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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has(...)
Théorie de l’architecture
juillet 2020
Race and modern architecture: a critical history from Enlightenment to the present
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality — from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants — 'Race and Modern Architecture' challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
Théorie de l’architecture
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In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends(...)
Colonial lives of property: law, land, and racial regimes of ownership
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In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends upon ideologies of European racial superiority as well as upon legal narratives that equate civilized life with English concepts of property. In this way, property law legitimates and rationalizes settler colonial practices while it racializes those deemed unfit to own property. The solution to these enduring racial and economic inequities, Bhandar demonstrates, requires developing a new political imaginary of property in which freedom is connected to shared practices of use and community rather than individual possession.
L'écologie de l'architecure
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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism.(...)
février 2022
Amazonia: Anthology as cosmology
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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism. The space of the forest, meanwhile, is represented as one of oral testimony and conversation, of voices speaking inside the present, in a kind of circular time in which past and future both impress upon and constitute the current uncertain moment. These voices include recorded conversations with elders, shamans, artists, and thinkers, as well as poetry, oral testimony, and artistic works from Amazonia that use the forest as both ground and cover.
livres
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Work from the AA’s Diploma Unit 2 fuses two seemingly mutually exclusive paradigms in recent architectural discourse, mediating between technological performance as well as the manipulation of grounds, defined here as the external and internal circulatory systems that structure social organisations. In the process, the unit defines a new social agenda and aesthetic(...)
Théorie de l’architecture
juillet 2009
Articulated grounds: mediating environment and culture
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Work from the AA’s Diploma Unit 2 fuses two seemingly mutually exclusive paradigms in recent architectural discourse, mediating between technological performance as well as the manipulation of grounds, defined here as the external and internal circulatory systems that structure social organisations. In the process, the unit defines a new social agenda and aesthetic philosophy for transforming established design strategies, and lends conventional notions of sustainable design a new civic and cultural relevance. The projects are all either located within or influenced by a Brazilian context, rich in sculptural, variegated landscapes and African as well as indigenous Indian influences. Innovative design proposals shown in this book illustrate symbiotic relationships between urban society, environmental conditioning and landscape by articulating ground organisations to mediate and synchronise both environmental and cultural flows.
livres
juillet 2009
Théorie de l’architecture
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Infrastructure is currently a much discussed notion in the field of landscape architecture. It regards the entire urban and rural space as a network that calls for an integrated planning approach. Natural and man-made infrastructures are viewed as forming a single, overarching whole. The book examines this new and ecologically sustainable approach. It also documents(...)
Théorie du paysage
juin 2010
Landscape infrastructure: Case studies by SWA
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Infrastructure is currently a much discussed notion in the field of landscape architecture. It regards the entire urban and rural space as a network that calls for an integrated planning approach. Natural and man-made infrastructures are viewed as forming a single, overarching whole. The book examines this new and ecologically sustainable approach. It also documents thirteen international examples. The Infrastructure Research Initiative is part of the SWA Group, which was founded in 1957 by Peter Walker and Hideo Sasaki and has since developed into one of the largest and most important landscape planning agencies in the United States. Among the projects of the firm that have captured international attention are the technologically innovative roof domes for Renzo Piano's California Academy of Science in San Francisco ( 2008 ), which were planted with indigenous flora.
Théorie du paysage
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In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The test tube city arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign(...)
Brasilia Chandigarh: Living with Modernity
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In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The test tube city arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign architecture entered into a harmonious relationship with indigenous culture, forming new and independent identities. This publication addresses the question of how modernism has been appropriated in both cities, and how the people who live in them deal with it. Commonalities and differences are identified and images of everyday urban life showcased. On the initiative of the publisher, the young photographer Iwan Baan has taken stock of contemporary life in both cities.
Monographies photo
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Harem Histories is an interdisciplinary collection of essays exploring the harem as it was imagined, represented, and experienced in Middle Eastern and North African societies, and by visitors to those societies. One theme that threads through the collection is the intimate interrelatedness of West and East evident in encounters within and around the harem, whether in the(...)
Harem histories: Envisioning places and living spaces
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Harem Histories is an interdisciplinary collection of essays exploring the harem as it was imagined, represented, and experienced in Middle Eastern and North African societies, and by visitors to those societies. One theme that threads through the collection is the intimate interrelatedness of West and East evident in encounters within and around the harem, whether in the elite socializing of precolonial Tunis or the popular historical novels published in Istanbul and Cairo from the late nineteenth century onward. Several of the contributors focus on European culture as a repository of harem representations, but most of them tackle indigenous representations of home spaces and their significance for how the bodies of men and women, and girls and boys, were distributed in social space, from early Islamic Mecca to early-twentieth-century Cairo.
Histoire jusqu’à 1900
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The Italian-Brazilian architect and designer Lina Bo Bardi (1914–92) forged a unique path with her bold, modern designs. Spanning architecture, stage design, fashion and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful engagement with her adopted country of(...)
Lina Bo Bardi: 100 Brazil's alternative path to modernism
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The Italian-Brazilian architect and designer Lina Bo Bardi (1914–92) forged a unique path with her bold, modern designs. Spanning architecture, stage design, fashion and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful engagement with her adopted country of Brazil—its culture, society, politics and indigenous design traditions—and her ideas about the social possibilities of design, and she expressed her sometimes radical views in her design work, exhibitions and writings. Published on the occasion of Lina Bo Bardi's hundredth birthday, this illustrated volume presents an overview of her oeuvre and highlights her iconic buildings: her home, the so-called Casa de Vidro, the Museo de Arte de São Paulo and the cultural center SESC Pompéia.
Architecture, monographies
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how(...)
Profit: an environmental history
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how capitalism supercharged this process and traces its many environmental consequences. The financial innovations of medieval Italy created trade networks that, with the European discovery of the Americas, made possible vast profits and sweeping cultural changes, to the detriment of millions of slaves and indigenous Americans; the industrial age united the world in trade and led to an energy revolution that changed lives everywhere. But when efficient production left society awash in goods, a new sort of capitalism, predicated on endless individual consumption, took its place.
Border crossings issue 143
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video(...)
Border crossings issue 143
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video work, to installation. In our interviews, Border Crossings also features the work of New York-based artist, Lisa Yuskavage, who played an influential role in the establishment of a new genre of figuration, as well as feature interviews with six young contemporary artists who all employ paint as their primary artistic medium; Toronto-based artist Patrick Cruz, Brenda Draney who lives in Edmonton, Benjamin Klein from Montreal, Los Angeles-based Sojourner Truth-Parsons, Julie Beugin in Berlin, and John Eisler in Toronto.
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