26739 Résultats
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1989:0152
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
PH1989:0152
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1981
1981
Titre:
View of cross in yard, Old Pascua, Tucson, Arizona, United States (from a series documenting the Yaqui community of Old Pascua)
Actions:
PH1989:0152
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
View of cross in yard, Old Pascua, Tucson, Arizona, United States (from a series documenting the Yaqui community of Old Pascua)
Actions:
PH1989:0152
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
Classification:
photographies
photographies
Date:
1981
1981
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1989:0153
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
PH1989:0153
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1981
1981
Titre:
View of cross in yard, Old Pascua, Tucson, Arizona, United States (from a series documenting the Yaqui community of Old Pascua)
Actions:
PH1989:0153
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
View of cross in yard, Old Pascua, Tucson, Arizona, United States (from a series documenting the Yaqui community of Old Pascua)
Actions:
PH1989:0153
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
Classification:
photographies
photographies
Date:
1981
1981
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1989:0154
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
PH1989:0154
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1981
1981
Titre:
View of double cross decorated with artificial flowers, Old Pascua, Tucson, Arizona, United States (from a series documenting the Yaqui community of Old Pascua)
Actions:
PH1989:0154
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
View of double cross decorated with artificial flowers, Old Pascua, Tucson, Arizona, United States (from a series documenting the Yaqui community of Old Pascua)
Actions:
PH1989:0154
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
Classification:
photographies
photographies
Date:
1981
1981
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1989:0156
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
PH1989:0156
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1981
1981
Titre:
View of child wearing Halloween costume in front of car in yard with cross, Old Pascua, Tucson, Arizona, United States (from a series documenting the Yaqui community of Old Pascua)
Actions:
PH1989:0156
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
View of child wearing Halloween costume in front of car in yard with cross, Old Pascua, Tucson, Arizona, United States (from a series documenting the Yaqui community of Old Pascua)
Actions:
PH1989:0156
Description:
One of a series of forty-four photographs of the Yaqui community of Old Pascua by Lorne Greenberg. The photographs document the relationship of household and church in the Yaqui community. The photographs were exhibited at the Arizona State Museum in 1983. The CCA collection includes ten photographs from the series (PH1989:0147 - PH1989:0156). In 1978, the San Ignacio Yaqui Council applied for Community Development Block Grants (CDBG), which had been established by the United States Government in 1974. The community first received CDBG funding in 1979/1980. Since that time, most of the owner-occupied houses in Pascua Village have been torn down and new homes have been built.
Classification:
photographies
photographies
Date:
1981
1981
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:001
Description:
Includes studies, plans, elevations and sections for the columns in the CCA garden. Material was originally housed in a tube labelled "CCA Garden 1988-1989, Columns: Preliminary Working Drawings".
DR2012:0012:001
Description:
Includes studies, plans, elevations and sections for the columns in the CCA garden. Material was originally housed in a tube labelled "CCA Garden 1988-1989, Columns: Preliminary Working Drawings".
Personnes et institutions:
Date:
1988
1988
Titre:
Studies, plans, elevations and sections for the columns in the CCA garden
Actions:
DR2012:0012:001
Description:
Includes studies, plans, elevations and sections for the columns in the CCA garden. Material was originally housed in a tube labelled "CCA Garden 1988-1989, Columns: Preliminary Working Drawings".
Studies, plans, elevations and sections for the columns in the CCA garden
Actions:
DR2012:0012:001
Description:
Includes studies, plans, elevations and sections for the columns in the CCA garden. Material was originally housed in a tube labelled "CCA Garden 1988-1989, Columns: Preliminary Working Drawings".
Classification:
dessins
dessins
Date:
1988
1988
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:022
Description:
Includes plans, elevations, sections and details for the CCA garden. Material was originally housed in a tube labelled "CCA Garden 1987-1990: structural drawings - Nicolet Chartrand Knoll".
DR2012:0012:022
Description:
Includes plans, elevations, sections and details for the CCA garden. Material was originally housed in a tube labelled "CCA Garden 1987-1990: structural drawings - Nicolet Chartrand Knoll".
Personnes et institutions:
Date:
1987-1990
1987-1990
Titre:
Plans, elevations, sections and details for the CCA garden
Actions:
DR2012:0012:022
Description:
Includes plans, elevations, sections and details for the CCA garden. Material was originally housed in a tube labelled "CCA Garden 1987-1990: structural drawings - Nicolet Chartrand Knoll".
Plans, elevations, sections and details for the CCA garden
Actions:
DR2012:0012:022
Description:
Includes plans, elevations, sections and details for the CCA garden. Material was originally housed in a tube labelled "CCA Garden 1987-1990: structural drawings - Nicolet Chartrand Knoll".
Classification:
dessins
dessins
Date:
1987-1990
1987-1990
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:031
Description:
Includes plans, details, elevations, sections and isometric drawings for the CCA garden. Material was originally housed in a tube labelled "Canadian Trib. Human Rights, Ottawa, 1987-1990".
