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Billboard : art on the road
Billboard : art on the road
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Résumé:
This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three(...)
$30.00
(disponible sur commande)
Résumé:
This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three(...)
Publication:
juillet 1999, North Adams
juillet 1999, North Adams
Titre:
Billboard : art on the road
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$30.00
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Résumé:
This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Geneviève Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and colour images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small colour image. The book also contains three essays. In "Disturbances in the Field of Mammon: Toward a History of Artists' Billboards," Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards ("Uncle Sam Wants You"). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not "sell" any political message.
Billboard : art on the road
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Prix:
$30.00
(disponible sur commande)
Résumé:
This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Geneviève Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and colour images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small colour image. The book also contains three essays. In "Disturbances in the Field of Mammon: Toward a History of Artists' Billboards," Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards ("Uncle Sam Wants You"). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not "sell" any political message.
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livres
livres
Publication:
juillet 1999, North Adams
juillet 1999, North Adams
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livres
livres
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
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livres
livres
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$39.95
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$39.95
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Classification:
livres
livres
Prix:
$40.00
(disponible en magasin)
Résumé:
Virtuous situations from the industrial past and some ideas for the ‘climatic metropolis’ to come (cases of Brussels and Paris) compiles examples and projections that question the shape given to the city and territory at a moment of paradigm shift. The rapid evolution of climate change is leading to a clear state of emergency that is going to redefine the values and(...)
$40.00
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Résumé:
Virtuous situations from the industrial past and some ideas for the ‘climatic metropolis’ to come (cases of Brussels and Paris) compiles examples and projections that question the shape given to the city and territory at a moment of paradigm shift. The rapid evolution of climate change is leading to a clear state of emergency that is going to redefine the values and(...)
Titre:
CENTRAL office for architecture and urbanism & Maxime Delvaux
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Virtuous situations from the industrial past and some ideas for the ‘climatic metropolis’ to come (cases of Brussels and Paris) compiles examples and projections that question the shape given to the city and territory at a moment of paradigm shift. The rapid evolution of climate change is leading to a clear state of emergency that is going to redefine the values and forms of our society and its territories. Several signs of a gradual paradigm shift have appeared and citizen voices are being raised against a social model that is at odds with the environment. Looking towards the past, a fascinated reading of a city’s ability to transform itself radically when necessary, is proposed. The change, generated by the race towards industrialization and social emancipation, forced metropolises such as Brussels and Paris to develop new urban functions and logics. This evolution took shape in territories that were not yet highly urbanized, but also within the city itself, in negotiation with the existing context. A series of 23 situations from the industrial age draws a panorama of virtuous examples, illustrating an assumed cohabitation between the urban fabric and the infrastructural, productive and energy needs at a precise moment of radical change in Paris and Brussels. The development of the ‘climatic metropolis’ must imperatively be based on design values and principles capable of generating a common vision. In this perspective, we propose some ideas for reflection formalized by projects tied to the built stories from the past, outlining potential situations of a new state to come for the European city.
CENTRAL office for architecture and urbanism & Maxime Delvaux
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Résumé:
Virtuous situations from the industrial past and some ideas for the ‘climatic metropolis’ to come (cases of Brussels and Paris) compiles examples and projections that question the shape given to the city and territory at a moment of paradigm shift. The rapid evolution of climate change is leading to a clear state of emergency that is going to redefine the values and forms of our society and its territories. Several signs of a gradual paradigm shift have appeared and citizen voices are being raised against a social model that is at odds with the environment. Looking towards the past, a fascinated reading of a city’s ability to transform itself radically when necessary, is proposed. The change, generated by the race towards industrialization and social emancipation, forced metropolises such as Brussels and Paris to develop new urban functions and logics. This evolution took shape in territories that were not yet highly urbanized, but also within the city itself, in negotiation with the existing context. A series of 23 situations from the industrial age draws a panorama of virtuous examples, illustrating an assumed cohabitation between the urban fabric and the infrastructural, productive and energy needs at a precise moment of radical change in Paris and Brussels. The development of the ‘climatic metropolis’ must imperatively be based on design values and principles capable of generating a common vision. In this perspective, we propose some ideas for reflection formalized by projects tied to the built stories from the past, outlining potential situations of a new state to come for the European city.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Architecture, monographies
Architecture, monographies
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Description:
xix, 504 pages : illustrations, maps ; 24 cm.
