36173 Résultats
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Current issue in store / Noiveau numéro en librairie
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Current issue in store / Noiveau numéro en librairie
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Satellite magazine : Montreal
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Current issue in store / Noiveau numéro en librairie
Satellite magazine : Montreal
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Current issue in store / Noiveau numéro en librairie
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juillet 2012
juillet 2012
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Revues
Revues
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Titre:
Afterall 30 Summer 2012
Afterall 30 Summer 2012
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This issue looks at the relationship between institutions and the local. Featuring: Jimmie Durham Yael Bartana Eduardo Molinari ruangrupa Theaster Gates Artistic Labour and the New Economy
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This issue looks at the relationship between institutions and the local. Featuring: Jimmie Durham Yael Bartana Eduardo Molinari ruangrupa Theaster Gates Artistic Labour and the New Economy
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Afterall 30 Summer 2012
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This issue looks at the relationship between institutions and the local. Featuring: Jimmie Durham Yael Bartana Eduardo Molinari ruangrupa Theaster Gates Artistic Labour and the New Economy
Afterall 30 Summer 2012
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This issue looks at the relationship between institutions and the local. Featuring: Jimmie Durham Yael Bartana Eduardo Molinari ruangrupa Theaster Gates Artistic Labour and the New Economy
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livres
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juillet 2012
juillet 2012
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Revues
Revues
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current issue in store / nouveau numéro en librairie
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current issue in store / nouveau numéro en librairie
Titre:
Public magazine 45 : civic spectacle
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current issue in store / nouveau numéro en librairie
Public magazine 45 : civic spectacle
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current issue in store / nouveau numéro en librairie
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juillet 2012
juillet 2012
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Revues
Revues
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Discographisme recréatif is both a documentary and collectional work begun in 1996. It’s composed of different iconographic montages made from record sleeves and CD jackets. The distinctive feature: these covers, be they 45s, 33s, or CDs, mostly found at flea markets, have all been redone or modified by anonymous indivuals using the original covers as a guideline and as a(...)
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Discographisme recréatif is both a documentary and collectional work begun in 1996. It’s composed of different iconographic montages made from record sleeves and CD jackets. The distinctive feature: these covers, be they 45s, 33s, or CDs, mostly found at flea markets, have all been redone or modified by anonymous indivuals using the original covers as a guideline and as a(...)
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Discographisme récréatif : homemade record sleeves
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Discographisme recréatif is both a documentary and collectional work begun in 1996. It’s composed of different iconographic montages made from record sleeves and CD jackets. The distinctive feature: these covers, be they 45s, 33s, or CDs, mostly found at flea markets, have all been redone or modified by anonymous indivuals using the original covers as a guideline and as a source of inspiration. Discographisme récréatif est un travail à la fois documentaire et « assemblagiste » commencé en 1996. Il se compose de différents montages iconographiques élaborés à partir de pochettes de disques. Une particularité, ces pochettes au format 45 tours, 33 tours et CD, trouvées pour la plupart au marché aux puces, ont toutes été refaites ou modifiées par des inconnus ayant utilisé l’originale comme support ou comme source d’inspiration.
Discographisme récréatif : homemade record sleeves
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Discographisme recréatif is both a documentary and collectional work begun in 1996. It’s composed of different iconographic montages made from record sleeves and CD jackets. The distinctive feature: these covers, be they 45s, 33s, or CDs, mostly found at flea markets, have all been redone or modified by anonymous indivuals using the original covers as a guideline and as a source of inspiration. Discographisme récréatif est un travail à la fois documentaire et « assemblagiste » commencé en 1996. Il se compose de différents montages iconographiques élaborés à partir de pochettes de disques. Une particularité, ces pochettes au format 45 tours, 33 tours et CD, trouvées pour la plupart au marché aux puces, ont toutes été refaites ou modifiées par des inconnus ayant utilisé l’originale comme support ou comme source d’inspiration.
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livres
livres
Publication:
juillet 2012
juillet 2012
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Illustration
Illustration
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Typoholic collects a sampling of the most recent trends and developments in type design by designers who utilize diverse mediums as illustration, craft, fashion, photography and performing arts to manifest their designs whether for branding, editorial, product, promotional or installation based applications. This publication includes an introductory section showcasing(...)
