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Born into the semiotic seductions of the 1980s, Scottish painter Lucy McKenzie reworks the iconography of that decade to foster associations between the most unlikely sources —East European propaganda murals, German abstract painting, Cold War imagery, industrial typefaces and 1980s synth-pop. To embellish this wide-ranging lexicon, she often collaborates with fashion(...)
Lucy Mckenzie : chêne de weekend, 2006-2009
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Born into the semiotic seductions of the 1980s, Scottish painter Lucy McKenzie reworks the iconography of that decade to foster associations between the most unlikely sources —East European propaganda murals, German abstract painting, Cold War imagery, industrial typefaces and 1980s synth-pop. To embellish this wide-ranging lexicon, she often collaborates with fashion designers, musicians and interior designers on works that have been exhibited as theatrical sets at museums in Edinburgh, San Francisco, New York and Cologne, winning her an international following. Chêne De Weekend introduces new paintings that reference nineteenth-century trompe l'oeil paintings used for interior design, part of McKenzie's participation in Atelier, an interior design collective. Alongside reproductions of works, it includes a fictional account of her study of trompe l'oeil and an homage to the fashion designer Beca Lipscombe, one of her collaborators in Atelier.
The post-socialist city
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The socialist ideals of the early twentieth century argued for a radical overhaul of architectural philosophy, reasserting the value of public space and redefining all forms of creative endeavor towards the benefit of the collective. These ideals were realized in the design of public buildings, streets and squares, as well as in films, literature and the visual arts.(...)
The post-socialist city
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The socialist ideals of the early twentieth century argued for a radical overhaul of architectural philosophy, reasserting the value of public space and redefining all forms of creative endeavor towards the benefit of the collective. These ideals were realized in the design of public buildings, streets and squares, as well as in films, literature and the visual arts. Urban planning under Eastern European Socialism is consequently inseparable from its ideological aspirations, and while its governmental structure may have collapsed, its architectural expressions remain. Over the last decade, however, many classic buildings of this era have been stripped of their political import, being repurposed or even destroyed. The Post Socialist City reveals that many cities across Eastern Europe remain dominated by the industrial complexes and panel buildings erected by Socialism, and analyzes the implications of the uses to which they have subsequently been put.
Théorie de l’urbanisme
The insurgent barricade
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This definitive history of the barricade charts the origins, development, and diffusion of a uniquely European revolutionary tradition. Mark Traugott traces the barricade from its beginnings in the sixteenth century, to its refinement in the insurrectionary struggles of the long nineteenth century, on through its emergence as an icon of an international culture of(...)
The insurgent barricade
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This definitive history of the barricade charts the origins, development, and diffusion of a uniquely European revolutionary tradition. Mark Traugott traces the barricade from its beginnings in the sixteenth century, to its refinement in the insurrectionary struggles of the long nineteenth century, on through its emergence as an icon of an international culture of revolution. Exploring the most compelling moments of its history, Traugott finds that the barricade is more than a physical structure; it is part of a continuous insurrectionary lineage that features spontaneous collaboration even as it relies on recurrent patterns of self-conscious collective action. A case study in how techniques of protest originate and evolve, The Insurgent Barricade tells how the French perfected a repertoire of revolution over three centuries, and how students, exiles, and itinerant workers helped it spread across Europe.
Robert Frank: Paris
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that(...)
Robert Frank: Paris
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.
Monographies photo
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took(...)
Surrealism and anti-fascism: An anthology
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took photographs, and made collages. Surrealism was associated with later emancipatory concerns not as a style, but as a method, and was taken up by the student protests of the 1960s and the Black Liberation Movement. This catalogue is published on the occasion of an exhibition at the Lenbachhaus Munich. In the form of an anthology, it presents pivotal texts and manifestoes of political Surrealism from its beginnings to current references in art and politics. It thus offers a valuable contribution to revising the still narrowly defined Surrealist canon.
Théorie de l’art
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Streets in the sky, prefab panel housing estates, raw concrete flying saucers, corn cob-shaped tower blocks; these are some of the constructions that recast Eastern and Central European urban landscapes after WWII. This playful and engaging book allows readers to explore and learn about the brutalist and modernist architecture erected in the former Eastern Bloc and(...)
Brutal East II : Build your own concrete Eastern Bloc
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Streets in the sky, prefab panel housing estates, raw concrete flying saucers, corn cob-shaped tower blocks; these are some of the constructions that recast Eastern and Central European urban landscapes after WWII. This playful and engaging book allows readers to explore and learn about the brutalist and modernist architecture erected in the former Eastern Bloc and ex-Yugoslavia, and build some of their most intriguing edifices, from the massive housing estates in Moscow to the brutal skyline of Tbilisi. Brutal East vol. II includes chapters with photographs and texts providing a valuable insight into the featured buildings and their history, as well as a foreword by Alexander Ostrogorsky. The book contains nine pre-cut and pre-folded models to press out and assemble with easy-to-follow instructions. This hardcover volume is the long-awaited follow-up to Zupagrafika's 2017 Brutal East.
