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The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in "Illuminated Paris", Hollis Clayson(...)
Illuminated Paris: Essays on art and lighting in the Belle Epoque
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The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in "Illuminated Paris", Hollis Clayson shows that there’s more to these clichés than meets the eye. In this illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies.
Théorie de l’art
$42.95
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Omnivorous in her research, Barbara Stafford has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline’s parallel concerns. ''Ribbon of Darkness'' is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a(...)
Ribbon of darkness: inferencing from the shadowy arts and sciences
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Omnivorous in her research, Barbara Stafford has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline’s parallel concerns. ''Ribbon of Darkness'' is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a distinctly contemporary purpose: to uncover the ethical force and moral aspects of overlapping scientific and creative inquiries. This shared territory, Stafford argues, offers important insights into—and clarifications of—current dilemmas about personhood, the supposedly menial nature of manual skill, the questionable borderlands of gene editing, the potentially refining value of dualism, and the limits of a materialist worldview.
Théorie de l’art
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As Joanna Merwood-Salisbury shows us in 'Design for the Crowd', the history of Union Square illustrates ongoing debates over the proper organization of urban space—and competing images of the public that uses it. In this sweeping history of an iconic urban square, Merwood-Salisbury gives us a review of American political activism, philosophies of urban design, and the(...)
Design for the crowd: patriotism and protest in Union Square
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As Joanna Merwood-Salisbury shows us in 'Design for the Crowd', the history of Union Square illustrates ongoing debates over the proper organization of urban space—and competing images of the public that uses it. In this sweeping history of an iconic urban square, Merwood-Salisbury gives us a review of American political activism, philosophies of urban design, and the many ways in which a seemingly stable landmark can change through public engagement and design.
Théorie de l’urbanisme
Other things
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From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? ''Other Things'' explores this question by considering a wide assortment of objects—from beach glass to cell phones,(...)
Other things
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From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? ''Other Things'' explores this question by considering a wide assortment of objects—from beach glass to cell phones, sneakers to skyscrapers—that have fascinated a range of writers and artists, including Virginia Woolf, Man Ray, Spike Lee, and Don DeLillo.
Théorie du design
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In her new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. ''Creative Gatherings'' surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists’ colonies. Examples include(...)
Creative gatherings: meeting places of modernism
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In her new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. ''Creative Gatherings'' surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists’ colonies. Examples include Florence Griswold’s house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague’s Le Louvre café, haunt of Kafka and Einstein; Picasso’s modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the cafés of Saint-Germain-des-Prés and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith.
Théorie de l’architecture
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Though reaching ever further toward the skies, today's cities are overshadowed by multiple threats: climate change, overpopulation, social division, and urban warfare all endanger our metropolitan way of life. The fundamental tool we use to make sense of these uncertain city futures is the imagination. Architects, artists, filmmakers, and fiction writers have long been(...)
Future cities: architecture and the imagination
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Though reaching ever further toward the skies, today's cities are overshadowed by multiple threats: climate change, overpopulation, social division, and urban warfare all endanger our metropolitan way of life. The fundamental tool we use to make sense of these uncertain city futures is the imagination. Architects, artists, filmmakers, and fiction writers have long been inspired to imagine cities of the future, but their speculative visions tend to be seen very differently from scientific predictions: flights of fancy on the one hand versus practical reasoning on the other. In a digital age when the real and the fantastic coexist as near equals, it is especially important to know how these two forces are entangled, and how together they may help us best conceive of cities yet to come.
Théorie de l’architecture
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This book is the first definitive history of the corridor, from its origins in country houses and utopian communities in the seventeenth and eighteenth centuries, through reformist Victorian prisons, hospitals and asylums, to the ‘corridors of power’, bureaucratic labyrinths, and housing estates of the twentieth century. The book takes in wide range of sources, from(...)
