974 Résultats
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Dorothea Lange (1895–1965) aimed to make pictures that were, in her words, ''important and useful.'' Her decades-long investigation of how photography could articulate people’s core values and sense of self helped to expand our current understanding of portraiture and the meaning of documentary practice. Lange’s sensitive portraits showing the common humanity of often(...)
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Dorothea Lange (1895–1965) aimed to make pictures that were, in her words, ''important and useful.'' Her decades-long investigation of how photography could articulate people’s core values and sense of self helped to expand our current understanding of portraiture and the meaning of documentary practice. Lange’s sensitive portraits showing the common humanity of often(...)
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 2023
novembre 2023
Titre:
Dorothea Lange: Seeing people
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Dorothea Lange (1895–1965) aimed to make pictures that were, in her words, ''important and useful.'' Her decades-long investigation of how photography could articulate people’s core values and sense of self helped to expand our current understanding of portraiture and the meaning of documentary practice. Lange’s sensitive portraits showing the common humanity of often marginalized people were pivotal to public understanding of vast social problems in the twentieth century. Compassion guided Lange’s early portraits of Indigenous people in Arizona and New Mexico from the 1920s and 1930s, as well as her depictions of striking workers, migrant farmers, rural African Americans, Japanese Americans in internment camps, and the people she met while traveling in Europe, Asia, and Latin America. Drawing on new research, the authors look at Lange’s roots in studio portraiture and demonstrate how her influential and widely seen photographs addressed issues of identity as well as social, economic, and racial inequalities—topics that remain as relevant for our times as they were for hers.
Dorothea Lange: Seeing people
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Dorothea Lange (1895–1965) aimed to make pictures that were, in her words, ''important and useful.'' Her decades-long investigation of how photography could articulate people’s core values and sense of self helped to expand our current understanding of portraiture and the meaning of documentary practice. Lange’s sensitive portraits showing the common humanity of often marginalized people were pivotal to public understanding of vast social problems in the twentieth century. Compassion guided Lange’s early portraits of Indigenous people in Arizona and New Mexico from the 1920s and 1930s, as well as her depictions of striking workers, migrant farmers, rural African Americans, Japanese Americans in internment camps, and the people she met while traveling in Europe, Asia, and Latin America. Drawing on new research, the authors look at Lange’s roots in studio portraiture and demonstrate how her influential and widely seen photographs addressed issues of identity as well as social, economic, and racial inequalities—topics that remain as relevant for our times as they were for hers.
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livres
livres
Publication:
novembre 2023
novembre 2023
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Monographies photo
Monographies photo
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livres
livres
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$32.50
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In this book, Lance Freeman sets out to answer a seemingly simple question : how does gentrification actually affect residents of neighborhoods in transition? To find out, Freeman does what no scholar before him has done. He interviews the indigenous residents of two predominantly black neighborhoods that are in the process of gentrification: Harlem and Clinton Hill,(...)
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In this book, Lance Freeman sets out to answer a seemingly simple question : how does gentrification actually affect residents of neighborhoods in transition? To find out, Freeman does what no scholar before him has done. He interviews the indigenous residents of two predominantly black neighborhoods that are in the process of gentrification: Harlem and Clinton Hill,(...)
Titre:
There goes the 'hood : views of gentrification from the ground up
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In this book, Lance Freeman sets out to answer a seemingly simple question : how does gentrification actually affect residents of neighborhoods in transition? To find out, Freeman does what no scholar before him has done. He interviews the indigenous residents of two predominantly black neighborhoods that are in the process of gentrification: Harlem and Clinton Hill, Brooklyn. By listening closely to what people tell him, he creates a more nuanced picture of the impacts of gentrification on the perceptions, attitudes and behaviors of the people who stay in their neighborhoods. Freeman describes the theoretical and planning/policy implications of his findings, both for New York City and for any gentrifying urban area. There Goes the 'Hood provides a more complete, and complicated, understanding of the gentrification process, highlighting the reactions of long-term residents. It suggests new ways of limiting gentrification's negative effects and of creating more positive experiences for newcomers and natives alike.
