1046 Résultats
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important(...)
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important(...)
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The pornographic delicatessen: Midcentury Montreal's erotic art, media, and spaces
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important examination of the development of erotic art and design in the city’s postwar and Quiet Revolution era. Matthew Purvis surveys a range of erotic materials to rediscover nearly forgotten artworks in a period that expanded definitions of what could be considered art. He stresses the confluence of visual art and film, magazines, and journalism during the period as formal models passed from surrealism and automatism into the evolution of a Quebec-specific variation of Pop Art called "ti-pop."
The pornographic delicatessen: Midcentury Montreal's erotic art, media, and spaces
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important examination of the development of erotic art and design in the city’s postwar and Quiet Revolution era. Matthew Purvis surveys a range of erotic materials to rediscover nearly forgotten artworks in a period that expanded definitions of what could be considered art. He stresses the confluence of visual art and film, magazines, and journalism during the period as formal models passed from surrealism and automatism into the evolution of a Quebec-specific variation of Pop Art called "ti-pop."
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Architecture de Montréal
Architecture de Montréal
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livres
livres
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$131.00
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"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can(...)
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"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can(...)
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Ka Me Ra: Modern Japanese architecture through the photographer's lens
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"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can documenting buildings in this way ever be entirely neutral? Author and Japanese architecture expert Ari Seligmann examines the post-World War II evolution of architectural photography in Japan as a vehicle for considering both universal and culturally specific concepts of the world through images. Through a veritable feast of exquisitely printed pictures, he grapples with the scope of architectural photography, recognizing that it is more than producing marketable images for architects and magazines, but neither is it a strictly historical record.
Ka Me Ra: Modern Japanese architecture through the photographer's lens
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"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can documenting buildings in this way ever be entirely neutral? Author and Japanese architecture expert Ari Seligmann examines the post-World War II evolution of architectural photography in Japan as a vehicle for considering both universal and culturally specific concepts of the world through images. Through a veritable feast of exquisitely printed pictures, he grapples with the scope of architectural photography, recognizing that it is more than producing marketable images for architects and magazines, but neither is it a strictly historical record.
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livres
livres
Publication:
mars 2026
mars 2026
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Photographie- collections
Photographie- collections
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livres
livres
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus,(...)
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus,(...)
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Architecture, monographies
Architecture, monographies
Publication:
octobre 2025
octobre 2025
Titre:
More than one: Gio Ponti. Critic, editor, graphic artist, architect
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus, which, apart from a break in the 1940s, he continued to direct for the rest of his life. In the postwar era, Ponti and his associates Antonio Fornaroli and Alberto Rosselli shaped the architectural image of Milan but were also active across the globe from Caracas to Tehran, Denver, Islamabad and Eindhoven. "More than one: Gio Ponti" delves into the many components of Ponti’s creative contribution to the 20th century and traces his enduring influence in Italy and across the globe.
More than one: Gio Ponti. Critic, editor, graphic artist, architect
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus, which, apart from a break in the 1940s, he continued to direct for the rest of his life. In the postwar era, Ponti and his associates Antonio Fornaroli and Alberto Rosselli shaped the architectural image of Milan but were also active across the globe from Caracas to Tehran, Denver, Islamabad and Eindhoven. "More than one: Gio Ponti" delves into the many components of Ponti’s creative contribution to the 20th century and traces his enduring influence in Italy and across the globe.
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livres
livres
Publication:
octobre 2025
octobre 2025
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
The big archive
The big archive
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The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a(...)
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The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a(...)
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The big archive
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The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp’s “anemic archive” of readymades and El Lissitzky’s Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In "The big archive", Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
The big archive
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The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp’s “anemic archive” of readymades and El Lissitzky’s Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In "The big archive", Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
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livres
livres
Publication:
mars 2017
mars 2017
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livres
livres
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Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s(...)
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Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s(...)
Titre:
The artist as curator: an anthology
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Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s foremost curators and illustrated with rare documents and illustrations. Artists featured include the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broothaers; John Cage; Judy Chicago, Miriam Schapiro and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; and Andy Warhol, among other examples drawn from around the globe.
The artist as curator: an anthology
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Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s foremost curators and illustrated with rare documents and illustrations. Artists featured include the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broothaers; John Cage; Judy Chicago, Miriam Schapiro and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; and Andy Warhol, among other examples drawn from around the globe.
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livres
livres
Publication:
février 2018
février 2018
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livres
livres
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on(...)
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on(...)
Publication:
août 2016
août 2016
Titre:
Art Cologne 1967-2016: the first art fair
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on September 12, 1967, in Gürzenich, the City of Cologne’s gothic banqueting hall, and was to change the international art market forever. How revolutionary this first fair was can only be understood today by means of the immediate reactions at the time, which were recorded in a flood of media reports. With a wealth of documents and illustrations, this weighty volume traces the history of the fair in chronological order.
Art Cologne 1967-2016: the first art fair
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on September 12, 1967, in Gürzenich, the City of Cologne’s gothic banqueting hall, and was to change the international art market forever. How revolutionary this first fair was can only be understood today by means of the immediate reactions at the time, which were recorded in a flood of media reports. With a wealth of documents and illustrations, this weighty volume traces the history of the fair in chronological order.
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livres
livres
Publication:
août 2016
août 2016
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livres
livres
Titre:
A-Frame. Second edition
A-Frame. Second edition
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The heyday of the national A-frame craze saw tens of thousands of these easy and affordable structures built as vacation homes, roadside restaurants, churches, and even pet stores. A-frame chronicles America's love affair with the A-frame, from postwar getaway to its recent revival among designers and DIYers. In a fascinating look at this architectural phenomenon, Chad(...)
