140 Résultats
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183 pages : chiefly illustrations (chiefly color) ; 26 cm
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183 pages : chiefly illustrations (chiefly color) ; 26 cm
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Zurich : Scalo ; New York : in association with the Metropolitan Museum of Art, [2002], ©2002
Zurich : Scalo ; New York : in association with the Metropolitan Museum of Art, [2002], ©2002
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Walker Evans : Polaroids / Jeff L. Rosenheim.
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183 pages : chiefly illustrations (chiefly color) ; 26 cm
Walker Evans : Polaroids / Jeff L. Rosenheim.
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183 pages : chiefly illustrations (chiefly color) ; 26 cm
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livres
livres
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Zurich : Scalo ; New York : in association with the Metropolitan Museum of Art, [2002], ©2002
Zurich : Scalo ; New York : in association with the Metropolitan Museum of Art, [2002], ©2002
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ix, 150 p. : ill. (some col.), plan, ports. ; 23 x 29 cm. + 1 print (17 x 13 cm.)
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ix, 150 p. : ill. (some col.), plan, ports. ; 23 x 29 cm. + 1 print (17 x 13 cm.)
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San Francisco, Calif. : Pomegranate, 2001.
San Francisco, Calif. : Pomegranate, 2001.
Titre:
Building a legacy : the restoration of Frank Lloyd Wright's Oak Park home and studio / edited by Zarine Weil, the Frank Lloyd Wright Home and Studio Foundation.
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ix, 150 p. : ill. (some col.), plan, ports. ; 23 x 29 cm. + 1 print (17 x 13 cm.)
Building a legacy : the restoration of Frank Lloyd Wright's Oak Park home and studio / edited by Zarine Weil, the Frank Lloyd Wright Home and Studio Foundation.
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ix, 150 p. : ill. (some col.), plan, ports. ; 23 x 29 cm. + 1 print (17 x 13 cm.)
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livres
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San Francisco, Calif. : Pomegranate, 2001.
San Francisco, Calif. : Pomegranate, 2001.
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320 pages : illustrations ; 32 cm
Description:
320 pages : illustrations ; 32 cm
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Munich : Schirmer/Mosel, [2012], New York, N.Y. : Prestel Publishing, ©2012
Munich : Schirmer/Mosel, [2012], New York, N.Y. : Prestel Publishing, ©2012
Titre:
Andrey Tarkovsky : films, stills, polaroids & writings / edited by Andrey A. Tarkovsky Jr., Hans-Joachim Schlegel, Lothar Schirmer ; essay by Hans-Joachim Schlegel ; texts by Andrey Tarkovsky, and by Jean-Paul Sartre, Sven Nykvist, Erland Josephson, Ingmar Bergman, Tschingis Ajtmatov, and Alexander Sokurov.
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320 pages : illustrations ; 32 cm
Andrey Tarkovsky : films, stills, polaroids & writings / edited by Andrey A. Tarkovsky Jr., Hans-Joachim Schlegel, Lothar Schirmer ; essay by Hans-Joachim Schlegel ; texts by Andrey Tarkovsky, and by Jean-Paul Sartre, Sven Nykvist, Erland Josephson, Ingmar Bergman, Tschingis Ajtmatov, and Alexander Sokurov.
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320 pages : illustrations ; 32 cm
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Munich : Schirmer/Mosel, [2012], New York, N.Y. : Prestel Publishing, ©2012
Munich : Schirmer/Mosel, [2012], New York, N.Y. : Prestel Publishing, ©2012
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1 volume : colour illustrations ; 20 cm
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1 volume : colour illustrations ; 20 cm
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[Montréal] : [Ewa Monika Zebrowski], [2015], ©2015
[Montréal] : [Ewa Monika Zebrowski], [2015], ©2015
Titre:
Twombly, Italia / Ewa Monika Zebrowski.
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1 volume : colour illustrations ; 20 cm
Twombly, Italia / Ewa Monika Zebrowski.
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1 volume : colour illustrations ; 20 cm
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[Montréal] : [Ewa Monika Zebrowski], [2015], ©2015
[Montréal] : [Ewa Monika Zebrowski], [2015], ©2015
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Pentagram book five.
Pentagram book five.
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494 pages : illustrations (some color) ; 28 cm
Description:
494 pages : illustrations (some color) ; 28 cm
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New York : Monacelli Press, 1999.
New York : Monacelli Press, 1999.
Titre:
Pentagram book five.
