36019 Résultats
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Since 1974, when his very first built house, which he designed as a student, was honored with the most important Belgian architecture award, Jo Crepain has developed an impressive body of work. Most of these structures can be found in Belgium, especially the earlier ones; later assignments have ranged throughout the Netherlands. The large diversity and continuous(...)
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Since 1974, when his very first built house, which he designed as a student, was honored with the most important Belgian architecture award, Jo Crepain has developed an impressive body of work. Most of these structures can be found in Belgium, especially the earlier ones; later assignments have ranged throughout the Netherlands. The large diversity and continuous(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
août 2004, Oostkamp
août 2004, Oostkamp
Titre:
Jo Crepain : architect '73 - '03
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Since 1974, when his very first built house, which he designed as a student, was honored with the most important Belgian architecture award, Jo Crepain has developed an impressive body of work. Most of these structures can be found in Belgium, especially the earlier ones; later assignments have ranged throughout the Netherlands. The large diversity and continuous innovation evident in his architectural oeuvre can be understood as a consequence of an incessant search--and one which has yielded some of the most striking structures in recent Belgian architectural history. For Crepain, building is in the first place a psychological phenomenon, and a house is the last place left on earth where we can hope to recover a piece of paradise lost--not only for an elite few, but for as many people as possible. This hefty monograph considers a lifetime of work, from 1973 to 2003, presenting dozens of individual projects through textual descriptions, photographs, and floor plans, as well as extended essays on different periods of Crepain's output.
Jo Crepain : architect '73 - '03
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Since 1974, when his very first built house, which he designed as a student, was honored with the most important Belgian architecture award, Jo Crepain has developed an impressive body of work. Most of these structures can be found in Belgium, especially the earlier ones; later assignments have ranged throughout the Netherlands. The large diversity and continuous innovation evident in his architectural oeuvre can be understood as a consequence of an incessant search--and one which has yielded some of the most striking structures in recent Belgian architectural history. For Crepain, building is in the first place a psychological phenomenon, and a house is the last place left on earth where we can hope to recover a piece of paradise lost--not only for an elite few, but for as many people as possible. This hefty monograph considers a lifetime of work, from 1973 to 2003, presenting dozens of individual projects through textual descriptions, photographs, and floor plans, as well as extended essays on different periods of Crepain's output.
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livres
livres
Publication:
août 2004, Oostkamp
août 2004, Oostkamp
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
SOM journal 3
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
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SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
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livres
livres
Publication:
août 2004, Ostfildern-Ruit, Germany
août 2004, Ostfildern-Ruit, Germany
Sujet:
petits formats
petits formats
Classification:
livres
livres
Titre:
The new Museum of Modern Art
The new Museum of Modern Art
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$16.00
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Having undergone the most extensive building project in its history, The Museum of Modern Art reopened in Manhattan in November 2004, coinciding with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and(...)
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Having undergone the most extensive building project in its history, The Museum of Modern Art reopened in Manhattan in November 2004, coinciding with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and(...)
Publication:
novembre 2004, New York
novembre 2004, New York
Titre:
The new Museum of Modern Art
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Having undergone the most extensive building project in its history, The Museum of Modern Art reopened in Manhattan in November 2004, coinciding with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and scholarly research. This book offers a concise overview of the new building and MoMA's intentions for its construction project by Glenn D. Lowry, Director of The Museum of Modern Art.
The new Museum of Modern Art
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Having undergone the most extensive building project in its history, The Museum of Modern Art reopened in Manhattan in November 2004, coinciding with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and scholarly research. This book offers a concise overview of the new building and MoMA's intentions for its construction project by Glenn D. Lowry, Director of The Museum of Modern Art.
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livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
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livres
livres
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$29.95
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Books have to share attention with other media of potent performance and attraction. A parallel exists between the vast proliferation and incredible intricacy of program in the new library, and the equally explosive multiplication of information media and social obligations that have to be accommodated with. Our ambition is to redefine the Library as an institution no(...)
