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Scandinavia is famous for its design culture, and for its pioneering efforts toward a sustainable future. In this volume, Kjetil Fallan shows how these two forces came together in the late 1960s and early 1970s, when Scandinavian designers began to question the endless cycle in which designed objects are produced, consumed, discarded, and replaced in quick succession. The(...)
Ecological by design: A history from Scandinavia
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Scandinavia is famous for its design culture, and for its pioneering efforts toward a sustainable future. In this volume, Kjetil Fallan shows how these two forces came together in the late 1960s and early 1970s, when Scandinavian designers began to question the endless cycle in which designed objects are produced, consumed, discarded, and replaced in quick succession. The emergence of ecological design in Scandinavia at the height of the popular environmental movement, Fallan suggests, illuminates a little-known reciprocity between environmentalism and design: not only did design play a role in the rise of modern environmentalism, but ecological thinking influenced the transformation in design culture in Scandinavia and beyond that began as the modernist faith in progress and prosperity waned.
Théorie du design
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In this book, art historian Christine Ross examines contemporary art's response to migration, showing that art invites us to abandon our preconceptions about the current “crisis”—to unlearn them—and to see migration more critically, more disobediently. Viewers in Europe and North America must come to see migration in terms of coexistence: the interdependence of beings.(...)
Art for coexistence: Unlearning the way we see migration
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In this book, art historian Christine Ross examines contemporary art's response to migration, showing that art invites us to abandon our preconceptions about the current “crisis”—to unlearn them—and to see migration more critically, more disobediently. Viewers in Europe and North America must come to see migration in terms of coexistence: the interdependence of beings. The artworks explored by Ross reveal, contest, rethink, delink, and relink more reciprocally the interdependencies shaping migration today—connecting citizens-on-the-move from some of the poorest countries and acknowledged citizens of some of the wealthiest countries and democracies worldwide. Ross argues that art invents a set of interconnected calls for more mutual forms of coexistence: to historicize, to become responsible, to empathize, and to story-tell.
Théorie de l’art
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The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a "concrete(...)
Brutalism as found: Housing, form and crisis at Robin Hood Gardens
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The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a "concrete monstrosity" or a "modernist masterpiece"—have marginalized the estate's residents and obscured its architectural originality. Recovering the social in the architectural, this book centers the estate's lived experience of a multiracial working class, not to displace the architecture's sensory qualities of matter and form, but to radicalize them for our present. Immersed in the materials, atmospheres, social forms and afterlives of this experimental estate, Robin Hood Gardens is reconstructed here as a socio-architectural expression of our times out of joint.
Théorie de l’architecture
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a(...)
Rage in Harlem: June Jordan and architecture
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan's "Skyrise for Harlem" project offered a Futuristic vision for Harlem that argued for environmental redesign: "it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience."
Théorie de l’urbanisme
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Robots designed to care for people and neglected landscapes of digital trash. The promise of synthetic biology and the panic of living on a dying planet. Wonderful feats of intelligence and systemic acts of violence. Exhilaration and exhaustion. Rosi Braidotti argues that we must think about these apparent contradictions all together in order to make differences that(...)
Posthuman knowledge and the critical posthumanities
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Robots designed to care for people and neglected landscapes of digital trash. The promise of synthetic biology and the panic of living on a dying planet. Wonderful feats of intelligence and systemic acts of violence. Exhilaration and exhaustion. Rosi Braidotti argues that we must think about these apparent contradictions all together in order to make differences that actually matter. "Posthuman knowledge and the critical posthumanities" oscillates between evocations and transections of contemporary conditions, for which Braidotti offers what she calls the "posthuman convergence" as a new paradigm for situating and navigating their problems and possibilities. Reflecting on the knotted situation of the academic humanities, cognitive capitalism, and advanced climate change, she delivers an intersectional critique of humanism and anthropocentrism, and targets their exclusions and aporias to address subjectivity, knowledge production, and academic structures within that posthuman convergence. Braidotti's convergence demands imagination, endurance, connectivity, and perspectives multiplied, embodied, and grounded in the only world we have.
Théorie/ philosophie
The changing constitution of the present: Essays on the work of art in times of contemporaneity
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Our present is defined by contemporaneity—the interconnection of heterogeneous times, histories, and temporalities. These many and various times do not merely exist in parallel with one another, simultaneously. Rather, they interconnect and are brought to bear on the same present, forming a sort of planetary present, and—at least in principle—a global sharing of time,(...)