Description:
xix, 504 pages : illustrations, maps ; 24 cm.
Auteur:
Sujet:
- Middle class United States History.,
- Architecture, Domestic United States History.,
- House furnishings United States History.,
- Material culture United States.,
- Bourgeoisie États-Unis Histoire.,
- Architecture domestique États-Unis Histoire.,
- Ameublement États-Unis Histoire.,
- Culture matérielle États-Unis.,
- Classes moyennes États-Unis Histoire.,
- 21.84 interior design and decoration.,
- 15.85 history of America.,
- 21.72 house-building.,
- Architecture, Domestic,
- House furnishings,
- Manners and customs,
- Material culture,
- Middle class,
- Interieurkunst.,
- Elegantie.,
- Materiële cultuur.,
- Woningen.,
- United States Social life and customs To 1775.,
- United States Social life and customs 1775-1783.,
- United States Social life and customs 1783-1865.,
- États-Unis Mœurs et coutumes Jusqu'à 1775.,
- États-Unis Mœurs et coutumes 1775-1783.,
- États-Unis Mœurs et coutumes 1783-1865.,
- United States,
- USA,
- History
Publication:
New York : Knopf : Distributed by Random House, 1992.
New York : Knopf : Distributed by Random House, 1992.
Titre:
The refinement of America : persons, houses, cities / Richard L. Bushman.
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Description:
xix, 504 pages : illustrations, maps ; 24 cm.
The refinement of America : persons, houses, cities / Richard L. Bushman.
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Description:
xix, 504 pages : illustrations, maps ; 24 cm.
Classification:
livres
livres
Publication:
New York : Knopf : Distributed by Random House, 1992.
New York : Knopf : Distributed by Random House, 1992.
Auteur:
Sujet:
- Middle class United States History.,
- Architecture, Domestic United States History.,
- House furnishings United States History.,
- Material culture United States.,
- Bourgeoisie États-Unis Histoire.,
- Architecture domestique États-Unis Histoire.,
- Ameublement États-Unis Histoire.,
- Culture matérielle États-Unis.,
- Classes moyennes États-Unis Histoire.,
- 21.84 interior design and decoration.,
- 15.85 history of America.,
- 21.72 house-building.,
- Architecture, Domestic,
- House furnishings,
- Manners and customs,
- Material culture,
- Middle class,
- Interieurkunst.,
- Elegantie.,
- Materiële cultuur.,
- Woningen.,
- United States Social life and customs To 1775.,
- United States Social life and customs 1775-1783.,
- United States Social life and customs 1783-1865.,
- États-Unis Mœurs et coutumes Jusqu'à 1775.,
- États-Unis Mœurs et coutumes 1775-1783.,
- États-Unis Mœurs et coutumes 1783-1865.,
- United States,
- USA,
- History
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Description:
xvi, 258 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
Description:
xvi, 258 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
Auteur:
Sujet:
- Philip II, King of Spain, 1527-1598 Art patronage.,
- Philippe II, roi d'Espagne, 1527-1598 Mécénat.,
- Philip II, King of Spain, 1527-1598,
- Philipp II. Spanien, König 1527-1598,
- Philippe II (roi d'Espagne ; 1527-1598) Mécénat.,
- Basílica (Escorial),
- Basílica del Escorial (San Lorenzo de El Escorial, Espagne),
- Kloster El Escorial,
- KunstWerk,
- Monasterio de El Escorial.,
- El Escorial Kloster.,
