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''Dishes for Dolls'' is a sort of spin-off of ''The Oldest Thing''. Based on this previous book, published in 2023 (now out of print), Ruth van Beek created a new selection of images from her archives, focusing on doll dishes. The book is presented as a leporello, with one side featuring a collage composition forming a collection of dishes, and the other side showcasing(...)
Ruth van Beek: Dishes for dolls
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''Dishes for Dolls'' is a sort of spin-off of ''The Oldest Thing''. Based on this previous book, published in 2023 (now out of print), Ruth van Beek created a new selection of images from her archives, focusing on doll dishes. The book is presented as a leporello, with one side featuring a collage composition forming a collection of dishes, and the other side showcasing tablecloths. It’s a new exploration of domestic life and childhood, which the artist examines in light of her family heritage.
Radically legal
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Right in the middle of the German constitution, a group of ordinary citizens discovers a forgotten clause that allows them to take 240,000 homes back from multi-billion corporations. In this work of creative non-fiction, scholar-activist and Nine Dots Prize winner Joanna Kusiak tells the story of a grassroots movement that convinced a million Berliners to pop the(...)
Radically legal
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Right in the middle of the German constitution, a group of ordinary citizens discovers a forgotten clause that allows them to take 240,000 homes back from multi-billion corporations. In this work of creative non-fiction, scholar-activist and Nine Dots Prize winner Joanna Kusiak tells the story of a grassroots movement that convinced a million Berliners to pop the speculative housing bubble. She offers a vision of urban housing as democratically held commons, legally managed by a radically new institutional model that works through democratic conflicts. Moving between interdisciplinary analysis and her own personal story, Kusiak connects the dots between the past and the present, the local and the global, and shows the potential of radically legal politics as a means of strengthening our democracies and reviving the rule of law.
L'humain et la ville
Landscape and images
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John Stilgoe is just looking around. This is more difficult than it sounds, particularly in our mediated age, when advances in both theory and technology too often seek to replace the visual evidence before our own eyes rather than complement it. We are surrounded by landscapes charged with our past, and yet from our earliest schooldays we are instructed not to stare out(...)
Landscape and images
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John Stilgoe is just looking around. This is more difficult than it sounds, particularly in our mediated age, when advances in both theory and technology too often seek to replace the visual evidence before our own eyes rather than complement it. We are surrounded by landscapes charged with our past, and yet from our earliest schooldays we are instructed not to stare out the window. Someone who stops to look isn’t only a rarity; he or she is suspect. "Landscape and images" records a lifetime spent observing America’s constructed landscapes. Stilgoe’s essays follow the eclectic trains of thought that have resulted from his observation, from the postcard preference for sunsets over sunrises to the concept of "teen geography" to the unwillingness of Americans to walk up and down stairs. In Stilgoe's hands, the subject of jack o’ lanterns becomes an occasion to explore centuries-old concepts of boundaries and trespassing, and to examine why this originally pagan symbol has persisted into our own age.
Théorie du paysage
Between conventional and experimental: Mass housing and prefabrication in modernist architecture
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Mass housing and prefabrication shaped global modernist architecture like no other aspect of industrialised construction. This book offers a comprehensive exploration of how both conventional and experimental prototypes and series gave rise to an architecture for all, often responding to crises, the imperatives of nation-building, and housing shortages by rapidly(...)
Logements collectifs
novembre 2024
Between conventional and experimental: Mass housing and prefabrication in modernist architecture
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Mass housing and prefabrication shaped global modernist architecture like no other aspect of industrialised construction. This book offers a comprehensive exploration of how both conventional and experimental prototypes and series gave rise to an architecture for all, often responding to crises, the imperatives of nation-building, and housing shortages by rapidly developing, distributing, and assembling structures. The authors scrutinise the cultural impact of mass housing and prefabrication, tracing this influence through exhibitions, memory culture, and typologies, ultimately concluding with an outlook on the preservation and repair of structures and their adaptation for the future.
Logements collectifs
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Zaha Hadid is widely regarded as a visionary and influential architect, who became globally acclaimed by the time of her untimely death in 2016. This book is the first to focus on how painting was fundamental to her practice. During the first 20 years of her career, she earned her reputation through ‘'paper architecture'’: projects which were widely published in(...)