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Typoholic collects a sampling of the most recent trends and developments in type design by designers who utilize diverse mediums as illustration, craft, fashion, photography and performing arts to manifest their designs whether for branding, editorial, product, promotional or installation based applications. This publication includes an introductory section showcasing(...)
Titre:
Typoholic: material types in design
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Typoholic collects a sampling of the most recent trends and developments in type design by designers who utilize diverse mediums as illustration, craft, fashion, photography and performing arts to manifest their designs whether for branding, editorial, product, promotional or installation based applications. This publication includes an introductory section showcasing more than 40 brand new type families.
Typoholic: material types in design
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Typoholic collects a sampling of the most recent trends and developments in type design by designers who utilize diverse mediums as illustration, craft, fashion, photography and performing arts to manifest their designs whether for branding, editorial, product, promotional or installation based applications. This publication includes an introductory section showcasing more than 40 brand new type families.
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livres
livres
Publication:
juillet 2012
juillet 2012
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing(...)
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing(...)
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On show: temporary design for fairs, special events, and art exhibition
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing intriguing displays that are at once eye catching, sophisticated and memorable. Whether controlled or interactive, the installations featured frequently make use of all surfaces from floor to ceiling to arrest ones attention and direct further explorations. Through the innovative use of lighting, multimedia displays and custom fixtures, a story is told, creating a unique experience for the visitor and a reference for future recommendations.
On show: temporary design for fairs, special events, and art exhibition
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing intriguing displays that are at once eye catching, sophisticated and memorable. Whether controlled or interactive, the installations featured frequently make use of all surfaces from floor to ceiling to arrest ones attention and direct further explorations. Through the innovative use of lighting, multimedia displays and custom fixtures, a story is told, creating a unique experience for the visitor and a reference for future recommendations.
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livres
livres
Publication:
juillet 2012
juillet 2012
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Étalages
Étalages
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The materials used in architecture inform our experience of buildings and spaces through the interplay of aesthetic, social and historic considerations. Both structural and decorative elements have a role to play, whether immediately visceral or only on a subliminal level. Human beings have a relationship to the materials, one that is colored by our values and(...)
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The materials used in architecture inform our experience of buildings and spaces through the interplay of aesthetic, social and historic considerations. Both structural and decorative elements have a role to play, whether immediately visceral or only on a subliminal level. Human beings have a relationship to the materials, one that is colored by our values and(...)
Titre:
Materials in architecture: concrete, glass, steel, stone, wood
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The materials used in architecture inform our experience of buildings and spaces through the interplay of aesthetic, social and historic considerations. Both structural and decorative elements have a role to play, whether immediately visceral or only on a subliminal level. Human beings have a relationship to the materials, one that is colored by our values and expectations and not easily set aside. Continued innovations by architects at the vanguard of design have pushed the limits of acceptance - envisioning unique and often surprising structures challenging our preconceptions. Glass, stone, concrete, steel and wood all compete for our attention - their best characteristics presented by the architects featured, successfully showcasing each material's full range of implementation.
Materials in architecture: concrete, glass, steel, stone, wood
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$54.95
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The materials used in architecture inform our experience of buildings and spaces through the interplay of aesthetic, social and historic considerations. Both structural and decorative elements have a role to play, whether immediately visceral or only on a subliminal level. Human beings have a relationship to the materials, one that is colored by our values and expectations and not easily set aside. Continued innovations by architects at the vanguard of design have pushed the limits of acceptance - envisioning unique and often surprising structures challenging our preconceptions. Glass, stone, concrete, steel and wood all compete for our attention - their best characteristics presented by the architects featured, successfully showcasing each material's full range of implementation.
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livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
Titre:
From cliché to archetype
From cliché to archetype
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In this publication, readers learn how to look at stale clichés with fresh eyes, as artists do, and discover that clichés provide the key to understanding Modernism, from the puns of James Joyce to Ionesco’s Theater of the Absurd. McLuhan mines the greats of modern literature, such as Yeats, Eliot, and Pound, and points the way to richer understanding of their work.(...)
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In this publication, readers learn how to look at stale clichés with fresh eyes, as artists do, and discover that clichés provide the key to understanding Modernism, from the puns of James Joyce to Ionesco’s Theater of the Absurd. McLuhan mines the greats of modern literature, such as Yeats, Eliot, and Pound, and points the way to richer understanding of their work.(...)
