General Idea
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This 768-page volume stands as the most comprehensive source on the Canadian collective General Idea, founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson and active until the deaths of Partz and Zontal in 1994. The book is arranged in three parts: Performances and Actions, In the Streets and In the Showroom. The first two parts focus on ephemeral,(...)
General Idea
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$105.00
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This 768-page volume stands as the most comprehensive source on the Canadian collective General Idea, founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson and active until the deaths of Partz and Zontal in 1994. The book is arranged in three parts: Performances and Actions, In the Streets and In the Showroom. The first two parts focus on ephemeral, time-based and even disposable works. The third part includes a plate section offering a near-complete visual survey of General Idea's practice. Facing-page comparative images show works as they appeared in historical installations or other relevant contexts. These three sections correspond broadly to the collective’s development: from performances, actions, pageants and other practices (1969–78), through works engaging with mass-media formats such as the magazine, television and video (1972–’80s), and finally to works conceived for galleries and museums (1985–94). The publication features a prologue by AA Bronson, a conversation between him and Beatrix Ruf, and new texts by international scholars. The appendix includes a complete scholarly bibliography, exhibition and performance histories, and an illustrated chronology of the group.
Art canadien
Keith Haring, Muna Tseng and Tseng Kwong Chi: Boundless minds & moving bodies in 80s New York
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An ode to three friends and their jubilant fusion of drawing, dance and photography In the days of downtown New York in the ’70s and ’80s, three boundary-pushing artists flourished: Keith Haring (1958–90), Muna Tseng (born 1953) and Tseng Kwong Chi (1950–90). ''Boundless minds & moving bodies'' presents an intimate visual journey through the early collaborations between(...)
Keith Haring, Muna Tseng and Tseng Kwong Chi: Boundless minds & moving bodies in 80s New York
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An ode to three friends and their jubilant fusion of drawing, dance and photography In the days of downtown New York in the ’70s and ’80s, three boundary-pushing artists flourished: Keith Haring (1958–90), Muna Tseng (born 1953) and Tseng Kwong Chi (1950–90). ''Boundless minds & moving bodies'' presents an intimate visual journey through the early collaborations between these artists and friends, offering a unique and colorful prism of their expression through their respective disciplines: drawing, dance and photography, respectively. Their work and interactions reveal a shared performative energy—the joy of experimenting, openness, exchange and social engagement. Together and independently, they were immersed in and contributors to the bustling and vibrant cultural downtown scene.
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In an era of intense competition and individualism, we tend to hide our weak spots. When something comes too close and threatens to touch us, we shield our vulnerability. This means that there is less and less room for real human encounter. The forces of quantification and evaluation push people back further and further into a virtual shell. In this intimate volume,(...)
Fragility: To touch and be touched
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In an era of intense competition and individualism, we tend to hide our weak spots. When something comes too close and threatens to touch us, we shield our vulnerability. This means that there is less and less room for real human encounter. The forces of quantification and evaluation push people back further and further into a virtual shell. In this intimate volume, authors Marlies De Munck and Pascal Gielen and artist Lotte Lara Schröder make a plea for openness and compassion—because all this sheltering keeps us from touching and from being touched. Alongside Schröder’s drawings, De Munck and Gielen warmly advocate an aesthetic skill: the ability to experience and embrace a ramshackle and fragile reality, and still understand it as a coherent whole. This is the power of culture: to reconcile us with life, even amid its turbulence, incoherence and precarity.
Théorie de l’art
DNA 14: Archives and Utopia
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Traditional archivism runs the risk of perpetuating hegemonic ways of thinking by anticipating what will be of importance in the future through the framework of present-day realities and power structures. These genre-busting ruminations gather new methods for designing views of potential worlds and forms of archival activism.
décembre 2022
DNA 14: Archives and Utopia
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Traditional archivism runs the risk of perpetuating hegemonic ways of thinking by anticipating what will be of importance in the future through the framework of present-day realities and power structures. These genre-busting ruminations gather new methods for designing views of potential worlds and forms of archival activism.
Beirut: The eras of design
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This publication analyzes Lebanon’s unique situation—a convergence of economic and architectural reconstruction, social awareness and international development. It also testifies to the designers’ determination to take ownership of their destiny and image by presenting objects and forms that are simultaneously aware of their diverse heritage and are deeply rooted in a(...)
Design, époques et styles
septembre 2022
Beirut: The eras of design
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This publication analyzes Lebanon’s unique situation—a convergence of economic and architectural reconstruction, social awareness and international development. It also testifies to the designers’ determination to take ownership of their destiny and image by presenting objects and forms that are simultaneously aware of their diverse heritage and are deeply rooted in a complex reality. Prior to the development of this exhibition and publication project, no extensive research has been undertaken on the history of design in Lebanon. This book aims to fill that gap, presenting the state of design based on extensive documentation. It is the first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.