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Books have to share attention with other media of potent performance and attraction. A parallel exists between the vast proliferation and incredible intricacy of program in the new library, and the equally explosive multiplication of information media and social obligations that have to be accommodated with. Our ambition is to redefine the Library as an institution no(...)
Titre:
Seattle public library : OMA/LMN
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Books have to share attention with other media of potent performance and attraction. A parallel exists between the vast proliferation and incredible intricacy of program in the new library, and the equally explosive multiplication of information media and social obligations that have to be accommodated with. Our ambition is to redefine the Library as an institution no longer exclusively dedicated to the book, but as an information store where all potent form of media - new and old - are presented equally and legibly. -OMA/LMN
Seattle public library : OMA/LMN
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Books have to share attention with other media of potent performance and attraction. A parallel exists between the vast proliferation and incredible intricacy of program in the new library, and the equally explosive multiplication of information media and social obligations that have to be accommodated with. Our ambition is to redefine the Library as an institution no longer exclusively dedicated to the book, but as an information store where all potent form of media - new and old - are presented equally and legibly. -OMA/LMN
Classification:
livres
livres
Publication:
octobre 2004
octobre 2004
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$38.00
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With essays by Hans-Ulrich Obrist, Lebbeus Woods, Philipp Oswalt, Stefano Boeri, Michael Sorkins, Gutierrez + Portefaix, Jerry Herron, Sean Snyder, Marjetica Potrc, and others. Foreword by Stephen Vogel. Introduction by Peter Lang. Under the confluence of nomadic economics, technologies, and industries - commonly known as "suburban sprawl" - the city of Detroit,(...)
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With essays by Hans-Ulrich Obrist, Lebbeus Woods, Philipp Oswalt, Stefano Boeri, Michael Sorkins, Gutierrez + Portefaix, Jerry Herron, Sean Snyder, Marjetica Potrc, and others. Foreword by Stephen Vogel. Introduction by Peter Lang. Under the confluence of nomadic economics, technologies, and industries - commonly known as "suburban sprawl" - the city of Detroit,(...)
Titre:
Urban ecology : Detroit and beyond
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With essays by Hans-Ulrich Obrist, Lebbeus Woods, Philipp Oswalt, Stefano Boeri, Michael Sorkins, Gutierrez + Portefaix, Jerry Herron, Sean Snyder, Marjetica Potrc, and others. Foreword by Stephen Vogel. Introduction by Peter Lang. Under the confluence of nomadic economics, technologies, and industries - commonly known as "suburban sprawl" - the city of Detroit, segregated and isolated, constitutes one of the great monuments to decay by a modernist city. It is perhaps the clearest and earliest example of the effects of a globalized economy and labor market. "Urban ecology" contains a collection of projects generated by the International Center for Urban Ecology (iCUE), a nomadic laboratory for future cities. Since its founding in 1998 by Kyong Park, iCUE has accomplished five significant projects through international workshops like "Architecture of resistance," installations, videos, and urban designs. The laboratory investigation promotes discourse on the decomposition and possible reconstitution of a "moving city" - a more useful term through which to identify a city like Detroit. iCUE's projects have taken anti-architectural and non-urban perspectives, using multi-disciplinary processes and integrated collaboration with local communities and activists. "Urban ecology" brings together essays on Detroit and many other cities in crisis around the world.
Urban ecology : Detroit and beyond
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$38.00
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With essays by Hans-Ulrich Obrist, Lebbeus Woods, Philipp Oswalt, Stefano Boeri, Michael Sorkins, Gutierrez + Portefaix, Jerry Herron, Sean Snyder, Marjetica Potrc, and others. Foreword by Stephen Vogel. Introduction by Peter Lang. Under the confluence of nomadic economics, technologies, and industries - commonly known as "suburban sprawl" - the city of Detroit, segregated and isolated, constitutes one of the great monuments to decay by a modernist city. It is perhaps the clearest and earliest example of the effects of a globalized economy and labor market. "Urban ecology" contains a collection of projects generated by the International Center for Urban Ecology (iCUE), a nomadic laboratory for future cities. Since its founding in 1998 by Kyong Park, iCUE has accomplished five significant projects through international workshops like "Architecture of resistance," installations, videos, and urban designs. The laboratory investigation promotes discourse on the decomposition and possible reconstitution of a "moving city" - a more useful term through which to identify a city like Detroit. iCUE's projects have taken anti-architectural and non-urban perspectives, using multi-disciplinary processes and integrated collaboration with local communities and activists. "Urban ecology" brings together essays on Detroit and many other cities in crisis around the world.