There goes the 'hood : views of gentrification from the ground up
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In this book, Lance Freeman sets out to answer a seemingly simple question : how does gentrification actually affect residents of neighborhoods in transition? To find out, Freeman does what no scholar before him has done. He interviews the indigenous residents of two predominantly black neighborhoods that are in the process of gentrification: Harlem and Clinton Hill, Brooklyn. By listening closely to what people tell him, he creates a more nuanced picture of the impacts of gentrification on the perceptions, attitudes and behaviors of the people who stay in their neighborhoods. Freeman describes the theoretical and planning/policy implications of his findings, both for New York City and for any gentrifying urban area. There Goes the 'Hood provides a more complete, and complicated, understanding of the gentrification process, highlighting the reactions of long-term residents. It suggests new ways of limiting gentrification's negative effects and of creating more positive experiences for newcomers and natives alike.
Classification:
livres
livres
Publication:
juin 2006, Philadelphia
juin 2006, Philadelphia
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$86.00
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In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local(...)
$86.00
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In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local(...)
Publication:
juillet 2023
juillet 2023
Titre:
Vegetal entwinements in philosophy and art
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In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local traditions, Indigenous knowledge, history, geography, anthropology, philosophy, and aesthetics to intersect, inform one another, and lead interdisciplinary and transcultural dialogues. "Vegetal entwinements in philosophy and art" considers such topics as the presence of plants in the history of philosophy, the shifting status of plants in various traditions, what it means to make art with growing life-forms, and whether or not plants have moral standing. In an experimental vegetal arrangement, the reader presents some of the most influential writing on plants, philosophy, and the arts, together with provocative new contributions, as well as interviews with groundbreaking contemporary artists whose work has greatly enhanced our appreciation of vegetal being.
Vegetal entwinements in philosophy and art
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$86.00
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In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local traditions, Indigenous knowledge, history, geography, anthropology, philosophy, and aesthetics to intersect, inform one another, and lead interdisciplinary and transcultural dialogues. "Vegetal entwinements in philosophy and art" considers such topics as the presence of plants in the history of philosophy, the shifting status of plants in various traditions, what it means to make art with growing life-forms, and whether or not plants have moral standing. In an experimental vegetal arrangement, the reader presents some of the most influential writing on plants, philosophy, and the arts, together with provocative new contributions, as well as interviews with groundbreaking contemporary artists whose work has greatly enhanced our appreciation of vegetal being.
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livres
livres
Publication:
juillet 2023
juillet 2023
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livres
livres
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When it comes to architecture, Switzerland wields an international influence that belies its small geographic size. Such prominent figures as Herzog & de Meuron and Peter Zumthor lead a chorus of innovative new voices emanating from this mountainous nation where craftsmanship, simple beauty, and environmental sensitivity have always been prized values. "Swiss Made"(...)
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When it comes to architecture, Switzerland wields an international influence that belies its small geographic size. Such prominent figures as Herzog & de Meuron and Peter Zumthor lead a chorus of innovative new voices emanating from this mountainous nation where craftsmanship, simple beauty, and environmental sensitivity have always been prized values. "Swiss Made"(...)
Publication:
octobre 2003, New York
octobre 2003, New York
Titre:
Swiss made : new architecture from Switzerland
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When it comes to architecture, Switzerland wields an international influence that belies its small geographic size. Such prominent figures as Herzog & de Meuron and Peter Zumthor lead a chorus of innovative new voices emanating from this mountainous nation where craftsmanship, simple beauty, and environmental sensitivity have always been prized values. "Swiss Made" presents the work of the celebrated studios and architects at the forefront of Swiss design, much of which has never been seen before in the United States. In his introduction, historian Steven Spier provides an overview of Swiss architecture and considers the cultural attitudes that have fostered such refined buildings. Critic Martin Tschantz assesses the Swiss tradition of integrating progressive design, indigenous building techniques, and advanced engineering systems. The photographs by Christian Richters are supplemented by drawings and plans of the many projects included in this volume. "Swiss Made" features the work of: Burkhalter & Sumi, Diener & Diener, Gigon & Guyer, Herzog & de Meuron, Peter Märkli, Peter Zumthor, and many others.