- Christian art and symbolism Spain San Lorenzo del Escorial Modern period, 1500-,
- Art, Renaissance Spain San Lorenzo del Escorial.,
- Art, Spanish Spain San Lorenzo del Escorial.,
- Art, Italian Spain San Lorenzo del Escorial.,
- Counter-Reformation in art.,
- Church decoration and ornament Spain San Lorenzo del Escorial History 16th century.,
- Art chrétien Espagne San Lorenzo de El Escorial 1450-1600 (Renaissance),
- Art de la Renaissance Espagne San Lorenzo de El Escorial.,
- Art espagnol Espagne San Lorenzo de El Escorial.,
- Art italien Espagne San Lorenzo de El Escorial.,
- Contre-Réforme dans l'art.,
- Églises Décoration et ornement Espagne San Lorenzo de El Escorial Histoire 16e siècle.,
- Art, Italian,
- Art patronage,
- Art, Renaissance,
- Art, Spanish,
- Christian art and symbolism Modern period,
- Church decoration and ornament,
- Kunst,
- Kerkinterieurs.,
- Versieringskunst.,
- El Escorial.,
- Art, Italian Spain San Lorenzo de el Escorial.,
- Counter-Reformation in art Spain.,
- Art chrétien Espagne 16e siècle.,
- Églises Décoration Espagne 16e siècle.,
- Art de la Renaissance Espagne Monasterio de El Escorial.,
- Art Espagne Espagne San Lorenzo del Escorial.,
- Spain San Lorenzo del Escorial,
- Basilika El Escorial,
- El Escorial Klosterkirche.,
- Visual arts Special subjects Christianity,
- Madrid (Spain),
- Architecture.,
- History
Publication:
Cambridge [England] ; New York : Cambridge University Press, 1994.
Cambridge [England] ; New York : Cambridge University Press, 1994.
Titre:
The decoration of the royal basilica of El Escorial / Rosemarie Mulcahy.
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Description:
xvi, 258 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
The decoration of the royal basilica of El Escorial / Rosemarie Mulcahy.
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Description:
xvi, 258 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
Classification:
livres
livres
Publication:
Cambridge [England] ; New York : Cambridge University Press, 1994.
Cambridge [England] ; New York : Cambridge University Press, 1994.
Auteur:
Sujet:
- Philip II, King of Spain, 1527-1598 Art patronage.,
- Philippe II, roi d'Espagne, 1527-1598 Mécénat.,
- Philip II, King of Spain, 1527-1598,
- Philipp II. Spanien, König 1527-1598,
- Philippe II (roi d'Espagne ; 1527-1598) Mécénat.,
- Basílica (Escorial),
- Basílica del Escorial (San Lorenzo de El Escorial, Espagne),
- Kloster El Escorial,
- KunstWerk,
- Monasterio de El Escorial.,
- El Escorial Kloster.,
- Christian art and symbolism Spain San Lorenzo del Escorial Modern period, 1500-,
- Art, Renaissance Spain San Lorenzo del Escorial.,
- Art, Spanish Spain San Lorenzo del Escorial.,
- Art, Italian Spain San Lorenzo del Escorial.,
- Counter-Reformation in art.,
- Church decoration and ornament Spain San Lorenzo del Escorial History 16th century.,
- Art chrétien Espagne San Lorenzo de El Escorial 1450-1600 (Renaissance),
- Art de la Renaissance Espagne San Lorenzo de El Escorial.,
- Art espagnol Espagne San Lorenzo de El Escorial.,
- Art italien Espagne San Lorenzo de El Escorial.,
- Contre-Réforme dans l'art.,
- Églises Décoration et ornement Espagne San Lorenzo de El Escorial Histoire 16e siècle.,
- Art, Italian,
- Art patronage,
- Art, Renaissance,
- Art, Spanish,
