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Pour la deuxième édition de la Biennale d'Architecture d'Orléans six commissaires ont été invités à conter les récits des solitudes à travers le monde, là où l'architecture est encore une forme d'engagement dans le réel et une « promesse » pour les libertés : Des rêves vus de près revient sur la résistance du groupe brésilien Arquitetura Nova face à la dictature(...)
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Pour la deuxième édition de la Biennale d'Architecture d'Orléans six commissaires ont été invités à conter les récits des solitudes à travers le monde, là où l'architecture est encore une forme d'engagement dans le réel et une « promesse » pour les libertés : Des rêves vus de près revient sur la résistance du groupe brésilien Arquitetura Nova face à la dictature(...)
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Nos années de solitude, Biennale d'Architecture d'Orléans
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Pour la deuxième édition de la Biennale d'Architecture d'Orléans six commissaires ont été invités à conter les récits des solitudes à travers le monde, là où l'architecture est encore une forme d'engagement dans le réel et une « promesse » pour les libertés : Des rêves vus de près revient sur la résistance du groupe brésilien Arquitetura Nova face à la dictature brésilienne (1964-1985) ; Mes réalisations parleront pour moi offre une lecture de l'œuvre algérienne de l'architecte français Fernand Pouillon ; L'étrangère sur terreréunit des artistes et architectes arabes dont l'œuvre participe aux mouvements arabes d'émancipation face aux discours et aux systèmes autoritaires ; De la solitude à la désolation livre une analyse sans concession du Mexique actuel ; l'installation collective L'architecture comme animal mutant est un dispositif d'hybridation où toute créature architecturale se libère de son créateur. Avec AAU Anastas, Rand Abdul Jabbar, Absalon, Yóllotl Alvarado & Tania Ximena, Atelier Manferdini, BairBalliet, Ila Bêka & Louise Lemoine, Daphné Bengoa, André Bloc, Santiago Borja, John Cage, Bertrand Cavalier, Nidhal Chamekh, Paloma Contreras Lomas, Abraham Cruzvillegas, Design Earth, Hernan Diaz Alonso, f-architecture collaborative, Miguel Fernández de Castro, Bernard Gachet, Griffin Enright, Günter Günschel, Zaha Hadid, Susan Hefuna, John Hejduk, Anne Huffschmid & Jan-Holger Hennies, Damjan Jovanovic, Alberto Kalach, Ferda Kolatan, Lacaton & Vassal, Karen Lohrmann & Stefano de Martino, Jumana Manna, Fabian Marcaccio, Chris Marker, Ahmed Mater, Lucy McRae, MTL Collective, Julie Nioche, Objectile, Driss Ouadahi, P-A-T-T-E-R-N-S, Florencia Pita & Co, Ricardo Porro, Fernand Pouillon, Casey Rehm, Ruy Klein, Beniamino Servino, Servo LA-Stockholm, Sigil Collective, Takk, Pascale Marthine Tayou, Testa & Weiser, Laure Tixier & Hervé Rousseau, Usina_Ctah, Tom Wiscombe, Ezra Wube, Liam Young, Ala Younis.
