10252 Résultats
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Résumé:
When we think of segregation, what often comes to mind is apartheid South Africa, or the American South in the age of Jim Crow—two societies fundamentally premised on the concept of the separation of the races. But as Carl H. Nightingale shows us in this history, segregation is everywhere, deforming cities and societies worldwide. Starting with segregation’s ancient(...)
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When we think of segregation, what often comes to mind is apartheid South Africa, or the American South in the age of Jim Crow—two societies fundamentally premised on the concept of the separation of the races. But as Carl H. Nightingale shows us in this history, segregation is everywhere, deforming cities and societies worldwide. Starting with segregation’s ancient(...)
Titre:
Segregation: a global history of divided cities
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When we think of segregation, what often comes to mind is apartheid South Africa, or the American South in the age of Jim Crow—two societies fundamentally premised on the concept of the separation of the races. But as Carl H. Nightingale shows us in this history, segregation is everywhere, deforming cities and societies worldwide. Starting with segregation’s ancient roots, and what the archaeological evidence reveals about humanity’s long-standing use of urban divisions to reinforce political and economic inequality, Nightingale then moves to the world of European colonialism. This publication lays bare our troubled past, and sets us on the path to imagining the better, more equal cities of the future.
Segregation: a global history of divided cities
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When we think of segregation, what often comes to mind is apartheid South Africa, or the American South in the age of Jim Crow—two societies fundamentally premised on the concept of the separation of the races. But as Carl H. Nightingale shows us in this history, segregation is everywhere, deforming cities and societies worldwide. Starting with segregation’s ancient roots, and what the archaeological evidence reveals about humanity’s long-standing use of urban divisions to reinforce political and economic inequality, Nightingale then moves to the world of European colonialism. This publication lays bare our troubled past, and sets us on the path to imagining the better, more equal cities of the future.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$89.00
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges(...)
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges(...)
Titre:
Gothic wonder: art, artifice, and the decorated style, 1290–1350
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality. His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.
Gothic wonder: art, artifice, and the decorated style, 1290–1350
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality. His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.
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livres
livres
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décembre 2014
décembre 2014
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livres
livres
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Barozzi Veiga Arquitectos
Barozzi Veiga Arquitectos
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Barozzi Veiga Arquitectos are a Barcelona-based firm that was established by Fabrizio Barozzi and Alberto Veiga in 2004. In their first decade, they have built—and won awards for—major projects in Spain, Poland, Switzerland, and other European countries. This volume is the first comprehensive monograph on the firm. While it features the standard elements of such a(...)
$71.50
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Barozzi Veiga Arquitectos are a Barcelona-based firm that was established by Fabrizio Barozzi and Alberto Veiga in 2004. In their first decade, they have built—and won awards for—major projects in Spain, Poland, Switzerland, and other European countries. This volume is the first comprehensive monograph on the firm. While it features the standard elements of such a(...)
Titre:
Barozzi Veiga Arquitectos
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Barozzi Veiga Arquitectos are a Barcelona-based firm that was established by Fabrizio Barozzi and Alberto Veiga in 2004. In their first decade, they have built—and won awards for—major projects in Spain, Poland, Switzerland, and other European countries. This volume is the first comprehensive monograph on the firm. While it features the standard elements of such a work—including images, drawings, plans, and contextual references for all the firm’s major works—it also aims to offer more, presenting a broader, more intellectual take on Barozzi Veiga’s output and the way that it reflects the firm’s desire to find and draw on the primal condition of each location where they build.
Barozzi Veiga Arquitectos
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Barozzi Veiga Arquitectos are a Barcelona-based firm that was established by Fabrizio Barozzi and Alberto Veiga in 2004. In their first decade, they have built—and won awards for—major projects in Spain, Poland, Switzerland, and other European countries. This volume is the first comprehensive monograph on the firm. While it features the standard elements of such a work—including images, drawings, plans, and contextual references for all the firm’s major works—it also aims to offer more, presenting a broader, more intellectual take on Barozzi Veiga’s output and the way that it reflects the firm’s desire to find and draw on the primal condition of each location where they build.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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1 online resource (320 p.)
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Sujet:
- Schoen, Ernst, 1894-1960,
- Radio broadcasting History.,
- Experimental radio programs Germany History 20th century.,
- Nationalism.,
- Radio Histoire.,
- Émissions expérimentales radiophoniques Allemagne Histoire 20e siècle.,
- Nationalisme.,
- nationalism.,
- 20th Century.,
- Modern.,
- HISTORY.,
- History & Criticism.,
- Radio.,
- PERFORMING ARTS.,
- Europe.,
- Electronic music,
- Hearing,
- Refugees Legal status, laws, etc.,
- Sound,
- Electronic books.,
- Criticism, interpretation, etc.