Design, époques et styles
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This facsimile edition of the notebook kept by Le Corbusier (1887–1965) from his two-week stay in the area that would become Chandigarh, the new capital city of the Indian state of Punjab, presents his written or sketched memos and personal reflections as well as notes and schematic solutions elaborated during meetings. ''Album Punjab'' constitutes a primary source for(...)
Le Corbusier: Album Punjab, 1951
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This facsimile edition of the notebook kept by Le Corbusier (1887–1965) from his two-week stay in the area that would become Chandigarh, the new capital city of the Indian state of Punjab, presents his written or sketched memos and personal reflections as well as notes and schematic solutions elaborated during meetings. ''Album Punjab'' constitutes a primary source for reconstructing the topics addressed by the small group of planners and governmental officials who in only a few days developed the outlines of the Chandigarh plan.
Architecture, monographies
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and(...)
On specific ambiguity by the idea of tropical space or the reasoned practice of the forms
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and creating an ambivalent, complex and contradictory, imprecise, mestizo, and multireferential architecture.' Retrespo is cofounder (with Juliana Gallego Martinez) of the Medellin-based firm AGENdA, and a large portion of this volume is devoted to a selection of works by the firm, mostly located in Medellin and Mexico. In 2020 AGENdA was selected as one of the most creative, interesting and promising emerging architects by Domus magazine.
Architecture, monographies
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Homosexuality is still a taboo subject in architectural history. When historical architectural personalities have lived outside the heterosexual norm, their private lives are readily shrouded in obscurity. As long as penal laws endured, social existence was constantly threatened, and hiding was a necessity. Defensive strategies were needed to protect themselves. To track(...)
Gay architects: Silent biographies from 18th to 20th century
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Homosexuality is still a taboo subject in architectural history. When historical architectural personalities have lived outside the heterosexual norm, their private lives are readily shrouded in obscurity. As long as penal laws endured, social existence was constantly threatened, and hiding was a necessity. Defensive strategies were needed to protect themselves. To track down these outsiders of the past, historical sources must be read queerly. This volume brings together 35 portraits of gay architects from the Baroque era to the modern age in North America, Europe and Palestine, presenting surprising biographies, admirable houses and, not infrequently, intelligently designed refuges with which the protagonists protected their private lives. Featured architects include: Stanford White, Ralph Adams Cram, Bertram Grosvenor Goodhue, Bruce Goff, Charles Moor, Lionel Pries, Barry Dierks, William Alexander Levy, Paul Rudolph, Horace Gifford, Luis Barragán, Geoffrey Bawa, Horace Walpole and more.
Théorie de l’architecture
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The most ''African'' of the Brazilian villages in the south of Bahia bears a Swiss name. Helvécia was founded 200 years ago by Swiss and German colonists, and the coffee grown on its vast estates produced great wealth for them. This would not have been possible without exploitation: in the mid-19th century, for every 200 white colonists, there were 2,000 slaves of African(...)
janvier 2023
Helvécia: A Swiss colonial history in Brazil
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The most ''African'' of the Brazilian villages in the south of Bahia bears a Swiss name. Helvécia was founded 200 years ago by Swiss and German colonists, and the coffee grown on its vast estates produced great wealth for them. This would not have been possible without exploitation: in the mid-19th century, for every 200 white colonists, there were 2,000 slaves of African origin. Black people still make up the majority of the population today; many do not know the origins of their community. With great sensitivity and in dialogue with the inhabitants, Swiss photographer Dom Smaz goes in search of traces of the past, capturing the lives of the local people. Smaz’s pictures and text contributions by Shalini Randeria, among others, allow a new look at history and the origins of Switzerland’s wealth, revealing global histories of interconnectedness and power relations of the past that continue into the present.
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Located on a triangular site within the Polanco area of Mexico City, the internationally acclaimed Museo Jumex exhibits a sizable collection of contemporary art—Colección Jumex—and is part of a wider urban redevelopment. The extremely individual quality of the neighboring buildings overrides any attempt to integrate the museum with its surroundings and instead allows for(...)
Architecture, monographies
septembre 2022
David Chipperfield architects: Museo Jumex
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Located on a triangular site within the Polanco area of Mexico City, the internationally acclaimed Museo Jumex exhibits a sizable collection of contemporary art—Colección Jumex—and is part of a wider urban redevelopment. The extremely individual quality of the neighboring buildings overrides any attempt to integrate the museum with its surroundings and instead allows for a rare architectural opportunity: the construction of a building that is simultaneously distinct from and complementary to its larger context. This publication delineates the design and construction of the museum, as conceived by the David Chipperfield Architects. It features photographs by Iwan Baan, texts by architecture scholars Miquel Adrià, Patrick Charpenel, Luis Fernández-Galiano and Beatrice Galilee, as well as a conversation between Hans Ulrich Obrist and David Chipperfield on the conceptual basis of the project.
Architecture, monographies