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Comprising a set of essays for and about architectural workers in Europe, this book takes stock of the many people and attitudes involved in the production of architecture. It is for workers who are appalled and disillusioned but who are still part of the architectural industry. For those who are trying to reconcile their dismay with the need to make a living, but who(...)
''Can this be? Surely this cannot be?'' Architectural workers organizing in Europe
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Comprising a set of essays for and about architectural workers in Europe, this book takes stock of the many people and attitudes involved in the production of architecture. It is for workers who are appalled and disillusioned but who are still part of the architectural industry. For those who are trying to reconcile their dismay with the need to make a living, but who also hold onto a cautious sense of optimism that things will change. Marisa Cortright’s critique of architectural work draws from the direct experiences of architectural workers in Europe, including her own, to address the ideological truths that keep the embattled industry afloat.
Théorie de l’architecture
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This is the third book in the annual “A Series of Open Questions” published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book in the series includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis’s year-long research seasons dedicated to single artists. Each book takes the work of a(...)
What happens between the knots? A series of open questions
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This is the third book in the annual “A Series of Open Questions” published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book in the series includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis’s year-long research seasons dedicated to single artists. Each book takes the work of a single artist as its point of departure and spirals outward from there to create an expansive and carefully edited ecosystem of ideas and voices. This third volume is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility.
Théorie de l’art
La beauté de la lumière
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Dans ces entretiens avec Laure Adler réalisés peu de mois avant sa mort en automne 2021, Etel Adnan retrace avec profondeur et émotion les expériences fondatrices de sa démarche artistique, entre la poésie et la peinture. De sa jeunesse au Liban à sa reconnaissance tardive (et « fatigante ») lors de la Documenta en 2013, en passant par ses années américaines à New York et(...)
La beauté de la lumière
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Dans ces entretiens avec Laure Adler réalisés peu de mois avant sa mort en automne 2021, Etel Adnan retrace avec profondeur et émotion les expériences fondatrices de sa démarche artistique, entre la poésie et la peinture. De sa jeunesse au Liban à sa reconnaissance tardive (et « fatigante ») lors de la Documenta en 2013, en passant par ses années américaines à New York et surtout en Californie, la conversation devient vite complice, et c’est le destin parfois difficile des femmes qui est revisité, questionné.
Théorie de l’art
Dix portraits
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Written between 1913 and 1929, revolutionary years in art history, this publication conveys the deep human engagement between an artist and her subject. The artist book unites Stein’s ten portraits in prose with ten sketches by five artists: Christian Bérard, Eugene Berman, Pablo Picasso, Pavel Tchelitchew, and Kristians Tonny. Utilizing the interplay between word and(...)
Dix portraits
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Written between 1913 and 1929, revolutionary years in art history, this publication conveys the deep human engagement between an artist and her subject. The artist book unites Stein’s ten portraits in prose with ten sketches by five artists: Christian Bérard, Eugene Berman, Pablo Picasso, Pavel Tchelitchew, and Kristians Tonny. Utilizing the interplay between word and image, Stein’s writing and the artists’ images provide nuance and depth, balancing humor and sincerity. With a new introduction by the writer Lynne Tillman, ''Dix portraits'' is an unforgettable artistic collaboration.
Théorie de l’art
World of variation
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In "World of variation" (1970), American architects Mary Otis Stevens (born 1928) and Thomas McNulty (1919–84) outlined a radical reenvisioning of socio-spatial relationships, informed by their background in philosophy and commitment to decentralizing hierarchies. Writing in the context of the Cold War and the political activism of 1960s America, they identified possible(...)
World of variation
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In "World of variation" (1970), American architects Mary Otis Stevens (born 1928) and Thomas McNulty (1919–84) outlined a radical reenvisioning of socio-spatial relationships, informed by their background in philosophy and commitment to decentralizing hierarchies. Writing in the context of the Cold War and the political activism of 1960s America, they identified possible design solutions to then-current social issues. In striking abstract drawings, Stevens visualized aspects of the urban environment, proposing a design philosophy she termed “free flow.” These diagrams give expression to both the “flow” of movement and points of “hesitations.” This volume is a facsimile of World of Variation, accompanying the MIT Museum’s exhibition on the work of Mary Otis Stevens.