Classification:
livres
livres
Publication:
septembre 2004, Hong Kong
septembre 2004, Hong Kong
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$143.00
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The Stedelijk Museum opened its doors in 1895, the same year as the first Venice Biennale. It was a "quiet, civilized museum for the Amsterdam bourgeoisie in a time when there was nothing as troublesome as modern art." Initially, the museum exhibited the legacy of the eccentric Sophia Augusta de Bruyn, Douairière Lopez Suasso: a heterogeneous collection of antiques,(...)
$143.00
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The Stedelijk Museum opened its doors in 1895, the same year as the first Venice Biennale. It was a "quiet, civilized museum for the Amsterdam bourgeoisie in a time when there was nothing as troublesome as modern art." Initially, the museum exhibited the legacy of the eccentric Sophia Augusta de Bruyn, Douairière Lopez Suasso: a heterogeneous collection of antiques,(...)
Sujet:
Design d’intérieur
Design d’intérieur
Publication:
août 2004, Amsterdam
août 2004, Amsterdam
Titre:
The furniture collection, Stedelijk Mueum, Amsterdam : 1850-2000 from Michael Thonet to Marcel Wanders
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The Stedelijk Museum opened its doors in 1895, the same year as the first Venice Biennale. It was a "quiet, civilized museum for the Amsterdam bourgeoisie in a time when there was nothing as troublesome as modern art." Initially, the museum exhibited the legacy of the eccentric Sophia Augusta de Bruyn, Douairière Lopez Suasso: a heterogeneous collection of antiques, coins, jewels, timepieces, silver knickknacks, and other curiosa. Period rooms, from canal houses that had been demolished when Raadhuisstraat was driven through, helped create a presentable whole. The museum's renowned furniture collection was not begun until 1934, but since then it has grown to include more than 1000 objects from circa 1850 to the present, with an accent on the twentieth century. Chairs, settees, tables, folding screens, cabinets, and even complete interiors are included.~This publication provides a comprehensive overview of the Stedelijk Museum’s furniture collecting activities from 1934 to 2000. It charts the museum's rich collection, which includes work by H.P. Berlage, K.P.C de Bazel, Piet Kramer, Gerrit T. Rietveld, Martin Visser, Piet Hein Eek, and Marcel Wanders, as well as international furniture classics designed by Michael Thonet, Charlotte Perriand, Ludwig Mies van der Rohe, Marcel Breuer, Joe Colombo, Arne Jacobsen, Ettore Sottsass, Philippe Starck, and Ron Arad. Besides a complete overview of the furniture collection, this annotated catalogue includes an introduction to the history of the collection and its exhibition activities. In addition, the volume explores various themes, such as international and Dutch icons, and contrasts and evolutions, in greater depth in a number of short essays.