The changing constitution of the present: Essays on the work of art in times of contemporaneity
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Our present is defined by contemporaneity—the interconnection of heterogeneous times, histories, and temporalities. These many and various times do not merely exist in parallel with one another, simultaneously. Rather, they interconnect and are brought to bear on the same present, forming a sort of planetary present, and—at least in principle—a global sharing of time, although one not shared equally. Jacob Lund explores how the conditions for politically engaged art and aesthetic practice, for questioning the present, have changed in recent decades, while considering how our historical present and its temporal quality differ significantly from previous presents.
Théorie de l’art
Philosophy of the tourist
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This philosophical study considers the tourist anew, as a subject position that enables us to redraw the map of globalized culture in an era increasingly in revolt against the liberal intellectual worldview and its call for the welcome of the "Other." Why has the tourist proved so resistant to philosophical treatment, asks Hiroki Azuma. Tracing the reasons for this(...)
Philosophy of the tourist
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This philosophical study considers the tourist anew, as a subject position that enables us to redraw the map of globalized culture in an era increasingly in revolt against the liberal intellectual worldview and its call for the welcome of the "Other." Why has the tourist proved so resistant to philosophical treatment, asks Hiroki Azuma. Tracing the reasons for this exclusion through the work of Rousseau and Voltaire, and subsequently in Kant, Carl Schmitt, Alexandre Kojève, Hannah Arendt, and Hardt and Negri, Azuma contends that the figure of the tourist has been rendered illegible by becoming ensnared in a series of misleading conceptual dichotomies and a linear model of world history.
Théorie/ philosophie
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The undead of contemporary painting, avant-garde populism, photography courting stupidity, fraught networking, synthetic atmospheres, displaced abstractions, and the mediation of pain: these are among the subjects treated in this collection of essays by art historian and critic Ina Blom. Drawing on Blom's familiarity with the contemporary art scene as well as the archives(...)
Houses to die in and other essays on art
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The undead of contemporary painting, avant-garde populism, photography courting stupidity, fraught networking, synthetic atmospheres, displaced abstractions, and the mediation of pain: these are among the subjects treated in this collection of essays by art historian and critic Ina Blom. Drawing on Blom's familiarity with the contemporary art scene as well as the archives of twentieth-century avant-garde art, these texts share a pull towards artistic projects that are not redemptive or exemplary but that rather convey a sense of—often unheroic—trouble. Leaning into ambivalence as a methodology of criticism, Blom takes a particular interest in the detours, doubts, and difficulties that run alongside avant-garde art’s more constructively hopeful desires for transformative innovation and change.
Théorie de l’art
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Going beyond tensions between individuals and institutions, this volume examines avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities. If learning for life is emancipation—understood as a matter not just of power but of freedom—the essential question that emerges is: What knowledge makes us free, and how can(...)
Artistic ecologies: new compasses and tools
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Going beyond tensions between individuals and institutions, this volume examines avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities. If learning for life is emancipation—understood as a matter not just of power but of freedom—the essential question that emerges is: What knowledge makes us free, and how can institutions help produce it? In search of an answer, this publication’s textual and visual contributions explore sites and practices through which new artistic ecosystems can emerge.
Théorie de l’art
A Something Else reader
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This is a previously-unpublished anthology edited by Dick Higgins in 1972 to celebrate Something Else Press, the publishing house he founded in 1963 to showcase Fluxus and other experimental artistic and literary forms. Higgins had a firm vision that radical art could be housed in book form and distributed throughout the world and he worked endlessly to cultivate new(...)
A Something Else reader
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This is a previously-unpublished anthology edited by Dick Higgins in 1972 to celebrate Something Else Press, the publishing house he founded in 1963 to showcase Fluxus and other experimental artistic and literary forms. Higgins had a firm vision that radical art could be housed in book form and distributed throughout the world and he worked endlessly to cultivate new works that challenged conventional notions of both contemporary art and books. While other presses created extraordinary publications, none were able to achieve the breadth of titles and artists like Higgins, who successfully ran Something Else Press until 1974 in a manner that resembled a more traditional paperback publisher. The publication features a selection of writings from Claes Oldenburg, John Cage, Jackson Mac Low, Gertrude Stein, Bern Porter, Wolf Vostell, among others. An annotated checklist assembled by Hugh Fox and Higgins’s unpublished introduction are also included.
Théorie de l’art