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Museo Reina Sofía 2021
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Museo Reina Sofía 2021
$48.95
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Résumé:
The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the(...)
Twentieth-century architecture and modernity: our past, our present
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$48.95
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the destinies of "modernity" to the theories of the Modern Movement, hoping for them to be overcome, the book deals with the theme of a continuity with the present by recovering those "open visions" that characterized "modernity" at the end of the 19th century.
Modernisme
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Mucking around in the messy terrain of American trash, Jani Scandura tells the story of the United States during the Great Depression through evocative and photo-rich portraits of four different locales: Reno, Harlem, Key West, and Hollywood. In investigating these depression-era �dumps,� places that she claims contained and reclaimed the cultural, ideological, and(...)
Down in the dumps: place, modernity, american depression
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Mucking around in the messy terrain of American trash, Jani Scandura tells the story of the United States during the Great Depression through evocative and photo-rich portraits of four different locales: Reno, Harlem, Key West, and Hollywood. In investigating these depression-era �dumps,� places that she claims contained and reclaimed the cultural, ideological, and material refuse of modern America, Scandura introduces the concept of �depressive modernity,� an enduring affective component of American culture that exposes itself at those moments when the foundational myths of America and progressive modernity�capitalism, democracy, individualism, secularism, utopian aspiration�are thrown into question. Depressive modernity is modernity at a standstill. Such a modernity is not stagnant or fixed, nor immobile, but is constituted by an instantaneous unstaging of desire, territory, language, and memory that reveals itself in the shimmering of place. An interpretive bricolage that draws on an unlikely archive of 1930s detritus�office memos, scribbled manuscripts, scrapbooks, ruined photographs, newspaper clippings, glass eyes, incinerated stage sets, pulp novels, and junk washed ashore�Down in the Dumps escorts its readers through Reno�s 1930s divorce factory, where couples from across the United States came to quickly dissolve matrimonial bonds; Key West�s multilingual salvage economy and the island that became the center of an ideological tug-of-war between the American New Deal government and a politically fraught Caribbean; post-Renaissance Harlem, in the process of memorializing, remembering, grieving and rewriting a modernity that had already passed; and Studio-era Hollywood, Nathanael West�s �dump of dreams,� in which the introduction of sound film and shifts in art direction began to transform how Americans understood place-making and even being itself. A coda on Alcatraz and the Pentagon brings the book into the present, exploring how American Depression comes to bear on post-9/11 America.
Théorie de l’urbanisme
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those(...)
décembre 2011
Curious visions of modernity: enchantment, magic, and the sacred
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those things that rationality sought to expunge from the"enlightened" world: enchantment, magic, and wonderment. Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces.
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Description:
175 pages : illustrations (some color) ; 21 cm.
Barcelona : Tenov Books, 2015.
Photography or life : Popular Mies / Juan José Lahuerta ; translated by Graham Thomson.
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175 pages : illustrations (some color) ; 21 cm.
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Barcelona : Tenov Books, 2015.
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Description:
111 pages : illustrations (some color), plans, portraits ; 28 cm
Oslo : Nasjonalmuseet for Kunst, Arkitektur og Design, [2022], ©2020
Piranesi og det moderne = Piranesi and the modern / fagredaktører, Victor Plahte Tschudi, Wenche Volle ; Redaktør, Marianne Yvenes.
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111 pages : illustrations (some color), plans, portraits ; 28 cm
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Oslo : Nasjonalmuseet for Kunst, Arkitektur og Design, [2022], ©2020
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Description:
448 pages : illustrations ; 26 cm
London : Black Dog Pub., ©2007.
The strange death of architectural criticism : Martin Pawley collected writings / edited by David Jenkins ; foreword by Norman Foster.
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448 pages : illustrations ; 26 cm
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London : Black Dog Pub., ©2007.
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457 p. : il. ; cm
Barcelona [etc.] : Actar ; [Shanghai] : Tongji University College of Architecture and Urban Planning 2021.
Urbanismo disruptivo : urbanidad glocal / Josep Acebillo.
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457 p. : il. ; cm
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Barcelona [etc.] : Actar ; [Shanghai] : Tongji University College of Architecture and Urban Planning 2021.
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intercom Verlag 2024
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intercom Verlag 2024
$49.95
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Résumé:
Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell(...)
Monographies photo
septembre 2007, Montreal Kingston London Ithica
Seduced by modernity : The photography of Margaret Watkins
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell the story of a dedicated artist in difficult circumstances whose working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. The authors use feminist and historical questions as well as close readings of the photographs to relate Watkins' work to questions of gender, modernity, and visual culture. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Seduced by Modernity makes available for the first time an extensive representation of Watkins' work in high-quality reproduction as part of an exemplary interdisciplinary study that honours an intrepid Canadian artist who refused to be confined by borders, convention, or gender.
Monographies photo