Swiss made : new architecture from Switzerland
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When it comes to architecture, Switzerland wields an international influence that belies its small geographic size. Such prominent figures as Herzog & de Meuron and Peter Zumthor lead a chorus of innovative new voices emanating from this mountainous nation where craftsmanship, simple beauty, and environmental sensitivity have always been prized values. "Swiss Made" presents the work of the celebrated studios and architects at the forefront of Swiss design, much of which has never been seen before in the United States. In his introduction, historian Steven Spier provides an overview of Swiss architecture and considers the cultural attitudes that have fostered such refined buildings. Critic Martin Tschantz assesses the Swiss tradition of integrating progressive design, indigenous building techniques, and advanced engineering systems. The photographs by Christian Richters are supplemented by drawings and plans of the many projects included in this volume. "Swiss Made" features the work of: Burkhalter & Sumi, Diener & Diener, Gigon & Guyer, Herzog & de Meuron, Peter Märkli, Peter Zumthor, and many others.
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livres
livres
Publication:
octobre 2003, New York
octobre 2003, New York
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livres
livres
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$33.95
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There is widespread consensus that we are living at the end—of democracy, of liberalism, of capitalism, of a healthy planet, of the Holocene, of civilization as we know it. In this book, drawing on radical futurisms and visions of justice-to-come emerging from the traditions of the oppressed—Indigenous, African-American, multispecies, anti-capitalist—as materialized in(...)
$33.95
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There is widespread consensus that we are living at the end—of democracy, of liberalism, of capitalism, of a healthy planet, of the Holocene, of civilization as we know it. In this book, drawing on radical futurisms and visions of justice-to-come emerging from the traditions of the oppressed—Indigenous, African-American, multispecies, anti-capitalist—as materialized in(...)
Titre:
Radical futurisms: Ecologies of collapse/chronopolitics/justice to come
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There is widespread consensus that we are living at the end—of democracy, of liberalism, of capitalism, of a healthy planet, of the Holocene, of civilization as we know it. In this book, drawing on radical futurisms and visions of justice-to-come emerging from the traditions of the oppressed—Indigenous, African-American, multispecies, anti-capitalist—as materialized in experimental visual cultural, new media, aesthetic practices, and social movements, T. J. Demos poses speculative questions about what comes after end-of-world narratives. He argues that it's as vital to defeat fatalistic nihilism as it is to defeat the false solutions of green capitalism and algorithmic governance. How might we decolonize the future, and cultivate an emancipated chronopolitics in relation to an undetermined not-yet? If we are to avoid climate emergency's cooptation by technofixes, and the defuturing of multitudes by xenophobic eco-fascism, Demos argues, we must cultivate visions of just futurity and multispecies flourishing.
Radical futurisms: Ecologies of collapse/chronopolitics/justice to come
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$33.95
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There is widespread consensus that we are living at the end—of democracy, of liberalism, of capitalism, of a healthy planet, of the Holocene, of civilization as we know it. In this book, drawing on radical futurisms and visions of justice-to-come emerging from the traditions of the oppressed—Indigenous, African-American, multispecies, anti-capitalist—as materialized in experimental visual cultural, new media, aesthetic practices, and social movements, T. J. Demos poses speculative questions about what comes after end-of-world narratives. He argues that it's as vital to defeat fatalistic nihilism as it is to defeat the false solutions of green capitalism and algorithmic governance. How might we decolonize the future, and cultivate an emancipated chronopolitics in relation to an undetermined not-yet? If we are to avoid climate emergency's cooptation by technofixes, and the defuturing of multitudes by xenophobic eco-fascism, Demos argues, we must cultivate visions of just futurity and multispecies flourishing.
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livres
livres
Publication:
mai 2023
mai 2023
Sujet:
L'écologie de l'architecure
L'écologie de l'architecure
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livres
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$56.00
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''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art(...)
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''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art(...)
Titre:
INUA: Inuit Nunangat Ungammuaktut Atautikkut/ Inuit Moving Forward Together
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''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art made by 91 artists—from the 1940s to the present—including works from the WAG and Government of Nunavut collections, fifteen commissioned artworks, and loans from across Canada, Alaska and Greenland. INUA is curated by four Inuit and Inuvialuit curators, representing the four regions of Inuit homelands in Canada today. From east to west, they are: Dr. Heather Igloliorte (Nunatsiavut); asinnajaq (Nunavik); Krista Ulujuk Zawadski (Nunavut) and Kablusiak (Inuvialuit Nunangit Sannaiqtuaq). It is also supported by many other Inuk contributors; Project Manager Jocelyn Piirainen; Exhibition Designer Nicole Luke; Graphic Designer Mark Bennett; Educator Kayla Bruce; and WAG Board Member & Indigenous Advisory Circle senior member, Theresie Tungilik.
