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358 pages : illustrations (some color) ; 29 cm
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358 pages : illustrations (some color) ; 29 cm
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Milano : Skira, ©1998.
Milano : Skira, ©1998.
Titre:
Rabisch : il grottesco nell'arte del Cinquecento : l'Accademia della Val di Blenio, Lomazzo e l'ambiente milanese / [catalogo a cura di Giulio Bora, Manuela Kahn-Rossi, Francesco Porzio ; redazione del catalogo, Giacomo Berra ... et al. ; schede del catalogo, Christian Beaufort-Sponton and others].
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358 pages : illustrations (some color) ; 29 cm
Rabisch : il grottesco nell'arte del Cinquecento : l'Accademia della Val di Blenio, Lomazzo e l'ambiente milanese / [catalogo a cura di Giulio Bora, Manuela Kahn-Rossi, Francesco Porzio ; redazione del catalogo, Giacomo Berra ... et al. ; schede del catalogo, Christian Beaufort-Sponton and others].
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358 pages : illustrations (some color) ; 29 cm
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livres
livres
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Milano : Skira, ©1998.
Milano : Skira, ©1998.
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livres
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$71.00
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Résumé:
In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive(...)
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In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive(...)
Titre:
Joel Meyerowitz: Europa 1966-1967
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In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive and brilliant identity that he is known for today. Europa 1966–1967 compiles a selection of photographs taken by Meyerowitz on his yearlong trip through Europe, offering an exciting glimpse of the “New Old World” that, having lately overcome the trauma of World War II, opened itself to modernity and progress. Meyerowitz witnessed societies in transition, stuck between dictatorship and economic blossoming. Yet he also documented unshakable cultural traditions, such as when he lived with a flamenco-performing family in Francoist Spain for six months. The strength and freshness of Meyerowitz’s gaze and the new codes that were captured in these pictures inspired the next generation of photographers.
Joel Meyerowitz: Europa 1966-1967
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In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive and brilliant identity that he is known for today. Europa 1966–1967 compiles a selection of photographs taken by Meyerowitz on his yearlong trip through Europe, offering an exciting glimpse of the “New Old World” that, having lately overcome the trauma of World War II, opened itself to modernity and progress. Meyerowitz witnessed societies in transition, stuck between dictatorship and economic blossoming. Yet he also documented unshakable cultural traditions, such as when he lived with a flamenco-performing family in Francoist Spain for six months. The strength and freshness of Meyerowitz’s gaze and the new codes that were captured in these pictures inspired the next generation of photographers.
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livres
livres
Publication:
octobre 2024
octobre 2024
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Monographies photo
Monographies photo
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livres
livres
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$97.95
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more(...)
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more(...)
Titre:
Architecture and landscape : the design experiments of the great European gardens and landscapes, revised and expanded edition
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more geometric in design, and the English parklands of the 18th century present a scenic composition. In this publication famous historical gardens from all over Europe are analysed, and these graphic analyses allow us to see into the mind of the designers. By highlighting the design processes, they also function as models for future landscape projects. More than 30 renowned gardens have been examined and documented with a wealth of illustrations. Amongst the parks presented are Palladio’s Villa Emo, the perfect order of the Baroque garden Vaux-le-Vicomte near Paris or the pastoral yet mysterious park of Blenheim Palace near Oxford.
Architecture and landscape : the design experiments of the great European gardens and landscapes, revised and expanded edition
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more geometric in design, and the English parklands of the 18th century present a scenic composition. In this publication famous historical gardens from all over Europe are analysed, and these graphic analyses allow us to see into the mind of the designers. By highlighting the design processes, they also function as models for future landscape projects. More than 30 renowned gardens have been examined and documented with a wealth of illustrations. Amongst the parks presented are Palladio’s Villa Emo, the perfect order of the Baroque garden Vaux-le-Vicomte near Paris or the pastoral yet mysterious park of Blenheim Palace near Oxford.
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livres
livres
Publication:
décembre 2003, Basel
décembre 2003, Basel
Sujet:
Jardins
Jardins
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livres
livres
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$36.00
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Coffee, tea, and chocolate were all the rage in Enlightenment Europe. These fashionable beverages profoundly shaped modes of sociability and patterns of consumption, yet none of the plants required for their preparation was native to the continent: coffee was imported from the Levant, tea from Asia, and chocolate from Mesoamerica. Their introduction to 17th-century Europe(...)
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Coffee, tea, and chocolate were all the rage in Enlightenment Europe. These fashionable beverages profoundly shaped modes of sociability and patterns of consumption, yet none of the plants required for their preparation was native to the continent: coffee was imported from the Levant, tea from Asia, and chocolate from Mesoamerica. Their introduction to 17th-century Europe(...)