Publication:
[S.l.]: MIT Press, 2023.
[S.l.]: MIT Press, 2023.
Titre:
Dissonant Waves : Ernst Schoen and Experimental Sound in the 20th century / Sam Dolbear; Esther Leslie.
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1 online resource (320 p.)
Dissonant Waves : Ernst Schoen and Experimental Sound in the 20th century / Sam Dolbear; Esther Leslie.
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1 online resource (320 p.)
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livres
livres
Publication:
[S.l.]: MIT Press, 2023.
[S.l.]: MIT Press, 2023.
Auteur:
Sujet:
- Schoen, Ernst, 1894-1960,
- Radio broadcasting History.,
- Experimental radio programs Germany History 20th century.,
- Nationalism.,
- Radio Histoire.,
- Émissions expérimentales radiophoniques Allemagne Histoire 20e siècle.,
- Nationalisme.,
- nationalism.,
- 20th Century.,
- Modern.,
- HISTORY.,
- History & Criticism.,
- Radio.,
- PERFORMING ARTS.,
- Europe.,
- Electronic music,
- Hearing,
- Refugees Legal status, laws, etc.,
- Sound,
- Electronic books.,
- Criticism, interpretation, etc.
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xiv, 377 pages : illustrations ; 25 cm
Description:
xiv, 377 pages : illustrations ; 25 cm
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Sujet:
- Alberti, Leon Battista, 1404-1472.,
- Alberti, Leon Battista, 1404-1472 Criticism and interpretation.,
- Authors, Italian To 1500 Biography.,
- Italian literature 15th century History and criticism.,
- Latin literature, Medieval and modern Italy History and criticism.,
- Humanism Italy History To 1500.,
- Écrivains italiens Jusqu'à 1500 Biographies.,
- Littérature italienne 15e siècle Histoire et critique.,
- Littérature latine médiévale et moderne Italie Histoire et critique.,
- HISTORY / Europe / Renaissance.,
- ART / History / Renaissance.,
- Authors, Italian,
- Humanism,
- Italian literature,
- Latin literature, Medieval and modern,
- Italy,
- Biographies,
- Criticism, interpretation, etc.,
- History
Publication:
Princeton, New Jersey : Princeton University Press, [2024], ©2024
Princeton, New Jersey : Princeton University Press, [2024], ©2024
Titre:
Leon Battista Alberti : writer and humanist / Martin McLaughlin.
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xiv, 377 pages : illustrations ; 25 cm
Leon Battista Alberti : writer and humanist / Martin McLaughlin.
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xiv, 377 pages : illustrations ; 25 cm
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livres
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Publication:
Princeton, New Jersey : Princeton University Press, [2024], ©2024
Princeton, New Jersey : Princeton University Press, [2024], ©2024
Auteur:
Sujet:
- Alberti, Leon Battista, 1404-1472.,
- Alberti, Leon Battista, 1404-1472 Criticism and interpretation.,
- Authors, Italian To 1500 Biography.,
- Italian literature 15th century History and criticism.,
- Latin literature, Medieval and modern Italy History and criticism.,
- Humanism Italy History To 1500.,
- Écrivains italiens Jusqu'à 1500 Biographies.,
- Littérature italienne 15e siècle Histoire et critique.,
- Littérature latine médiévale et moderne Italie Histoire et critique.,
- HISTORY / Europe / Renaissance.,
- ART / History / Renaissance.,
- Authors, Italian,
- Humanism,
- Italian literature,
- Latin literature, Medieval and modern,
- Italy,
- Biographies,
- Criticism, interpretation, etc.,
- History
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xii, 339 pages : illustrations (some color) ; 30 cm
Description:
xii, 339 pages : illustrations (some color) ; 30 cm
Auteur:
- John Oliver Hand -- J. Richard Judson -- William W. Robinson and Martha Wolff.,
- Hand, John Oliver, 1941-,
- National Gallery of Art (U.S.),
- Pierpont Morgan Library.
Sujet:
- Bruegel, Pieter (1564-1638) Catalogues d'exposition.,
- National Gallery of Art (U.S.) Exhibitions 1986.,
- Drawing, Flemish 16th century Exhibitions.,
- Drawing, Dutch 16th century Exhibitions.,
- Drawing, Flemish.,
- Drawing Flanders 16th century Exhibitions.,
- Dessin flamand.,
- Dessin hollandais.,
- Dessin Flandre 16e siècle Expositions.,
- Dessin flamand 16e siècle Expositions.,
- Dessin néerlandais 16e siècle Expositions.,
- Drawing,
- Drawing, Dutch,
- Tekeningen.,
- Drawing 16th century Flanders Exhibitions.,
- Drawing 16th century Netherlands Exhibitions.,
- Dessin Pays-Bas 16e siècle Catalogues d'exposition.,
- Europe Flanders,
- Flemish drawings, 1500-1630 - Catalogues,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Publication:
Washington : National Gallery of Art ; Cambridge, England ; New York, N.Y. : Cambridge University Press, ©1986.