- Christian art and symbolism Modern period,
- Church decoration and ornament,
- Kunst,
- Kerkinterieurs.,
- Versieringskunst.,
- El Escorial.,
- Art, Italian Spain San Lorenzo de el Escorial.,
- Counter-Reformation in art Spain.,
- Art chrétien Espagne 16e siècle.,
- Églises Décoration Espagne 16e siècle.,
- Art de la Renaissance Espagne Monasterio de El Escorial.,
- Art Espagne Espagne San Lorenzo del Escorial.,
- Spain San Lorenzo del Escorial,
- Basilika El Escorial,
- El Escorial Klosterkirche.,
- Visual arts Special subjects Christianity,
- Madrid (Spain),
- Architecture.,
- History
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Description:
xii, 513 pages : illustrations (some color) ; 26 cm
Description:
xii, 513 pages : illustrations (some color) ; 26 cm
Auteur:
Sujet:
- Galilei, Galileo, 1564-1642.,
- Cesi, Federico, 1585-1630.,
- Cesi, Federico 1585-1630,
- Dal Pozzo, Cassiano 1588-1657,
- Galilei, Galileo 1564-1642,
- Cesi, Federico,
- Galilei, Galileo,
- Accademia nazionale dei Lincei History.,
- Accademia nazionale dei Lincei.,
- Academy of Linceans History.,
- Windsor Royal Library Dal Pozzo-Albani Collection.,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Rom / Accademia Nazionale dei Lincei.,
- Science Italy History.,
- Natural history.,
- Natural History history,
- Natural History,
- Sciences Italie Histoire.,
- Sciences naturelles.,
- natural sciences.,
- Science,
- Illustration,
- Naturwissenschaften,
- Tekeningen.,
- Sterrenkunde.,
- Natuurlijke historie.,
- Visualisatie.,
- Accademia Nazionale dei Lincei.,
- Scientific illustration History.,
- Italy,
- Italien,
- History,
- Natural history illustration.
Publication:
Chicago : University of Chicago Press, 2002.
Chicago : University of Chicago Press, 2002.
Titre:
The eye of the Lynx : Galileo, his friends, and the beginnings of modern natural history / David Freedberg.
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Description:
xii, 513 pages : illustrations (some color) ; 26 cm
The eye of the Lynx : Galileo, his friends, and the beginnings of modern natural history / David Freedberg.
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Description:
xii, 513 pages : illustrations (some color) ; 26 cm
Classification:
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livres
Publication:
Chicago : University of Chicago Press, 2002.
Chicago : University of Chicago Press, 2002.
Auteur:
Sujet:
- Galilei, Galileo, 1564-1642.,
- Cesi, Federico, 1585-1630.,
- Cesi, Federico 1585-1630,
- Dal Pozzo, Cassiano 1588-1657,
- Galilei, Galileo 1564-1642,
- Cesi, Federico,
- Galilei, Galileo,
- Accademia nazionale dei Lincei History.,
- Accademia nazionale dei Lincei.,
- Academy of Linceans History.,
- Windsor Royal Library Dal Pozzo-Albani Collection.,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Rom / Accademia Nazionale dei Lincei.,
- Science Italy History.,
- Natural history.,
- Natural History history,
- Natural History,
- Sciences Italie Histoire.,
- Sciences naturelles.,
- natural sciences.,
- Science,
- Illustration,
- Naturwissenschaften,
- Tekeningen.,
- Sterrenkunde.,
- Natuurlijke historie.,
- Visualisatie.,
- Accademia Nazionale dei Lincei.,
- Scientific illustration History.,
- Italy,
- Italien,
- History,
- Natural history illustration.