Titre:
Coffee, tea, and chocolate: consuming the world
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Coffee, tea, and chocolate were all the rage in Enlightenment Europe. These fashionable beverages profoundly shaped modes of sociability and patterns of consumption, yet none of the plants required for their preparation was native to the continent: coffee was imported from the Levant, tea from Asia, and chocolate from Mesoamerica. Their introduction to 17th-century Europe revolutionized drinking habits and social customs. It also spurred an insatiable demand for specialized vessels such as hot beverage services and tea canisters, coffee cups and chocolate pots. This beautiful book demonstrates how the paraphernalia associated with coffee, tea, and chocolate can eloquently evoke the culture of these new beverages and the material pleasures that surrounded them. Contributors address such topics as the politics of coffee consumption in 18th-century Germany; 18th-century visual satires on the European consumption of tea, coffee, and chocolate; and the design history of coffee pots in the United States between the colonial period and the present.
Coffee, tea, and chocolate: consuming the world
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Coffee, tea, and chocolate were all the rage in Enlightenment Europe. These fashionable beverages profoundly shaped modes of sociability and patterns of consumption, yet none of the plants required for their preparation was native to the continent: coffee was imported from the Levant, tea from Asia, and chocolate from Mesoamerica. Their introduction to 17th-century Europe revolutionized drinking habits and social customs. It also spurred an insatiable demand for specialized vessels such as hot beverage services and tea canisters, coffee cups and chocolate pots. This beautiful book demonstrates how the paraphernalia associated with coffee, tea, and chocolate can eloquently evoke the culture of these new beverages and the material pleasures that surrounded them. Contributors address such topics as the politics of coffee consumption in 18th-century Germany; 18th-century visual satires on the European consumption of tea, coffee, and chocolate; and the design history of coffee pots in the United States between the colonial period and the present.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Bouffe
Bouffe
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livres
livres
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$46.95
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Ces actes rendent compte des réflexions soulevées lors du colloque international "Facadisme et identité urbaine" organisé par la Direction de l'architecture et du patrimoine et Icomos international, en janvier 1999 à Paris. L'ouvrage pose le problème du développement du façadisme en Europe et au-delà, et analyse les expériences mises en place pour en conserver la(...)
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Ces actes rendent compte des réflexions soulevées lors du colloque international "Facadisme et identité urbaine" organisé par la Direction de l'architecture et du patrimoine et Icomos international, en janvier 1999 à Paris. L'ouvrage pose le problème du développement du façadisme en Europe et au-delà, et analyse les expériences mises en place pour en conserver la(...)
Publication:
janvier 2001, Paris
janvier 2001, Paris
Titre:
Façadisme et identité urbaine - Façadism and urban identity
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Ces actes rendent compte des réflexions soulevées lors du colloque international "Facadisme et identité urbaine" organisé par la Direction de l'architecture et du patrimoine et Icomos international, en janvier 1999 à Paris. L'ouvrage pose le problème du développement du façadisme en Europe et au-delà, et analyse les expériences mises en place pour en conserver la maîtrise dans le centre des villes. Articulé autour de trois grands axes, il explore les différents aspects de l'histoire du traitement des façades et de leurs fonctions. These proceedings give an account of the issues raised during the international conference "Façadism and Urban Identity" organized by the Department of Architecture and Heritage and Icomos International during January 1999 in Paris. Putting forward the question of the development of façadism in Europe and beyond, this work also analyses the measures adopted to bring it under control in the city centres. Centred on three main themes, various aspects in the history of the treatment of façades and their function are explored.
Façadisme et identité urbaine - Façadism and urban identity
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Ces actes rendent compte des réflexions soulevées lors du colloque international "Facadisme et identité urbaine" organisé par la Direction de l'architecture et du patrimoine et Icomos international, en janvier 1999 à Paris. L'ouvrage pose le problème du développement du façadisme en Europe et au-delà, et analyse les expériences mises en place pour en conserver la maîtrise dans le centre des villes. Articulé autour de trois grands axes, il explore les différents aspects de l'histoire du traitement des façades et de leurs fonctions. These proceedings give an account of the issues raised during the international conference "Façadism and Urban Identity" organized by the Department of Architecture and Heritage and Icomos International during January 1999 in Paris. Putting forward the question of the development of façadism in Europe and beyond, this work also analyses the measures adopted to bring it under control in the city centres. Centred on three main themes, various aspects in the history of the treatment of façades and their function are explored.
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livres
livres
Publication:
janvier 2001, Paris
janvier 2001, Paris
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livres
livres
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$54.95
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In recent years and decades, dealing with the architectural legacy of the industrial age has been an increasingly common task for urban planning: industrial buildings and sites, infrastructure, and residential areas that have become vacant lots as a result of structural transformation cannot, if only because of their dimensions, be ignored within the urban space.(...)
