1053 Résultats
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Titre:
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
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livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism(...)
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism(...)
Titre:
On the duty and power of architectural criticism: Proceeds of the international conference
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism itself has become more and more opaque in the digital world. The 2021 International Conference on Architecture Criticism has gathered exceptional papers that define the purposes and methods of architectural criticism of today. The resulting book is a collection of essays that offer essential independent voices on architecture criticism in a highly challenging media environment. Incisive and thought-provoking, ‘On duty and power on architectural criticism’ provides concrete case studies for future generations of architectural critics.
On the duty and power of architectural criticism: Proceeds of the international conference
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism itself has become more and more opaque in the digital world. The 2021 International Conference on Architecture Criticism has gathered exceptional papers that define the purposes and methods of architectural criticism of today. The resulting book is a collection of essays that offer essential independent voices on architecture criticism in a highly challenging media environment. Incisive and thought-provoking, ‘On duty and power on architectural criticism’ provides concrete case studies for future generations of architectural critics.
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livres
livres
Publication:
février 2023
février 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$49.95
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Cairo. Open City examines the roles that images are playing in the ongoing Egyptian revolution, from the outbreak of the Arab Spring through the present. The catalog includes a variety of approaches to the time-based media of photography and video, from the works of photo journalists, to recordings by activists and citizen journalists , to documents collected by different(...)
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Cairo. Open City examines the roles that images are playing in the ongoing Egyptian revolution, from the outbreak of the Arab Spring through the present. The catalog includes a variety of approaches to the time-based media of photography and video, from the works of photo journalists, to recordings by activists and citizen journalists , to documents collected by different(...)
Titre:
Cairo, open city: new testimonies from an ongoing révolution
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Cairo. Open City examines the roles that images are playing in the ongoing Egyptian revolution, from the outbreak of the Arab Spring through the present. The catalog includes a variety of approaches to the time-based media of photography and video, from the works of photo journalists, to recordings by activists and citizen journalists , to documents collected by different artists. The different chapters will generate a dialogue between the images: Cover images from newspapers will stand alongside photo galleries from blogs, iconic pictures alongside unknown images of people on the streets, images of martyrs alongside long-term documentary projects. The catalog comes out on the occasion of the exhibition in the Museum for Photography Braunschweig and collects essays from young Cairo-based authors. (Arabic, German and English edition)
Cairo, open city: new testimonies from an ongoing révolution
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Cairo. Open City examines the roles that images are playing in the ongoing Egyptian revolution, from the outbreak of the Arab Spring through the present. The catalog includes a variety of approaches to the time-based media of photography and video, from the works of photo journalists, to recordings by activists and citizen journalists , to documents collected by different artists. The different chapters will generate a dialogue between the images: Cover images from newspapers will stand alongside photo galleries from blogs, iconic pictures alongside unknown images of people on the streets, images of martyrs alongside long-term documentary projects. The catalog comes out on the occasion of the exhibition in the Museum for Photography Braunschweig and collects essays from young Cairo-based authors. (Arabic, German and English edition)
Classification:
livres
livres
Publication:
avril 2014
avril 2014
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
Titre:
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$28.00
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In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the(...)
$28.00
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In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2022
juin 2022
Titre:
Indeterminacy: Thoughts on time, the image and race(ism)
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In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the consensual categories of the mass media and the commodification of art? What models are there for the making and reception of photographic books and exhibitions that might cultivate an active spectatorship beyond boutique consumerism? These urgent questions and more are discussed in a spirit of speculation and possibility, in the light of signal events that have shaped the recent past.
Indeterminacy: Thoughts on time, the image and race(ism)
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In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the consensual categories of the mass media and the commodification of art? What models are there for the making and reception of photographic books and exhibitions that might cultivate an active spectatorship beyond boutique consumerism? These urgent questions and more are discussed in a spirit of speculation and possibility, in the light of signal events that have shaped the recent past.
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livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$59.95
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With the advent of digital technologies and the Internet, photography can, at last, fulfill its promise and forgotten potential as both a versatile medium and an adaptable creative practice. This multidisciplinary volume provides new insights into the shifting cultures affecting the production, collection, use, and circulation of photographic images on the Web.(...)
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With the advent of digital technologies and the Internet, photography can, at last, fulfill its promise and forgotten potential as both a versatile medium and an adaptable creative practice. This multidisciplinary volume provides new insights into the shifting cultures affecting the production, collection, use, and circulation of photographic images on the Web.(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mai 2014
mai 2014
Titre:
The versatile image: photography, digital technologies and the internet
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With the advent of digital technologies and the Internet, photography can, at last, fulfill its promise and forgotten potential as both a versatile medium and an adaptable creative practice. This multidisciplinary volume provides new insights into the shifting cultures affecting the production, collection, use, and circulation of photographic images on the Web. International contributors from across the arts and humanities consider fundamental concepts that are associated with the practical applications of convergent technologies and media, focusing on the role of digital and mobile cultures and image-making in the everyday life of citizens and their experience of today’s hypervisual digital universe, while exploring how contemporary artists creatively interact with such new photographic contexts.