The furniture collection, Stedelijk Mueum, Amsterdam : 1850-2000 from Michael Thonet to Marcel Wanders
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$143.00
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The Stedelijk Museum opened its doors in 1895, the same year as the first Venice Biennale. It was a "quiet, civilized museum for the Amsterdam bourgeoisie in a time when there was nothing as troublesome as modern art." Initially, the museum exhibited the legacy of the eccentric Sophia Augusta de Bruyn, Douairière Lopez Suasso: a heterogeneous collection of antiques, coins, jewels, timepieces, silver knickknacks, and other curiosa. Period rooms, from canal houses that had been demolished when Raadhuisstraat was driven through, helped create a presentable whole. The museum's renowned furniture collection was not begun until 1934, but since then it has grown to include more than 1000 objects from circa 1850 to the present, with an accent on the twentieth century. Chairs, settees, tables, folding screens, cabinets, and even complete interiors are included.~This publication provides a comprehensive overview of the Stedelijk Museum’s furniture collecting activities from 1934 to 2000. It charts the museum's rich collection, which includes work by H.P. Berlage, K.P.C de Bazel, Piet Kramer, Gerrit T. Rietveld, Martin Visser, Piet Hein Eek, and Marcel Wanders, as well as international furniture classics designed by Michael Thonet, Charlotte Perriand, Ludwig Mies van der Rohe, Marcel Breuer, Joe Colombo, Arne Jacobsen, Ettore Sottsass, Philippe Starck, and Ron Arad. Besides a complete overview of the furniture collection, this annotated catalogue includes an introduction to the history of the collection and its exhibition activities. In addition, the volume explores various themes, such as international and Dutch icons, and contrasts and evolutions, in greater depth in a number of short essays.
Classification:
livres
livres
Publication:
août 2004, Amsterdam
août 2004, Amsterdam
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
Titre:
Aleksandr Rodchenko : experiments for the future. diaries, essays, letters, and other writings
Aleksandr Rodchenko : experiments for the future. diaries, essays, letters, and other writings
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First puyblished in Russian in 1996, this book presents a great variety of texts spanning Rodchenko's adult life, including unpublished material.
$38.95
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First puyblished in Russian in 1996, this book presents a great variety of texts spanning Rodchenko's adult life, including unpublished material.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 2004, New York
novembre 2004, New York
Titre:
Aleksandr Rodchenko : experiments for the future. diaries, essays, letters, and other writings
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First puyblished in Russian in 1996, this book presents a great variety of texts spanning Rodchenko's adult life, including unpublished material.
Aleksandr Rodchenko : experiments for the future. diaries, essays, letters, and other writings
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$38.95
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First puyblished in Russian in 1996, this book presents a great variety of texts spanning Rodchenko's adult life, including unpublished material.
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livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$36.00
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within(...)
$36.00
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within(...)
Titre:
The century of artists' books
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$36.00
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within its pages, she explores more than two hundred individual books in relation to their structure, form, and conceptualization. This latest edition of the book features a new preface by Drucker and includes an introduction by New York Times senior art critic Holland Cotter.
The century of artists' books
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within its pages, she explores more than two hundred individual books in relation to their structure, form, and conceptualization. This latest edition of the book features a new preface by Drucker and includes an introduction by New York Times senior art critic Holland Cotter.
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livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
Classification:
livres
livres
Titre:
The Maze : Donovan Wylie
The Maze : Donovan Wylie
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$58.95
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For nearly thirty years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. Built in 1976 to house political prisoners, segregation was so fierce it lead to scenes of violent protests, hunger strikes, mass escapes, and deaths of both prisoners and prison staff. At its peak capacity in the 1980s the Maze housed more than(...)
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For nearly thirty years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. Built in 1976 to house political prisoners, segregation was so fierce it lead to scenes of violent protests, hunger strikes, mass escapes, and deaths of both prisoners and prison staff. At its peak capacity in the 1980s the Maze housed more than(...)
Titre:
The Maze : Donovan Wylie
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For nearly thirty years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. Built in 1976 to house political prisoners, segregation was so fierce it lead to scenes of violent protests, hunger strikes, mass escapes, and deaths of both prisoners and prison staff. At its peak capacity in the 1980s the Maze housed more than 1,700 prisoners, but in September 2000, under the terms of the Good Friday agreement, the prison was closed and the last four prisoners were transferred to other prisons in Northern Ireland. Now, a handful of prison officers staff the empty complex while the future of the site is debated. The prison’s current state of limbo and the unanswered questions regarding its fate seem to reflect Northern Ireland’s unsteady progress in grappling with its recent history. Earlier this year, the Northern Ireland Prison Service gave Donovan Wylie exclusive and unprecedented permission to photograph throughout the entire prison complex without supervision. The result is a book which documents the physical structure and at the same time, through the quantity and style of the photographs, to give the viewer some experience of the psychological impact of being inside the Maze prison. With a text by Louise Purbrick, Senior Lecturer in History and Design at Brighton University, and a timeline history of the prison and its prisoners as they relate to the history of the Troubles, this book records and preserves a unique physical structure that has played an important role in our recent history.
