936 Résultats
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont(...)
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont(...)
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Chefs-d'oeuvre? : architectures de musées, 1937-2014
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont ici mis en perspective avec des chefs-d'oeuvre de l'architecture muséale internationale. Du Palais de Tokyo au Centre Pompidou-Metz, c'est toute une histoire architecturale et culturelle qui est ici retracée, incluant les projets qui marqueront les années à venir.
Chefs-d'oeuvre? : architectures de musées, 1937-2014
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont ici mis en perspective avec des chefs-d'oeuvre de l'architecture muséale internationale. Du Palais de Tokyo au Centre Pompidou-Metz, c'est toute une histoire architecturale et culturelle qui est ici retracée, incluant les projets qui marqueront les années à venir.
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livres
livres
Publication:
juillet 2010
juillet 2010
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livres
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$84.95
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Museums are often among the most iconic buildings to grace a citys skyline. In fact, through the very prestige of the architects involved and the innovation of material form, a new museum can easily herald a citys arrival on the world stage as a center for art and culture.
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Museums are often among the most iconic buildings to grace a citys skyline. In fact, through the very prestige of the architects involved and the innovation of material form, a new museum can easily herald a citys arrival on the world stage as a center for art and culture.
Titre:
Culture and art - museum design : art museum, humanistic museum
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$84.95
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Museums are often among the most iconic buildings to grace a citys skyline. In fact, through the very prestige of the architects involved and the innovation of material form, a new museum can easily herald a citys arrival on the world stage as a center for art and culture.
Culture and art - museum design : art museum, humanistic museum
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Museums are often among the most iconic buildings to grace a citys skyline. In fact, through the very prestige of the architects involved and the innovation of material form, a new museum can easily herald a citys arrival on the world stage as a center for art and culture.
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livres
livres
Publication:
décembre 2012
décembre 2012
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Titre:
Thematic museums
Thematic museums
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$69.95
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This book takes the architecture and display features of museums as its content, displaying various thematic museum features in modeling and space design. From the use of materials to their cultural and regional embodiment, the book analyses the cultural and historical connotations of museum design systematically.
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This book takes the architecture and display features of museums as its content, displaying various thematic museum features in modeling and space design. From the use of materials to their cultural and regional embodiment, the book analyses the cultural and historical connotations of museum design systematically.
Titre:
Thematic museums
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$69.95
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This book takes the architecture and display features of museums as its content, displaying various thematic museum features in modeling and space design. From the use of materials to their cultural and regional embodiment, the book analyses the cultural and historical connotations of museum design systematically.
Thematic museums
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$69.95
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This book takes the architecture and display features of museums as its content, displaying various thematic museum features in modeling and space design. From the use of materials to their cultural and regional embodiment, the book analyses the cultural and historical connotations of museum design systematically.
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livres
livres
Publication:
décembre 2012
décembre 2012
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livres
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$49.00
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The(...)
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The(...)
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Max Bill's view of things: Die gute form, an exhibition 1949
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The show caused some upset in Switzerland and fueled heated debates abroad. But it also exerted a wide-reaching influence-for example, on the way in which consumer goods were perceived.
Max Bill's view of things: Die gute form, an exhibition 1949
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The show caused some upset in Switzerland and fueled heated debates abroad. But it also exerted a wide-reaching influence-for example, on the way in which consumer goods were perceived.
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livres
livres
Publication:
juin 2013
juin 2013
Classification:
livres
livres
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$100.00
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay(...)
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay(...)
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Biennials and beyond: exhibitions that made art history, 1962-2002
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay and concise overviews of each exhibition by art historian Bruce Altshuler, Biennials and Beyond is a unique sourcebook that offers direct access to the most influential exhibitions of the last 50 years.
Biennials and beyond: exhibitions that made art history, 1962-2002
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay and concise overviews of each exhibition by art historian Bruce Altshuler, Biennials and Beyond is a unique sourcebook that offers direct access to the most influential exhibitions of the last 50 years.
