périodiques
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Belgian architect Xaveer De Geyter is the focus of this issue, which features a selection of projects from the past fifteen years. He began his career working with Rem Koolhaas at OMA, and started his own firm in the early 1990s. De Geyter believes architecture is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation, of(...)
El Croquis 204: XDGA Xavier De Geyter 2005-2020
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Belgian architect Xaveer De Geyter is the focus of this issue, which features a selection of projects from the past fifteen years. He began his career working with Rem Koolhaas at OMA, and started his own firm in the early 1990s. De Geyter believes architecture is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation, of a programmatic conflict. Among the featured projects are Hasselt’s Z33 Museum, Sint-Lucas School of Fine Arts in Ghent, a learning and innovation centre in Brussels, and a design for the International Olympic Committee Headquarters. Includes an interview with the architect by Sarah Whiting and essay by Philip Ursprung.
périodiques
août 2020
El Croquis
AA Files 76: Summer 2019
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AA Files 76 is structured as a glossary of terms relevant to contemporary debate in architecture. Each entry has been contributed by a different author, and represents a personal position as much as an attempt to frame the topic in a broader context; the issue therefore maps both a landscape of current concerns, interests, and ambitions, and also an overview of diverse(...)
AA Files 76: Summer 2019
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AA Files 76 is structured as a glossary of terms relevant to contemporary debate in architecture. Each entry has been contributed by a different author, and represents a personal position as much as an attempt to frame the topic in a broader context; the issue therefore maps both a landscape of current concerns, interests, and ambitions, and also an overview of diverse positions and forms of practice. The authors of this glossary are practitioners, academics, students, lawyers, politicians, activists, and their contributions do not only seek to explore the potential of the themes put forward, but also to question the ways in which we can discuss space - as designers, as scholars, as citizens.
Revues
Rethinking happiness
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The book contains four sample projects for new-style communities. Four stories told through engaging models and drawings suggest the design potential surrounding everyday living. The experience of Rethinking Happiness aims to reset the concept of the urban development model and to start again from scratch, redefining needs, habits and dreams in tune with present day(...)
Rethinking happiness
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The book contains four sample projects for new-style communities. Four stories told through engaging models and drawings suggest the design potential surrounding everyday living. The experience of Rethinking Happiness aims to reset the concept of the urban development model and to start again from scratch, redefining needs, habits and dreams in tune with present day requirements. In other words, it will be looking at an updated model of contemporary life during a workshop open to economists, sociologists, architects, designers, town planners, landscape designers and simple citizens invited to participate in giving an area a new identity. Rethinking Happiness was part of the 12th International Exhibition of Architecture in Venice curated by Kazuyo Sejima.
L'humain et la ville
Verb - matters
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The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of(...)
Revues
mai 2002, Barcelona
Verb - matters
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The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of sophisticated ideas applied to the shaping of buildings including Toyo Ito's ephemeral work, recent attention to inflatable architecture and building with air, and the low tech approach of practitioners like LOT/EK. Consideration of the growing potential of current technology is also examined in a piece equating recent sneaker design technology to that of car manufacturing, as well as the use of artificial intelligence in home control networks at MIT's "Media House" project. Colorful, tactile, dense, and packaged in its own very contemporary design, Verb Matters remains devoted to cutting-edge issues in architecture and design. includes contributions from Toyo Ito, Greg Lynn, LOT/EK, Klein & Dytham, and Sherry Turkle
Revues
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The design of infrastructural networks—that is, roads, railways and any system that enables flow within a structure such as a city—is among urban design's foremost tasks. Around the globe, the awareness of enhanced infrastructure fluidity as a catalyst for economic development is rising. The Landscape of Contemporary Infrastructure investigates how infrastructure design(...)
The landscape of contemporary infrastructure
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The design of infrastructural networks—that is, roads, railways and any system that enables flow within a structure such as a city—is among urban design's foremost tasks. Around the globe, the awareness of enhanced infrastructure fluidity as a catalyst for economic development is rising. The Landscape of Contemporary Infrastructure investigates how infrastructure design determines the organization and flow of the inhabited landscape—as an agency of enhanced mobility, as a design feature contributing to the character of a city and as a sound theoretical approach to a positive experience of collective space. These issues are explored in four chapters that catalogue these approaches, each chapter buttressed with key projects from the world's most important designers in this field, including Arata Isozaki, Paul Andreu, Xaveer De Geyter, Jean Nouvel and Ricardo Bofill. The authors demonstrate how the creative potential of architecture, landscape architecture and urban design is essential to the effective flow of infrastructural networks.
Structures d’ingénierie
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"Inhabitable infrastructures: science fiction or urban future?", the follow up to "Food city and smartcities and eco-warriors", from one of the world’s leading urban design and architectural thinkers, explores the potential of climate change-related multi-use infrastructures that address the fundamental human requirements to protect, to provide and to participate. The(...)
Inhabitable infrastructures: urban future or science fiction?
