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The development of urban space is of great importance in shaping the experiences of all who visit or reside there, and Urban Landscape will be of interest to students and scholars of landscape architecture, art, and urban planning.
Peter Kluska : landscape architecture
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The development of urban space is of great importance in shaping the experiences of all who visit or reside there, and Urban Landscape will be of interest to students and scholars of landscape architecture, art, and urban planning.
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Brooklyn’s Parkway Plan of pleasure drives and promenades was the collaborative undertaking of landscape architect Frederick Law Olmsted, who designed Prospect and Central parks with partner Calvert Vaux, and forward-looking park commissioner, James S. T. Stranahan. Featuring contemporary architectural drawings and period illustrations, Pleasure Drives and Promenades(...)
Pleasure drives and promenades : a history of Frederick Law Olmsted's Brooklyn Parkways
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Brooklyn’s Parkway Plan of pleasure drives and promenades was the collaborative undertaking of landscape architect Frederick Law Olmsted, who designed Prospect and Central parks with partner Calvert Vaux, and forward-looking park commissioner, James S. T. Stranahan. Featuring contemporary architectural drawings and period illustrations, Pleasure Drives and Promenades charts the inception and early implementation of their plan as well as its lasting influence on the urban landscape.
Banlieues
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On Common Ground is a photographic history of spatial development in post-war Switzerland illustrated through 250 images with complementing essays.
On common ground : Photographs of spatial development in suburban regions and in the Alps, since 1945
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On Common Ground is a photographic history of spatial development in post-war Switzerland illustrated through 250 images with complementing essays.
Photographie- collections
Landscapes and structures: a personal inventory of Jürg Conzett, photographed by Martin Linsi
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Landscapes and Structures is a visual tour of Switzerland's public structural landmarks through the personal view of the civil engineer Jurg Conzett. The book is published in conjunction with the Swiss pavilion at the Twelfth International Architecture Exhibition of the Venice Biennale, which Conzett curated. Civil engineering structures comprise bridges, tunnels,(...)
Landscapes and structures: a personal inventory of Jürg Conzett, photographed by Martin Linsi
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Landscapes and Structures is a visual tour of Switzerland's public structural landmarks through the personal view of the civil engineer Jurg Conzett. The book is published in conjunction with the Swiss pavilion at the Twelfth International Architecture Exhibition of the Venice Biennale, which Conzett curated. Civil engineering structures comprise bridges, tunnels, passageways, and other built transport routes; and Conzett and photographer Martin Linsi aimed to showcase examples that demonstrate architectural aspirations and a special relationship to the landscape.
Jardins
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Christ & Gantenbein Review is a new series of books edited by Swiss architects Emanuel Christ and Christoph Gantenbein, in which they explore issues and topics arising from their architectural work. Pictures From Italy, the series' initial volume, also represents Christ & Gantenbein's first architectural project after they had setup their studio in Basel. The pictures(...)
Architecture, monographies
septembre 2012
Review N. 1 : Pictures from Italy
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Christ & Gantenbein Review is a new series of books edited by Swiss architects Emanuel Christ and Christoph Gantenbein, in which they explore issues and topics arising from their architectural work. Pictures From Italy, the series' initial volume, also represents Christ & Gantenbein's first architectural project after they had setup their studio in Basel. The pictures were shot during a six week journey throughout Italy in 1999. The journey itself and the images seen and taken proved to be of fundamental influence to Christ & Gantenbein's entire work since. Intending to look at historical architecture, in a quasi-unhistorical way, with the contemporary view of the 21st century, they chose Italy in search for absolute timelessness.
Architecture, monographies
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"Typology", volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous(...)
septembre 2012
Review N. 2 : Typology, Hong Kong, Rome, New York, Buenos Aires
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"Typology", volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous 20th-century building production provides a basis for urban project creation. In this new book, the buildings are documented with floor plans, axonometric projections, recent photographs and key information. The theoretical essay by Emanuel Christ and Christoph Gantenbein and four texts by other authors explain the interactions between the contexts, especially the governing urban rule sets and the buildings, and show the potential for the design of a contemporary urban architecture.
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based(...)
Muybridge : the eye in motion
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based on this extensive primary research into Muybridge’s personal archive, this innovative and ground-breaking book illuminates both the preoccupations behind his influence on twentieth-century artists like Francis Bacon, his role in the origins of cinema, and his early prefiguring of the digital world. The result is an original look at the man, his body of work, and his influence. Muybridge’s work was powered by an extreme obsessiveness and excess that enabled him to negate all preconceptions of art and to reconceptualize the dynamics of corporeal and urban forms. Above all, Muybridge envisioned the future of cinema by creating a moving-image projector—the zoopraxiscope—and by constructing the first identifiably cinematic space to project his compositions for an audience.
Théorie de la photographie
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Since Marcel Duchamp created his “readymades” a century ago, the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many(...)
Uncommon goods: global dimensions of the readymade
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Since Marcel Duchamp created his “readymades” a century ago, the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many others, Ai Weiwei, Cory Arcangel, Thomas Hirschhorn, and Santiago Sierra, reading their artistic explorations as overlapping with debates about how common goods hold us and our world in common.
Théorie de l’art
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Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound(...)
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945
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Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history,Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s.
Théorie de l’architecture
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Jeffrey L. Kosky focuses on a handful of artists — Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldworthy to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation. What might be thought of as religious longings, he argues, are crucial aspects of enchanting secularity when developed(...)
Arts of wonder : enchanting secularity - Walter de Maria, Diller + Scofidio, James Turelle, Andy Goldsworthy
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Jeffrey L. Kosky focuses on a handful of artists — Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldworthy to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation. What might be thought of as religious longings, he argues, are crucial aspects of enchanting secularity when developed through encounters with these works of art. Developing a model of religion that might be significant to secular culture, Kosky shows how this model can be employed to deepen interpretation of the art we usually view as representing secular modernity.
Théorie de l’art