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livres
livres
Publication:
avril 2013
avril 2013
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$50.00
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
$50.00
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Résumé:
Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
Publication:
avril 2015
avril 2015
Titre:
The future is not what it used to be
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
The future is not what it used to be
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
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livres
livres
Publication:
avril 2015
avril 2015
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livres
livres
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$68.00
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Founded in 1764 by Catherine the Great, the State Hermitage Museum is one of the world’s great museums. Occupying a large complex of six historic buildings along the Palace Embankment in St. Petersburg, its collections contain over three million items, including one of the largest collections of paintings in the world. The decision to convert the eastern wing of the(...)
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Founded in 1764 by Catherine the Great, the State Hermitage Museum is one of the world’s great museums. Occupying a large complex of six historic buildings along the Palace Embankment in St. Petersburg, its collections contain over three million items, including one of the largest collections of paintings in the world. The decision to convert the eastern wing of the(...)
Publication:
juin 2015
juin 2015
Titre:
The Hermitage XXI: the new art Museum in the General Staff Building
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Founded in 1764 by Catherine the Great, the State Hermitage Museum is one of the world’s great museums. Occupying a large complex of six historic buildings along the Palace Embankment in St. Petersburg, its collections contain over three million items, including one of the largest collections of paintings in the world. The decision to convert the eastern wing of the General Staff Building into a museum of nineteenth- and twentieth-century art to commemorate the 250th anniversary of the institution’s founding led to an international architectural competition.
The Hermitage XXI: the new art Museum in the General Staff Building
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Founded in 1764 by Catherine the Great, the State Hermitage Museum is one of the world’s great museums. Occupying a large complex of six historic buildings along the Palace Embankment in St. Petersburg, its collections contain over three million items, including one of the largest collections of paintings in the world. The decision to convert the eastern wing of the General Staff Building into a museum of nineteenth- and twentieth-century art to commemorate the 250th anniversary of the institution’s founding led to an international architectural competition.
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livres
livres
Publication:
juin 2015
juin 2015
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livres
livres
Titre:
As-if: Negotiating spaces
As-if: Negotiating spaces
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
$46.00
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
Publication:
avril 2011
avril 2011
Titre:
As-if: Negotiating spaces
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$46.00
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
As-if: Negotiating spaces
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
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livres
livres
Publication:
avril 2011
avril 2011
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livres
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$12.00
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly(...)
$12.00
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly(...)
Titre:
The Museum of Modern Art in this century
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$12.00
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly revisited, inquired into and reshaped, by its visitors as well as by its staff. The Museum of Modern Art in the 21st Century is an illustrated overview of an institution that is dedicated to accommodating the diversity of contemporary art and an increasingly complex and nuanced understanding of modern art. An essay by Museum director Glenn Lowry examines MoMA's current role in contemporary art as part of its long history of disrupting established paradigms, focusing on the building as a site where viewers actively experience art rather than passively receive it.
The Museum of Modern Art in this century
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$12.00
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly revisited, inquired into and reshaped, by its visitors as well as by its staff. The Museum of Modern Art in the 21st Century is an illustrated overview of an institution that is dedicated to accommodating the diversity of contemporary art and an increasingly complex and nuanced understanding of modern art. An essay by Museum director Glenn Lowry examines MoMA's current role in contemporary art as part of its long history of disrupting established paradigms, focusing on the building as a site where viewers actively experience art rather than passively receive it.
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livres
livres
Publication:
octobre 2009
octobre 2009
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livres
livres
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$55.00
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Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal(...)
$55.00
(disponible sur commande)
Résumé:
Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal(...)
Titre:
The museum of non-objective painting
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$55.00
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Résumé:
Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal the leading role Bauer played in envisioning the collection and the museum. It also explores Rebay's unusual curatorial conceptions and framing practices at the museum's early locations. Karol Vail provides biographies of many lesser-known artists in the museum's collection, while others discuss the museum's early history and ambitions. Architectural drawings, installation views, photographs and color plates of selected artworks help track the rise of this great museum.
The museum of non-objective painting
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$55.00
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Résumé:
Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal the leading role Bauer played in envisioning the collection and the museum. It also explores Rebay's unusual curatorial conceptions and framing practices at the museum's early locations. Karol Vail provides biographies of many lesser-known artists in the museum's collection, while others discuss the museum's early history and ambitions. Architectural drawings, installation views, photographs and color plates of selected artworks help track the rise of this great museum.
Classification:
livres
livres
Publication:
août 2009
août 2009
