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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual(...)
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual(...)
Publication:
octobre 2023
octobre 2023
Titre:
Dóra Maurer: See like this and see differently
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual approach. Major aspects are perception, movement, displacement, and transformation. In the early years of West-Germany, abstract art was introduced as a political new beginning in that it represented the so-called open society. Accordingly, numerous collections in German museums are oriented toward this, including the one at the Kunsthalle Bielefeld, whose building was designed by the US-American architect Philip Johnson. While abstract art in the West was considered " free of ideologies " and instrumentalized as such, abstraction in countries such as Hungary, which was part of the Eastern bloc at the time, certainly had an “ oppositional” connotation. Due to both the non-representational nature of her works as well as her contacts and travels in the West prior to 1989 (permitted thanks to her Hungarian-Austrian dual citizenship), Maurer occupies a special position within the Hungarian art world, which in those days was mainly dominated by Socialist Realism. In her experiments in photography and film in the 1970s, as well as in her abstract, geometric works based on a process of displacement, there are obvious parallels to Western European and US-American post-war art. In fact, however, her oeuvre is inconceivable without her experience of life under the official Hungarian system during the socialist period.
Dóra Maurer: See like this and see differently
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual approach. Major aspects are perception, movement, displacement, and transformation. In the early years of West-Germany, abstract art was introduced as a political new beginning in that it represented the so-called open society. Accordingly, numerous collections in German museums are oriented toward this, including the one at the Kunsthalle Bielefeld, whose building was designed by the US-American architect Philip Johnson. While abstract art in the West was considered " free of ideologies " and instrumentalized as such, abstraction in countries such as Hungary, which was part of the Eastern bloc at the time, certainly had an “ oppositional” connotation. Due to both the non-representational nature of her works as well as her contacts and travels in the West prior to 1989 (permitted thanks to her Hungarian-Austrian dual citizenship), Maurer occupies a special position within the Hungarian art world, which in those days was mainly dominated by Socialist Realism. In her experiments in photography and film in the 1970s, as well as in her abstract, geometric works based on a process of displacement, there are obvious parallels to Western European and US-American post-war art. In fact, however, her oeuvre is inconceivable without her experience of life under the official Hungarian system during the socialist period.
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livres
livres
Publication:
octobre 2023
octobre 2023
Classification:
livres
livres
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$32.50
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Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of(...)
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Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of(...)
Titre:
Who are you? : identification, deception, and surveillance in early modern Europe
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Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of identification practices and identity papers. The documents, seals, stamps, and signatures were — and are — powerful tools that created the double of a person in writ and bore the indelible signs of bureaucratic authenticity. Ultimately, as Groebner lucidly explains, they revealed as much about their makers’ illustory fantasies as they did about their bearers’ actual identity. The bureaucratic desire to register and control the population created, from the sixteenth century onward, an intricate administrative system for tracking individual identities. Most important, the proof of one’s identity was intimately linked and determined by the identification papers the authorities demanded and endlessly supplied. At the same time, these papers and practices gave birth to two uncanny doppelgängers of administrative identity procedures : the spy who craftily forged official documents and passports, and the impostor who dissimulated and mimed any individual he so disired. Through careful research and powerful narrative, Groebner recounts the complicated and bizarre stories of the many ways in which identities were stolen, created, and doubled. Groebner argues that identity papers cannot be interpreted literally as pure and simple documents. They are themselves pieces of history, histories of individuals and individuality, papers that both document and transform their owner’s identity — from Renaissance vagrants and gypsies to the illegal immigrants of today who remain "sans papiers", without papers.
Who are you? : identification, deception, and surveillance in early modern Europe
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$32.50
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Résumé:
Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of identification practices and identity papers. The documents, seals, stamps, and signatures were — and are — powerful tools that created the double of a person in writ and bore the indelible signs of bureaucratic authenticity. Ultimately, as Groebner lucidly explains, they revealed as much about their makers’ illustory fantasies as they did about their bearers’ actual identity. The bureaucratic desire to register and control the population created, from the sixteenth century onward, an intricate administrative system for tracking individual identities. Most important, the proof of one’s identity was intimately linked and determined by the identification papers the authorities demanded and endlessly supplied. At the same time, these papers and practices gave birth to two uncanny doppelgängers of administrative identity procedures : the spy who craftily forged official documents and passports, and the impostor who dissimulated and mimed any individual he so disired. Through careful research and powerful narrative, Groebner recounts the complicated and bizarre stories of the many ways in which identities were stolen, created, and doubled. Groebner argues that identity papers cannot be interpreted literally as pure and simple documents. They are themselves pieces of history, histories of individuals and individuality, papers that both document and transform their owner’s identity — from Renaissance vagrants and gypsies to the illegal immigrants of today who remain "sans papiers", without papers.
