1078 Résultats
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The publication of The seven most exciting hours of Mr.Trier's life in twenty-four chapters is occsioned by the exhibition: Karen Cytter 1-30 March, 2008 at Witte de With, center for contemporary art, Rotterdam. It's an apocalyptic adventure novel based on a true story told in a televised interview by the notorious Danish filmmaker Lars von Trier. It describec seven(...)
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The publication of The seven most exciting hours of Mr.Trier's life in twenty-four chapters is occsioned by the exhibition: Karen Cytter 1-30 March, 2008 at Witte de With, center for contemporary art, Rotterdam. It's an apocalyptic adventure novel based on a true story told in a televised interview by the notorious Danish filmmaker Lars von Trier. It describec seven(...)
Publication:
octobre 2008, Rotterdam
octobre 2008, Rotterdam
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The seven most exciting hours of Mr.Trier's life in twenty-four chapters
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The publication of The seven most exciting hours of Mr.Trier's life in twenty-four chapters is occsioned by the exhibition: Karen Cytter 1-30 March, 2008 at Witte de With, center for contemporary art, Rotterdam. It's an apocalyptic adventure novel based on a true story told in a televised interview by the notorious Danish filmmaker Lars von Trier. It describec seven hours in the life of his father, from the moment that his wife goes into labor early in the morning until Lars is born.
The seven most exciting hours of Mr.Trier's life in twenty-four chapters
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The publication of The seven most exciting hours of Mr.Trier's life in twenty-four chapters is occsioned by the exhibition: Karen Cytter 1-30 March, 2008 at Witte de With, center for contemporary art, Rotterdam. It's an apocalyptic adventure novel based on a true story told in a televised interview by the notorious Danish filmmaker Lars von Trier. It describec seven hours in the life of his father, from the moment that his wife goes into labor early in the morning until Lars is born.
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livres
Publication:
octobre 2008, Rotterdam
octobre 2008, Rotterdam
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livres
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Artist and writer Frances Stark (born 1967) addresses the doubts and anxieties of creative labor, in self-portraits that she elaborates into cross-disciplinary explorations of language as both subject matter and material. The digressive style that typifies her writing is echoed in the experience of her installations, in which themes emerge across citations from pop music(...)
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Artist and writer Frances Stark (born 1967) addresses the doubts and anxieties of creative labor, in self-portraits that she elaborates into cross-disciplinary explorations of language as both subject matter and material. The digressive style that typifies her writing is echoed in the experience of her installations, in which themes emerge across citations from pop music(...)
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This could become a gimick (sic) or an honest articulation of the workings of the mind
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Artist and writer Frances Stark (born 1967) addresses the doubts and anxieties of creative labor, in self-portraits that she elaborates into cross-disciplinary explorations of language as both subject matter and material. The digressive style that typifies her writing is echoed in the experience of her installations, in which themes emerge across citations from pop music and literature. Her works, often hand drawn, are executed with a vulnerability and fluency of composition that affirms the volume's title. This anthology offers a selection of the artist's writings from 1997 to 2006.
This could become a gimick (sic) or an honest articulation of the workings of the mind
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Artist and writer Frances Stark (born 1967) addresses the doubts and anxieties of creative labor, in self-portraits that she elaborates into cross-disciplinary explorations of language as both subject matter and material. The digressive style that typifies her writing is echoed in the experience of her installations, in which themes emerge across citations from pop music and literature. Her works, often hand drawn, are executed with a vulnerability and fluency of composition that affirms the volume's title. This anthology offers a selection of the artist's writings from 1997 to 2006.
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livres
livres
Publication:
février 2011
février 2011
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livres
livres
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Bryan Nash Gill: woodcut
Bryan Nash Gill: woodcut
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Creating large-scale relief prints from cross sections of trees, Gill reveals the sublime locked inside their arboreal rings, patterns not only of great beauty, but also a year-by-year record of the life and times of the fallen or damaged logs. These detailed prints are collected and published here for the first time, with an introduction by nature writer Verlyn(...)
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Creating large-scale relief prints from cross sections of trees, Gill reveals the sublime locked inside their arboreal rings, patterns not only of great beauty, but also a year-by-year record of the life and times of the fallen or damaged logs. These detailed prints are collected and published here for the first time, with an introduction by nature writer Verlyn(...)
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Bryan Nash Gill: woodcut
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Creating large-scale relief prints from cross sections of trees, Gill reveals the sublime locked inside their arboreal rings, patterns not only of great beauty, but also a year-by-year record of the life and times of the fallen or damaged logs. These detailed prints are collected and published here for the first time, with an introduction by nature writer Verlyn Klinkenborg and an interview with the artist describing his labor-intensive printmaking process. Also featured are Gill's series of printed lumber and offcuts, such as burls, branches, knots, and scrubs.