Nos années de solitude, Biennale d'Architecture d'Orléans
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Pour la deuxième édition de la Biennale d'Architecture d'Orléans six commissaires ont été invités à conter les récits des solitudes à travers le monde, là où l'architecture est encore une forme d'engagement dans le réel et une « promesse » pour les libertés : Des rêves vus de près revient sur la résistance du groupe brésilien Arquitetura Nova face à la dictature brésilienne (1964-1985) ; Mes réalisations parleront pour moi offre une lecture de l'œuvre algérienne de l'architecte français Fernand Pouillon ; L'étrangère sur terreréunit des artistes et architectes arabes dont l'œuvre participe aux mouvements arabes d'émancipation face aux discours et aux systèmes autoritaires ; De la solitude à la désolation livre une analyse sans concession du Mexique actuel ; l'installation collective L'architecture comme animal mutant est un dispositif d'hybridation où toute créature architecturale se libère de son créateur. Avec AAU Anastas, Rand Abdul Jabbar, Absalon, Yóllotl Alvarado & Tania Ximena, Atelier Manferdini, BairBalliet, Ila Bêka & Louise Lemoine, Daphné Bengoa, André Bloc, Santiago Borja, John Cage, Bertrand Cavalier, Nidhal Chamekh, Paloma Contreras Lomas, Abraham Cruzvillegas, Design Earth, Hernan Diaz Alonso, f-architecture collaborative, Miguel Fernández de Castro, Bernard Gachet, Griffin Enright, Günter Günschel, Zaha Hadid, Susan Hefuna, John Hejduk, Anne Huffschmid & Jan-Holger Hennies, Damjan Jovanovic, Alberto Kalach, Ferda Kolatan, Lacaton & Vassal, Karen Lohrmann & Stefano de Martino, Jumana Manna, Fabian Marcaccio, Chris Marker, Ahmed Mater, Lucy McRae, MTL Collective, Julie Nioche, Objectile, Driss Ouadahi, P-A-T-T-E-R-N-S, Florencia Pita & Co, Ricardo Porro, Fernand Pouillon, Casey Rehm, Ruy Klein, Beniamino Servino, Servo LA-Stockholm, Sigil Collective, Takk, Pascale Marthine Tayou, Testa & Weiser, Laure Tixier & Hervé Rousseau, Usina_Ctah, Tom Wiscombe, Ezra Wube, Liam Young, Ala Younis.
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livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Biennale
Biennale
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Los Angeles--the place without a sense of place, famous for sprawl and overdevelopment and defined by its car-clogged freeways--might seem inhospitable to efforts to connect with nature and community. But in Reinventing Los Angeles, educator and activist Robert Gottlieb describes how imaginative and innovative social movements have coalesced around the issues of water(...)
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Los Angeles--the place without a sense of place, famous for sprawl and overdevelopment and defined by its car-clogged freeways--might seem inhospitable to efforts to connect with nature and community. But in Reinventing Los Angeles, educator and activist Robert Gottlieb describes how imaginative and innovative social movements have coalesced around the issues of water(...)
Titre:
Reinventing Los Angeles : Nature and community in the global city
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Los Angeles--the place without a sense of place, famous for sprawl and overdevelopment and defined by its car-clogged freeways--might seem inhospitable to efforts to connect with nature and community. But in Reinventing Los Angeles, educator and activist Robert Gottlieb describes how imaginative and innovative social movements have coalesced around the issues of water development, cars and freeways, and land use, to create a more livable and sustainable city. Gottlieb traces the emergence of Los Angeles as a global city in the twentieth century and describes its continuing evolution today. He examines the powerful influences of immigration and economic globalization as they intersect with changes in the politics of water, transportation, and land use, and illustrates each of these core concerns with an account of grass roots and activist responses: efforts to reenvision the concrete-bound, fenced-off Los Angeles River as a natural resource; "Arroyofest," the closing of the Pasadena Freeway for a Sunday of walking and bike riding; and immigrants’ initiatives to create urban gardens and connect with their countries of origin. Reinventing Los Angeles is a unique blend of personal narrative (Gottlieb himself participated in several of the grass roots actions described in the book) and historical and theoretical discussion. It provides a road map for a new environmentalism of everyday life, demonstrating the opportunities for renewal in a global city. Robert Gottlieb is Henry R. Luce Professor of Urban and Environmental Policy and Director of the Urban and Environmental Policy Institute at Occidental College in Los Angeles. He is the author of Environmentalism Unbound: Exploring New Pathways for Change (MIT Press), Forcing the Spring: The Transformation of the American Environmental Movement, and other books.
Reinventing Los Angeles : Nature and community in the global city
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Los Angeles--the place without a sense of place, famous for sprawl and overdevelopment and defined by its car-clogged freeways--might seem inhospitable to efforts to connect with nature and community. But in Reinventing Los Angeles, educator and activist Robert Gottlieb describes how imaginative and innovative social movements have coalesced around the issues of water development, cars and freeways, and land use, to create a more livable and sustainable city. Gottlieb traces the emergence of Los Angeles as a global city in the twentieth century and describes its continuing evolution today. He examines the powerful influences of immigration and economic globalization as they intersect with changes in the politics of water, transportation, and land use, and illustrates each of these core concerns with an account of grass roots and activist responses: efforts to reenvision the concrete-bound, fenced-off Los Angeles River as a natural resource; "Arroyofest," the closing of the Pasadena Freeway for a Sunday of walking and bike riding; and immigrants’ initiatives to create urban gardens and connect with their countries of origin. Reinventing Los Angeles is a unique blend of personal narrative (Gottlieb himself participated in several of the grass roots actions described in the book) and historical and theoretical discussion. It provides a road map for a new environmentalism of everyday life, demonstrating the opportunities for renewal in a global city. Robert Gottlieb is Henry R. Luce Professor of Urban and Environmental Policy and Director of the Urban and Environmental Policy Institute at Occidental College in Los Angeles. He is the author of Environmentalism Unbound: Exploring New Pathways for Change (MIT Press), Forcing the Spring: The Transformation of the American Environmental Movement, and other books.