Classification:
livres
livres
Publication:
mars 2007, New York
mars 2007, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$39.95
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Résumé:
For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a(...)
$39.95
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Résumé:
For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a(...)
Titre:
The dawn of everything: a new history of humanity
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For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on path-breaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what's really there. If humans did not spend 95% of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? What was really happening during the periods that we usually describe as the emergence of "the state"? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. ''The dawn of everything'' fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action.
The dawn of everything: a new history of humanity
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$39.95
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Résumé:
For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on path-breaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what's really there. If humans did not spend 95% of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? What was really happening during the periods that we usually describe as the emergence of "the state"? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. ''The dawn of everything'' fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Social
Social
Classification:
livres
livres
Titre:
Well-kept ruins
Well-kept ruins
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In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years’ War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity. Today, as one walks through Old Synagogue Street in a rich neighborhood of(...)
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In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years’ War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity. Today, as one walks through Old Synagogue Street in a rich neighborhood of(...)
Titre:
Well-kept ruins
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In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years’ War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity. Today, as one walks through Old Synagogue Street in a rich neighborhood of Osnabrück, one might miss noticing a pile of pale stones held together by chicken wire that sits between two fashionable homes. These are the well-kept ruins from behind which stares a gaping space—a place of memory and oblivion. Four polished plaques tell the tale of the horror-filled night of November 9, 1938—today known as Kristallnacht—when the synagogue that had stood on this spot was desecrated, looted, set on fire, and eventually demolished by Hitler’s forces. On the same day, ninety parishioners were imprisoned by the Gestapo and eventually sent to the Buchenwald concentration camp. Osnabrück was also home to Eve Klein, a member of the city’s early-twentieth-century Jewish community and the mother of author Hélène Cixous. In Well-Kept Ruins, Cixous returns to the historic city in 2019 and reflects on the remains of the synagogue that “express the life lost, the life kept.” Walking the streets of the city, plumbing the depths of the past along with her own family’s history, looking deep into the future, and punctuating her poetic prose with haunting photographs, Cixous explores the ruins at the heart of humanity. Part memoir, part philosophical meditation, ''Well-kept ruins'' is a genre-defying and timely reflection of the contemporary human condition.
Well-kept ruins
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Résumé:
In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years’ War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity. Today, as one walks through Old Synagogue Street in a rich neighborhood of Osnabrück, one might miss noticing a pile of pale stones held together by chicken wire that sits between two fashionable homes. These are the well-kept ruins from behind which stares a gaping space—a place of memory and oblivion. Four polished plaques tell the tale of the horror-filled night of November 9, 1938—today known as Kristallnacht—when the synagogue that had stood on this spot was desecrated, looted, set on fire, and eventually demolished by Hitler’s forces. On the same day, ninety parishioners were imprisoned by the Gestapo and eventually sent to the Buchenwald concentration camp. Osnabrück was also home to Eve Klein, a member of the city’s early-twentieth-century Jewish community and the mother of author Hélène Cixous. In Well-Kept Ruins, Cixous returns to the historic city in 2019 and reflects on the remains of the synagogue that “express the life lost, the life kept.” Walking the streets of the city, plumbing the depths of the past along with her own family’s history, looking deep into the future, and punctuating her poetic prose with haunting photographs, Cixous explores the ruins at the heart of humanity. Part memoir, part philosophical meditation, ''Well-kept ruins'' is a genre-defying and timely reflection of the contemporary human condition.
Classification:
livres
livres
Publication:
décembre 2022
décembre 2022
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
Prix:
$64.95
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Résumé:
''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
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Résumé:
''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
Titre:
Duodji reader: Twelve essays on duodji by Sámi writers
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
Duodji reader: Twelve essays on duodji by Sámi writers
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$64.95
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Résumé:
''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
Classification:
livres
livres
Publication:
février 2022
février 2022
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The business of Enlightenment : A publishing history of the Encyclopédie 1775-1800 / Robert Darnton.
