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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
Théorie de l’art
octobre 2024
Film X Autochthonous struggles today
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Théorie de l’art
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Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism,(...)
Nicola Brandt: The distance within
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Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism, National Socialism and apartheid. Markers of these histories range from the ephemeral and private, such as a dilapidated mound of stones as a roadside memorial, to official sites of remembrance and resistance, particularly for colonial atrocities. Alongside her images, Brandt assembles texts by thought leaders in photography, postcolonial cultures, memory and genocide studies, as well as material from private and public archives, to understand enduring blind spots. The result is an intersectional argument in favor of reclaiming suppressed indigenous stories and identities, undoing romantic notions of whiteness, and, ultimately, illuminating what has not been visible.
Monographies photo
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What comes after the Anthropocene? Can we depart from our human-centered perspective to build a future for the benefit of all species? What tools and techniques might help us get there? These are the questions investigated by the long-term interdisciplinary project "Interspecies future", which brings together perspectives from art, science, and technology to explore what(...)
Interspecies future: a primer
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What comes after the Anthropocene? Can we depart from our human-centered perspective to build a future for the benefit of all species? What tools and techniques might help us get there? These are the questions investigated by the long-term interdisciplinary project "Interspecies future", which brings together perspectives from art, science, and technology to explore what this future might look like. First initiated in 2022 by LAS Art Foundation, this project explores new pathways for planetary thinking and collective intelligence. With more than 60 contributions, this interactive reader is the first book to provide an extensive foundation of key concepts, debates, and case studies that propose ways to re-frame, repair, and re-imagine interspecies relations. "Interspecies future: A primer" draws on recent advancements in planetary computation and machine learning, new discoveries in non-human intelligence, as well as post-human theory and Indigenous knowledge.
Faune et flore
Huong Ngo: Ungrafting
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material(...)
octobre 2024
Huong Ngo: Ungrafting
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting—a procedure that involves cutting and splicing different species into a single plant—serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô’s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.
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As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In "Revenant ecologies," Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural(...)
Revenant ecologies: Defying the violence of extinction and conservation
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As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In "Revenant ecologies," Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural violence like colonialism, racism, genocide, extractivism, ableism, and heteronormativity, ultimately contributing to the destruction of unique life forms and ecosystems. Critiquing the Western discourse of global extinction and biodiversity through the lens of diverse Indigenous philosophies and other marginalized knowledge systems, "Revenant ecologies," promotes new ways of articulating the ethical enormity of global extinction. Mitchell offers an ambitious framework—(bio)plurality—that focuses on nurturing unique, irreplaceable worlds, relations, and ecosystems, aiming to transform global ecological–political relations, including through processes of land return and critically confronting discourses on "human extinction."
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As the design industry reexamines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, ''Centered'' advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in(...)
Centered: people and ideas diversifying design
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As the design industry reexamines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, ''Centered'' advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in the design community, the thirteen essays and interviews in this volume feature important and underrepresented design work and projects, both historical and present-day, including: Gee’s Bend Quilters, by Stephen Child and Isabella D’Agnenica; A Chinese Typographic Archive, by YuJune Park and Caspar Lam; Indigenous Sovereignty and Design: An Interview with Sadie Red Wing (Her Shawl is Yellow); The Truck Art of India, by Shantanu Suman; New Lessons from the Bauhaus: An Interview with Ellen Lupton; Vocal Type: An Interview with Tré Seals; Decolonizing Graphic Design, A Must, by Cheryl D. Miller.
Théorie du design
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Welcome to the 60th issue of The Funambulist, which concludes the tenth year of publishing the magazine! On August 6th and 9th, The Funambulist will commemorate the 80th anniversary of the devastating US nuclear bombing of the cities of Hiroshima and Nagasaki. Our contribution to the significance of these two massacres consists in convoking Indigenous perspectives from(...)
The Funambulist n. 60: The colonized & the atomic bomb
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Welcome to the 60th issue of The Funambulist, which concludes the tenth year of publishing the magazine! On August 6th and 9th, The Funambulist will commemorate the 80th anniversary of the devastating US nuclear bombing of the cities of Hiroshima and Nagasaki. Our contribution to the significance of these two massacres consists in convoking Indigenous perspectives from lands that have been exploited for these two bombings. The idea for it came from listening to Glen Sean Coulthard in Dene Country (in what the Canadian settler colony designates as Northwest Territories) about the uranium extracted from his nation’s land to fabricate the atomic bomb and three decades later, the visit of a Dene delegation to Hiroshima to apologize for the role of their labor and land in the nuclear bombing of the city. This understanding of interconnectedness between distant lands and peoples forms the editorial core of this issue.
Revues
livres
The african city : a history
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This unique book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how(...)
The african city : a history
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This unique book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how present-day African cities cope in difficult times. Instead of seeing towns and cities as somehow extraneous to the real Africa, it views them as an inherent part of developing Africa, indigenous, colonial, and post-colonial and emphasizes the extent to which the future of African society and African culture will likely be played out mostly in cities. The book is written to appeal to students of history but equally to geographers, planners, sociologists and development specialists interested in urban problems.
livres
novembre 2006, New York
Arch Moyen-Orient
I am Inuit
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Inuit indigenous ethnic groups inhabit an area stretching from North-East Siberia across the Bering Strait to Alaska up to Northern Canada all the way to Greenland. Climate change is already causing significant transformations having all kinds of impacts. For around four million people, the Arctic region is neither a curiosity, nor is it untouched wilderness: It is(...)
I am Inuit
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Inuit indigenous ethnic groups inhabit an area stretching from North-East Siberia across the Bering Strait to Alaska up to Northern Canada all the way to Greenland. Climate change is already causing significant transformations having all kinds of impacts. For around four million people, the Arctic region is neither a curiosity, nor is it untouched wilderness: It is home. Since 2015, photographer Brian Adams from the Inupiaq ethnic group has been traveling through Alaska, capturing the Inuit and their individual stories and finding out how they spend their individual lives in the 21st century. Visiting around 20 communities, he took portraits of the residents and recorded their narratives, sharing these across social media. This project I am Inuit as well as this book has the aim of promoting understanding, dismantling stereotypes as well as misperceptions and connecting the world with Alaskan Inuits, and the Arctic, through common humanity.
Monographies photo
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This book documents the materiality and spaces of the Garden House by Baracco+Wright Architects through photographs by Rory Gardiner. The imagery and thoughts reflect on the dialogue of building, life and systems conceived in an ongoing project of environmental repair. This holiday house is conceived as just a little more than a tent: a deck and raised platform are(...)
Buildings and living things: Barocco + Wright Garden House
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This book documents the materiality and spaces of the Garden House by Baracco+Wright Architects through photographs by Rory Gardiner. The imagery and thoughts reflect on the dialogue of building, life and systems conceived in an ongoing project of environmental repair. This holiday house is conceived as just a little more than a tent: a deck and raised platform are covered by a transparent "shed"; the interior perimeter "veranda" is garden space; the soil and natural ground line are maintained and carried through; a low lying site with terrestrial orchids and lillies, flood waters seasonally move through the site unimpeded; similarly the indigenous vegetation has begun to grow inside. B+W believe in a wide role for architectural thinking beyond the individual building. All projects are approached with a particular and equal attention to the parts and the whole, to individual project conditions and to the discourse of Architecture.
Architecture, monographies