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Description:
xiv, 320 pages : illustrations ; 22 cm
Description:
xiv, 320 pages : illustrations ; 22 cm
Auteur:
Sujet:
- Borromini, Francesco, 1599-1667.,
- Bernini, Gian Lorenzo, 1598-1680.,
- Bernini, Giovanni Lorenzo, 1598-1680.,
- Bernini, Gian Lorenzo 1598-1680,
- Borromini, Francesco 1599-1667,
- Borromini, Francesco.,
- Bernini, Gian Lorenzo.,
- Architects Italy Rome Biography.,
- Church architecture Italy Rome.,
- Architects and patrons Italy Rome History 17th century.,
- Religious architecture Italy Rome.,
- Architectes Italie Rome Biographies.,
- Architecture religieuse Italie Rome.,
- Architectes et mécènes Italie Rome Histoire 17e siècle.,
- Architecture chrétienne Italie Rome.,
- Religious architecture,
- Architects,
- Architects and patrons,
- Church architecture,
- Kerkgebouwen.,
- Rivaliteit.,
- Italy Rome,
- Rome. Churches,
- Art. Baroque,
- Biography,
- Biographies.,
- History
Publication:
New York : W. Morrow, ©2005.
New York : W. Morrow, ©2005.
Titre:
The genius in the design : Bernini, Borromini, and the rivalry that transformed Rome / Jake Morrissey.
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Description:
xiv, 320 pages : illustrations ; 22 cm
The genius in the design : Bernini, Borromini, and the rivalry that transformed Rome / Jake Morrissey.
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Description:
xiv, 320 pages : illustrations ; 22 cm
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livres
Publication:
New York : W. Morrow, ©2005.
New York : W. Morrow, ©2005.
Auteur:
Sujet:
- Borromini, Francesco, 1599-1667.,
- Bernini, Gian Lorenzo, 1598-1680.,
- Bernini, Giovanni Lorenzo, 1598-1680.,
- Bernini, Gian Lorenzo 1598-1680,
- Borromini, Francesco 1599-1667,
- Borromini, Francesco.,
- Bernini, Gian Lorenzo.,
- Architects Italy Rome Biography.,
- Church architecture Italy Rome.,
- Architects and patrons Italy Rome History 17th century.,
- Religious architecture Italy Rome.,
- Architectes Italie Rome Biographies.,
- Architecture religieuse Italie Rome.,
- Architectes et mécènes Italie Rome Histoire 17e siècle.,
- Architecture chrétienne Italie Rome.,
- Religious architecture,
- Architects,
- Architects and patrons,
- Church architecture,
- Kerkgebouwen.,
- Rivaliteit.,
- Italy Rome,
- Rome. Churches,
- Art. Baroque,
- Biography,
- Biographies.,
- History
Classification:
livres
livres
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Description:
xxxviii, 184 pages : illustrations (some color), maps (some color), plans (some color) ; 31 cm
Description:
xxxviii, 184 pages : illustrations (some color), maps (some color), plans (some color) ; 31 cm
Auteur:
- Stierli, Martino, 1974-,
- Valentin Jeck -- Glenn D. Lowry -- Martino Stierli, Vladimir Kulič -- Martino Stierli -- Vladimir Kulić. Maoje Mrduljaš -- Jelica Jovanović and Vladimir Kulić. Luka Skansi. Vladimir Deskov, Ana Ivanovska Deskova, and Jovan Ivanovski. Maroje Mrduljaš. Lukasz Stanek. Tamara Bjaz̆ić Klarin. Theodossis Issaias and Anna Kats. Sanja Horvatinc̆ić. Andrew Herscher -- Vladimir Kulic̆. Tamara Bjaz̆ić Klarin. Mejrema Zatrić. Anna Kats. Vladimir Kulić. Matthew Worsnick. Martina Males̆ic̆. Juliet Kinchin. Vladimir Deskov, Ana Ivanovska Deskova, and Jovan Ivanovski. Luka Skansi. Vladimir Deskov, Ana Ivanovska Deskova, and Jovan Ivanovski. Mejrema Zatrić. Arber Sadiki. Matthew Worsnick.,
- Emerson, Stephanie,,
- Kulić, Vladimir,,
- Jeck, Valentin,,
- Bjažić Klarin, Tamara,,
- Museum of Modern Art (New York, N.Y.),
Sujet:
- Architecture Yugoslavia.,
- Architecture, Modern 20th century Designs and plans.,
- Brutalism (Architecture) Yugoslavia.,
- Architecture 20e siècle Dessins et plans.,
- Brutalisme (Architecture) Yougoslavie.,
- Architecture Yougoslavie.,
- Architecture, Modern Designs and plans 20th century.,
- Brutalism (Architecture),
- Architecture, Modern,
- Architecture,
- Architektur,
- Yugoslavia,
- Jugoslawien,
- exhibition catalogs.,
- architectural drawings (visual works),
- Exhibition catalogs,
- Architectural drawings,
- [Catalogues d'exposition],
- Catalogues d'exposition.,
- Dessins d'architecture.