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livres
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novembre 2007, Massachusetts
novembre 2007, Massachusetts
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these(...)
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 1975, Cambridge, Massachusetts
janvier 1975, Cambridge, Massachusetts
Titre:
Programs and manifestos of 20th-century architecture
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.
Programs and manifestos of 20th-century architecture
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.
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janvier 1975, Cambridge, Massachusetts
janvier 1975, Cambridge, Massachusetts
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Théorie de l’architecture
Théorie de l’architecture
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1 online resource.
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[Place of publication not identified] : Scratching the Surface, 2017.
[Place of publication not identified] : Scratching the Surface, 2017.
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audio
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[Place of publication not identified] : Scratching the Surface, 2017.
[Place of publication not identified] : Scratching the Surface, 2017.
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périodiques
périodiques
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Print quarterly.
Print quarterly.
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1 online resource (volumes) : illustrations
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London : Print Quarterly Ltd., 1984-
London : Print Quarterly Ltd., 1984-
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London : Print Quarterly Ltd., 1984-
London : Print Quarterly Ltd., 1984-
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334 p., 57 plates included in pagination : ill. (some col.), facsims, maps (some col.), ports. ; 22 cm.
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334 p., 57 plates included in pagination : ill. (some col.), facsims, maps (some col.), ports. ; 22 cm.
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2010.
2010.
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Retour au monolithique : Jacques-Antoine Dulaure (1755-1835) et la territorialisation de l'architecture primitive / Christina Contandriopoulos.
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334 p., 57 plates included in pagination : ill. (some col.), facsims, maps (some col.), ports. ; 22 cm.
Retour au monolithique : Jacques-Antoine Dulaure (1755-1835) et la territorialisation de l'architecture primitive / Christina Contandriopoulos.
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334 p., 57 plates included in pagination : ill. (some col.), facsims, maps (some col.), ports. ; 22 cm.
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13 volumes : illustrations, plans, portraits ; 31 cm
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13 volumes : illustrations, plans, portraits ; 31 cm
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Stockholm : Svenska teknologföreningen, 1909-1921.
Stockholm : Svenska teknologföreningen, 1909-1921.
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Arkitektur.
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13 volumes : illustrations, plans, portraits ; 31 cm
Arkitektur.
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13 volumes : illustrations, plans, portraits ; 31 cm
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Stockholm : Svenska teknologföreningen, 1909-1921.
Stockholm : Svenska teknologföreningen, 1909-1921.
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Menasha, Wis. : Wildlife Society, 1937-
Menasha, Wis. : Wildlife Society, 1937-
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Menasha, Wis. : Wildlife Society, 1937-
Menasha, Wis. : Wildlife Society, 1937-
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7 volumes in 8 : illustrations, maps ; 24 cm
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7 volumes in 8 : illustrations, maps ; 24 cm
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Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1995-2005.
Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1995-2005.
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The New Cambridge medieval history.
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7 volumes in 8 : illustrations, maps ; 24 cm
The New Cambridge medieval history.
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7 volumes in 8 : illustrations, maps ; 24 cm
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Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1995-2005.
Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1995-2005.
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[Place of publication not identified] : The Funambulist, 2014.
[Place of publication not identified] : The Funambulist, 2014.
Titre:
Claiming Humanity : A Black Critique of the Concept of Bare Life.
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1 online resource.
Claiming Humanity : A Black Critique of the Concept of Bare Life.
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[Place of publication not identified] : The Funambulist, 2014.
[Place of publication not identified] : The Funambulist, 2014.
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