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From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually(...)
Art and posthistory: Conversations on the end of aesthetics
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From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually returned to the concepts at the core of Danto’s thinking—posthistory and the end of aesthetics—provocative notions that to this day shape questions about the meaning and future of contemporary art. This book presents these rich dialogues and correspondence, testifying to the ongoing importance of Danto’s ideas.
Théorie de l’art
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Byung-Chul Han’s critique of the infosphere highlights the price we are paying for our growing preoccupation with information and communication. Today we search for more information without gaining any real knowledge. We communicate constantly without participating in a community. We save masses of data without keeping track of our memories. We accumulate friends and(...)
Non-things: Upheaval in the lifeworld
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Byung-Chul Han’s critique of the infosphere highlights the price we are paying for our growing preoccupation with information and communication. Today we search for more information without gaining any real knowledge. We communicate constantly without participating in a community. We save masses of data without keeping track of our memories. We accumulate friends and followers without encountering other people. This is how information develops a form of life that has no stability or duration. And as we become increasingly absorbed in the infosphere, we lose touch with the magic of things which provide a stable environment for dwelling and give continuity to human life. The infosphere may seem to grant us new freedoms but it creates new forms of control too, and it cuts us off from the kind of freedom that is tied to acting in the world.
Théorie/ philosophie
The ethics of architecture
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A discussion of how architecture functions in a complex world of obligation and responsibility, with a preface offering specific discussion of architecture during and after the COVID-19 pandemic. What are the special ethical obligations assumed by architects? Because their work creates the basic material conditions that make all other human activity possible, architects(...)
The ethics of architecture
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A discussion of how architecture functions in a complex world of obligation and responsibility, with a preface offering specific discussion of architecture during and after the COVID-19 pandemic. What are the special ethical obligations assumed by architects? Because their work creates the basic material conditions that make all other human activity possible, architects and their associates in building enjoy vast influence on how we all live, work, play, worship, and think. With this influence comes tremendous, and not always examined, responsibility. This book addresses the range of ethical issues that architects face, with a broad understanding of ethics. Beyond strictly professional duties - transparency, technical competence, fair trading - lie more profound issues that move into aesthetic, political, and existential realms. Does an architect have a duty to create art, if not always beautiful art? Should an architect feel obliged to serve a community and not just a client? Is justice a possible orientation for architectural practice? Is there such a thing as feeling compelled to "shelter being" in architectural work? By taking these usually abstract questions into the region of physical creation, the book attempts a reformulation of "architectural ethics" as a matter of deep reflection on the architect's role as both citizen and caretaker.
Théorie de l’architecture
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Matière vivante, la ville en mouvement ne doit se laisser enfermer ni par les carcans juridiques, réglementaires ou financiers ni par les pensées dominantes d’une époque contemporaine exposée à moult turbulences. Accompagner plutôt qu’imposer l’évolution d’un lieu, s’inspirer de la vitalité de ses habitants et aborder l’architecture par l’observation minutieuse des usages(...)
La ville, matière vivante : L'AUC, Grand Prix de l'urbanisme 2021
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Matière vivante, la ville en mouvement ne doit se laisser enfermer ni par les carcans juridiques, réglementaires ou financiers ni par les pensées dominantes d’une époque contemporaine exposée à moult turbulences. Accompagner plutôt qu’imposer l’évolution d’un lieu, s’inspirer de la vitalité de ses habitants et aborder l’architecture par l’observation minutieuse des usages jusqu’à l’échelle de la métropole : autant de constantes pour l’AUC, équipe lauréate du Grand Prix de l’urbanisme 2021. Ceux qui, pour avoir été la plus jeune équipe de la consultation du Grand Paris, pourraient passer pour les « enfants terribles » de l’urbanisme, ont choisi un nom révélateur : Ab urbe condita (« Depuis la fondation de la ville »). Une formule qui affiche l’ambition que partagent François Decoster, Djamel Klouche et Caroline Poulin de s’emparer de la question urbaine de manière exigeante, précise et libre de tout dogme ou héritage pesant. Une locution valant aussi programme, leur action se déploie des projets d’architecture aux projets urbains, voire métropolitains, qu’ils mettent en parole et en dessin d’une façon souvent peu orthodoxe.
Théorie de l’urbanisme
Unidentified flying object for contemporary architecture: ufo's experiments between political
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The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the radical architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defense of fundamental rights(...)
Théorie de l’architecture
mai 2022
Unidentified flying object for contemporary architecture: ufo's experiments between political
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The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the radical architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defense of fundamental rights of democracy, as in 1968. Architecture is now reinvestigating those ephemeral experiments that have endured half a century as new "stone monuments" capable of indicating new perspectives for both research and design. Placing UFO group at the core of the contemporary debate means investigating their formal and seductive aspects, but also the ideological, political and social values with which objects, installations and happenings have been innervated, transforming them into devices of an architecture nourished by literature, art and political commitment for the foundation of an eloquent and activist project even more radical than the well-known Superstudio and Archizoom. The collaboration between Beatrice Lampariello and False Mirror Office lead to a monograph focused on the UFO’s work and an evaluation of their legacy relative to contemporary architecture.
Théorie de l’architecture
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''Inventing Greenland'' is a critical and timely assemblage of stories highlighting a shifting landscape – one born from the imagination, projections, and ambitions of a wide range of actors. Geared towards a design audience, this book combines spatial sensibilities with Greenland's local cultural, social, and environmental realities. ''Inventing Greenland'' is a critical(...)
