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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late(...)
juillet 2003, London
Rachel Whiteread : Haunch of Venison
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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late 18th century that was originally the home of Admiral Lord Nelson. Reincarnating the staircase in its negative form, the imposing white sculpture invokes the building's past while reflecting the artist's interest in the formal and purely architectural qualities of sculpture. This inaugural publication features installation views of the exhibition, including additional work dating from 1995 to the present day, as well as two amply illustrated essays and a complete bibliography. The first text considers Whiteread's immense public commissions in relation to their environment; the second outlines the history and techniques involved in creating the cast staircase sculptures.
Making stuff for kids
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Occult practices, seances and magic have traditionally been met with suspicion in the world of high culture, but they are currently getting a fresh look. Turns out, they have long had a quiet influence on art--at least since the mid-1800s. The Message demonstrates this fascinating history with paranormal-influenced paintings, drawings and thought photographs, a term for(...)
Making stuff for kids
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Occult practices, seances and magic have traditionally been met with suspicion in the world of high culture, but they are currently getting a fresh look. Turns out, they have long had a quiet influence on art--at least since the mid-1800s. The Message demonstrates this fascinating history with paranormal-influenced paintings, drawings and thought photographs, a term for the phenomenon of imprinting an image from one's mind directly onto a photographic medium--something we've all at least wished we could do... By the early eighteenth century, the occult had found a home in the arts with the advent of Surrealism--in 1933, Andre Breton discussed these inexplicable phenomena in his text, The Automatic Message. This publication borrows its name from Breton's text; and features early-twentieth-century photographs of seances from the archive of parapsychologist Albert von Schrenck-Notzing, which vividly illustrate Breton's ideas
Zines
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Leipzig is the perfect example of an east German boomtown. Courageous decisions were made early on, relocating, for instance, the exhibition site out of the inner city and building the most modern fair complex in Europe in just three years. Countless (...)
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janvier 1900, Basel
Leipzig : buildings 1989-1999
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Leipzig is the perfect example of an east German boomtown. Courageous decisions were made early on, relocating, for instance, the exhibition site out of the inner city and building the most modern fair complex in Europe in just three years. Countless buildings for trade, commerce and the service industry have appeared, and Leipzig is now the largest finance centre in Germany after Frankfurt, with more than 100 bank branches. Leipzig has always profited from its long tradition as a commercial and bourgeois city, home to trade fairs, and at the beginning of this century Saxony's metropolis was the second richest city in Germany. The restoration of prestigious buildings such as the Madlerpassage and Specks Hof became well-known, even industrial monuments found new users and also residential and cultural buildings attracted attention. This book looks critically at the current situation, providing an overview of more than 70 selected buildings.
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janvier 1900, Basel
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Portable houses
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Sheep wagons, houseboats, RVs, tents, yurts, even prefab homes and old converted school busses - people are finding creative ways every day to build and adapt homes that aren't confined to one geographical location. Portable Houses features traditional movable dwellings around the world, from a houseboat in Sausalito to a gypsy wagon in the English countryside. Authors(...)
Portable houses
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Sheep wagons, houseboats, RVs, tents, yurts, even prefab homes and old converted school busses - people are finding creative ways every day to build and adapt homes that aren't confined to one geographical location. Portable Houses features traditional movable dwellings around the world, from a houseboat in Sausalito to a gypsy wagon in the English countryside. Authors Irene Rawlings and Mary Abel provide essential information on making movable homes functional and practical, along with chapters on acquiring the necessary tools and gear for travel, problem solving with each type of portable house, and converting the dream into highway-legal reality. With photography of some of the world's most ingenious and unique portable structures, Portable Houses will inspire the migratory-minded to turn ordinary modes of transportation into creative living spaces. Rawlings proves that it really is possible for the dedicated, nomadic, do-it-yourselfer to make the road a comfortable home!
Maisons mobiles
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In Spring 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter had sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he(...)
Joel Meyerowitz: Morandi's Objects
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In Spring 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter had sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he photographed Morandi’s objects: vases, shells, pigment-filled bottles, silk flowers, tins, funnels, watering cans. In the photographs, each object sits on Morandi’s table, which still bears the marks the painter drew to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. Meyerowitz’s portraits of these dusty, aged objects are not only works of art themselves, but they offer insight into the humble subjects that Morandi transformed into his subtle and luminous paintings.
