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A monumental history of the nineteenth century, The Transformation of the World offers a panoramic and multifaceted portrait of a world in transition. Jürgen Osterhammel, a scholar who has been called the Braudel of the nineteenth century, moves beyond conventional Eurocentric and chronological accounts of the era, presenting instead a truly global history of breathtaking(...)
The transformation of the world: a global history of the nineteenth century
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A monumental history of the nineteenth century, The Transformation of the World offers a panoramic and multifaceted portrait of a world in transition. Jürgen Osterhammel, a scholar who has been called the Braudel of the nineteenth century, moves beyond conventional Eurocentric and chronological accounts of the era, presenting instead a truly global history of breathtaking scope and towering erudition. He examines the powerful and complex forces that drove global change during the "long nineteenth century," taking readers from New York to New Delhi, from the Latin American revolutions to the Taiping Rebellion, from the perils and promise of Europe's transatlantic labor markets to the hardships endured by nomadic, tribal peoples across the planet.
Théorie de l’architecture
Craft
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“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying(...)
Craft
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“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying its shape-shifting identities in the context of progressive art and design through writings by artists and makers as well as poetry, fiction, anthropology, and sociology. It maps a secret history of craft through lost and overlooked texts that consider pedagogy, design, folk art, the factory, and new media in ways that illuminate our understanding of current art practice.
Théorie de l’art
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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and(...)
Reciprocal landscapes: stories of material movements
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$81.50
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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and the urban site where the material ended up – together, exploring themes of unequal ecological exchange, labor, and material flows. This book considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.
Théorie du paysage
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xiv, 232 pages : illustrations ; 24 cm
Charlottesville : University of Virginia Press, 2014.
The working man's green space : allotment gardens in England, France, and Germany, 1870-1919 / Micheline Nilsen.
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xiv, 232 pages : illustrations ; 24 cm
livres
Charlottesville : University of Virginia Press, 2014.
For an ecology of images
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with(...)
For an ecology of images
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with unprecedented speed. Against the disposable rapidity demanded by digital media, Peter Szendy emphasizes the labor and time required for images to develop and come into view. This inquisitive essay takes us from mimicry in the animal kingdom to the history of the shadow, Pliny’s story about the birth of painting to Nabokov’s butterflies, the first use of slo-mo in film to the first aerial photograph.
Théorie de l’art
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Featuring work produced since 2000, "Graphic Design: Now in Production" explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling(...)
novembre 2011
Graphic design: now in production
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Featuring work produced since 2000, "Graphic Design: Now in Production" explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling information narratives. The catalogue features important original essays by leading designers that tackle themes such as the changing roles of reading and writing within the context of new technologies and self-publishing; the nature of design labor and production, from blue-collar handcraft and making to white-collar design thinking and strategy; and the impact and influence design programs and schools have had on shaping the direction of contemporary graphic design.
Dog dreams
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Originally printed by hand in a limited letterpress edition of 100 copies at the SF Center for the Book, Dog Dreams is a labor of love from the mind of author, artist, and printer Michael Wertz. The vibrantly colorful, engaging shapes in the board book pop out from the page in retro red and cyan that evokes a 60s feel. The narrative of the book imagines the many places(...)
Dog dreams
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Originally printed by hand in a limited letterpress edition of 100 copies at the SF Center for the Book, Dog Dreams is a labor of love from the mind of author, artist, and printer Michael Wertz. The vibrantly colorful, engaging shapes in the board book pop out from the page in retro red and cyan that evokes a 60s feel. The narrative of the book imagines the many places mans best friend may go during a long dog nap from Tracys dream of a rooftop tap dance to Dooeys evening cup of coffee on top of his new French chateau. This unique title is a work of pure joy and celebration of animal companions and is the perfect gift for any dog lover.
Littérature jeunesse
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Most consumer products come primarily from the Pearl River Delta, the "factory of the world" with the largest industrial region on earth. The delta has attracted millions of poor rural residents to settle in factory towns in hopes for a better life. Factory Towns of South China opens a window on these walled compounds, exposing the gritty establishments, crowded(...)
Factory towns of South China: an illustrated guidebook
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Most consumer products come primarily from the Pearl River Delta, the "factory of the world" with the largest industrial region on earth. The delta has attracted millions of poor rural residents to settle in factory towns in hopes for a better life. Factory Towns of South China opens a window on these walled compounds, exposing the gritty establishments, crowded dormitories and monotonous labor carried out by workers. Some function as self-contained cities, with their own fire brigade, hospital, bank, TV station and as many as half a million workers living within the compounds. Other factories are scattered in larger villages to mask their existence and evade governmental crackdowns on the production of fake consumer goods and illegal casino machines.
Logements collectifs
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Drawing on rich historical research, Silvia Federici maps the connections between the previous forms of enclosure that occurred with the birth of capitalism and the destruction of the commons and the "new enclosures" at the heart of the present phase of global capitalist accumulation. Considering the commons from a feminist perspective, this collection centers on women(...)
Re-enchanting the world: feminism and the politics of the commons
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Drawing on rich historical research, Silvia Federici maps the connections between the previous forms of enclosure that occurred with the birth of capitalism and the destruction of the commons and the "new enclosures" at the heart of the present phase of global capitalist accumulation. Considering the commons from a feminist perspective, this collection centers on women and reproductive work as crucial to both our economic survival and the construction of a world free from the hierarchies and divisions capital has planted in the body of the world proletariat. Federici is clear that the commons should not be understood as happy islands in a sea of exploitative relations but rather autonomous spaces from which to challenge the existing capitalist organization of life and labor.
Théorie/ philosophie
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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be(...)
In the studio: Visual creation and its material environments
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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be seen. As such, they have actively faded into the background of critical discourse and into the margins of film and media history. Recovering their hidden role in the history of visual creation, ''In the studio'' demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the material, ecological, social, political, and economic dynamics that quietly mark the worlds on our screens.