INUA: Inuit Nunangat Ungammuaktut Atautikkut/ Inuit Moving Forward Together
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''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art made by 91 artists—from the 1940s to the present—including works from the WAG and Government of Nunavut collections, fifteen commissioned artworks, and loans from across Canada, Alaska and Greenland. INUA is curated by four Inuit and Inuvialuit curators, representing the four regions of Inuit homelands in Canada today. From east to west, they are: Dr. Heather Igloliorte (Nunatsiavut); asinnajaq (Nunavik); Krista Ulujuk Zawadski (Nunavut) and Kablusiak (Inuvialuit Nunangit Sannaiqtuaq). It is also supported by many other Inuk contributors; Project Manager Jocelyn Piirainen; Exhibition Designer Nicole Luke; Graphic Designer Mark Bennett; Educator Kayla Bruce; and WAG Board Member & Indigenous Advisory Circle senior member, Theresie Tungilik.
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livres
livres
Publication:
mars 2022
mars 2022
Sujet:
Expositions en cours
Expositions en cours
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livres
livres
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$35.00
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research(...)
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research(...)
Titre:
Unsettling educational modernism: Simon Fraser University
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research group, "Guests and Hosts", formed by Bitter & Weber and Métis scholar June Scudeler including Métis scholar and student Treena Chambers, Kanien’kehá:ka Mohawk student Toni-Leah Yake, as well as Rachel Warwick and Hannah Campbell, has challenged the narrative of the radical campus, so called because it was informed by experimental concepts of learning and teaching. Using the spaces of a settler colonial institution, the project shifts perspectives by unsettling and challenging western- based concepts of pedagogy and knowledge. Combining archival photographic material, architectural photographs by the artists, and interventions into the institutional spaces by Guests and Hosts, the project performs the claim for places rather than spaces for Indigenous ways of knowing and learning.
Unsettling educational modernism: Simon Fraser University
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research group, "Guests and Hosts", formed by Bitter & Weber and Métis scholar June Scudeler including Métis scholar and student Treena Chambers, Kanien’kehá:ka Mohawk student Toni-Leah Yake, as well as Rachel Warwick and Hannah Campbell, has challenged the narrative of the radical campus, so called because it was informed by experimental concepts of learning and teaching. Using the spaces of a settler colonial institution, the project shifts perspectives by unsettling and challenging western- based concepts of pedagogy and knowledge. Combining archival photographic material, architectural photographs by the artists, and interventions into the institutional spaces by Guests and Hosts, the project performs the claim for places rather than spaces for Indigenous ways of knowing and learning.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Architectes canadiens
Architectes canadiens
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livres
livres
Titre:
Qillaniq
Qillaniq
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des(...)
$49.95
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des(...)
Titre:
Qillaniq
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des normes dictées par la colonisation. C’est, surtout, un art qui célèbre ceux et celles qui brandissent l’amour devant les écueils.// The art in Qillaniq is multi-vocal, multi-disciplinary, and improvisational; it’s inspired by Indigenous values of contributing to community in as many ways as possible. It’s also an expression of radical joy, an exploration of what the artists tell us is possible in our communities, of holding space for the people who change our world – despite not always fitting into the norms of colonizing institutions. Most of all, it celebrates those who share love as an answer to difficulty. Qillaniq – that shimmering, bright light – honours the circumpolar world’s badass artists who tell us all that our existence is enough.
Qillaniq
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$49.95
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des normes dictées par la colonisation. C’est, surtout, un art qui célèbre ceux et celles qui brandissent l’amour devant les écueils.// The art in Qillaniq is multi-vocal, multi-disciplinary, and improvisational; it’s inspired by Indigenous values of contributing to community in as many ways as possible. It’s also an expression of radical joy, an exploration of what the artists tell us is possible in our communities, of holding space for the people who change our world – despite not always fitting into the norms of colonizing institutions. Most of all, it celebrates those who share love as an answer to difficulty. Qillaniq – that shimmering, bright light – honours the circumpolar world’s badass artists who tell us all that our existence is enough.
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livres
livres
Publication:
juin 2026
juin 2026
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livres
livres
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$39.99
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In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, the military officer who led the English flotilla bent on destruction, changed his strategy once he encountered Peter Stuyvesant, New(...)
$39.99
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In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, the military officer who led the English flotilla bent on destruction, changed his strategy once he encountered Peter Stuyvesant, New(...)