Publication:
New York, N.Y. : The Museum of Modern Art, [2018], ©2018
New York, N.Y. : The Museum of Modern Art, [2018], ©2018
Titre:
Toward a concrete utopia : architecture in Yugoslavia, 1948-1980 / Martino Stierli, Vladimir Kulić ; with a photographic portfolio by Valentin Jeck ; and essays by Tamara Bjažić Klarin [and sixteen others].
Actions:
Exemplaires:
Description:
xxxviii, 184 pages : illustrations (some color), maps (some color), plans (some color) ; 31 cm
Toward a concrete utopia : architecture in Yugoslavia, 1948-1980 / Martino Stierli, Vladimir Kulić ; with a photographic portfolio by Valentin Jeck ; and essays by Tamara Bjažić Klarin [and sixteen others].
Actions:
Exemplaires:
Description:
xxxviii, 184 pages : illustrations (some color), maps (some color), plans (some color) ; 31 cm
Classification:
livres
livres
Publication:
New York, N.Y. : The Museum of Modern Art, [2018], ©2018
New York, N.Y. : The Museum of Modern Art, [2018], ©2018
Auteur:
- Stierli, Martino, 1974-,
- Valentin Jeck -- Glenn D. Lowry -- Martino Stierli, Vladimir Kulič -- Martino Stierli -- Vladimir Kulić. Maoje Mrduljaš -- Jelica Jovanović and Vladimir Kulić. Luka Skansi. Vladimir Deskov, Ana Ivanovska Deskova, and Jovan Ivanovski. Maroje Mrduljaš. Lukasz Stanek. Tamara Bjaz̆ić Klarin. Theodossis Issaias and Anna Kats. Sanja Horvatinc̆ić. Andrew Herscher -- Vladimir Kulic̆. Tamara Bjaz̆ić Klarin. Mejrema Zatrić. Anna Kats. Vladimir Kulić. Matthew Worsnick. Martina Males̆ic̆. Juliet Kinchin. Vladimir Deskov, Ana Ivanovska Deskova, and Jovan Ivanovski. Luka Skansi. Vladimir Deskov, Ana Ivanovska Deskova, and Jovan Ivanovski. Mejrema Zatrić. Arber Sadiki. Matthew Worsnick.,
- Emerson, Stephanie,,
- Kulić, Vladimir,,
- Jeck, Valentin,,
- Bjažić Klarin, Tamara,,
- Museum of Modern Art (New York, N.Y.),
Sujet:
- Architecture Yugoslavia.,
- Architecture, Modern 20th century Designs and plans.,
- Brutalism (Architecture) Yugoslavia.,
- Architecture 20e siècle Dessins et plans.,
- Brutalisme (Architecture) Yougoslavie.,
- Architecture Yougoslavie.,
- Architecture, Modern Designs and plans 20th century.,
- Brutalism (Architecture),
- Architecture, Modern,
- Architecture,
- Architektur,
- Yugoslavia,
- Jugoslawien,
- exhibition catalogs.,
- architectural drawings (visual works),
- Exhibition catalogs,
- Architectural drawings,
- [Catalogues d'exposition],
- Catalogues d'exposition.,
- Dessins d'architecture.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
109 pages : illustrations (some color) ; 25 cm
Description:
109 pages : illustrations (some color) ; 25 cm
Auteur:
- Acconci, Vito, 1940-2017.,
- Wolfgang Lorenz -- Robert Punkenhofer -- Oliver Elser -- Heike Faller.,