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In recent years and decades, dealing with the architectural legacy of the industrial age has been an increasingly common task for urban planning: industrial buildings and sites, infrastructure, and residential areas that have become vacant lots as a result of structural transformation cannot, if only because of their dimensions, be ignored within the urban space.(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
novembre 2011
novembre 2011
Titre:
urbanRESET: how to activate immanent potential of urban spaces
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$54.95
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In recent years and decades, dealing with the architectural legacy of the industrial age has been an increasingly common task for urban planning: industrial buildings and sites, infrastructure, and residential areas that have become vacant lots as a result of structural transformation cannot, if only because of their dimensions, be ignored within the urban space. Innovative reinterpretations of such relics that update existing building fabric in a way that goes beyond critical reconstruction or revitalization, such as the Toni Site in Zurich or the Île de Nantes, can be observed throughout Europe these days. The publication urbanRESET brings together succinct examples of this separate category of urban-planning from throughout Europe. The projects are presented in detail with plans and color illustrations. Interviews with key players and theoretical essays show how local processes of reinterpretation and reactivation can produce sustainable effects. urbanRESET sheds light on the common foundations of these works and condenses them into methodological inferences for a forward-looking urban praxis.
urbanRESET: how to activate immanent potential of urban spaces
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$54.95
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In recent years and decades, dealing with the architectural legacy of the industrial age has been an increasingly common task for urban planning: industrial buildings and sites, infrastructure, and residential areas that have become vacant lots as a result of structural transformation cannot, if only because of their dimensions, be ignored within the urban space. Innovative reinterpretations of such relics that update existing building fabric in a way that goes beyond critical reconstruction or revitalization, such as the Toni Site in Zurich or the Île de Nantes, can be observed throughout Europe these days. The publication urbanRESET brings together succinct examples of this separate category of urban-planning from throughout Europe. The projects are presented in detail with plans and color illustrations. Interviews with key players and theoretical essays show how local processes of reinterpretation and reactivation can produce sustainable effects. urbanRESET sheds light on the common foundations of these works and condenses them into methodological inferences for a forward-looking urban praxis.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
Photo/montage in print
Photo/montage in print
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$83.00
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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Hoch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the(...)
$83.00
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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Hoch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the(...)
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Photo/montage in print
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$83.00
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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Hoch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. "Photo/Montage in Print" traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.
Photo/montage in print
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$83.00
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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Hoch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. "Photo/Montage in Print" traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.
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livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$36.95
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across(...)
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across(...)
Sujet:
Dessin d’architecture
Dessin d’architecture
Publication:
juillet 2021
juillet 2021
Titre:
Architecture, theater and fantasy: Bibena drawings from the Jules Fisher collection
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe, from their native Italy to cities as far afield as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. "Architecture, theater, and fantasy" commemorates a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award–winning lighting designer, gifted to the Morgan Library and Museum in New York. Accompanying the first US exhibition of these works in more than thirty years, these drawings demonstrate the range of the Bibienas’ output, from energetic sketches to detailed watercolors. Representations of imagined palace interiors and lavish illusionistic architecture illuminate the visual splendor of the Baroque period.
Architecture, theater and fantasy: Bibena drawings from the Jules Fisher collection
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe, from their native Italy to cities as far afield as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. "Architecture, theater, and fantasy" commemorates a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award–winning lighting designer, gifted to the Morgan Library and Museum in New York. Accompanying the first US exhibition of these works in more than thirty years, these drawings demonstrate the range of the Bibienas’ output, from energetic sketches to detailed watercolors. Representations of imagined palace interiors and lavish illusionistic architecture illuminate the visual splendor of the Baroque period.
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livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Dessin d’architecture
Dessin d’architecture
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livres
livres
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Description:
2 volumes (xix, 913 pages) : illustrations (some color), maps ; 30 cm + 2 foldout maps
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2 volumes (xix, 913 pages) : illustrations (some color), maps ; 30 cm + 2 foldout maps
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New Haven : Yale University Press, 2017., ©2017
New Haven : Yale University Press, 2017., ©2017
Titre:
South-East Marylebone / edited by Philip Temple and Colin Thom.
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2 volumes (xix, 913 pages) : illustrations (some color), maps ; 30 cm + 2 foldout maps
South-East Marylebone / edited by Philip Temple and Colin Thom.
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2 volumes (xix, 913 pages) : illustrations (some color), maps ; 30 cm + 2 foldout maps
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livres
livres
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New Haven : Yale University Press, 2017., ©2017
New Haven : Yale University Press, 2017., ©2017
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$13.50
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
$13.50
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
Titre:
John Heseltine — New York 1967–1977
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
John Heseltine — New York 1967–1977
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
Classification:
livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Monographies photo
Monographies photo
