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ix, 231 pages ; 23 cm
Hanover, NH : University Press of New England ; [Salzburg] : Salzburg Seminar, ©1997.
Preserving the built heritage : tools for implementation / J. Mark Schuster, with John de Monchaux and Charles A. Riley II, editors.
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ix, 231 pages ; 23 cm
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Hanover, NH : University Press of New England ; [Salzburg] : Salzburg Seminar, ©1997.
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191 pages : color illustrations, map ; 25 cm
Barcelona, Spain : Dpr-barcelona, 2012.
Concrete mushrooms : reusing Albania's 750,000 abandoned bunkers = ripërdorimi i 750,000 bunkerëve shqiptar / Elian Stefa & Gyler Mydyti, with/me Niku Alex Muçaj, Alicja Dobrucka, Ilia Miho, Bunkerfest.
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191 pages : color illustrations, map ; 25 cm
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Barcelona, Spain : Dpr-barcelona, 2012.
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410 pages : illustrations (some color) ; 25 cm.
Rennes : Presses universitaires de Rennes ; Paris : Comité d'histoire de la ville de Paris, 2010.
Le Paris moderne : histoire des politiques d'hygiène, 1855-1898 / Fabienne Chevallier.
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410 pages : illustrations (some color) ; 25 cm.
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Rennes : Presses universitaires de Rennes ; Paris : Comité d'histoire de la ville de Paris, 2010.
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1 online resource
[Place of publication not identified] : Strelka Press, 2012.
Splendidly Fantastic: : Architecture and Power Games in China.
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1 online resource
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[Place of publication not identified] : Strelka Press, 2012.
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x, 362 pages : illustrations ; 25 cm
Durham [NC] : Duke University Press, ©2010.
Cities surround the countryside : urban aesthetics in post-socialist China / Robin Visser.
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x, 362 pages : illustrations ; 25 cm
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Durham [NC] : Duke University Press, ©2010.
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xx, 558 pages illustrations 24 cm
Washington, 1957.
A policy on arterial highways in urban areas.
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xx, 558 pages illustrations 24 cm
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Washington, 1957.
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Elisava Barcelona School of Design and Engineering 2023
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Elisava Barcelona School of Design and Engineering 2023
$85.95
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Résumé:
Publié à l'occasion de l'exposition de l'artiste au Centre Pompidou, cet ouvrage présente des photographies inédites de l'époque où Cohen est passée de la gravure et de la sculpture à la photographie sous l'influence du minimalisme, du Pop Art et de l'art conceptuel. Figure internationale de la photographie, Lynne Cohen élabore des images vides de toute présence humaine :(...)
Lynne Cohen : Observatoires / Laboratoires
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Résumé:
Publié à l'occasion de l'exposition de l'artiste au Centre Pompidou, cet ouvrage présente des photographies inédites de l'époque où Cohen est passée de la gravure et de la sculpture à la photographie sous l'influence du minimalisme, du Pop Art et de l'art conceptuel. Figure internationale de la photographie, Lynne Cohen élabore des images vides de toute présence humaine : des espaces intérieurs - laboratoires, stations thermales, salles d'attente ou d'entraînement... - aux décors parfois kitsch et dans lesquels planent un certain mystère, une atmosphère inquiétante. Ses cadrages rigoureux, une certaine mise à distance et une lumière qui souligne matières et surfaces confèrent aux lieux qu'elle capture une apparence à la fois " surréelle " et factice. Par la neutralité de l'éclairage et l'absence de personnages, les intérieurs domestiques et lieux de travail évoquent un contrôle social qui s'exerce de manière diffuse. Fascinée par les techniques photographiques employées dans la publicité, les annonces immobilières, les catalogues de vente par correspondance ou encore celles des cartes postales, Lynne Cohen s'inscrit dans le sillon de l'art conceptuel des années 1970, celui des artistes pour qui l'art est un moyen d'analyse. Eclairage, profondeur de champ et composition rigoureuse, voire clinique, donnent à voir des univers clos qui sont autant d'enquêtes sur la configuration de l'espace social. Salles de classe, de restaurants, de sports, halls d'hôtels, bureaux, laboratoires, espaces domestiques ou dédiés aux spas, à la police... partout s'exercent les notions d'observation, de jeux et de contrôles du social. Ces vues frontales aux cadres imposants sont toujours à double fond : quelque chose, de dérisoire ou de grave, y semble camouflé.
Monographies photo
Now
$19.95
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Now is the phantom chapter to the Invisible Committee's previous book, To Our Friends: a new critique from the anonymous collective that establishes their opposition to the world of capital and its law of labor, addresses current anti-terrorist rhetoric and the ferocious repression that comes with it, and clarifies the end of social democracy and the growing rumors of the(...)
Now
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Now is the phantom chapter to the Invisible Committee's previous book, To Our Friends: a new critique from the anonymous collective that establishes their opposition to the world of capital and its law of labor, addresses current anti-terrorist rhetoric and the ferocious repression that comes with it, and clarifies the end of social democracy and the growing rumors of the need for a coming “civil war.” Now emerges at a time when the Invisible Committee’s contestation has found echoes throughout the West, with a collapse of trust in the police, an inept weariness on the part of the political system, a growing urgency for opposition, a return of the theme of the Commune, a vanishing distinction between radicals and citizens, and a widespread refusal on the part of the citizen to be governed. As farcical political elections continue to unfold worldwide like a line of tumbling dominoes, and governments increasingly struggle to reclaim a legitimacy that has already slipped out of their grasp, Now clarifies the Invisible Committee’s attitude toward all such elections and their outcome: one of utter indifference. Now proposes a “destituent process” that charts out a different path to be taken, a path of outright refusal that simply ignores elections altogether. It is a path that calls for taking over the world and not taking power, for exploring new forms of life and not a new constitution, and for desertion and silence as alternatives to proclamations and crashes. It is also a call for an unprecedented communism—a communism stronger than nation and country.
Théorie/ philosophie
$29.95
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When Richard Reynolds began planting flowers secretly at night outside his tower block in South London, he had no idea that he was part of a growing global movement committed to combating the forces of neglect, land shortage and apathy towards public spaces. But before long, his blog had attracted other guerrillas from around the world to share their experiences of the(...)
On guerrilla gardening : a handbook for gardening without boundaries
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When Richard Reynolds began planting flowers secretly at night outside his tower block in South London, he had no idea that he was part of a growing global movement committed to combating the forces of neglect, land shortage and apathy towards public spaces. But before long, his blog had attracted other guerrillas from around the world to share their experiences of the horticultural frontline, and is now a focal point for guerrilla gardeners everywhere, with over 4,000 people enlisted as recruits. "On Guerrilla Gardening" is Reynolds' lively, colourful treatise on why people illicitly cultivate land and how to do it yourself. From discreetly beautifying corners of Montreal to striving for green communal space in Berlin and sustainable food production in San Francisco, from Christmas trees on London roundabouts to the political agitations of landless workers in Brazil, Reynolds charts a battle that people worldwide are fighting on many different fronts. Along the way he unearths the movement's notable historic advances by seventeenth-century English radicals, a nineteenth-century American entrepreneur and public-spirited artists in 1970s New York. Reynolds has researched the subject with guerrilla gardeners from thirty different countries, and compiles their advice on what to grow where, how to cope with adverse environmental conditions, how to seed-bomb effectively, how to harness propaganda to win support and even how to handle anti-terror police. "On Guerrilla Gardening" informs, entertains and inspires. Packed with photographs, anecdotes and sound horticultural advice, it is an irresistible invitation to shoulder your shovel and join the revolution that is blooming in the world's shared spaces.
Théorie du paysage