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From cliché to archetype
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In this publication, readers learn how to look at stale clichés with fresh eyes, as artists do, and discover that clichés provide the key to understanding Modernism, from the puns of James Joyce to Ionesco’s Theater of the Absurd. McLuhan mines the greats of modern literature, such as Yeats, Eliot, and Pound, and points the way to richer understanding of their work. Discussion ranges over conventional topics of literary analysis such as genres, esthetics, rhetoric, paradox, mimesis, and parody, though never in conventional fashion, because McLuhan deliberately stakes his turf in a manner that draws technology and culture together. As a result, the key terms cliché and archetype are not confined to language but are shown to have counterparts in the non-linguistic world.
From cliché to archetype
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In this publication, readers learn how to look at stale clichés with fresh eyes, as artists do, and discover that clichés provide the key to understanding Modernism, from the puns of James Joyce to Ionesco’s Theater of the Absurd. McLuhan mines the greats of modern literature, such as Yeats, Eliot, and Pound, and points the way to richer understanding of their work. Discussion ranges over conventional topics of literary analysis such as genres, esthetics, rhetoric, paradox, mimesis, and parody, though never in conventional fashion, because McLuhan deliberately stakes his turf in a manner that draws technology and culture together. As a result, the key terms cliché and archetype are not confined to language but are shown to have counterparts in the non-linguistic world.
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livres
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Publication:
janvier 2012
janvier 2012
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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$32.95
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Every typeface has its own charisma. Not only does its presence in design lend an attribute to the identity of a product or project, but also reflect the taste, personality and attitude of the designer behind. Most designers keep a list of favourites with no more then ten typefaces throughout their trajectory. Some make a statement by sticking to just one typeface in(...)
$32.95
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Every typeface has its own charisma. Not only does its presence in design lend an attribute to the identity of a product or project, but also reflect the taste, personality and attitude of the designer behind. Most designers keep a list of favourites with no more then ten typefaces throughout their trajectory. Some make a statement by sticking to just one typeface in(...)
Titre:
I love type series - volume 2 : avant garde
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Every typeface has its own charisma. Not only does its presence in design lend an attribute to the identity of a product or project, but also reflect the taste, personality and attitude of the designer behind. Most designers keep a list of favourites with no more then ten typefaces throughout their trajectory. Some make a statement by sticking to just one typeface in every piece of their work. The choice for typeface is the flag held high by designers. I Love Type is a collaboration between Viction : ary and TwoPoints.Net. The type collection series, with focus on one specific typeface at a time, documents the fashionable comeback of a selection of timehonored typefaces in a myriad of contemporary designs gathered from around the world.
I love type series - volume 2 : avant garde
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$32.95
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Every typeface has its own charisma. Not only does its presence in design lend an attribute to the identity of a product or project, but also reflect the taste, personality and attitude of the designer behind. Most designers keep a list of favourites with no more then ten typefaces throughout their trajectory. Some make a statement by sticking to just one typeface in every piece of their work. The choice for typeface is the flag held high by designers. I Love Type is a collaboration between Viction : ary and TwoPoints.Net. The type collection series, with focus on one specific typeface at a time, documents the fashionable comeback of a selection of timehonored typefaces in a myriad of contemporary designs gathered from around the world.
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livres
livres
Publication:
juillet 2012
juillet 2012
Classification:
livres
livres
Titre:
Counterblast, 1954 edition
Counterblast, 1954 edition
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In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive(...)
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In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive(...)
Titre:
Counterblast, 1954 edition
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$24.95
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In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive changes issuing from the same social forces, as Lewis had noted, but at the same time revealing the origins of McLuhan’s cultural probes, the basis of the model for media analysis that would find full expression in his writings through more than thirty years following the appearance of Counterblast.
Counterblast, 1954 edition
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$24.95
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Résumé:
In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive changes issuing from the same social forces, as Lewis had noted, but at the same time revealing the origins of McLuhan’s cultural probes, the basis of the model for media analysis that would find full expression in his writings through more than thirty years following the appearance of Counterblast.
Classification:
livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Théorie/ philosophie
Théorie/ philosophie
