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livres
livres
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Social practices
Social practices
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Mixing biography, autobiography, fiction, criticism, and conversations among friends, with ''Social Practices'' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary ''Chance Event—Three Days(...)
$26.95
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Mixing biography, autobiography, fiction, criticism, and conversations among friends, with ''Social Practices'' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary ''Chance Event—Three Days(...)
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Social practices
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$26.95
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Mixing biography, autobiography, fiction, criticism, and conversations among friends, with ''Social Practices'' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary ''Chance Event—Three Days in the Desert with Jean Baudrillard'' (1996), and ''Radical Localism,'' an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota.
Social practices
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Mixing biography, autobiography, fiction, criticism, and conversations among friends, with ''Social Practices'' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary ''Chance Event—Three Days in the Desert with Jean Baudrillard'' (1996), and ''Radical Localism,'' an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota.
Classification:
livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
Titre:
Yvonne Rainer: the mind is a muscle
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
Yvonne Rainer: the mind is a muscle
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$24.95
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Siegfried Kracauer’s texts are a widely investigated field of sociology and media studies. It is less well known that Kracauer was a graduate architect, practised during World War I and was awarded his PhD after writing a thesis in 1915 in the field of architectural history. After the war, Kracauer published numerous critiques with a special focus on the architectural(...)
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Siegfried Kracauer’s texts are a widely investigated field of sociology and media studies. It is less well known that Kracauer was a graduate architect, practised during World War I and was awarded his PhD after writing a thesis in 1915 in the field of architectural history. After the war, Kracauer published numerous critiques with a special focus on the architectural(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
décembre 2022
décembre 2022
Titre:
Kracauer's Architecture : The ornamental nature of the new capitalist order
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Siegfried Kracauer’s texts are a widely investigated field of sociology and media studies. It is less well known that Kracauer was a graduate architect, practised during World War I and was awarded his PhD after writing a thesis in 1915 in the field of architectural history. After the war, Kracauer published numerous critiques with a special focus on the architectural developments of the time. They document an interest in architectural phenomena ranging from a reflection on his own experiences to a general perspective on the subjectivity of the modern architect, as well as more universal social phenomena. In essence, this essay claims that the lack of ornamentation in modern architecture can be grasped as an ornamental concept of the new social order of capitalism.
Kracauer's Architecture : The ornamental nature of the new capitalist order
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Siegfried Kracauer’s texts are a widely investigated field of sociology and media studies. It is less well known that Kracauer was a graduate architect, practised during World War I and was awarded his PhD after writing a thesis in 1915 in the field of architectural history. After the war, Kracauer published numerous critiques with a special focus on the architectural developments of the time. They document an interest in architectural phenomena ranging from a reflection on his own experiences to a general perspective on the subjectivity of the modern architect, as well as more universal social phenomena. In essence, this essay claims that the lack of ornamentation in modern architecture can be grasped as an ornamental concept of the new social order of capitalism.
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livres
livres
Publication:
décembre 2022
décembre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Reyner Banham revisited
Reyner Banham revisited
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Reyner Banham (1922–88) was a prolific, iconoclastic critic of modern architecture, cities, and mass culture in Britain and the United States, and his provocative writings are inescapable in these areas. His 1971 book on Los Angeles was groundbreaking in what it told Californians about their own metropolis, and architects about what cities might be if freed from(...)
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Reyner Banham (1922–88) was a prolific, iconoclastic critic of modern architecture, cities, and mass culture in Britain and the United States, and his provocative writings are inescapable in these areas. His 1971 book on Los Angeles was groundbreaking in what it told Californians about their own metropolis, and architects about what cities might be if freed from(...)
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Reyner Banham revisited
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Reyner Banham (1922–88) was a prolific, iconoclastic critic of modern architecture, cities, and mass culture in Britain and the United States, and his provocative writings are inescapable in these areas. His 1971 book on Los Angeles was groundbreaking in what it told Californians about their own metropolis, and architects about what cities might be if freed from tradition. Banham’s obsession with technology, and his talent for thinking the unthinkable, mean his work still resonates now, more than thirty years after his death. This book explores the full breadth of his career and his legacy, dealing not only with his major books, but a wide range of his journalism and media outputs, as well as the singular character of Banham himself.
Reyner Banham revisited
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Reyner Banham (1922–88) was a prolific, iconoclastic critic of modern architecture, cities, and mass culture in Britain and the United States, and his provocative writings are inescapable in these areas. His 1971 book on Los Angeles was groundbreaking in what it told Californians about their own metropolis, and architects about what cities might be if freed from tradition. Banham’s obsession with technology, and his talent for thinking the unthinkable, mean his work still resonates now, more than thirty years after his death. This book explores the full breadth of his career and his legacy, dealing not only with his major books, but a wide range of his journalism and media outputs, as well as the singular character of Banham himself.
Classification:
livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Reality modeled after images
Reality modeled after images
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$63.50
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This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and(...)
$63.50
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This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and(...)
Titre:
Reality modeled after images
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$63.50
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This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.
Reality modeled after images
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$63.50
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This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$34.95
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"Limited Language" is a web-platform, co-founded in 2005 by Colin Davies (University of Wolverhampton) and Monika Parrinder (Royal College of Art, London), for generating writing and discussion about the design process. Over the last four years the site has collected a series of essays and commentary dealing with the key issues which effect and shape visual communication(...)
$34.95
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"Limited Language" is a web-platform, co-founded in 2005 by Colin Davies (University of Wolverhampton) and Monika Parrinder (Royal College of Art, London), for generating writing and discussion about the design process. Over the last four years the site has collected a series of essays and commentary dealing with the key issues which effect and shape visual communication(...)