Washington : National Gallery of Art ; Cambridge, England ; New York, N.Y. : Cambridge University Press, ©1986.
Titre:
The Age of Bruegel : Netherlandish drawings in the sixteenth century / John Oliver Hand [and others].
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xii, 339 pages : illustrations (some color) ; 30 cm
The Age of Bruegel : Netherlandish drawings in the sixteenth century / John Oliver Hand [and others].
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xii, 339 pages : illustrations (some color) ; 30 cm
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livres
livres
Publication:
Washington : National Gallery of Art ; Cambridge, England ; New York, N.Y. : Cambridge University Press, ©1986.
Washington : National Gallery of Art ; Cambridge, England ; New York, N.Y. : Cambridge University Press, ©1986.
Auteur:
- John Oliver Hand -- J. Richard Judson -- William W. Robinson and Martha Wolff.,
- Hand, John Oliver, 1941-,
- National Gallery of Art (U.S.),
- Pierpont Morgan Library.
Sujet:
- Bruegel, Pieter (1564-1638) Catalogues d'exposition.,
- National Gallery of Art (U.S.) Exhibitions 1986.,
- Drawing, Flemish 16th century Exhibitions.,
- Drawing, Dutch 16th century Exhibitions.,
- Drawing, Flemish.,
- Drawing Flanders 16th century Exhibitions.,
- Dessin flamand.,
- Dessin hollandais.,
- Dessin Flandre 16e siècle Expositions.,
- Dessin flamand 16e siècle Expositions.,
- Dessin néerlandais 16e siècle Expositions.,
- Drawing,
- Drawing, Dutch,
- Tekeningen.,
- Drawing 16th century Flanders Exhibitions.,
- Drawing 16th century Netherlands Exhibitions.,
- Dessin Pays-Bas 16e siècle Catalogues d'exposition.,
- Europe Flanders,
- Flemish drawings, 1500-1630 - Catalogues,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
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livres
livres
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$59.95
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Résumé:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
$59.95
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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
Titre:
The artist as producer : Russian Constructivism in revolution
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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
The artist as producer : Russian Constructivism in revolution
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Résumé:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
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livres
livres
Publication:
janvier 1900, Berkeley
janvier 1900, Berkeley
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livres
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Description:
viii, 88 pages ; 23 cm.
Description:
viii, 88 pages ; 23 cm.
Auteur:
Sujet:
- Research, Industrial Great Britain History 19th century.,
- Research, Industrial Great Britain History 20th century.,
- Technology Great Britain History 19th century.,
- Technology Great Britain History 20th century.,
- Research history,
- Technology history,
- Science history,
- Industry history,
- Technologie Grande-Bretagne Histoire 19e siècle.,
- Technologie Grande-Bretagne Histoire 20e siècle.,
- 15.70 history of Europe.,
- Research, Industrial,
- Technology,
- Forschung und Entwicklung,
- Industrie,
- Konjunkturabschwung,
- Technik,
- Technologie,
- Wirtschaft,
- Wissenschaft,
- Economische achteruitgang.,
- Science Great Britain History.,
- Technology Great Britain History.,
- Science and industry Great Britain.,
- Politique économique Grande-Bretagne.,
- Sciences Aspect social Angleterre (GB) 19e siècle.,
- Sciences Aspect social Angleterre (GB) 20e siècle.,
- Innovations Aspect économique.,
- Recherche industrielle Grande-Bretagne Histoire.,
- Technologie Grande-Bretagne Histoire.,
- Industrie Grande-Bretagne Histoire 1870-1970.,
- Great Britain,
- Großbritannien,
- Statistics.,
- History
Publication:
Cambridge ; New York, NY, USA : Cambridge University Press, 1996.
Cambridge ; New York, NY, USA : Cambridge University Press, 1996.
Titre:
Science, technology, and the British industrial "decline", 1870-1970 / prepared for the Economic History Society by David Edgerton.
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viii, 88 pages ; 23 cm.
Science, technology, and the British industrial "decline", 1870-1970 / prepared for the Economic History Society by David Edgerton.
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viii, 88 pages ; 23 cm.
Classification:
livres
livres
Publication:
Cambridge ; New York, NY, USA : Cambridge University Press, 1996.
Cambridge ; New York, NY, USA : Cambridge University Press, 1996.
