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A contemporary reminder of the importance of the carpenter and wood in Japanese architecture. When Japanese architecture is mentioned today, images of temples or pagodas generally come to mind. Others may think of more contemporary works: massive modular walls of rough concrete poured in place and bearing imprints of their formwork in the manner of Ando Tadao, the(...)
Théorie de l’architecture
avril 2022
The carpenter and the architect
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A contemporary reminder of the importance of the carpenter and wood in Japanese architecture. When Japanese architecture is mentioned today, images of temples or pagodas generally come to mind. Others may think of more contemporary works: massive modular walls of rough concrete poured in place and bearing imprints of their formwork in the manner of Ando Tadao, the lighter structures of Ito Toyo and Sejima Kazuyo, or the finely wrought facades of Kuma Kengo. A generational chasm and, rather surprisingly, even a historical one seems to have opened up between the emblematic images of traditional Japanese architecture, in which wood is the material of choice, and more current and innovative work, in which its use has been reduced. Even though the carpenter has long been the lead builder, contemporary architectural culture appears to have forgotten this reservoir of construction experience accumulated over centuries.
Théorie de l’architecture
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The Rolex Learning Center at EPFL Lausanne opened in 2010. Designed by Pritzker Prize laureates SANAA (Kazuyo Sejima and Ryue Nishizawa) from Japan, it soon became one of the more well-known buildings of recent times. In this book, akin to an architectural novella, Christophe Van Gerrewey tells the variegated story of this piece of architecture—from many points of view,(...)
Higher knowledge: SANAA's Rolex Learning Center at EPFL since 2010
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The Rolex Learning Center at EPFL Lausanne opened in 2010. Designed by Pritzker Prize laureates SANAA (Kazuyo Sejima and Ryue Nishizawa) from Japan, it soon became one of the more well-known buildings of recent times. In this book, akin to an architectural novella, Christophe Van Gerrewey tells the variegated story of this piece of architecture—from many points of view, with some unexpected twists, and accompanied by unusual images. Through Higher Knowledge, the Rolex Learning Center emerges not only as a remarkable architectural achievement, but also as a building that contains knowledge, and that can speak to us in different ways.
Architecture, monographies
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Over the past one hundred years, the office has been integral to the development of modern society. It has shaped the architecture of our cities, the behavior of our organizations, and the everyday movements of millions of people. In 2020, however, the global pandemic brought our attendance in the office to an abrupt halt and triggered a complete reevaluation of the(...)
octobre 2022
Unworking: The reinvention of the modern office
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Over the past one hundred years, the office has been integral to the development of modern society. It has shaped the architecture of our cities, the behavior of our organizations, and the everyday movements of millions of people. In 2020, however, the global pandemic brought our attendance in the office to an abrupt halt and triggered a complete reevaluation of the purpose of the workplace. This book offers a panoramic view of the office and explores what happens next. The authors advance a manifesto for “unworking”—unlearning old habits and rituals established for an outdated office and crafting and creating new ones fit for an age of digital technology, design innovation, and diverse workforces.
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In 1958, Meret Oppenheim put together an album that she titled "Von der Kindheit bis 1943 (From Childhood to 1943)". It has a dual identity of a diary and a work of art. It assembles photos, objects, notes, and brief texts, as well as ideas and concepts for artworks, and offers very personal insights into Oppenheim’s private life and thought. This book features the entire(...)
novembre 2022
Meret Oppenheim: My album. From childhood till 1943
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In 1958, Meret Oppenheim put together an album that she titled "Von der Kindheit bis 1943 (From Childhood to 1943)". It has a dual identity of a diary and a work of art. It assembles photos, objects, notes, and brief texts, as well as ideas and concepts for artworks, and offers very personal insights into Oppenheim’s private life and thought. This book features the entire album in true-size color reproductions and, for the first time ever, translates the full text into English. The album is supplemented with a previously unpublished autobiographical text by Oppenheim, which she compiled in 1970–71. Rounded out with an introduction by coeditors Lisa Wenger and Martina Corgnati, this beautiful book offers entirely new perspectives on one of the most distinguished woman artists.
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After the traumatic experience of the previous year, 2021 was the year of overcoming the pandemic and of preparing for a long-awaited return to normalcy. The AV Monographs Yearbook goes over the most important events of the period, gathering twenty-four buildings that represent the best architecture constructed in Spain. Aside from a few large-scale works, like the(...)
AV Monographs 243-244: Spain Yearbook 2022
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After the traumatic experience of the previous year, 2021 was the year of overcoming the pandemic and of preparing for a long-awaited return to normalcy. The AV Monographs Yearbook goes over the most important events of the period, gathering twenty-four buildings that represent the best architecture constructed in Spain. Aside from a few large-scale works, like the Córdoba Library by Paredes Pedrosa or the Celta FC Sports City by Irisarri Piñera, the selection clearly reflects how the climate crisis has become a top priority for architects, especially the younger ones, who choose sustainable materials like wood, used in the apartments by Peris Toral and by Bosch Capdeferro, in the fire station by Josep Ferrando, or in the small social pavilion by Behark.
Revues
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The magazine profiles Alvaro Siza’s recent work in this special edition. Featuring projects since 2015, it underlines why the Portuguese architect remains one of the most respected designers today. A variety of typologies and scales are covered, from extremely compact works such as the Clay Pavilion for teaching local earthenware techniques in Oaxaca (Mexico), a chapel in(...)