The business of Enlightenment : A publishing history of the Encyclopédie 1775-1800 / Robert Darnton.
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Description:
xiv, 624 pages : illustrations ; 25 cm
- Bibliothèque study room 140621 | PO7680 AE25.A6 REF; ID:85-B26014 | Disponible
Description:
xiv, 624 pages : illustrations ; 25 cm
Auteur:
Sujet:
- Encyclopédie.,
- Collection Encyclopédie.,
- Encyclopédie ou dictionnaire raisonné des sciences, des arts et des métiers,
- Encyclopedias and dictionaries, French.,
- Publishing history,
- Encyclopédies et dictionnaires français.,
- Buchdruck,
- Buchhandel,
- Entstehung,
- Uitgeven.,
- Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (encyclopedie),
- Verlichting (cultuurgeschiedenis),
- Publishers and publishing France History 18th century.,
- French language Dictionaries.,
- Encyclopedie, ou, Dictionnaire raisonne des sciences, des arts et des metiers,
- Criticism, interpretation, etc.,
- Annotations.
Publication:
Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 1979, ©1979
Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 1979, ©1979
Titre:
The business of Enlightenment : A publishing history of the Encyclopédie 1775-1800 / Robert Darnton.
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Description:
xiv, 624 pages : illustrations ; 25 cm
The business of Enlightenment : A publishing history of the Encyclopédie 1775-1800 / Robert Darnton.
Actions:
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- Bibliothèque study room 140621 | PO7680 AE25.A6 REF; ID:85-B26014 | Disponible
Description:
xiv, 624 pages : illustrations ; 25 cm
Classification:
livres
livres
Publication:
Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 1979, ©1979
Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 1979, ©1979
Auteur:
Sujet:
- Encyclopédie.,
- Collection Encyclopédie.,
- Encyclopédie ou dictionnaire raisonné des sciences, des arts et des métiers,
- Encyclopedias and dictionaries, French.,
- Publishing history,
- Encyclopédies et dictionnaires français.,
- Buchdruck,
- Buchhandel,
- Entstehung,
- Uitgeven.,
- Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (encyclopedie),
- Verlichting (cultuurgeschiedenis),
- Publishers and publishing France History 18th century.,
- French language Dictionaries.,
- Encyclopedie, ou, Dictionnaire raisonne des sciences, des arts et des metiers,
- Criticism, interpretation, etc.,
- Annotations.
Classification:
livres
livres
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Description:
276 pages : illustrations (some color) ; 29 cm
Description:
276 pages : illustrations (some color) ; 29 cm
Auteur:
Sujet:
- Olmsted, Frederick Law, 1822-1903.,
- Olmsted, Frederick Law, 1822-1903 Criticism and interpretation.,
- Landscape architects United States Biography.,
- Landscape architecture United States.,
- Architectes paysagistes États-Unis Biographies.,
- Architecture du paysage États-Unis.,
- Landscape architects.,
- Landscape architecture.,
- Landscape architects United States 19th century.,
- United States.,
- Landscape architects Biography United States,
- Olmsted, Frederick Law,
- Biography,
- Nonfiction.,
- Catalogues raisonnés.,
- Quotations (texts),
- Biographies.
Publication:
New York : Rizzoli, 1995.
New York : Rizzoli, 1995.
Titre:
Frederick Law Olmsted : designing the American landscape / Charles Beveridge and Paul Rocheleau ; edited and designed by David Larkin.
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Description:
276 pages : illustrations (some color) ; 29 cm
Frederick Law Olmsted : designing the American landscape / Charles Beveridge and Paul Rocheleau ; edited and designed by David Larkin.
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Description:
276 pages : illustrations (some color) ; 29 cm
Classification:
livres
livres
Publication:
New York : Rizzoli, 1995.
New York : Rizzoli, 1995.
Auteur:
Sujet:
- Olmsted, Frederick Law, 1822-1903.,
- Olmsted, Frederick Law, 1822-1903 Criticism and interpretation.,
- Landscape architects United States Biography.,
- Landscape architecture United States.,
- Architectes paysagistes États-Unis Biographies.,
- Architecture du paysage États-Unis.,
- Landscape architects.,
- Landscape architecture.,
- Landscape architects United States 19th century.,
- United States.,
- Landscape architects Biography United States,
- Olmsted, Frederick Law,
- Biography,
- Nonfiction.,
- Catalogues raisonnés.,
- Quotations (texts),
- Biographies.