Zaha Hadid's paintings: imagining architecture
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Zaha Hadid is widely regarded as a visionary and influential architect, who became globally acclaimed by the time of her untimely death in 2016. This book is the first to focus on how painting was fundamental to her practice. During the first 20 years of her career, she earned her reputation through ‘'paper architecture'’: projects which were widely published in architecture journals and exhibited, but which remained largely unbuilt. Influenced by the Suprematists, she used her paintings as design tools and abstraction as an investigative structure for imagining architecture. Drawing extensively on interviews with Hadid's contemporaries and her team of assistants and her past presentations and in-depth interviews, this book is the first to focus on the important aspect of Hadid’s work. It examines selected paintings in detail, both critically assessing them in the wider context of 20th-century fine art – in relation to the Suprematists, de Stijl, Cubism and Futurism – and offering insights into how Hadid used the paintings to develop architectural and spatial ideas, which she would later realise in her buildings. The paintings were created at a pivotal time in architecture, just before the move away from hand drawing to computers and many of Hadid’s paintings pre-empt the potential of digital and virtual reality.
Architecture, monographies
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Mien Ruys, who worked mostly in the Netherlands for almost 60 years, was one of the most influential landscape architects of the 20th Century. A leading proponent of modernist design, she introduced clean lines, geometric shapes and innovative materials. One of the few women members of CIAM, she collaborated regularly with architects including Aldo van Eyck and Gerrit(...)
Mien Ruys: The mother of modernist gardens
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Mien Ruys, who worked mostly in the Netherlands for almost 60 years, was one of the most influential landscape architects of the 20th Century. A leading proponent of modernist design, she introduced clean lines, geometric shapes and innovative materials. One of the few women members of CIAM, she collaborated regularly with architects including Aldo van Eyck and Gerrit Rietveld, often on much needed social housing schemes. Uniquely, she combined this modernist approach with an extensive knowledge of plants and planting, which she learnt in her father’ s Royal Moerheim Nursery in Dedemsvaart. At the nursery, she met Gertrude Jekyll - who greatly influenced Mien as she developed her own loose, natural style of planting - and created 30 experimental gardens from which lessons which can still be learnt.
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This book offers the first critical account of Studio Aalto’s religious modern architecture. Aalto’s ecclesiastical oeuvre is viewed as an evocative subgenre of the practice's portfolio, but its relationship to religion has eluded enquiry. Where previously discussed, the longstanding collaboration between Aalto and the Church has been put down to reciprocal expediency,(...)
The religious architecture of Alvar, Aino and Elissa
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This book offers the first critical account of Studio Aalto’s religious modern architecture. Aalto’s ecclesiastical oeuvre is viewed as an evocative subgenre of the practice's portfolio, but its relationship to religion has eluded enquiry. Where previously discussed, the longstanding collaboration between Aalto and the Church has been put down to reciprocal expediency, and the buildings perceived as spatially and structurally stirring experiments, yet devoid of religious meanings or implications. The idiosyncratic plasticity of the Church of the Three Crosses (1955–58) in Imatra, Finland—the most famous and architecturally impressive of Aalto’s churches—is cited as ultimate evidence of Aalto’s exploitation of the religious brief for the creation of a ''sculptural irrationality''.
Architecture, monographies
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In just half a century of growth, the art fair industry has transformed the art market. Now, for the first time, art market journalist Melanie Gerlis tells the story of art fairs' rapid ascent and reflects on their uncertain future. From the first post-war European art fairs built on the imperial 19th-century model of the International Exhibitions, to the global art fairs(...)
The art fair story: A rollercoaster ride
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In just half a century of growth, the art fair industry has transformed the art market. Now, for the first time, art market journalist Melanie Gerlis tells the story of art fairs' rapid ascent and reflects on their uncertain future. From the first post-war European art fairs built on the imperial 19th-century model of the International Exhibitions, to the global art fairs of the 21st century and their new online manifestations, it's a tale of many twists and turns. The book brings to life the people, places and philosophies that enabled art fairs to take root, examines the pivotal market periods when they flourished, and maps where they might go in a much-changed world.
Théorie de l’art
Curating art now
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
Curating art now
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
Muséologie
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer(...)
Hélène Binet: Architectural Photographers
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive.
Monographies photo