vidéo
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1 online resource (1 video file (23 minutes)) : sound, color
London, England : Pidgeon Digital, 1981.
Concrete Expression / [presented by] Oscar Niemeyer.
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Description:
1 online resource (1 video file (23 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1981.
livres
Description:
viii, 248 pages : color illustrations ; 28 cm
London ; New York : Routledge, 2012.
The temporary city / Peter Bishop and Lesley Williams.
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Exemplaires:
Description:
viii, 248 pages : color illustrations ; 28 cm
livres
London ; New York : Routledge, 2012.
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Subversion does not belong to anyone. It can come from artists who outwit the state or from intelligence agencies who infiltrate the art scene on behalf of the state. But what happens when the two sides meet? After the old state security archives in many Eastern European countries were opened, it became possible for this interaction to be studied in detail. Drawing on(...)
Artists & agents: Performance art and secret services
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Subversion does not belong to anyone. It can come from artists who outwit the state or from intelligence agencies who infiltrate the art scene on behalf of the state. But what happens when the two sides meet? After the old state security archives in many Eastern European countries were opened, it became possible for this interaction to be studied in detail. Drawing on scientific essays and artistic contributions, the book shows how the secret police monitored happenings, performance art, and action art and looks at the debates they had about the new art form; it also demonstrates not only how the police documented artistic actions in detail using forensic techniques but also how they manipulated them and sought to thwart them with counter-actions. In addition to this, the book also reveals how artists dealt with the possibility that they were being observed by the secret police and how they now work with the material stored in the archives maintained by the intelligence services.
Théorie de l’art
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In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The(...)
Chandigarh: Living with Le Corbusier
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In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The challenge Le Corbusier then faced was to demonstrate how a city designed from the drawing board could feel humane, functional and viable once built. Once the home of public officials, Chandigarh has become a vibrant garden city and a magnet for the booming Indian software industry. Attracted to the idea of a possible dialogue and contradiction between European architecture and Indian lifestyle, German ethnographer Bärbel Högner began photographing the city. Chandigarh: Living with Le Corbusier surveys Le Courbusier's contribution to India's first planned city, while simultaneously revealing Högner's passionate interest and impeccable eye for architectural detail.
Architecture, monographies
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In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an “aesthetics of anarchy” — art-making without rules—that greatly influenced early twentieth-century modernists. Setting the early(...)
The aesthetics of anarchy : art and ideology in the early Russian avant-garde
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In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an “aesthetics of anarchy” — art-making without rules—that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day.
Théorie de l’art
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Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us. Designers understand the(...)
Lo-Tek. Design by radical indigenism
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$70.00
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Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us. Designers understand the urgency of reducing humanity’s negative environmental impact, yet perpetuate the same mythology of technology that relies on exploiting nature. Responding to climate change by building hard infrastructures and favoring high-tech homogenous design, we are ignoring millennia-old knowledge of how to live in symbiosis with nature. Without implementing soft systems that use biodiversity as a building block, designs remain inherently unsustainable. Lo-TEK, derived from Traditional Ecological Knowledge, is a cumulative body of multigenerational knowledge, practices, and beliefs, countering the idea that indigenous innovation is primitive and exists isolated from technology. It is sophisticated and designed to sustainably work with complex ecosystems.
Architecture écologique
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching(...)
Black Mountain: an interdisciplinary experiment 1933-1957
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching methods designed to encourage personal initiative as well as the social competence of the individual. Visual arts, economics, physics, dance, architecture and music were all taught on an equal footing, and teachers and students lived together in a democratically organized community. The second director of the school was Josef Albers, and John Cage, Merce Cunningham, Buckminster Fuller, Walter Gropius, Franz Kline and Charles Olson were among its teachers. As a result, the college played a foundational role in the development of a range of avant-garde practices, and exerted an enormous influence on the development of the arts in the second half of the 20th century.
Théorie de l’art
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For all of the scholarship done on postcolonial literatures, little has been applied to Scandinavian writing. Yet, beginning with the onset of tourism beyond Scandinavia in the 1840s, a compelling body of prose works documents Scandinavian attitudes toward foreign countries and further shows how these Scandinavian travelers sought to portray themselves to uncharted(...)
Journeys from Scandinavia : travelogues of Africa, Asia, and South America, 1840- 2000
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For all of the scholarship done on postcolonial literatures, little has been applied to Scandinavian writing. Yet, beginning with the onset of tourism beyond Scandinavia in the 1840s, a compelling body of prose works documents Scandinavian attitudes toward foreign countries and further shows how these Scandinavian travelers sought to portray themselves to uncharted cultures. Focusing on Danish and Norwegian travelogues, Elisabeth Oxfeldt traces the evolution of Scandinavian travel writing over two centuries using pivotal texts from each era, including works by Hans Christian Andersen, Knut Hamsun, and Karen Blixen (Isak Dinesen). Oxfeldt situates each one in its historical and geopolitical context, and her close readings delineate how each travelogue reflects Scandinavia’s ongoing confrontation between Self and the non-European cultural Other. A long-overdue examination of travel literature produced by some of Denmark and Norway’s greatest writers, this publication unpacks the unstable constructions of Scandinavian cultural and national identity and, in doing so, complicates the common assumption of a homogeneous, hegemonic Scandinavia.
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This guide is a celebration of the works of professional architects in three South African metropolitan centres, namely Cape Town, Durban and the Johannesburg/Pretoria Axis. The content ranges from the early years of European settlement, where architects were trained by the military schools of engineering, through the period of apprenticeship either to a recognised(...)
South Africa architectural guide
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This guide is a celebration of the works of professional architects in three South African metropolitan centres, namely Cape Town, Durban and the Johannesburg/Pretoria Axis. The content ranges from the early years of European settlement, where architects were trained by the military schools of engineering, through the period of apprenticeship either to a recognised practicing architect or in public works, to the twentieth century and beyond, where architects were regulated as professionals by legislation, as was their education. The projects selected are all secular, being either in the public domain or eye, and therefore readily accessible. This guide is structured along main themes, each historically located. Each episode or project type featured is highlighted by a representative from each metropolitan centre, each being discussed in broader detail alongside similar contemporaneous local examples. In total the guide features over a hundred-and-fifty projects with all salient information as to their dates of construction, designers and locality (by way of QR codes).
Guides des villes
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The first treatise ever written on the sociology of cities, On the Causes of the Greatness and Magnificence of Cities (1588) marked a radical departure from previous literature on urban centres. It provided a revolutionary analysis of how cities function, and of the political, economic, demographic and geographic factors that cause their growth and decline. Noteworthy too(...)
On the causes of the greatness and magnificence of cities
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The first treatise ever written on the sociology of cities, On the Causes of the Greatness and Magnificence of Cities (1588) marked a radical departure from previous literature on urban centres. It provided a revolutionary analysis of how cities function, and of the political, economic, demographic and geographic factors that cause their growth and decline. Noteworthy too is Botero’s strikingly original use of sources in his analysis: moving beyond familiar classical and biblical references, he drew groundbreaking insights from reports by travelers and missionaries about cities in the non-European world, especially in China. Though seminally important to the history of urban studies, this book has not been available in a modern translation until now. This edition of the treatise – which includes an introduction by Geoffrey W. Symcox on the intellectual context within which it was conceived – is a must-read for anyone interested in the life of cities both historical and contemporary.
Théorie de l’urbanisme