Inventing Greenland: designing an arctic nation
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''Inventing Greenland'' is a critical and timely assemblage of stories highlighting a shifting landscape – one born from the imagination, projections, and ambitions of a wide range of actors. Geared towards a design audience, this book combines spatial sensibilities with Greenland's local cultural, social, and environmental realities. ''Inventing Greenland'' is a critical and timely assemblage of stories highlighting a shifting landscape – one born from the imagination, projections, and ambitions of a wide range of actors. Today, especially within the design discipline, there is a lack of understanding of Greenland as a complex constellation of perspectives, histories, and forces. This book aims to fill that knowledge vacuum. Geared towards architects, landscape architects, and urban planners, this book combines spatial sensibilities with local cultural, social, and environmental realities. More specifically, spatial sensibility is a way of responding to and reading beyond a diverse array of relationships in the built environment. Furthermore, ''Inventing Greenland'' provides a broad understanding of a unique island undergoing intense transformation while drawing attention to its historical and current challenges and emerging opportunities.
Théorie de l’architecture
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Forming a comprehensive picture of the multiple processes, regulations, institutions, technologies, networks, and operations that we have come to understand as the distributed infrastructural arena in which we act, yield, and plot is a perennial challenge. Over the past decade, a growing number of artists, theorists, curators, and researchers have moved from(...)
Between the material and the possible: Infrastructural re-examination and speculation in art
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Forming a comprehensive picture of the multiple processes, regulations, institutions, technologies, networks, and operations that we have come to understand as the distributed infrastructural arena in which we act, yield, and plot is a perennial challenge. Over the past decade, a growing number of artists, theorists, curators, and researchers have moved from ''institutional critique'' to ''infrastructural critique,'' or toward ''infrastructural speculation,'' in which they explore the potential of creative infrastructure-related visions and scenarios. In attempts to counter the impasse of ''the cancelled future,'' art has immersed itself in systemic critiques and propositional thinking, addressing major challenges, such as the rampant financialization of the economy and runaway climate change. From questions around space settlements to the possibility of repurposing blockchain infrastructures and financial instruments for redistributive purposes, and from the diagrammatic potential of infrastructural thinking in artistic practices to scenario planning and economic strategizing, this collection of new essays brings together critical analysis from a broad group of contributors engaged in the revisioning of our infrastructural futures. Their interrogations span local and global relationalities, historical and political legacies, as well as future-oriented infrastructural hypotheses.
Théorie de l’art
An oblique autobiography
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This volume assembles a new collection of essays and reminiscences by one of the preeminent art historians of our time. Spanning more than four decades of Yve-Alain Bois's work as a scholar, journal editor, and occasional curator, this volume traces a deeply personal itinerary through an important era of art history, in which the discipline was significantly reformulated(...)
An oblique autobiography
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This volume assembles a new collection of essays and reminiscences by one of the preeminent art historians of our time. Spanning more than four decades of Yve-Alain Bois's work as a scholar, journal editor, and occasional curator, this volume traces a deeply personal itinerary through an important era of art history, in which the discipline was significantly reformulated by new methodologies. Detailing Bois's early relationships with figures such as Roland Barthes, Hubert Damisch, Lygia Clark, and Jacques Derrida, as well as his extended engagements with Rosalind Krauss, Ellsworth Kelly, and Martin Barré, these essays track Bois's intellectual commitments against the backdrop of an evolving academic field. With texts that range from academic journal articles to obituaries, written from 1976 to 2021, this book reveals the range of Bois's authorial voice and offers a remarkable self-portrait of one of art history's primary protagonists.
Théorie de l’art
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This illustrated collection of essays brings together some of art historian Linda Nochlin’s most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal essay on feminism in art, “Why Have There Been No Great Women Artists?,” she had already firmly established herself as a major practitioner of a politically(...)
Making it modern: Essays on the art of the now
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This illustrated collection of essays brings together some of art historian Linda Nochlin’s most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal essay on feminism in art, “Why Have There Been No Great Women Artists?,” she had already firmly established herself as a major practitioner of a politically sophisticated and class-conscious social art history. Nochlin was part of an important cohort of scholars writing on modernity, determined to rethink the narratives of the subject under the pressure of contemporary events such as student uprisings, the women’s liberation movement, and the Vietnam War, with the help of politically engaged literary criticism that was emerging at the same time. Nochlin embraced Charles Baudelaire’s conviction that modernity is meant to be of one’s time- and that the role of an art historian was to understand the art of the past not only in its own historical context but according to the urgencies of the contemporary world. From academic debates about the nude in the eighteenth century to the work of Robert Gober in the twenty-first, whatever she turned her analytic eye to was conceived as the art of the now. Including seven previously unpublished pieces, this collection highlights the breadth and diversity of Nochlin’s output across the decades, including discussions on colonialism, fashion, and sex.
Théorie de l’art
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From specific case studies on artists (Nalini Malani) and recent events (StrikeMoMA, “artwashing”) to global reflections and philosophical essays about what it means and how to resist today, this book offers a polyphonic thinking about a burning topic in our ever more complex global world. The core stakes identified by the 11 writers are the relationships between art and(...)
Resistance anew: Artworks, culture, & democracy
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From specific case studies on artists (Nalini Malani) and recent events (StrikeMoMA, “artwashing”) to global reflections and philosophical essays about what it means and how to resist today, this book offers a polyphonic thinking about a burning topic in our ever more complex global world. The core stakes identified by the 11 writers are the relationships between art and democracy, resistance as value creation, the oppositions between the personal and the collective, the so-called “system” and anti-system thinking, and how the art world can propose, accompany, and respond to today’s forms of resistance.
Théorie/ philosophie