- Acconci Studio.,
- Art & Idea (Firm)
Sujet:
- Acconci, Vito, 1940-2017 Exhibitions.,
- Acconci, Vito, 1940- Expositions.,
- Acconci, Vito.,
- Acconci, Vito, 1940-2017,
- Acconci, Vito, 1940-,
- Acconci Studio.,
- Artificial islands.,
- Architecture Austria Graz History Exhibitions.,
- Artificial islands Austria Graz.,
- Îles artificielles Autriche Graz.,
- Îles artificielles.,
- Architecture Autriche Graz Histoire Expositions.,
- Architecture Austria Graz Exhibitions. 21st century.,
- Architecture,
- Stahlkonstruktion,
- Künstliche Insel,
- Restaurant,
- Graz (Autriche) Constructions.,
- Austria Graz,
- Murinsel (Graz, Autriche),
- Graz Murinsel.,
- Catalogs.,
- Interviews.,
- exhibition catalogs.,
- Exhibition catalogs,
- History,
- Catalogues d'exposition.
Publication:
Osfildern-Ruit : Hatje Cantz ; New York : Distribution in the US, D.A.P., ©2003.
Osfildern-Ruit : Hatje Cantz ; New York : Distribution in the US, D.A.P., ©2003.
Titre:
Building an island : Vito Acconci, Acconci Studio : Mur Island, Graz, Austria / [editor, Graz 2003-Cultural Capital of Europe Organisations GmbH, ART & IDEA ; Texts, Oliver Elser, Wolfgang Lorenz, Robert Punkenhofer].
Actions:
Exemplaires:
Description:
109 pages : illustrations (some color) ; 25 cm
Building an island : Vito Acconci, Acconci Studio : Mur Island, Graz, Austria / [editor, Graz 2003-Cultural Capital of Europe Organisations GmbH, ART & IDEA ; Texts, Oliver Elser, Wolfgang Lorenz, Robert Punkenhofer].
Actions:
Exemplaires:
Description:
109 pages : illustrations (some color) ; 25 cm
Classification:
livres
livres
Publication:
Osfildern-Ruit : Hatje Cantz ; New York : Distribution in the US, D.A.P., ©2003.
Osfildern-Ruit : Hatje Cantz ; New York : Distribution in the US, D.A.P., ©2003.
Auteur:
- Acconci, Vito, 1940-2017.,
- Wolfgang Lorenz -- Robert Punkenhofer -- Oliver Elser -- Heike Faller.,
- Acconci Studio.,
- Art & Idea (Firm)
Sujet:
- Acconci, Vito, 1940-2017 Exhibitions.,
- Acconci, Vito, 1940- Expositions.,
- Acconci, Vito.,
- Acconci, Vito, 1940-2017,
- Acconci, Vito, 1940-,
- Acconci Studio.,
- Artificial islands.,
- Architecture Austria Graz History Exhibitions.,
- Artificial islands Austria Graz.,
- Îles artificielles Autriche Graz.,
- Îles artificielles.,
- Architecture Autriche Graz Histoire Expositions.,
- Architecture Austria Graz Exhibitions. 21st century.,
- Architecture,
- Stahlkonstruktion,
- Künstliche Insel,
- Restaurant,
- Graz (Autriche) Constructions.,
- Austria Graz,
- Murinsel (Graz, Autriche),
- Graz Murinsel.,
- Catalogs.,
- Interviews.,
- exhibition catalogs.,
- Exhibition catalogs,
- History,
- Catalogues d'exposition.