Classification:
livres
livres
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Description:
323 pages : illustrations ; 25 cm
Description:
323 pages : illustrations ; 25 cm
Auteur:
- Le Corbusier, 1887-1965,,
- Cohen, Jean-Louis,,
- Ahrenberg, Staffan,,
- Higgitt, Caroline,,
- Wheelwright, John,,
- Tittensor, John, 1941-,
- Birnbaum, Daniel, 1963-,
- Noring, Ann-Sofi, 1955-,
- Moderna museet (Stockholm, Sweden),
Sujet:
- Le Corbusier, 1887-1965 Exhibitions.,
- Le Corbusier, 1887-1965 Criticism and interpretation.,
- Le Corbusier.,
- Le Corbusier, 1887-1965,
- Art and architecture Exhibitions.,
- Painting, French 20th century Exhibitions.,
- Architecture, Modern 20th century Exhibitions.,
- Architects France Biography.,
- Art et architecture Expositions.,
- Peinture française 20e siècle Expositions.,
- Architecture 20e siècle Expositions.,
- Architectes France Biographies.,
- Architecture France History Exhibitions. 20th century.,
- Painting, French Exhibitions. 20th century.,
- City planning Sweden Stockholm Exhibitions.,
- Ahrenberg, Staffan Art collections Exhibitions.,
- Architects,
- Architecture, Modern,
- Art and architecture,
- Painting, French,
- France,
- Chandigarh, Punjab India.,
- Villa Savoye.,
- Mundaneum.,
- Museum for unlimited growth.,
- Pavilion of the synthesis of Major arts6.,
- City museum, Gujarat.,
- National museum og Western art Ueno.,
- Carpenter center for visual arts.,
- Le corbusier center, Zurich.,
- Project for the Ahrenberg Exhibition pavilion.,
- Project for a museum of XXth century.,
- Exhibition catalogs.,
- Biographies,
- Criticism, interpretation, etc.
Publication:
Ostfildern, Germany : Hatje Cantz Verlag, ©2013.
Ostfildern, Germany : Hatje Cantz Verlag, ©2013.
Titre:
Le Corbusier's secret laboratory : from painting to architecture / edited by Jean-Louis Cohen ; with Staffan Ahrenberg ; with essays by Jean-Louis Cohen ... [et al. ; translations, Caroline Higgitt, John Wheelwright, John Tittensor].
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Description:
323 pages : illustrations ; 25 cm
Le Corbusier's secret laboratory : from painting to architecture / edited by Jean-Louis Cohen ; with Staffan Ahrenberg ; with essays by Jean-Louis Cohen ... [et al. ; translations, Caroline Higgitt, John Wheelwright, John Tittensor].
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Description:
323 pages : illustrations ; 25 cm
Classification:
livres
livres
Publication:
Ostfildern, Germany : Hatje Cantz Verlag, ©2013.
Ostfildern, Germany : Hatje Cantz Verlag, ©2013.
Auteur:
- Le Corbusier, 1887-1965,,
- Cohen, Jean-Louis,,
- Ahrenberg, Staffan,,
- Higgitt, Caroline,,
- Wheelwright, John,,
- Tittensor, John, 1941-,
- Birnbaum, Daniel, 1963-,
- Noring, Ann-Sofi, 1955-,
- Moderna museet (Stockholm, Sweden),
Sujet:
- Le Corbusier, 1887-1965 Exhibitions.,
- Le Corbusier, 1887-1965 Criticism and interpretation.,
- Le Corbusier.,
- Le Corbusier, 1887-1965,
- Art and architecture Exhibitions.,
- Painting, French 20th century Exhibitions.,
- Architecture, Modern 20th century Exhibitions.,
- Architects France Biography.,
- Art et architecture Expositions.,
- Peinture française 20e siècle Expositions.,
- Architecture 20e siècle Expositions.,
- Architectes France Biographies.,
- Architecture France History Exhibitions. 20th century.,
- Painting, French Exhibitions. 20th century.,
- City planning Sweden Stockholm Exhibitions.,
- Ahrenberg, Staffan Art collections Exhibitions.,
- Architects,
- Architecture, Modern,
- Art and architecture,
- Painting, French,
- France,
- Chandigarh, Punjab India.,
- Villa Savoye.,
- Mundaneum.,
- Museum for unlimited growth.,
- Pavilion of the synthesis of Major arts6.,
- City museum, Gujarat.,
- National museum og Western art Ueno.,
- Carpenter center for visual arts.,
- Le corbusier center, Zurich.,
- Project for the Ahrenberg Exhibition pavilion.,
- Project for a museum of XXth century.,
- Exhibition catalogs.,
- Biographies,
- Criticism, interpretation, etc.