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The heyday of the national A-frame craze saw tens of thousands of these easy and affordable structures built as vacation homes, roadside restaurants, churches, and even pet stores. A-frame chronicles America's love affair with the A-frame, from postwar getaway to its recent revival among designers and DIYers. In a fascinating look at this architectural phenomenon, Chad(...)
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A-Frame. Second edition
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$42.95
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The heyday of the national A-frame craze saw tens of thousands of these easy and affordable structures built as vacation homes, roadside restaurants, churches, and even pet stores. A-frame chronicles America's love affair with the A-frame, from postwar getaway to its recent revival among designers and DIYers. In a fascinating look at this architectural phenomenon, Chad Randl tells the story of the triangle house, from prehistoric Japan to its lifestyle-changing prime in the 1960s as a symbol of play, leisure, and outdoor living. Part architectural history and part cultural exploration, the book documents every aspect of A-frame living with cartoons, ads, high-style and do-it-yourself examples, family snapshots, and an appendix with a complete set of blueprints in case you want to build your own.
A-Frame. Second edition
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The heyday of the national A-frame craze saw tens of thousands of these easy and affordable structures built as vacation homes, roadside restaurants, churches, and even pet stores. A-frame chronicles America's love affair with the A-frame, from postwar getaway to its recent revival among designers and DIYers. In a fascinating look at this architectural phenomenon, Chad Randl tells the story of the triangle house, from prehistoric Japan to its lifestyle-changing prime in the 1960s as a symbol of play, leisure, and outdoor living. Part architectural history and part cultural exploration, the book documents every aspect of A-frame living with cartoons, ads, high-style and do-it-yourself examples, family snapshots, and an appendix with a complete set of blueprints in case you want to build your own.
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livres
livres
Publication:
mai 2020
mai 2020
Sujet:
Architecture résidentielle
Architecture résidentielle
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livres
livres
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$70.00
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Sverre Fehn’s Nordic Pavilion in Venice is a masterpiece of postwar architecture. The young Norwegian architect won the competition in 1958; the building was inaugurated in 1962. In minute detail, this book presents the history of the origins and making of the Nordic pavilion, covering everything from the geopolitical context in an increasingly tense cold-war atmosphere(...)
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Sverre Fehn’s Nordic Pavilion in Venice is a masterpiece of postwar architecture. The young Norwegian architect won the competition in 1958; the building was inaugurated in 1962. In minute detail, this book presents the history of the origins and making of the Nordic pavilion, covering everything from the geopolitical context in an increasingly tense cold-war atmosphere(...)
Titre:
Sverre Fehn: Nordic Pavilion, Venice
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Sverre Fehn’s Nordic Pavilion in Venice is a masterpiece of postwar architecture. The young Norwegian architect won the competition in 1958; the building was inaugurated in 1962. In minute detail, this book presents the history of the origins and making of the Nordic pavilion, covering everything from the geopolitical context in an increasingly tense cold-war atmosphere to the aggregates in the concrete of the audacious roof construction. ''Sverre Fehn : Nordic Pavilion, Venice'' also documents the vast cast involved in the making of the Nordic Pavilion, from kings, prime ministers, bureaucrats, ambassadors, museum directors, architects and a myriad of artists’ associations to Venetian dignitaries, engineers, gardeners, lawyers and plumbers. Illustrated with previously unpublished images, the archival evidence also sheds new light on one of the great Nordic architects of the recent past.
Sverre Fehn: Nordic Pavilion, Venice
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Sverre Fehn’s Nordic Pavilion in Venice is a masterpiece of postwar architecture. The young Norwegian architect won the competition in 1958; the building was inaugurated in 1962. In minute detail, this book presents the history of the origins and making of the Nordic pavilion, covering everything from the geopolitical context in an increasingly tense cold-war atmosphere to the aggregates in the concrete of the audacious roof construction. ''Sverre Fehn : Nordic Pavilion, Venice'' also documents the vast cast involved in the making of the Nordic Pavilion, from kings, prime ministers, bureaucrats, ambassadors, museum directors, architects and a myriad of artists’ associations to Venetian dignitaries, engineers, gardeners, lawyers and plumbers. Illustrated with previously unpublished images, the archival evidence also sheds new light on one of the great Nordic architects of the recent past.
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livres
livres
Publication:
mars 2021
mars 2021
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$63.00
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
Titre:
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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$63.00
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
Classification:
livres
livres
Publication:
avril 2021
avril 2021
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Titre:
Kienholz
Kienholz
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in(...)
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in(...)
Publication:
février 2012
février 2012
Titre:
Kienholz
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$65.00
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in 1968).War, racism, sexism and media exploitation were among his recurrent themes, and he tackled them with an ethical clarity that, at the time, was frequently mistaken for shock tactics. This substantial monograph - the first since his major touring retrospective of 1996 - includes more than 200 color plates of Kienholz's assemblages, reasserting his art as a morally driven enterprise, and pointing towards his ongoing influence among contemporary artists such as Jonathan Meese, Thomas Hirschhorn and John Bock.
Kienholz
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in 1968).War, racism, sexism and media exploitation were among his recurrent themes, and he tackled them with an ethical clarity that, at the time, was frequently mistaken for shock tactics. This substantial monograph - the first since his major touring retrospective of 1996 - includes more than 200 color plates of Kienholz's assemblages, reasserting his art as a morally driven enterprise, and pointing towards his ongoing influence among contemporary artists such as Jonathan Meese, Thomas Hirschhorn and John Bock.
Classification:
livres
livres
Publication:
février 2012
février 2012