The Maze : Donovan Wylie
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$58.95
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For nearly thirty years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. Built in 1976 to house political prisoners, segregation was so fierce it lead to scenes of violent protests, hunger strikes, mass escapes, and deaths of both prisoners and prison staff. At its peak capacity in the 1980s the Maze housed more than 1,700 prisoners, but in September 2000, under the terms of the Good Friday agreement, the prison was closed and the last four prisoners were transferred to other prisons in Northern Ireland. Now, a handful of prison officers staff the empty complex while the future of the site is debated. The prison’s current state of limbo and the unanswered questions regarding its fate seem to reflect Northern Ireland’s unsteady progress in grappling with its recent history. Earlier this year, the Northern Ireland Prison Service gave Donovan Wylie exclusive and unprecedented permission to photograph throughout the entire prison complex without supervision. The result is a book which documents the physical structure and at the same time, through the quantity and style of the photographs, to give the viewer some experience of the psychological impact of being inside the Maze prison. With a text by Louise Purbrick, Senior Lecturer in History and Design at Brighton University, and a timeline history of the prison and its prisoners as they relate to the history of the Troubles, this book records and preserves a unique physical structure that has played an important role in our recent history.
Classification:
livres
livres
Publication:
août 2004, London
août 2004, London
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Who owns the water?
Who owns the water?
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$60.00
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Industrialization and population growth have brought about a global water crisis. Nature can no longer compensate the exploitation of our freshwater and our oceans. One billion people have no reliable access to clean drinking water; two billion live in precarious hygienic conditions. Famine, poverty, epidemics, and infant mortality are closely linked with the water(...)
$60.00
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Industrialization and population growth have brought about a global water crisis. Nature can no longer compensate the exploitation of our freshwater and our oceans. One billion people have no reliable access to clean drinking water; two billion live in precarious hygienic conditions. Famine, poverty, epidemics, and infant mortality are closely linked with the water(...)
Titre:
Who owns the water?
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$60.00
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Industrialization and population growth have brought about a global water crisis. Nature can no longer compensate the exploitation of our freshwater and our oceans. One billion people have no reliable access to clean drinking water; two billion live in precarious hygienic conditions. Famine, poverty, epidemics, and infant mortality are closely linked with the water crisis. Social, ecological, political, and economic conflicts obstruct efforts to resolve the global water crisis. Water is an instrument of power. The key question reads: Is water a commodity or is free access to water an inalienable human right? By approaching water from a phenomenological perspective, Who owns the Water? seeks to persuade the reader that an element that is constantly flowing and changing defies all claims to own it, be they political or economic, and is instead the responsibility of the entire international community.
Who owns the water?
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$60.00
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Résumé:
Industrialization and population growth have brought about a global water crisis. Nature can no longer compensate the exploitation of our freshwater and our oceans. One billion people have no reliable access to clean drinking water; two billion live in precarious hygienic conditions. Famine, poverty, epidemics, and infant mortality are closely linked with the water crisis. Social, ecological, political, and economic conflicts obstruct efforts to resolve the global water crisis. Water is an instrument of power. The key question reads: Is water a commodity or is free access to water an inalienable human right? By approaching water from a phenomenological perspective, Who owns the Water? seeks to persuade the reader that an element that is constantly flowing and changing defies all claims to own it, be they political or economic, and is instead the responsibility of the entire international community.
Classification:
livres
livres
Publication:
mai 2006
mai 2006
Sujet:
Architecture écologique
Architecture écologique