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"Inhabitable infrastructures: science fiction or urban future?", the follow up to "Food city and smartcities and eco-warriors", from one of the world’s leading urban design and architectural thinkers, explores the potential of climate change-related multi-use infrastructures that address the fundamental human requirements to protect, to provide and to participate. The stimulus for the infrastructures derives from postulated scenarios and processes gleaned from science fiction and futurology as well as the current body of scientific knowledge regarding changing environmental impacts on cities. Science fiction is interdisciplinary by nature, aggregates the past and present, and evaluates both lay opinions and professional strategies in an attempt to develop foresight and to map possible futures. The research culminates in the creation of innovative multi-use infrastructures and integrated self-sustaining support systems that meet the challenges posed through climate change and overpopulation, and the reciprocal benefits of simultaneously addressing the threat and the shaping of cities. J. G. Ballard has written that the psychological realm of science fiction is most valuable in its predictive function, and in projecting emotions into the future. The knowledge from the book is widely transferable, constituting both solutions and speculative visions of future urban environments. The book is indispensable reading for professionals and students in the fields of urban design, architecture, engineering and environmental socio-politics.
Théorie de l’architecture
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With Common Space, activist and architect Stavros Stavrides calls for a reconceiving of public and private space in the modern age. Stavrides appeals for a new understanding of common space not only as something that can be governed and open to all, but as an essential aspect of our world that expresses, encourages, and exemplifies new forms of social relations and shared(...)
Théorie de l’architecture
février 2016
Common space : the city as commons
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With Common Space, activist and architect Stavros Stavrides calls for a reconceiving of public and private space in the modern age. Stavrides appeals for a new understanding of common space not only as something that can be governed and open to all, but as an essential aspect of our world that expresses, encourages, and exemplifies new forms of social relations and shared experiences. He shows how these spaces are created, through a fascinating global examination of social housing, self-built urban settlements, street peddlers, and public art and graffiti. The first book to explicitly tackle the notion of the city as commons, Common Space, offers an insightful study into the links between space and social relations, revealing the hidden emancipatory potential within our urban worlds.
Théorie de l’architecture
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In Berlin, decrepit structures do not always denote urban blight. Decayed buildings are incorporated into everyday life as residences, exhibition spaces, shops, offices, and as leisure space. As nodes of public dialogue, they serve as platforms for dissenting views about the future and past of Berlin. In this book, Daniela Sandler introduces the concept of(...)
Counterpreservation: architectural decay in Berlin since 1989
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In Berlin, decrepit structures do not always denote urban blight. Decayed buildings are incorporated into everyday life as residences, exhibition spaces, shops, offices, and as leisure space. As nodes of public dialogue, they serve as platforms for dissenting views about the future and past of Berlin. In this book, Daniela Sandler introduces the concept of counterpreservation as a way to understand this intentional appropriation of decrepitude. The embrace of decay is a sign of Berlin's iconoclastic rebelliousness, but it has also been incorporated into the mainstream economy of tourism and development as part of the city's countercultural cachet. Sandler presents the possibilities and shortcomings of counterpreservation as a dynamic force in Berlin and as a potential concept for other cities.
Théorie de l’architecture
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This monograph discusses the role that ruins play in urban centers in terms of their meaning, testimony, and value, and the opportunities they provide. After an outline of historical and contemporary of approaches, with a special analysis of British and Italian approaches, Elisa Pilia puts forward a methodology for the investigation of the strategic values of such(...)
Urban ruins: memorial value and contemporary role
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This monograph discusses the role that ruins play in urban centers in terms of their meaning, testimony, and value, and the opportunities they provide. After an outline of historical and contemporary of approaches, with a special analysis of British and Italian approaches, Elisa Pilia puts forward a methodology for the investigation of the strategic values of such artifacts, and ideas for their potential contribution to a sustainable requalification of historic urban cores. The protocol is tested on the historical center of Cagliari, a mid-sized port city on the southern coast of the island of Sardinia, Italy, where the remains left by aerial bombardment during the Second World War are still a dramatic part of the controversial European debate on how to reuse ruins.
Théorie de l’architecture
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" Unboxed : engagements in social space " is a collection of critical essays about and by artists who work across the borders of art, architecture and performance. This collection is loosely based upon the lecture series that Gallery 101 and the Carleton University School of Architecture co-hosted throughout the fall and winter of 2002-2003. The goal of that series(...)
Unboxed : engagements in social space
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" Unboxed : engagements in social space " is a collection of critical essays about and by artists who work across the borders of art, architecture and performance. This collection is loosely based upon the lecture series that Gallery 101 and the Carleton University School of Architecture co-hosted throughout the fall and winter of 2002-2003. The goal of that series (entitled "unboxed : dialogues on art & architecture") was, in part, to engage both architecture students and practicing visual artists with this vital yet under-explored arena of interstitial practices. The anthology, which is an attempt to further broaden the audience for this work and thereby increase the number of potential participants, includes transcriptions of lectures by international artists : Vito Acconci, Lucy Orta, Jan-Erik Andersson and Marko Peljhan, as well as commissioned essays by Canadian artists: Ana Rewakowicz, Eduardo Aquino, Marie-Paule Macdonald, Jean-François Prost, Luc Lévesque, Steve Topping, and Adrian Blackwell. Each text adds a mode of thinking about notions of space; directing us to consider the local and social connections between individuals and environments and, in their variety, they mirror the various ways we move in and around communities, rural and urban. Together, forming a challenging, engaging and accessible anthology that enlightens our way of seeing and our sense of being. It provides rare and exceptional information on interdisciplinary practices for students in art and architecture departments everywhere.
Théorie de l’urbanisme