Desk in exile
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When the Bauhaus moved to Dessau, the desk moved with it, landing in the director’s office, where it was used as a demonstration of a vision of a modern office culture. The desk took up residence temporarily in the Lawn Road Flats in London before following Gropius to Lincoln, Massachusetts, in 1938. It has remained in Lincoln since then and is currently in the Gropius(...)
Desk in exile
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When the Bauhaus moved to Dessau, the desk moved with it, landing in the director’s office, where it was used as a demonstration of a vision of a modern office culture. The desk took up residence temporarily in the Lawn Road Flats in London before following Gropius to Lincoln, Massachusetts, in 1938. It has remained in Lincoln since then and is currently in the Gropius family’s private home. An index of the changing fortunes of the Bauhaus, Gropius’ desk itself becomes an actor in a complex history of changing locations and social environments. Desk in Exile traces the trajectory of this uniquely weighted object, offering a model of an object-based history of exile. Part of Spector Books’ series of readers on individual aspects of Bauhaus design, this volume comes out of the research and curatorial work carried out by the Bauhaus Lab 2016.
Théorie du design
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Eyes on the Street is a revelation of the phenomenal woman who raised three children, wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged at home and on the streets in thousands of debates--all of which she won. Here is the child who challenged her third-grade teacher; the high school poet; the journalist who honed(...)
Eyes on the street: the life of Jane Jacobs
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Eyes on the Street is a revelation of the phenomenal woman who raised three children, wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged at home and on the streets in thousands of debates--all of which she won. Here is the child who challenged her third-grade teacher; the high school poet; the journalist who honed her writing skills at Iron Age, Architectural Forum, Fortune, and other outlets, while amassing the knowledge she would draw upon to write her most famous book, The Death and Life of Great American Cities. Here, too, is the activist who helped lead an ultimately successful protest against Robert Moses's proposed expressway through her beloved Greenwich Village; and who, in order to keep her sons out of the Vietnam War, moved to Canada, where she became as well known and admired as she was in the United States.
Théorie de l’urbanisme
Dust (object lessons)
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No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to(...)
Dust (object lessons)
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No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to mention dust mites who make it their home. And so, dust blurs the boundaries between the living and the dead, plant and animal matter, the inside and the outside, you and the world (“for dust thou art, and unto dust shalt thou return”). This book treats one of the most mundane and familiar phenomena, showing how it can provide a key to thinking about existence, community, and justice today. - See more at: http://www.bloomsbury.com/us/dust-9781628925586/#sthash.ghw4gFcC.dpuf
Théorie/ philosophie
Overlooked america
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In the aftermath of Hurricane Katrina, America was horrified by an onslaught of media accounts about those left stranded, homeless, or dead in New Orleans. And as further investigation made clear, residents of impoverished neighborhoods were the most vulnerable to disaster. In short, they were overlooked - much like the homeless, jobless, poor, and disabled victims of the(...)
Overlooked america
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In the aftermath of Hurricane Katrina, America was horrified by an onslaught of media accounts about those left stranded, homeless, or dead in New Orleans. And as further investigation made clear, residents of impoverished neighborhoods were the most vulnerable to disaster. In short, they were overlooked - much like the homeless, jobless, poor, and disabled victims of the everyday disasters of poverty and neglect whose lives are explored in "Overlooked America".A compilation of articles published in "Planning" magazine between 2006 and 2008, this eye-opening anthology offers a fresh look at how planners and communities affect the everyday lives of marginalized citizens. Featuring on-the-ground perspectives and expert interpretations, "Overlooked America" tackles a broad range of social problems to ask why a nation replete with resources is home to so many needy individuals and families. This ambitious volume is both a chronicle of systemic disaster and a plea for change.
Théorie de l’urbanisme
The Cape Cod cottage
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The Cape Cod cottage has been one of America's most popular home styles for almost four hundred years. While a perennial domestic favorite, historians have long ignored the modest Cape Cod, relegating it to a vernacular footnote along with barns and mills. In "The Cape Cod cottage" architectural historian and photographer William Morgan places this uniquely American(...)
The Cape Cod cottage
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The Cape Cod cottage has been one of America's most popular home styles for almost four hundred years. While a perennial domestic favorite, historians have long ignored the modest Cape Cod, relegating it to a vernacular footnote along with barns and mills. In "The Cape Cod cottage" architectural historian and photographer William Morgan places this uniquely American house—a remarkable combination of necessity and tradition—in its historical context and makes a compelling argument for the reassessment of its place in the history of American architecture. "The Cape Cod cottage" follows the uniquely American house type from its earliest beginnings in the colonial period, through its spread across New England, to its embrace as a suburban ideal in the twentieth century, and its reinterpretation by contemporary architects. Historical images of lost Capes augment new photographs taken specifi- cally for the book. Foreword by Daniel V. Scully.