Bryan Nash Gill: woodcut
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Creating large-scale relief prints from cross sections of trees, Gill reveals the sublime locked inside their arboreal rings, patterns not only of great beauty, but also a year-by-year record of the life and times of the fallen or damaged logs. These detailed prints are collected and published here for the first time, with an introduction by nature writer Verlyn Klinkenborg and an interview with the artist describing his labor-intensive printmaking process. Also featured are Gill's series of printed lumber and offcuts, such as burls, branches, knots, and scrubs.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Jardins
Jardins
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livres
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Sarah Sharma conducted ethnographic research among individuals whose jobs or avocations involve a persistent focus on time: taxi drivers, frequent-flyer business travelers, corporate yoga instructors, devotees of the slow-food and slow-living movements. Based on that research, she develops the concept of "power-chronography" to make visible the entangled and uneven(...)
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Sarah Sharma conducted ethnographic research among individuals whose jobs or avocations involve a persistent focus on time: taxi drivers, frequent-flyer business travelers, corporate yoga instructors, devotees of the slow-food and slow-living movements. Based on that research, she develops the concept of "power-chronography" to make visible the entangled and uneven(...)
Titre:
In the meantime: temporality and cultural politics
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Sarah Sharma conducted ethnographic research among individuals whose jobs or avocations involve a persistent focus on time: taxi drivers, frequent-flyer business travelers, corporate yoga instructors, devotees of the slow-food and slow-living movements. Based on that research, she develops the concept of "power-chronography" to make visible the entangled and uneven politics of temporality. Focusing on how people's different relationships to labor configures their experience of time, she argues that both "speed-up" and "slow-down" often function as a form of biopolitical social control necessary to contemporary global capitalism.
In the meantime: temporality and cultural politics
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Sarah Sharma conducted ethnographic research among individuals whose jobs or avocations involve a persistent focus on time: taxi drivers, frequent-flyer business travelers, corporate yoga instructors, devotees of the slow-food and slow-living movements. Based on that research, she develops the concept of "power-chronography" to make visible the entangled and uneven politics of temporality. Focusing on how people's different relationships to labor configures their experience of time, she argues that both "speed-up" and "slow-down" often function as a form of biopolitical social control necessary to contemporary global capitalism.
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livres
livres
Publication:
février 2014
février 2014
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
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Vernacular architecture
Vernacular architecture
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In Vernacular architecture, Henry Glassie focuses on the United States, on the way that common buildings can contribute to a more democratic history, but his range is wide. Drawing on experience in Ireland and England, in Sweden, Turkey, and Bangladesh, he lays out the general principles of research and presents the conclusions won from a life of close study in the field.(...)
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In Vernacular architecture, Henry Glassie focuses on the United States, on the way that common buildings can contribute to a more democratic history, but his range is wide. Drawing on experience in Ireland and England, in Sweden, Turkey, and Bangladesh, he lays out the general principles of research and presents the conclusions won from a life of close study in the field.(...)
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Vernacular architecture
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In Vernacular architecture, Henry Glassie focuses on the United States, on the way that common buildings can contribute to a more democratic history, but his range is wide. Drawing on experience in Ireland and England, in Sweden, Turkey, and Bangladesh, he lays out the general principles of research and presents the conclusions won from a life of close study in the field. Those conclusions challenge the elitist assumptions of a history based solely on writing. They celebrate the flexible genius of the men and women who have, in their daily labor, built the world.
Vernacular architecture
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In Vernacular architecture, Henry Glassie focuses on the United States, on the way that common buildings can contribute to a more democratic history, but his range is wide. Drawing on experience in Ireland and England, in Sweden, Turkey, and Bangladesh, he lays out the general principles of research and presents the conclusions won from a life of close study in the field. Those conclusions challenge the elitist assumptions of a history based solely on writing. They celebrate the flexible genius of the men and women who have, in their daily labor, built the world.
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livres
livres
Publication:
avril 2000, Bloomington
avril 2000, Bloomington
Sujet:
Architecture écologique
Architecture écologique
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Description:
236 pages : chiefly color illustrations ; 37 cm
Description:
236 pages : chiefly color illustrations ; 37 cm
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New York : Collins Publishers in association with I. Shapiro, 1987.
New York : Collins Publishers in association with I. Shapiro, 1987.
Titre:
A day in the life of the Soviet Union / photographed by 100 of the world's leading photojournalists on one day, May 15, 1987 ; project directors, Rick Smolan and David Cohen.
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Description:
236 pages : chiefly color illustrations ; 37 cm
A day in the life of the Soviet Union / photographed by 100 of the world's leading photojournalists on one day, May 15, 1987 ; project directors, Rick Smolan and David Cohen.
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Description:
236 pages : chiefly color illustrations ; 37 cm
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livres
livres
Publication:
New York : Collins Publishers in association with I. Shapiro, 1987.
New York : Collins Publishers in association with I. Shapiro, 1987.
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Description:
432 pages : Illustrations ; 17 cm
Description:
432 pages : Illustrations ; 17 cm
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Milan : Mousse Publishing, 2023.