Corridors: passages of modernity
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This book is the first definitive history of the corridor, from its origins in country houses and utopian communities in the seventeenth and eighteenth centuries, through reformist Victorian prisons, hospitals and asylums, to the ‘corridors of power’, bureaucratic labyrinths, and housing estates of the twentieth century. The book takes in wide range of sources, from architectural history to fiction, film and TV, to explore how the corridor went from a utopian ideal to a place of unease: the archetypal stuff of nightmares.
Théorie de l’architecture
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''Close-up - Ruch & Partner Architects 1994-2016'' features all of the firm's realised buildings and projects to date, including the restored historic houses in the Engadine with the careful and sensitive contemporary interventions that made his name internationally known. Each is presented with atmospheric photographs and selected plans that demonstrate the firm's(...)
Close-up: Ruch & Partners Architects, 1994-2018
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''Close-up - Ruch & Partner Architects 1994-2016'' features all of the firm's realised buildings and projects to date, including the restored historic houses in the Engadine with the careful and sensitive contemporary interventions that made his name internationally known. Each is presented with atmospheric photographs and selected plans that demonstrate the firm's approach and concepts and with a concise text. A topical essay on Ruch's architecture in context with his biography and the surrounding Swiss mountain landscape.
Architecture, monographies
$71.95
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first(...)
Eyes that saw: Architecture after Las Vegas
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first publication in 1972. The treatise excited the 1970s architecture world and has remained influential to architects, teachers and theoreticians to the present day. Some forty years later, 'Eyes that Saw: Architecture after Las Vegas' offers a richly illustrated collection of essays by renowned scholars of art and architectural history, eminent architects, and artists, investigating Learning from Las Vegas and its heritage from various perspectives. Each chapter builds on the knowledge of the radical influence it had on architecture and urban design, visual art, and even on history more generally. Published alongside are documents from the Venturi, Scott Brown & Associates Archive at the University of Pennsylvania, as well as an illustrated chronology of the resonance in international media following the publication of Learning from Las Vegas in 1972.
Théorie de l’architecture
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In 1911, Le Corbusier (1887–1965), then twenty-four and still going by the name of Charles-Edouard Jeanneret, embarked on a grand tour of Eastern Europe, Turkey, and the Balkans with his friend, August Klipstein (1885–1951), an art history scholar. Together, the two visited Prague, Vienna, Budapest, Bulgaria and Serbia, Constantinople, Mount Athos, and Athens, as well as(...)
Klip and Corb on the road: the dual diaries of August Klipstein and Le Corbusier, 1911
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In 1911, Le Corbusier (1887–1965), then twenty-four and still going by the name of Charles-Edouard Jeanneret, embarked on a grand tour of Eastern Europe, Turkey, and the Balkans with his friend, August Klipstein (1885–1951), an art history scholar. Together, the two visited Prague, Vienna, Budapest, Bulgaria and Serbia, Constantinople, Mount Athos, and Athens, as well as Rome and Pompeii. Both young men kept detailed notebooks throughout their journey with drawings, sketches, and photographs created en route. While Le Corbusier’s notebooks were published in 1966 as “Journey to the East” and went on to attain wide renown, Klipstein’s records of their travels have remained relatively unknown. In “Klip and Corb on the Road”, Ivan Žaknic´ brings the notebooks together for the first time to explore the fruitful creative symbiosis of this friendship and offer a new perspective on this seemingly well-known undertaking. The two men sometimes address the same events or subjects—a seasick passage, the bustle of a Turkish bazaar—and even copy one another’s work. But while Klipstein’s reflections tend to focus on research for his thesis, Jeanneret’s impressions evince a more romantic mindset inspired by his immediate surroundings. The book includes copious previously unpublished material, including the complete text of Klipstein’s diary, as well as that of the correspondence between Jeanneret and Klipstein. Reintroducing readers to Klipstein, who went on to a career as a prominent art dealer, it also offers insight into a key influence in the artistic development of Le Corbusier in his formative years. The book also includes an essay by British architectural historian Tim Benton.
Architecture, monographies