Histoire jusqu’à 1900
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Loaded with labor and time-saving conveniences, the Hoosier cabinet was among the earliest design innovations of the modern American kitchen. This culinary workstation allowed owners to maintain an efficient and clutter-free kitchen by centralizing utensils, cookware, tools, and ingredients all the while providing a space in which to prepare the meals of the day.(...)
The Hoosier cabinet in kitchen history
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Loaded with labor and time-saving conveniences, the Hoosier cabinet was among the earliest design innovations of the modern American kitchen. This culinary workstation allowed owners to maintain an efficient and clutter-free kitchen by centralizing utensils, cookware, tools, and ingredients all the while providing a space in which to prepare the meals of the day. Bloomington-based cabinetmaker Nancy R. Hiller draws on her years of specialty cabinet making and thorough knowledge of interior design to deliver an entertaining, beautiful, and informative history of the Hoosier cabinet—revealing its influence on the development of the contemporary American home. Illustrated with original manufacturers' advertisements and sales literature—some of which is previously unpublished—as well as color and black-and-white photos, this long-overdue book on an icon of the early 20th-century kitchen will be an invaluable resource to cabinetmakers, antiques enthusiasts, and homeowners planning a period-inspired kitchen.
Design d’intérieur
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a(...)
janvier 2009, Köln
Hans Ulrich Obrist - Enzo Mari: the conversation series 15
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s. Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna's Gebrüder Thonet and a collection for the Japanese home store Muji.
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"Once upon a time, Rome was entirely reachable by car, as if the city were a vast expanse, left openly accessible: You could park anywhere, and the squares were not mere scenery but spaces for everyday use, places to be crossed, occupied and lived in. Reaching the heart of the city was a right, a need, a natural and familiar matter, never a fault. It was a time when(...)
juin 2026
Roma vietata: Journey into the reachable city
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"Once upon a time, Rome was entirely reachable by car, as if the city were a vast expanse, left openly accessible: You could park anywhere, and the squares were not mere scenery but spaces for everyday use, places to be crossed, occupied and lived in. Reaching the heart of the city was a right, a need, a natural and familiar matter, never a fault. It was a time when modern citizens felt most at home in the historic centre, from ancient to medieval Rome, from the Renaissance polis to that of the Baroque period, from eighteenth-century Rome to that under King Umberto and right through to the twentieth century. The book traces the history of freedom of movement prior to the advent of limited traffic zones, railway rings, pedestrian areas and the utopia of the smart city. Paradoxically, this book explores the future of Rome through what has become forbidden."
A right to housing?
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In the fight for housing, we are caught between the world we know and the world we want. This book is both a road map and a reckoning. Drawing on his own experience of on-the-ground organizing, Samuel Stein presents practical policies for enacting a right to shelter, a right to a home, and a right to the city itself. With raw honesty, he then explores why these visions(...)
A right to housing?
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In the fight for housing, we are caught between the world we know and the world we want. This book is both a road map and a reckoning. Drawing on his own experience of on-the-ground organizing, Samuel Stein presents practical policies for enacting a right to shelter, a right to a home, and a right to the city itself. With raw honesty, he then explores why these visions founder on the rocks of political reality. He reveals the forces blocking our path—from the power of real estate capital to the inadequacy of our institutions—and captures the complex feelings of a left that has lost faith in the future. Written in the heady weeks surrounding Zohran Mamdani’s historic election for New York City mayor, Stein frames the book around the stirring possibilities and structural constraints of a socialist administration in the financial center of a sputtering empire.
Social
livres
Shigeru Ban
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Shigeru Ban may be best known for his evocative Curtain Wall House in Tokyo----a highlight of the Museum of Modern Art's 1999 Un-Private House exhibit----but few know the range of this Japanese architect's work. In this first English-language monograph on Ban, 30 built (...)
Shigeru Ban
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Shigeru Ban may be best known for his evocative Curtain Wall House in Tokyo----a highlight of the Museum of Modern Art's 1999 Un-Private House exhibit----but few know the range of this Japanese architect's work. In this first English-language monograph on Ban, 30 built projects reveal his inventiveness and humanitarianism. Ban's primary objectives in his work are the use of low-cost materials and the dissolution of the boundaries between interior and exterior spaces. His paper tube designs, which he first created as emergency housing for victims of Rwanda's civil war, were later reconfigured for earthquake victims in Kobe and were incorporated in Ban's Japanese Pavilion at Hannover Expo 2000. Influenced by the Japanese tradition of linking the home with the surrounding environment, Ban has created buildings such as Hanegi Forest and Walls-less House that invite nature to coexist with design.
livres
décembre 2000, New York
Architecture, monographies