DR2012:0012:031
Description:
Includes plans, details, elevations, sections and isometric drawings for the CCA garden. Material was originally housed in a tube labelled "Canadian Trib. Human Rights, Ottawa, 1987-1990".
Personnes et institutions:
Date:
1989-1990
1989-1990
Titre:
Plans, details, elevations, sections and isometric drawings for the CCA garden
Actions:
DR2012:0012:031
Description:
Includes plans, details, elevations, sections and isometric drawings for the CCA garden. Material was originally housed in a tube labelled "Canadian Trib. Human Rights, Ottawa, 1987-1990".
Plans, details, elevations, sections and isometric drawings for the CCA garden
Actions:
DR2012:0012:031
Description:
Includes plans, details, elevations, sections and isometric drawings for the CCA garden. Material was originally housed in a tube labelled "Canadian Trib. Human Rights, Ottawa, 1987-1990".
Classification:
dessins
dessins
Date:
1989-1990
1989-1990
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP178.S1.2003.PR04.008
Description:
Original file title: Hospital de Toledo This materials is housed in its original case. Materials include administrative documentation, technical references, building program, and reprographic copies.
AP178.S1.2003.PR04.008
Description:
Original file title: Hospital de Toledo This materials is housed in its original case. Materials include administrative documentation, technical references, building program, and reprographic copies.
Personnes et institutions:
Date:
circa 2008
circa 2008
Titre:
Case of project documentation, Hospital de Toledo, Toledo
Actions:
AP178.S1.2003.PR04.008
Description:
Original file title: Hospital de Toledo This materials is housed in its original case. Materials include administrative documentation, technical references, building program, and reprographic copies.
Case of project documentation, Hospital de Toledo, Toledo
Actions:
AP178.S1.2003.PR04.008
Description:
Original file title: Hospital de Toledo This materials is housed in its original case. Materials include administrative documentation, technical references, building program, and reprographic copies.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
circa 2008
circa 2008
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Personnes et institutions:
Date:
1948-2012
1948-2012
Titre:
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Niveau de description archivistique:
Series
Series
Date:
1948-2012
1948-2012
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH256085
Description:
"Le Centre du Commerce international à l'Expo 67 / Ce pavillon, commandité par les banques à charte du Canada dont chacune y tient son propre bureau, est doté d'un grand bar-salon où se déroulent les principales activités de l'Expo-club, lieu de rencontre des hommes d'affaires canadiens et étrangers. / The International Trade Centre at Expo 67 / This pavilion, which houses the Business Development Bureau, was sponsored by the Chartered Banks of Canada. It is designed to afford businessmen of the world an opportunity to meet their Canadian counterparts. Each of the Chartered Banks have offices in the building, which also provides Expo club, a meeting place for Canadian and world businessmen."--Description.
ARCH256085
Description:
"Le Centre du Commerce international à l'Expo 67 / Ce pavillon, commandité par les banques à charte du Canada dont chacune y tient son propre bureau, est doté d'un grand bar-salon où se déroulent les principales activités de l'Expo-club, lieu de rencontre des hommes d'affaires canadiens et étrangers. / The International Trade Centre at Expo 67 / This pavilion, which houses the Business Development Bureau, was sponsored by the Chartered Banks of Canada. It is designed to afford businessmen of the world an opportunity to meet their Canadian counterparts. Each of the Chartered Banks have offices in the building, which also provides Expo club, a meeting place for Canadian and world businessmen."--Description.
Personnes et institutions:
Date:
1967
1967
Titre:
View of the International Trade Centre, Expo 67, Montréal, Québec
Actions:
ARCH256085
Description:
"Le Centre du Commerce international à l'Expo 67 / Ce pavillon, commandité par les banques à charte du Canada dont chacune y tient son propre bureau, est doté d'un grand bar-salon où se déroulent les principales activités de l'Expo-club, lieu de rencontre des hommes d'affaires canadiens et étrangers. / The International Trade Centre at Expo 67 / This pavilion, which houses the Business Development Bureau, was sponsored by the Chartered Banks of Canada. It is designed to afford businessmen of the world an opportunity to meet their Canadian counterparts. Each of the Chartered Banks have offices in the building, which also provides Expo club, a meeting place for Canadian and world businessmen."--Description.
View of the International Trade Centre, Expo 67, Montréal, Québec
Actions:
ARCH256085
Description:
"Le Centre du Commerce international à l'Expo 67 / Ce pavillon, commandité par les banques à charte du Canada dont chacune y tient son propre bureau, est doté d'un grand bar-salon où se déroulent les principales activités de l'Expo-club, lieu de rencontre des hommes d'affaires canadiens et étrangers. / The International Trade Centre at Expo 67 / This pavilion, which houses the Business Development Bureau, was sponsored by the Chartered Banks of Canada. It is designed to afford businessmen of the world an opportunity to meet their Canadian counterparts. Each of the Chartered Banks have offices in the building, which also provides Expo club, a meeting place for Canadian and world businessmen."--Description.
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