The versatile image: photography, digital technologies and the internet
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$59.95
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With the advent of digital technologies and the Internet, photography can, at last, fulfill its promise and forgotten potential as both a versatile medium and an adaptable creative practice. This multidisciplinary volume provides new insights into the shifting cultures affecting the production, collection, use, and circulation of photographic images on the Web. International contributors from across the arts and humanities consider fundamental concepts that are associated with the practical applications of convergent technologies and media, focusing on the role of digital and mobile cultures and image-making in the everyday life of citizens and their experience of today’s hypervisual digital universe, while exploring how contemporary artists creatively interact with such new photographic contexts.
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livres
livres
Publication:
mai 2014
mai 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$30.00
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this guide offers an assortment of eye-opening alternatives to L.A.'s usual tourist destinations. It documents 115 little-known sites in the City of Angels where struggles related to race, class, gender, and sexuality have occurred. They introduce us to people and events usually ignored by mainstream media and, in the process, create a fresh history of Los Angeles.(...)
$30.00
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this guide offers an assortment of eye-opening alternatives to L.A.'s usual tourist destinations. It documents 115 little-known sites in the City of Angels where struggles related to race, class, gender, and sexuality have occurred. They introduce us to people and events usually ignored by mainstream media and, in the process, create a fresh history of Los Angeles.(...)
Titre:
A people's guide to Los Angeles
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$30.00
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this guide offers an assortment of eye-opening alternatives to L.A.'s usual tourist destinations. It documents 115 little-known sites in the City of Angels where struggles related to race, class, gender, and sexuality have occurred. They introduce us to people and events usually ignored by mainstream media and, in the process, create a fresh history of Los Angeles. Roughly dividing the city into six regions--North Los Angeles, the Eastside and San Gabriel Valley, South Los Angeles, Long Beach and the Harbor, the Westside, and the San Fernando Valley.
A people's guide to Los Angeles
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$30.00
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this guide offers an assortment of eye-opening alternatives to L.A.'s usual tourist destinations. It documents 115 little-known sites in the City of Angels where struggles related to race, class, gender, and sexuality have occurred. They introduce us to people and events usually ignored by mainstream media and, in the process, create a fresh history of Los Angeles. Roughly dividing the city into six regions--North Los Angeles, the Eastside and San Gabriel Valley, South Los Angeles, Long Beach and the Harbor, the Westside, and the San Fernando Valley.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
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$74.95
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Cinematic Rotterdam is not only a thorough study of the audiovisual history of Rotterdam but is more especially a conceptual exploration of a hidden dimension of the city itself. Besides being an exhaustive reference work for policymakers, clients, producers and researchers in architecture, media and social studies, this overview makes a visual guide for anyone(...)
$74.95
(disponible en magasin)
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Cinematic Rotterdam is not only a thorough study of the audiovisual history of Rotterdam but is more especially a conceptual exploration of a hidden dimension of the city itself. Besides being an exhaustive reference work for policymakers, clients, producers and researchers in architecture, media and social studies, this overview makes a visual guide for anyone(...)
Publication:
mai 2011
mai 2011
Titre:
Cinematic Rotterdam:The times and tides of a modern city
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$74.95
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Cinematic Rotterdam is not only a thorough study of the audiovisual history of Rotterdam but is more especially a conceptual exploration of a hidden dimension of the city itself. Besides being an exhaustive reference work for policymakers, clients, producers and researchers in architecture, media and social studies, this overview makes a visual guide for anyone interested in looking at the city of Rotterdam from a different angle.
Cinematic Rotterdam:The times and tides of a modern city
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$74.95
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Cinematic Rotterdam is not only a thorough study of the audiovisual history of Rotterdam but is more especially a conceptual exploration of a hidden dimension of the city itself. Besides being an exhaustive reference work for policymakers, clients, producers and researchers in architecture, media and social studies, this overview makes a visual guide for anyone interested in looking at the city of Rotterdam from a different angle.
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livres
livres
Publication:
mai 2011
mai 2011
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livres
livres
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$49.50
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how(...)
$49.50
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how(...)
Titre:
Empire of ruins: American culture, phptography, and the spectacle of destruction
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. ''Empire of ruins'' explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, ''Empire of ruins'' offers a provocative and lavishly illustrated look at the American past, present, and future.
Empire of ruins: American culture, phptography, and the spectacle of destruction
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$49.50
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Résumé:
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. ''Empire of ruins'' explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, ''Empire of ruins'' offers a provocative and lavishly illustrated look at the American past, present, and future.
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livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the(...)
$49.95
(disponible sur commande)
Résumé:
Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the(...)
Titre:
Internet art: from the birth of the web to NFTs
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$49.95
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Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital. The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Nam June Paik, Heather Phillipson, and Wu Tsang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.
Internet art: from the birth of the web to NFTs
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$49.95
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Résumé:
Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital. The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Nam June Paik, Heather Phillipson, and Wu Tsang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.
Classification:
livres
livres
Publication:
avril 2023
avril 2023
Sujet:
Théorie de l’art
Théorie de l’art