Auteur:
Sujet:
- Research, Industrial Great Britain History 19th century.,
- Research, Industrial Great Britain History 20th century.,
- Technology Great Britain History 19th century.,
- Technology Great Britain History 20th century.,
- Research history,
- Technology history,
- Science history,
- Industry history,
- Technologie Grande-Bretagne Histoire 19e siècle.,
- Technologie Grande-Bretagne Histoire 20e siècle.,
- 15.70 history of Europe.,
- Research, Industrial,
- Technology,
- Forschung und Entwicklung,
- Industrie,
- Konjunkturabschwung,
- Technik,
- Technologie,
- Wirtschaft,
- Wissenschaft,
- Economische achteruitgang.,
- Science Great Britain History.,
- Technology Great Britain History.,
- Science and industry Great Britain.,
- Politique économique Grande-Bretagne.,
- Sciences Aspect social Angleterre (GB) 19e siècle.,
- Sciences Aspect social Angleterre (GB) 20e siècle.,
- Innovations Aspect économique.,
- Recherche industrielle Grande-Bretagne Histoire.,
- Technologie Grande-Bretagne Histoire.,
- Industrie Grande-Bretagne Histoire 1870-1970.,
- Great Britain,
- Großbritannien,
- Statistics.,
- History
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livres
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831 pages : illustrations (chiefly color), plans (chiefly color) ; 28 cm
Description:
831 pages : illustrations (chiefly color), plans (chiefly color) ; 28 cm
Auteur:
Sujet:
- Modern movement (Architecture),
- Architecture, Modern 20th century Themes, motives.,
- Architecture, Modern 21st century Themes, motives.,
- Mouvement moderne (Architecture),
- Architecture 20e siècle Thèmes, motifs.,
- Architecture 21e siècle Thèmes, motifs.,
- Architecture, Modern Themes, motives
Publication:
New York, NY ; Paris ; London ; Milan : Rizzoli, 2021., ©2021
New York, NY ; Paris ; London ; Milan : Rizzoli, 2021., ©2021
Titre:
Architecture unbound : a century of the disruptive avant-garde : transgressive, oblique, aberrant, deconstructed, digital / Joseph Giovannini.
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831 pages : illustrations (chiefly color), plans (chiefly color) ; 28 cm
Architecture unbound : a century of the disruptive avant-garde : transgressive, oblique, aberrant, deconstructed, digital / Joseph Giovannini.
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831 pages : illustrations (chiefly color), plans (chiefly color) ; 28 cm
Classification:
livres
livres
Publication:
New York, NY ; Paris ; London ; Milan : Rizzoli, 2021., ©2021
New York, NY ; Paris ; London ; Milan : Rizzoli, 2021., ©2021
Auteur:
Sujet:
- Modern movement (Architecture),
- Architecture, Modern 20th century Themes, motives.,
- Architecture, Modern 21st century Themes, motives.,
- Mouvement moderne (Architecture),
- Architecture 20e siècle Thèmes, motifs.,
- Architecture 21e siècle Thèmes, motifs.,
- Architecture, Modern Themes, motives
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livres
livres
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184 pages : illustrations (some color) ; 30 cm
Description:
184 pages : illustrations (some color) ; 30 cm
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Sujet:
- Märkli, Peter, 1953- Themes, motives.,
- Märkli, Peter, 1953-,
- Märkli, Peter, 1953- Thèmes, motifs.,
- Märkli, Peter.,
- Architecture Switzerland History 20th century.,
- Architecture Switzerland 20th century.,
- Architecture Suisse 20e siècle.,
- Architecture Suisse Histoire 20e siècle.,
- Architecture,
- Themes, motives,
- Einfamilienhaus,
- Wohnungsbau,
- Switzerland,
- History
Publication:
Cambridge, Mass. : MIT Press, 2002.
Cambridge, Mass. : MIT Press, 2002.
Titre:
Approximations : the architecture of Peter Märkli / edited by Mohsen Mostafavi ; [with essays by Erich Brändle and others].
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184 pages : illustrations (some color) ; 30 cm
Approximations : the architecture of Peter Märkli / edited by Mohsen Mostafavi ; [with essays by Erich Brändle and others].
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184 pages : illustrations (some color) ; 30 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, 2002.
Cambridge, Mass. : MIT Press, 2002.
Auteur:
Sujet:
- Märkli, Peter, 1953- Themes, motives.,
- Märkli, Peter, 1953-,
- Märkli, Peter, 1953- Thèmes, motifs.,
- Märkli, Peter.,
- Architecture Switzerland History 20th century.,
- Architecture Switzerland 20th century.,
- Architecture Suisse 20e siècle.,
- Architecture Suisse Histoire 20e siècle.,
- Architecture,
- Themes, motives,
- Einfamilienhaus,
- Wohnungsbau,
- Switzerland,
- History