Titre:
Limited language: rewriting design
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$34.95
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"Limited Language" is a web-platform, co-founded in 2005 by Colin Davies (University of Wolverhampton) and Monika Parrinder (Royal College of Art, London), for generating writing and discussion about the design process. Over the last four years the site has collected a series of essays and commentary dealing with the key issues which effect and shape visual communication today. This book examines the relationship between traditional printed formats (the book) and new digital ones (blogging). Hybrid media forms are already transforming design. How might they be used to rethink design writing? Each of its sub-sections comprises an article from the website, followed by a reflection/response to the topic by the responses raised on limitedlanguage.org, while rich visual imagery in colour illustrates each article/response.
Limited language: rewriting design
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$34.95
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"Limited Language" is a web-platform, co-founded in 2005 by Colin Davies (University of Wolverhampton) and Monika Parrinder (Royal College of Art, London), for generating writing and discussion about the design process. Over the last four years the site has collected a series of essays and commentary dealing with the key issues which effect and shape visual communication today. This book examines the relationship between traditional printed formats (the book) and new digital ones (blogging). Hybrid media forms are already transforming design. How might they be used to rethink design writing? Each of its sub-sections comprises an article from the website, followed by a reflection/response to the topic by the responses raised on limitedlanguage.org, while rich visual imagery in colour illustrates each article/response.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Théorie du design
Théorie du design
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livres
livres
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$19.95
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One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67(f) depicts two men--Mick Jagger and Hamilton's art dealer, Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967(...)
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One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67(f) depicts two men--Mick Jagger and Hamilton's art dealer, Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967(...)
Titre:
Richard Hamilton: Swingeing London 67 (f)
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One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67(f) depicts two men--Mick Jagger and Hamilton's art dealer, Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967 arrest for possession of drugs. Andrew Wilson views Swingeing London 67 (f) as history painting, to be understood in the context of the struggle against the British state's attempt--aided and abetted by the popular press--to repress any expression of personal liberation. Hamilton's Pop art idiom of figuration and media images was his way of refusing the demands of an old aesthetic order.
Richard Hamilton: Swingeing London 67 (f)
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One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67(f) depicts two men--Mick Jagger and Hamilton's art dealer, Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967 arrest for possession of drugs. Andrew Wilson views Swingeing London 67 (f) as history painting, to be understood in the context of the struggle against the British state's attempt--aided and abetted by the popular press--to repress any expression of personal liberation. Hamilton's Pop art idiom of figuration and media images was his way of refusing the demands of an old aesthetic order.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$72.00
(disponible sur commande)
Résumé:
Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to(...)
$72.00
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Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to(...)
Titre:
Global activism: art and conflict in the 21st century
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$72.00
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Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to spread their message. Mass demonstrations from Tahrir Square in Cairo to Taksim Square in Istanbul show the power of networked communication to fuel "performative democracy" - at the center of which stands the global citizen. Art is emerging as a public space in which the individual can claim the promises of constitutional and state democracy. Activism may be the first new art form of the twenty-first century.
Global activism: art and conflict in the 21st century
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$72.00
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Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to spread their message. Mass demonstrations from Tahrir Square in Cairo to Taksim Square in Istanbul show the power of networked communication to fuel "performative democracy" - at the center of which stands the global citizen. Art is emerging as a public space in which the individual can claim the promises of constitutional and state democracy. Activism may be the first new art form of the twenty-first century.
Classification:
livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The force of listening
The force of listening
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$21.95
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"The force of listening" explores the role of listening at the intersection of contemporary art and activism, and asks what transformations listening might facilitate in the world. Written as a constructed dialogue, "The force of listening" draws from conversations with artists, activists and political thinkers which took place during 2013–14, in the aftermath of the wave(...)
$21.95
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"The force of listening" explores the role of listening at the intersection of contemporary art and activism, and asks what transformations listening might facilitate in the world. Written as a constructed dialogue, "The force of listening" draws from conversations with artists, activists and political thinkers which took place during 2013–14, in the aftermath of the wave(...)
Titre:
The force of listening
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$21.95
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"The force of listening" explores the role of listening at the intersection of contemporary art and activism, and asks what transformations listening might facilitate in the world. Written as a constructed dialogue, "The force of listening" draws from conversations with artists, activists and political thinkers which took place during 2013–14, in the aftermath of the wave of protests and occupations against austerity. Artists Ayreen Anastas and Rene Gabri, media theorist Nick Couldry, philosopher Adriana Cavarero and members of Ultra-red and Precarious Workers Brigade as well as feminist consciousness-raising groups meet on the page to tackle questions of listening, attention and interconnection, collectivity, solidarity and resonance, the politics of the voice and the ethics of listening, the challenges of institutional frameworks and their reflections on the Occupy movement.
The force of listening
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$21.95
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"The force of listening" explores the role of listening at the intersection of contemporary art and activism, and asks what transformations listening might facilitate in the world. Written as a constructed dialogue, "The force of listening" draws from conversations with artists, activists and political thinkers which took place during 2013–14, in the aftermath of the wave of protests and occupations against austerity. Artists Ayreen Anastas and Rene Gabri, media theorist Nick Couldry, philosopher Adriana Cavarero and members of Ultra-red and Precarious Workers Brigade as well as feminist consciousness-raising groups meet on the page to tackle questions of listening, attention and interconnection, collectivity, solidarity and resonance, the politics of the voice and the ethics of listening, the challenges of institutional frameworks and their reflections on the Occupy movement.
Classification:
livres
livres
Publication:
mai 2017
mai 2017
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$79.95
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Résumé:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
$79.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Titre:
Slow art: the experience of looking, sacred images to James Turrell
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$79.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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$79.95
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Résumé:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Théorie de l’art
Théorie de l’art