El Croquis 215/216 : Alvaro Siza 2015-2022, self-portrait
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The magazine profiles Alvaro Siza’s recent work in this special edition. Featuring projects since 2015, it underlines why the Portuguese architect remains one of the most respected designers today. A variety of typologies and scales are covered, from extremely compact works such as the Clay Pavilion for teaching local earthenware techniques in Oaxaca (Mexico), a chapel in Miljana (Croatia) as part of a farmhouse restoration project, and an observation tower with lookout post in the Portuguese mountains, to prominent works like the Huamao Museum of Art Education (China) and the Gramaxo Foundation Headquarters in Maia (Portugal), and many more.
El Croquis
This house is not a home
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After a hunting trip one fall, a family in the far reaches of so-called Canada’s north return to nothing but an empty space where their home once stood. Finding themselves suddenly homeless, they have no choice but to assimilate into settler-colonial society in a mining town that has encroached on their freedom.This intergenerational coming-of-age novel follows Ko`, a(...)
This house is not a home
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After a hunting trip one fall, a family in the far reaches of so-called Canada’s north return to nothing but an empty space where their home once stood. Finding themselves suddenly homeless, they have no choice but to assimilate into settler-colonial society in a mining town that has encroached on their freedom.This intergenerational coming-of-age novel follows Ko`, a Dene man who grew up entirely on the land before being taken to residential school. When he finally returns home, he struggles to connect with his family: his younger brother whom he has never met, his mother because he has lost his language, and an absent father whose disappearance he is too afraid to question. The third book from acclaimed Dene, Cree and Metis writer Katlià, this is a fictional story based on true events, presenting a clear trajectory of how settlers dispossessed Indigenous Peoples of their land — and how Indigenous communities, with dignity and resilience, continue to live and honour their culture, values, inherent knowledge systems, and Indigenous rights towards re-establishing sovereignty.
Autochtone
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En 2022, le Musée des beaux-arts de Montréal (MBAM) présente la toute première exposition canadienne jamais consacrée à Nicolas Party, artiste suisse dont le langage visuel empreint d’originalité défie et exalte tout à la fois les conventions picturales. Intitulée « L’heure mauve », d’après un tableau du peintre canadien Ozias Leduc appartenant à la collection du MBAM,(...)
Nicolas Party : L'heure mauve
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En 2022, le Musée des beaux-arts de Montréal (MBAM) présente la toute première exposition canadienne jamais consacrée à Nicolas Party, artiste suisse dont le langage visuel empreint d’originalité défie et exalte tout à la fois les conventions picturales. Intitulée « L’heure mauve », d’après un tableau du peintre canadien Ozias Leduc appartenant à la collection du MBAM, l’exposition regroupe plus de 20 pastels et sculptures choisis avec soin par l’artiste, ainsi que plusieurs pastels, estampes, aquarelles et créations textiles qu’il va réaliser spécialement pour le MBAM. L’exposition comprend également des chefs-d’œuvre de la collection encyclopédique du MBAM qui seront intégrés à une série de murales immersives réalisées sur place par l’artiste dans les plus anciennes galeries du Musée.
Art canadien
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Le changement climatique est une réalité vécue maintenant quotidiennement au travers des événements météorologiques extrêmes qui se multiplient. Les villes sont en première ligne de ces bouleversements, à la fois responsables et victimes. Sont-elles condamnées ? Non. En prenant l'exemple de Paris, cet essai montre que les solutions existent et que les villes peuvent(...)
Paris face au changement climatique
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Le changement climatique est une réalité vécue maintenant quotidiennement au travers des événements météorologiques extrêmes qui se multiplient. Les villes sont en première ligne de ces bouleversements, à la fois responsables et victimes. Sont-elles condamnées ? Non. En prenant l'exemple de Paris, cet essai montre que les solutions existent et que les villes peuvent s'adapter pour se préparer à ce futur et devenir des métropoles écologiques et bioclimatiques. En 2050, Paris aura le climat de Marseille aujourd'hui. Il y a donc urgence à adapter Paris à ce nouveau climat, en s'inspirant de l'architecture traditionnelle méditerranéenne et en intégrant toutes les nouvelles approches bioclimatiques. C'est ce à quoi nous exhorte Franck Lirzin, s'appuyant sur les dernières découvertes scientifiques et innovations technologiques afin de montrer les voies de l'adaptation climatique de Paris, et de créer une véritable capitale écologique, une « écotopie ». Quelles décisions devons-nous prendre aujourd'hui pour nous assurer une qualité de vie acceptable demain ? Franck Lirzin est polytechnicien et ingénieur des mines, diplômé de l'EHESS. Haut fonctionnaire, il a été dirigeant d'une entreprise engagée dans la transformation de la ville.
Théorie de l’urbanisme
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Une publication co-réalisée par le Musée national des beaux-arts du Québec (MNBAQ) et le Musée d’art contemporain des Laurentides (MAC LAU) dans le cadre de la quatrième édition du Prix en art actuel du MNBAQ. Stanley Février explore, à travers ses installations et ses sculptures, la souffrance physique et psychologique causée par les violences du monde moderne. Si(...)
Stanley Février : Menm vye tintin
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Une publication co-réalisée par le Musée national des beaux-arts du Québec (MNBAQ) et le Musée d’art contemporain des Laurentides (MAC LAU) dans le cadre de la quatrième édition du Prix en art actuel du MNBAQ. Stanley Février explore, à travers ses installations et ses sculptures, la souffrance physique et psychologique causée par les violences du monde moderne. Si ses œuvres, politiques et engagées, s’inspirent des enjeux de pouvoir à l’ère de la globalisation, elles abordent aussi des questions plus intimes, comme celles du rapport à soi et du rapport à l’autre, devenues difficiles dans un monde où l’écoute perd de sa valeur. Lauréat de la quatrième édition du Prix en art actuel du MNBAQ, l’artiste s’engage à faire œuvre utile afin de mobiliser, face à l’injustice, le citoyen ains que les acteurs civiques et institutionnels en les poussant à l’action.