livres
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354 pages : illustrations, maps ; 24 cm.
Paris : Publications de la Sorbonne, 2013.
Une histoire des festivals : XXe-XXIe siècle / sous la direction de Anaïs Fléchet, Pascale Goetschel, Patricia Hidiroglou, Sophie Jacotot, Caroline Moine, Julie Verlaine.
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354 pages : illustrations, maps ; 24 cm.
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Paris : Publications de la Sorbonne, 2013.
livres
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339 pages : illustrations, facsimiles ; 25 cm
Berlin : Miss Read ; Cambridge, Massachusetts : The MIT Press, [2019], ©2019
Publishing manifestos : an international anthology from artists and writers / edited by Michalis Pichler.
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339 pages : illustrations, facsimiles ; 25 cm
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Berlin : Miss Read ; Cambridge, Massachusetts : The MIT Press, [2019], ©2019
Queer forms
$39.95
(disponible en magasin)
Résumé:
In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly(...)
Queer forms
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$39.95
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Résumé:
In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments?from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth-- and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind’s eye and interpreted by diverse publics.
Théorie/ philosophie
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xix, 880 pages ; 25 cm
New York : Library of America : Distributed to the trade by Penguin Putnam, [2002], ©2002
Writing Los Angeles : a literary anthology / edited by David L. Ulin.
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xix, 880 pages ; 25 cm
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New York : Library of America : Distributed to the trade by Penguin Putnam, [2002], ©2002
livres
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x, 340 pages : illustrations ; 24 cm
Toronto : University of Toronto Press, 2009.
Public art in Canada : critical perspectives / edited by Annie Gérin and James S. McLean.
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x, 340 pages : illustrations ; 24 cm
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Toronto : University of Toronto Press, 2009.
Queer formalism: the return
$22.00
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Featuring cultural figures like Lana Del Rey, Sally Mann, David Lynch, Lorna Simpson, and Kirsten Dunst, ''Queer Formliasm: The Return'' is a new kind of queer art writing that considers love and regret in their many forms.
Queer formalism: the return
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Featuring cultural figures like Lana Del Rey, Sally Mann, David Lynch, Lorna Simpson, and Kirsten Dunst, ''Queer Formliasm: The Return'' is a new kind of queer art writing that considers love and regret in their many forms.
Théorie/ philosophie
Queer Exhibition Histories
$50.50
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In the histories of art exhibitions that we know, LGBTQIA+ artists and curators have always been underexposed or forgotten. This new title in the PLURAL series focuses on these forgotten and hidden histories, by scrutinizing a wide variety of exhibitions and other presentations by LGBTQIA+ artists and curators. ''Queer exhibition histories'' is composed of case studies,(...)
Queer Exhibition Histories
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In the histories of art exhibitions that we know, LGBTQIA+ artists and curators have always been underexposed or forgotten. This new title in the PLURAL series focuses on these forgotten and hidden histories, by scrutinizing a wide variety of exhibitions and other presentations by LGBTQIA+ artists and curators. ''Queer exhibition histories'' is composed of case studies, interviews and essays that emphasize different queer exhibitions and their modes of presentation and archiving. Many of these projects were short-lived or were executed between the walls of the private or domestic space, far beyond the scope of any institutional recognition. Therefore, the exhibitions materialized on limited budgets, were hardly documented and received barely any media coverage. For this reason, the legacy of these projects is highly dependent on personal archives, memories and paraphernalia, whereof the entries are not always easy to find. The events were not only artistic, but they could equally be discursive, activist and educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, ''Queer exhibition histories'' investigates how the efforts of LGBTQIA+ artists and curators have advanced their public presence.
Théorie de l’art
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ix, 179 pages ; 22 cm
Berkeley : University of California Press, ©2012.
The gentrification of the mind : witness to a lost imagination / Sarah Schulman.
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ix, 179 pages ; 22 cm
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Berkeley : University of California Press, ©2012.
$45.95
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Cette publication s’intéresse à la façon dont les stratégies de dénormalisation mises en place par les arts visuels peuvent se prolonger par le biais de l’écriture. Dans les trois chapitres de ce livre, les discussions théoriques et artistiques s’associent à la théorie queer, aux études sur la handicap et à la théorie postcoloniale pour définir trois pratiques : le drag(...)
Art queer : une théorie freak
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Cette publication s’intéresse à la façon dont les stratégies de dénormalisation mises en place par les arts visuels peuvent se prolonger par le biais de l’écriture. Dans les trois chapitres de ce livre, les discussions théoriques et artistiques s’associent à la théorie queer, aux études sur la handicap et à la théorie postcoloniale pour définir trois pratiques : le drag radical, le drag transtemporel et le drag abstrait. Une des caractéristiques de l’art queer, tel que le définit Renate Lorenz, est sa possibilité d’agir à travers le temps, désorganisant une chronologie positiviste et se saisissant d’objets historiques par affinité. L’art queer cultive l’anachronisme comme méthode.
Théorie de l’art
$25.00
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The metropolis has been the near exclusive focus of queer scholars and queer cultures in America. Asking us to look beyond the cities on the coasts, Scott Herring draws a new map, tracking how rural queers have responded to this myopic mindset. Interweaving a wide range of disciplines—art, media, literature, performance, and fashion studies—he develops an extended(...)
Another country: Queer anti-urbanism
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The metropolis has been the near exclusive focus of queer scholars and queer cultures in America. Asking us to look beyond the cities on the coasts, Scott Herring draws a new map, tracking how rural queers have responded to this myopic mindset. Interweaving a wide range of disciplines—art, media, literature, performance, and fashion studies—he develops an extended critique of how metronormativity saturates LGBTQ politics, artwork, and criticism. To counter this ideal, he offers a vibrant theory of queer anti-urbanism that refuses to dismiss the rural as a cultural backwater.