Milan : Mousse Publishing, 2023.
Titre:
2086 : together how? / Abdelhadi Eman and others ; editor Han Dabin ; copy editors: Jinho Lim (Kor), Cassidi Sulaiman (Eng) ; translators: Jaehee Yi (Eng-Kor), Alice Kim (Kor-Eng), Tiziana Camerani (Eng-Ita).
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432 pages : Illustrations ; 17 cm
2086 : together how? / Abdelhadi Eman and others ; editor Han Dabin ; copy editors: Jinho Lim (Kor), Cassidi Sulaiman (Eng) ; translators: Jaehee Yi (Eng-Kor), Alice Kim (Kor-Eng), Tiziana Camerani (Eng-Ita).
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432 pages : Illustrations ; 17 cm
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livres
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Milan : Mousse Publishing, 2023.
Milan : Mousse Publishing, 2023.
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$48.00
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Résumé:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
Titre:
Control: digitality as cultural logic
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Control: digitality as cultural logic
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
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livres
livres
Publication:
novembre 2015
novembre 2015
Classification:
périodiques
périodiques
Titre:
Log 23 / Fall 2011
Log 23 / Fall 2011
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Pier Vittorio Aureli, Labor and Architecture: Revisiting Cedric Price's Potteries Thinkbelt Simone Brott, Esprit futur Brennan Buck, What Plastic Wants Mario Carpo, Digital Style Joseph Clarke, Wagnerism Embodied Nicholas de Monchaux, Requiem in White Luca Farinelli, 53 Questions, 265 Answers: Emilio Ambasz, Peter Eisenman,(...)
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Pier Vittorio Aureli, Labor and Architecture: Revisiting Cedric Price's Potteries Thinkbelt Simone Brott, Esprit futur Brennan Buck, What Plastic Wants Mario Carpo, Digital Style Joseph Clarke, Wagnerism Embodied Nicholas de Monchaux, Requiem in White Luca Farinelli, 53 Questions, 265 Answers: Emilio Ambasz, Peter Eisenman,(...)
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Log 23 / Fall 2011
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Pier Vittorio Aureli, Labor and Architecture: Revisiting Cedric Price's Potteries Thinkbelt Simone Brott, Esprit futur Brennan Buck, What Plastic Wants Mario Carpo, Digital Style Joseph Clarke, Wagnerism Embodied Nicholas de Monchaux, Requiem in White Luca Farinelli, 53 Questions, 265 Answers: Emilio Ambasz, Peter Eisenman, Steven Holl, Bjarke Ingels, and Thom Mayne Roy Lichtenstein, Entablature Greg Lynn, Chemical Architecture Andrea Phillips, English Pastoral Antoine Picon, When Parametricism Tries to Reconnect with Vitruvius Mike Silver, Many From One Paul Virilio, The Insecurity of History Andrew Witt, Design Hacking: The Machinery of Visual Combinatorics Plus: On gentrification . . . On time capsules . . . On listening . . . On an exhibition . . .
Log 23 / Fall 2011
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Pier Vittorio Aureli, Labor and Architecture: Revisiting Cedric Price's Potteries Thinkbelt Simone Brott, Esprit futur Brennan Buck, What Plastic Wants Mario Carpo, Digital Style Joseph Clarke, Wagnerism Embodied Nicholas de Monchaux, Requiem in White Luca Farinelli, 53 Questions, 265 Answers: Emilio Ambasz, Peter Eisenman, Steven Holl, Bjarke Ingels, and Thom Mayne Roy Lichtenstein, Entablature Greg Lynn, Chemical Architecture Andrea Phillips, English Pastoral Antoine Picon, When Parametricism Tries to Reconnect with Vitruvius Mike Silver, Many From One Paul Virilio, The Insecurity of History Andrew Witt, Design Hacking: The Machinery of Visual Combinatorics Plus: On gentrification . . . On time capsules . . . On listening . . . On an exhibition . . .
Classification:
périodiques
périodiques
Publication:
novembre 2011
novembre 2011
Sujet:
Revues
Revues
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livres
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''Twisted'' documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when(...)
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''Twisted'' documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when(...)
Publication:
décembre 2018
décembre 2018
Titre:
Twisted: Lafayette 148 New York factory in China
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''Twisted'' documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when building a garment factory facility in contemporary China. Issues addressed range from the architectural import of the building typology, to the ecological footprint of a factory, to social and architectural concerns regarding labor as well as construction practices, to the ethics and aesthetics of factory building.
Twisted: Lafayette 148 New York factory in China
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''Twisted'' documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when building a garment factory facility in contemporary China. Issues addressed range from the architectural import of the building typology, to the ecological footprint of a factory, to social and architectural concerns regarding labor as well as construction practices, to the ethics and aesthetics of factory building.
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livres
livres
Publication:
décembre 2018
décembre 2018