Titre:
Taking Manhattan: The extraordinary events that created New York and shaped America
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In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, the military officer who led the English flotilla bent on destruction, changed his strategy once he encountered Peter Stuyvesant, New Netherland’s canny director general. Bristling with vibrant characters, "Taking Manhattan" reveals the founding of New York to be an invention, the result of creative negotiations that would blend the multiethnic, capitalistic society of New Amsterdam with the power of the rising English empire. But the birth of what might be termed the first modern city is also a story of the brutal dispossession of Native Americans and of the roots of American slavery. The book draws from newly translated materials and illuminates neglected histories—of religious refugees, Indigenous tribes, and free and enslaved Africans. "Taking Manhattan" tells the riveting story of the birth of New York City as a center of capitalism and pluralism, a foundation from which America would rise.
Taking Manhattan: The extraordinary events that created New York and shaped America
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In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, the military officer who led the English flotilla bent on destruction, changed his strategy once he encountered Peter Stuyvesant, New Netherland’s canny director general. Bristling with vibrant characters, "Taking Manhattan" reveals the founding of New York to be an invention, the result of creative negotiations that would blend the multiethnic, capitalistic society of New Amsterdam with the power of the rising English empire. But the birth of what might be termed the first modern city is also a story of the brutal dispossession of Native Americans and of the roots of American slavery. The book draws from newly translated materials and illuminates neglected histories—of religious refugees, Indigenous tribes, and free and enslaved Africans. "Taking Manhattan" tells the riveting story of the birth of New York City as a center of capitalism and pluralism, a foundation from which America would rise.
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livres
livres
Publication:
mars 2025
mars 2025
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livres
livres
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$45.00
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The People's Republic of China is currently the largest market for architectural services in the world, and its cities — sites of the greatest economic migration in modern history — are rapidly being transformed into rival centers for global trade and commerce. "On the edge : ten architects from China" is a critical anthology on new architecture in China, the first book(...)
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The People's Republic of China is currently the largest market for architectural services in the world, and its cities — sites of the greatest economic migration in modern history — are rapidly being transformed into rival centers for global trade and commerce. "On the edge : ten architects from China" is a critical anthology on new architecture in China, the first book(...)
Publication:
janvier 2007, New York
janvier 2007, New York
Titre:
On the edge : ten archtiects from China
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Résumé:
The People's Republic of China is currently the largest market for architectural services in the world, and its cities — sites of the greatest economic migration in modern history — are rapidly being transformed into rival centers for global trade and commerce. "On the edge : ten architects from China" is a critical anthology on new architecture in China, the first book of its kind devoted to the development and maturation of an indigenous approach to modern architecture and urbanism in China. Focusing on the work of ten young design firms based in mainland China, Hong Kong, and Taiwan, "On the edge" documents the rise of a new aesthetic, the evolution of contemporary architectural practice, and the irresistible, global aspirations of an emerging avant-garde.Included in the book are completed buildings, proposed projects, and urban master plans by Gary Chang of Edge HK, Rocco Yim, Zi and Ming Zhang of Original Design Studio, Li Hu of Open Architecture Studio, Ai We Wei, Qingyun Ma of MADA, Jiakun Liu, and Yung Ho Chang, who is the present dean of the Architecture School at MIT.
On the edge : ten archtiects from China
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Prix:
$45.00
(disponible sur commande)
Résumé:
The People's Republic of China is currently the largest market for architectural services in the world, and its cities — sites of the greatest economic migration in modern history — are rapidly being transformed into rival centers for global trade and commerce. "On the edge : ten architects from China" is a critical anthology on new architecture in China, the first book of its kind devoted to the development and maturation of an indigenous approach to modern architecture and urbanism in China. Focusing on the work of ten young design firms based in mainland China, Hong Kong, and Taiwan, "On the edge" documents the rise of a new aesthetic, the evolution of contemporary architectural practice, and the irresistible, global aspirations of an emerging avant-garde.Included in the book are completed buildings, proposed projects, and urban master plans by Gary Chang of Edge HK, Rocco Yim, Zi and Ming Zhang of Original Design Studio, Li Hu of Open Architecture Studio, Ai We Wei, Qingyun Ma of MADA, Jiakun Liu, and Yung Ho Chang, who is the present dean of the Architecture School at MIT.
Classification:
livres
livres
Publication:
janvier 2007, New York
janvier 2007, New York