Brutalisme
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"Architecture of the nineteenth century", issued in the "History of world Architecture" series, offers a complete survey of European architecture during the eighteenth and nineteenth centuries, examining in particular the influence of the cultural trends of the period on the architects’ works. The first section of the book deals with the history of eighteenth-century(...)
Architecture of the nineteenth century
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"Architecture of the nineteenth century", issued in the "History of world Architecture" series, offers a complete survey of European architecture during the eighteenth and nineteenth centuries, examining in particular the influence of the cultural trends of the period on the architects’ works. The first section of the book deals with the history of eighteenth-century architecture in France and England, countries where Cartesian-school philosophical speculation and Anglo-Saxon philosophical empiricism wielded a determining influence. After analysing the developments of the classical tradition and its propagation throughout Europe, the book studies in depth the history of architectural movements, comprising neo-classicism, neo-Renaissance and neo-Gothic architecture. The outstanding, forerunning personalities of this brilliant artistic period who, in the course of the nineteenth century, offered fecund theoretic and stylistic contributions, include Gottfried Semper, John Ruskin and Eugène Viollet-le Duc.
Histoire jusqu’à 1900
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Le Corbusier is an icon of 20th-century architecture, his status a reflection of his capacity to endow architecture with an expression that evokes the spirit of the age. This book features some of Le Corbusier’s most important European buildings, complemented by others that are less well-known. The photographs, taken sequentially by the author, and an introduction(...)
Architecture, monographies
septembre 2005, London, New York
Walking through Le Corbusier : a tour of his masterworks
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Le Corbusier is an icon of 20th-century architecture, his status a reflection of his capacity to endow architecture with an expression that evokes the spirit of the age. This book features some of Le Corbusier’s most important European buildings, complemented by others that are less well-known. The photographs, taken sequentially by the author, and an introduction that brings together the architect's main ideas about each building provide a unique 'walk through' of the master architect's great works. Each ‘walk through’ is accompanied by at least one floor plan, which pinpoints the position from which the photograph has been taken; phrases by Le Corbusier directly relating to what is shown in the image; drawings by the architect of certain details; and images from Le Corbusier buildings that enlarge on the discussion or elucidate a point.
Architecture, monographies
Impulse: Archeology
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Eldon Garnet was the editor and publisher of "Impulse" from 1975 to 1990, when it ceased publication, and with "Impulse Archaeology", he brings the magazine’s spirit back to life. The book is an eclectic collection of original and groundbreaking interviews, articles, and artwork that ranges in scope from pieces on Punk rock to early discussions on postmodernism, and that(...)
septembre 2005, Toronto
Impulse: Archeology
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Eldon Garnet was the editor and publisher of "Impulse" from 1975 to 1990, when it ceased publication, and with "Impulse Archaeology", he brings the magazine’s spirit back to life. The book is an eclectic collection of original and groundbreaking interviews, articles, and artwork that ranges in scope from pieces on Punk rock to early discussions on postmodernism, and that includes contributions from artists, architects, writers, and philosophers. "Impulse Archaeology" honours this important period in Canadian art and cultural history, recalling the early influence of like-minded publications from New York and the import of French theorists and European artists and writers into North America. "Impulse" brought the world into Canada and Canada to the world. Eldon Garnet is an international photographic artist and novelist based in Toronto and a professor at the Ontario College of Art and Design.
Winka Dubbeldam : AT-INdex
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European emigrés have been changing the face of modern American architecture for decades. Winka Dubbeldam surely belongs to that long list of practitioners. Working across scales — from a New York skyscraper to a rural house — the Dutch-born architect has established herself as one of the most provocative figures in the field by seamlessly integrating function and form,(...)
Winka Dubbeldam : AT-INdex
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European emigrés have been changing the face of modern American architecture for decades. Winka Dubbeldam surely belongs to that long list of practitioners. Working across scales — from a New York skyscraper to a rural house — the Dutch-born architect has established herself as one of the most provocative figures in the field by seamlessly integrating function and form, technology and comfort, city and home. Folded glass facades, intelligent building cores, and interactive environments highlight the work of her progressive, process-based studio/laboratory, Archi-Tectonics. As much resource as monograph, "Archi-Tectonics Index" explores Dubbeldam's intense, research-laden approach to over twenty projects, including the highly acclaimed From HardWare to SoftForm exhibition, Aida Hair Salon, and Gipsy Trail Residence. Incisive essays by Detlef Mertins, Javier Barreiro Cavestany, and Michael Speaks complement lush photographs, informative diagrams, and her compelling designs.
Architecture, monographies