Classification:
livres
livres
Titre:
Peripheries : edge conditions in architecture / edited by Ruth Morrow and Mohamed Gamal Abdelmonem.
Peripheries : edge conditions in architecture / edited by Ruth Morrow and Mohamed Gamal Abdelmonem.
Actions:
Exemplaires:
Description:
xiv, 277 pages : illustrations, maps ; 26 cm.
Description:
xiv, 277 pages : illustrations, maps ; 26 cm.
Auteur:
- Peripheries (Architectural Humanities Research Association),
- Morrow, Ruth, 1964-,
- Abdelmonem, M. Gamal,
Sujet:
- Architecture and society.,
- Architecture et société.,
- ARCHITECTURE General.,
- ARCHITECTURE Criticism.,
- ARCHITECTURE History General.,
- Architecture and Planning.
Publication:
London ; New York : Routledge, 2013.
London ; New York : Routledge, 2013.
Titre:
Peripheries : edge conditions in architecture / edited by Ruth Morrow and Mohamed Gamal Abdelmonem.
Actions:
Exemplaires:
Description:
xiv, 277 pages : illustrations, maps ; 26 cm.
Peripheries : edge conditions in architecture / edited by Ruth Morrow and Mohamed Gamal Abdelmonem.
Actions:
Exemplaires:
Description:
xiv, 277 pages : illustrations, maps ; 26 cm.
Classification:
livres
livres
Publication:
London ; New York : Routledge, 2013.
London ; New York : Routledge, 2013.
Auteur:
- Peripheries (Architectural Humanities Research Association),
- Morrow, Ruth, 1964-,
- Abdelmonem, M. Gamal,
Sujet:
- Architecture and society.,
- Architecture et société.,
- ARCHITECTURE General.,
- ARCHITECTURE Criticism.,
- ARCHITECTURE History General.,
- Architecture and Planning.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
399 pages : illustrations (some color) ; 19 cm
Description:
399 pages : illustrations (some color) ; 19 cm
Auteur:
Sujet:
- Bardi, Lina Bo, 1914-1992.,
- Eyck, Aldo van, 1918-1999.,
- Architecture Brazil History 20th century.,
- Architecture, Brazilian History 20th century.,
- Architecture, Dutch History 20th century.,
- Architecture Netherlands History 20th century.,
- Architecture, Brazilian 20th century.,
- Architecture brésilienne 20e siècle.,
- Architecture brésilienne Histoire 20e siècle.,
- Architecture,
- Architecture, Brazilian,
- Architecture, Dutch,
- Brazil,
- Netherlands,
- History
Publication:
Rio de Janeiro, RJ, Brasil : Cobogó, [2024]
Rio de Janeiro, RJ, Brasil : Cobogó, [2024]
Titre:
Lina por Aldo : afinidades no pensamento dos arquitetos Lina Bo Bardi e Aldo van Eyck / orgs., Isabel Diegues, Jorn Konijn.
Actions:
Exemplaires:
Description:
399 pages : illustrations (some color) ; 19 cm
Lina por Aldo : afinidades no pensamento dos arquitetos Lina Bo Bardi e Aldo van Eyck / orgs., Isabel Diegues, Jorn Konijn.
Actions:
Exemplaires:
Description:
399 pages : illustrations (some color) ; 19 cm
Classification:
livres
livres
Publication:
Rio de Janeiro, RJ, Brasil : Cobogó, [2024]
Rio de Janeiro, RJ, Brasil : Cobogó, [2024]
Auteur:
Sujet:
- Bardi, Lina Bo, 1914-1992.,
- Eyck, Aldo van, 1918-1999.,
- Architecture Brazil History 20th century.,
- Architecture, Brazilian History 20th century.,
- Architecture, Dutch History 20th century.,
- Architecture Netherlands History 20th century.,
- Architecture, Brazilian 20th century.,
- Architecture brésilienne 20e siècle.,
- Architecture brésilienne Histoire 20e siècle.,
- Architecture,
- Architecture, Brazilian,
- Architecture, Dutch,
- Brazil,
- Netherlands,
- History
