkowska, Curatrice di Villa Muller), 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:010
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller (Maria Szadkowska, Curatrice di Villa Muller), 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Villa Muller (Maria Szadkowska, Curatrice di Villa Muller), inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:010
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller (Maria Szadkowska, Curatrice di Villa Muller), 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Villa Muller (Maria Szadkowska, Curatrice di Villa Muller), inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:010
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller (Maria Szadkowska, Curatrice di Villa Muller), 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:013
Description:
Photograph by Stefano Graziani of the following work: Nature morte, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:013
Description:
Photograph by Stefano Graziani of the following work: Nature morte, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Nature Morta and MR Table by Ludwig Mies van der Rohe for Thonet, 1935
Actions:
PH2018:0005:013
Description:
Photograph by Stefano Graziani of the following work: Nature morte, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Nature Morta and MR Table by Ludwig Mies van der Rohe for Thonet, 1935
Actions:
PH2018:0005:013
Description:
Photograph by Stefano Graziani of the following work: Nature morte, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Villa Muller, inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Villa Muller, inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:021
Description:
Photograph by Stefano Graziani of the following work: Natura morta, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:021
Description:
Photograph by Stefano Graziani of the following work: Natura morta, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2016
2016
Titre:
Questioning Pictures: Photograph of Nature Morta and MR Table by Ludwig Mies van der Rohe for Thonet, 1935
Actions:
PH2018:0005:021
Description:
Photograph by Stefano Graziani of the following work: Natura morta, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Nature Morta and MR Table by Ludwig Mies van der Rohe for Thonet, 1935
Actions:
PH2018:0005:021
Description:
Photograph by Stefano Graziani of the following work: Natura morta, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2016
2016
Personnes et institutions:
Classification:
articles
articles
Actions:
Dossier:
Désenchantements technologiques
Désenchantements technologiques
Mot(s)-clé(s):
Antiquité, antiquité, Antiquity, Buffon, Charles de Wailly, Charles-François Viel, Claude-Nicolas Ledoux, dessin, drawing, Etienne-Louis Boullée, Étienne-Louis Boullée, France, French Revolution, Grèce, Greece, hôpital, hospital, Jacques-Germain Soufflot, Jean-Louis Viel de Saint-Maux, Jean-Nicolas-Louis Durand, Lettres d’architecture des anciens et celle des moderns, Panthéon, Paris, Paul Holmquist, Principes de l’ordonnance et de la construction des bâtimens, Renaissance, Révolution française, Rome, Sainte-Geneviève, Vitruve,
Antiquité, antiquité, Antiquity, Buffon, Charles de Wailly, Charles-François Viel, Claude-Nicolas Ledoux, dessin, drawing, Etienne-Louis Boullée, Étienne-Louis Boullée, France, French Revolution, Grèce, Greece, hôpital, hospital, Jacques-Germain Soufflot, Jean-Louis Viel de Saint-Maux, Jean-Nicolas-Louis Durand, Lettres d’architecture des anciens et celle des moderns, Panthéon, Paris, Paul Holmquist, Principes de l’ordonnance et de la construction des bâtimens, Renaissance, Révolution française, Rome, Sainte-Geneviève, Vitruve,
Publié:
28 novembre 2011
28 novembre 2011
Dossier:
Désenchantements technologiques
Désenchantements technologiques