Théorie de l’architecture
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In this book, curator and historian Penelope Curtis traces the ways sculp¬ture infiltrated architectural thought over the post-war period. Her study identifies the wall as a particular locus of creative thinking – a surface which produces both continuity and separation, and which similarly unites and distinguishes the two disciplines. Surveying a series of walls – carved,(...)
The pliable plane: The wall as surface in sculpture and architecture, 1945-1975
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In this book, curator and historian Penelope Curtis traces the ways sculp¬ture infiltrated architectural thought over the post-war period. Her study identifies the wall as a particular locus of creative thinking – a surface which produces both continuity and separation, and which similarly unites and distinguishes the two disciplines. Surveying a series of walls – carved, cast, applied, imagined, and even conceptual – in such places as bomb shelters, caves, war memorials, and public buildings, Curtis introduces a cast of renowned and lesser-known practitioners who defined the three-dimensional conception of the years 1945 to 1975. With close readings of the work and lives of Henry Moore, Anni Albers, Frederick Kiesler, Jorge Oteiza, and Mary Martin, among others, Curtis’s lucid history encom¬passes the developments of wartime production, the discovery of the Lascaux Caves, and the rise of relief art.
Théorie de l’architecture
Queer Exhibition Histories
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In the histories of art exhibitions that we know, LGBTQIA+ artists and curators have always been underexposed or forgotten. This new title in the PLURAL series focuses on these forgotten and hidden histories, by scrutinizing a wide variety of exhibitions and other presentations by LGBTQIA+ artists and curators. ''Queer exhibition histories'' is composed of case studies,(...)
Queer Exhibition Histories
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In the histories of art exhibitions that we know, LGBTQIA+ artists and curators have always been underexposed or forgotten. This new title in the PLURAL series focuses on these forgotten and hidden histories, by scrutinizing a wide variety of exhibitions and other presentations by LGBTQIA+ artists and curators. ''Queer exhibition histories'' is composed of case studies, interviews and essays that emphasize different queer exhibitions and their modes of presentation and archiving. Many of these projects were short-lived or were executed between the walls of the private or domestic space, far beyond the scope of any institutional recognition. Therefore, the exhibitions materialized on limited budgets, were hardly documented and received barely any media coverage. For this reason, the legacy of these projects is highly dependent on personal archives, memories and paraphernalia, whereof the entries are not always easy to find. The events were not only artistic, but they could equally be discursive, activist and educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, ''Queer exhibition histories'' investigates how the efforts of LGBTQIA+ artists and curators have advanced their public presence.
Théorie de l’art
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The world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. This book spells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable. This approach often changes the artist’s identity and working habits: from individuality(...)
Making matters: A vocabulary for collective arts
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The world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. This book spells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable. This approach often changes the artist’s identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally and globally. These developments have given rise to new kinds of collective art and design practices: artists work together with non-artists, make products for their local environment and take on multiple identities, such as researcher, community activist, computer hacker or business consultant. This volume looks at art practices across all continents that do not conform to a Western concept of art nor to traditional distinctions between art, design, research and activism—where the boundaries between art, design, research and activism become blurred or are dissolved.
Théorie de l’art
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Articulant études de cas spécifiques sur des artistes et des mouvements récents et réflexions globales sur ce que signifie et comment résister aujourd'hui, l'ouvrage offre une réflexion pluridisciplinaire sur ce thème crucial de notre monde globalisé chaque jour plus complexe. Au cœur des enjeux décryptés par les onze auteurs se trouvent les relations entre l'art et la(...)
Résister, encore : Œuvres d'art, culture & démocratie
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Articulant études de cas spécifiques sur des artistes et des mouvements récents et réflexions globales sur ce que signifie et comment résister aujourd'hui, l'ouvrage offre une réflexion pluridisciplinaire sur ce thème crucial de notre monde globalisé chaque jour plus complexe. Au cœur des enjeux décryptés par les onze auteurs se trouvent les relations entre l'art et la démocratie, la résistance comme création de valeur, les oppositions entre le personnel et le collectif, le « système » et les pensées anti-système, ainsi que la manière dont le monde de l'art et ses acteurs et actrices peuvent proposer, accompagner et répondre aux formes actuelles de résistance.
Théorie/ philosophie
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From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, this book stands as a(...)
Théorie de l’art
juillet 2022
Object lesson: On the influence of Richard Benson
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From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, this book stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world.
Théorie de l’art