Monographies photo
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Le Corbusier and Sardinian-born sculptor Costatino Nivola met in 1946 in New York. The Franco-Swiss architect was working with a team around Oscar Niemeyer on the project for the United Nations headquarters, the artist had been living there in exile since 1939. Their meeting marked the beginning of a life-long friendship between the two, with Le Corbusier sharing Nivola's(...)
Le Corbusier: lessons in modernism
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Le Corbusier and Sardinian-born sculptor Costatino Nivola met in 1946 in New York. The Franco-Swiss architect was working with a team around Oscar Niemeyer on the project for the United Nations headquarters, the artist had been living there in exile since 1939. Their meeting marked the beginning of a life-long friendship between the two, with Le Corbusier sharing Nivola's Greenwich Village studio while working on the United Nations project and, in 1950, creating two murals in the kitchen of Nivola's East Hampton home. The artist put together a collection of some 300 drawings, six paintings, and six sculptures by his architect friend which today are held in various places across Europe and America. This book tells the story of the collection and explores its significance, thus contributing to understand the evolution of Le Corbusier's visual art and its impact on the reception of his work in America.
Architecture, monographies
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not(...)
The remittance landscape: spaces of migration in rural Mexico and urban USA
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas.
Théorie de l’architecture
New work, new workspace
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If you can set up your laptop anywhere, what is the meaning of the dedicated workspace? 'New work, new workspace' argues that designated space is still needed, but that it is changing fast. As collaborative interaction is favoured over individual toil, with millenials and Gen X taking a very different attitude to work, and as social upheaval and technological innovation(...)
New work, new workspace
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If you can set up your laptop anywhere, what is the meaning of the dedicated workspace? 'New work, new workspace' argues that designated space is still needed, but that it is changing fast. As collaborative interaction is favoured over individual toil, with millenials and Gen X taking a very different attitude to work, and as social upheaval and technological innovation influence the form nthat the places take in which we are employed forever. Metrics for measuring the effectiveness of workspace show that good design, which is focused on the environment and wellbeing that a workforce needs, is still valued. At the same time, more generic spaces, such as co-working spaces, have to fit everyone – or at least all of the target community. Detailed case studies showcase all the places where people work – in large and small offices, in home spaces, in ateliers and workshops and architects’ studios.
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Inspired by the early style of Corbusier and ideas on Mediterranean architecture espoused by the likes of Bernard Rudofsky and Josep Lluís Sert, a younger generation of architects found the perfect conditions to explore the future of the Mediterranean house in Cadaqués—a small fishing village on the Spanish Costa Brava that was also home, or the summer meeting ground, for(...)
The Modern architecture of Cadaqués: 1955–71
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Inspired by the early style of Corbusier and ideas on Mediterranean architecture espoused by the likes of Bernard Rudofsky and Josep Lluís Sert, a younger generation of architects found the perfect conditions to explore the future of the Mediterranean house in Cadaqués—a small fishing village on the Spanish Costa Brava that was also home, or the summer meeting ground, for some of the past century’s greatest artistic figures, including Dalí, Picasso, Miró, and Duchamp. In this new book, photos from the period show the distinctive style and environment of Cadaqués and 22 homes designed by Federico Correa, Alfonso Milà, José Antonio Coderch, Francesc Joan Barba Corsini, Peter Harnden, Lanfranco Bombelli, Oscar Tusquets, and Lluís Clotet. Edited by Nacho Alegre, it features an introduction by Oscar Tusquets and also tells of the friendships and influences that existed between this group of architects, and how their architecture came to be.
Modernisme
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Blending pop culture iconography with the existential threat of technological creations turning on their creators, "Emotional robots" is a compulsively readable graphic novella set in an all-too presciently depicted world in which advanced robots successfully compete with humans—in sports, music, and art—in pursuit of emotional intelligence. Displaced by the robots'(...)
Emotional robots: a question of existence
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Blending pop culture iconography with the existential threat of technological creations turning on their creators, "Emotional robots" is a compulsively readable graphic novella set in an all-too presciently depicted world in which advanced robots successfully compete with humans—in sports, music, and art—in pursuit of emotional intelligence. Displaced by the robots' technological triumph, humans abandon Earth in search of a new planet to call home. But what happens to the robots when newer, faster, smarter, better robots replace them? What happens when civil unrest grows between robot generations? An astute take on the human condition and the illusory promises of technology, "Emotional robots" is captivating fable for the modern age. With keen wit and dark humor, it artfully tackles universal themes urgently relevant to our time, asking readers the question faced by each new generation of humans (and robots): Is history condemned to repeat itself?
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