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494 pages : illustrations (some color) ; 28 cm
Pentagram book five.
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494 pages : illustrations (some color) ; 28 cm
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New York : Monacelli Press, 1999.
New York : Monacelli Press, 1999.
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xii, 280 pages : illustrations ; 24 cm.
Description:
xii, 280 pages : illustrations ; 24 cm.
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Baltimore, MD : Johns Hopkins University Press, ©2000.
Baltimore, MD : Johns Hopkins University Press, ©2000.
Titre:
Mary Lucier / edited by Melinda Barlow.
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xii, 280 pages : illustrations ; 24 cm.
Mary Lucier / edited by Melinda Barlow.
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xii, 280 pages : illustrations ; 24 cm.
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Baltimore, MD : Johns Hopkins University Press, ©2000.
Baltimore, MD : Johns Hopkins University Press, ©2000.
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Titre:
The Polaroid book
The Polaroid book
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$51.95
(disponible sur commande)
Résumé:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton,(...)
$51.95
(disponible sur commande)
Résumé:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton,(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 2005, Cologne
avril 2005, Cologne
Titre:
The Polaroid book
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$51.95
(disponible sur commande)
Résumé:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. "The Polaroid Book", a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favourite among artists for its quirky look and instantly gratifying, one-of-kind images. The book includes over 400 works from the Polaroid Collections, an essay by Barbara Hitchcock illuminating the beginnings and history of the collection, and a technical reference section featuring the various types of Polaroid cameras.
The Polaroid book
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$51.95
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Résumé:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. "The Polaroid Book", a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favourite among artists for its quirky look and instantly gratifying, one-of-kind images. The book includes over 400 works from the Polaroid Collections, an essay by Barbara Hitchcock illuminating the beginnings and history of the collection, and a technical reference section featuring the various types of Polaroid cameras.
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livres
livres
Publication:
avril 2005, Cologne
avril 2005, Cologne
Sujet:
Théorie de la photographie
Théorie de la photographie
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xxii, 410 pages : illustrations (some color) ; 29 cm
Description:
xxii, 410 pages : illustrations (some color) ; 29 cm
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Malibu, California : J. Paul Getty Museum, [1995], ©1995
Malibu, California : J. Paul Getty Museum, [1995], ©1995
Titre:
Walker Evans : the Getty Museum collection / Judith Keller.
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xxii, 410 pages : illustrations (some color) ; 29 cm
Walker Evans : the Getty Museum collection / Judith Keller.
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xxii, 410 pages : illustrations (some color) ; 29 cm
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livres
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Malibu, California : J. Paul Getty Museum, [1995], ©1995
Malibu, California : J. Paul Getty Museum, [1995], ©1995
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Prix:
$39.00
(disponible sur commande)
Résumé:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it(...)
$39.00
(disponible sur commande)
Résumé:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it(...)
Titre:
The camera does the rest: how Polaroid changed photography
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Prix:
$39.00
(disponible sur commande)
Résumé:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
The camera does the rest: how Polaroid changed photography
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Prix:
$39.00
(disponible sur commande)
Résumé:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
Classification:
livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$115.00
(disponible sur commande)
Résumé:
This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication(...)
$115.00
(disponible sur commande)
Résumé:
This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication(...)
Titre:
Willam Eggleston: Polaroid SX-70. Facsimile edition
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$115.00
(disponible sur commande)
Résumé:
This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication of Eggleston's Polaroids. The gloriously mundane subjects of these photos—a Mississippi street sign, a telephone book, stacked crates of empty soda bottles—is familiar Eggleston territory, but, fascinatingly, all of these Polaroids were taken outdoors. They are rare records of Eggleston's strolls or drives in and around Mississippi, complementing the majority of his work made with color negative film or color slides, and showing his flair for photo-sequencing in book form.
Willam Eggleston: Polaroid SX-70. Facsimile edition
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Prix:
$115.00
(disponible sur commande)
Résumé:
This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication of Eggleston's Polaroids. The gloriously mundane subjects of these photos—a Mississippi street sign, a telephone book, stacked crates of empty soda bottles—is familiar Eggleston territory, but, fascinatingly, all of these Polaroids were taken outdoors. They are rare records of Eggleston's strolls or drives in and around Mississippi, complementing the majority of his work made with color negative film or color slides, and showing his flair for photo-sequencing in book form.
Classification:
livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Monographies photo
Monographies photo
