Photography and doubt
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in(...)
Théorie de la photographie
janvier 2017
Photography and doubt
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimonial power stimulated as much knowledge as its realism?
Théorie de la photographie
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"Five ways to make architecture political" presents an innovative pragmatist agenda that will inspire new thinking about the politics of design and architectural practice. Moving beyond conventional conversations about design and politics, the book shows how recent developments in political philosophy can transform our understanding of the role of the architect. It asks:(...)
Five ways to make architecture political: An introduction to the politics of design practice
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"Five ways to make architecture political" presents an innovative pragmatist agenda that will inspire new thinking about the politics of design and architectural practice. Moving beyond conventional conversations about design and politics, the book shows how recent developments in political philosophy can transform our understanding of the role of the architect. It asks: how, when, and under what circumstances can design practice generate political relations? How can architectural design become more 'political'? Five central chapters, which can be read alone or in sequence, explore the answers to these questions. Powerfully pragmatic in approach, each presents one of the 'five ways to make architecture political', and each is illustrated by case studies from a range of contemporary situations around the world. We see how politics happens in architectural practice, learn how different design technologies have political effects, and follow how architects reach different publics, trigger reactions and affect different communities worldwide.
Théorie de l’architecture
This thing called theory
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In the age of post-digital architecture and digital materiality, This Thing Called Theory explores current practices of architectural theory, their critical and productive role. The book is organized in sections which explore theory as an open issue in architecture, as it relates to and borrows from other disciplines, thus opening up architecture itself and showing how(...)
Théorie de l’architecture
janvier 2017
This thing called theory
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In the age of post-digital architecture and digital materiality, This Thing Called Theory explores current practices of architectural theory, their critical and productive role. The book is organized in sections which explore theory as an open issue in architecture, as it relates to and borrows from other disciplines, thus opening up architecture itself and showing how architecture is inextricably connected to other social and theoretical practices.
Théorie de l’architecture
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. This 21st incarnation of Architecture Without Content is, more than previous editions, a report related to our current (political) malaise. Apart from political urgency, what has changed? If always an architecture of necessity(...)
Trouble with classicists: The commons. Architecture without content 21
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. This 21st incarnation of Architecture Without Content is, more than previous editions, a report related to our current (political) malaise. Apart from political urgency, what has changed? If always an architecture of necessity and economy (of means) was central to our argument, we felt it necessary to refine our recent arguments with a more Spartan catalogue. Classicism, acting as a catalyst for simplification, results in this collection of The Commons; an ambiguous collection of possible architecture themes. The catalogue spans from the obelisk, as pure architecture, to the fatto urbano, as a collection of architectural events in which the urban layout becomes the dominant factor.
Expositions en cours
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.'(...)
Neon Palladian: Architecture without content 16. Harvard GSD
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.' Thus, the studio was both formalistic and pragmatic and tried to inflate Palladian architecture to the scale of the strip: Neon Palladian. In the vast landscape of the United States of America, the scale of food production has always been gigantic. At the same time, it has seldom regained an architectural form similar to that of its most defining orgins. In this book, you will find projects that are organising an aspect of food production. In one way or another, they reconnect to the long-lost virtues of Jefferson's Palladianism.
Expositions en cours
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. In Architecture Without Content 19, Almost Classicism continues where Neon Palladian left us. It starts in full conviction that the current project on the United States has to focus both on the countryside and on an attenpt to(...)
Almost classicism. Architecture without content 19
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. In Architecture Without Content 19, Almost Classicism continues where Neon Palladian left us. It starts in full conviction that the current project on the United States has to focus both on the countryside and on an attenpt to introduce some kind of commons. We feel the best way to illustrate this is to start where the commons have dissolved, in what used to be called 'The Village'. Here in this booklet, two tracks are presented: a set of projects in agricultural Iowa that rethink co-op into small village centers, and another in post-industrial Ohio, where in the post-Hoover restart, fragments and islands are formalised as micro-urban organisms.
Expositions en cours
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Exploring the interaction between art and the public in Canadian cities, Urban Encounters features writing by artists, architects, curators, anthropologists, geographers, and urban studies specialists. They show how people and places affect the structure and content of public artworks, what kinds of urban spaces and socialities are generated through art, and how to(...)
Urban encounters: art and the public
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Exploring the interaction between art and the public in Canadian cities, Urban Encounters features writing by artists, architects, curators, anthropologists, geographers, and urban studies specialists. They show how people and places affect the structure and content of public artworks, what kinds of urban spaces and socialities are generated through art, and how to investigate and interpret encounters between art and its viewers in the city. Discussing a variety of art forms, including mobile cinemas, street improvisation, audiovisual investigations, and assembled objects, the contributors treat public artworks not just as aesthetic installations, but as agents that participate in the social and cultural evolution of cities. Using original, hands-on approaches, Urban Encounters reveals how art in the urban public space generates encounters that can transform both the city itself and the ways that people relate to it.
Théorie de l’art
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Correcting an absence of writing about contemporary feminist work by Canadian artists, ''Desire Change'' considers the resurgence of feminist art, thought, and practice in the past decade by examining artworks that respond to themes of diversity and desire. Contributors address the desire for change through three central frames: how feminist art has significantly(...)
Desire change: contemporary feminist art in Canada
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Correcting an absence of writing about contemporary feminist work by Canadian artists, ''Desire Change'' considers the resurgence of feminist art, thought, and practice in the past decade by examining artworks that respond to themes of diversity and desire. Contributors address the desire for change through three central frames: how feminist art has significantly contributed to the complex understanding of gender as it intersects with sexuality and race; the necessary critique of patriarchy and institutions as they relate to colonization within the Canadian nation-state; and the ways in which contemporary critiques are formed and expressed. The resulting collection addresses art through an activist lens to examine intersectional feminism, decolonization, and feminist institution building in a Canadian context.
Art canadien
Infrastructure space
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Infrastructural systems facilitate the flow of anything from people and goods to resources and information. While engineered to perform specific tasks, such networks also determine the structure of buildings, cities, metropolitan regions, and beyond. Taking this into consideration, this book seeks the expansion and renegotiation of the roles of infrastructure as not only(...)
Structures d’ingénierie
janvier 2017
Infrastructure space
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Infrastructural systems facilitate the flow of anything from people and goods to resources and information. While engineered to perform specific tasks, such networks also determine the structure of buildings, cities, metropolitan regions, and beyond. Taking this into consideration, this book seeks the expansion and renegotiation of the roles of infrastructure as not only a technical, but also a political, economic, social, and even aesthetic matter of concern for all. It entails both the means for achieving more resilient forms of development and a right to a sustainable way of life. With 25 essays by Keller Easterling, Michael Dear, Salmaan Craig, and Nancy Couling, among others.
Structures d’ingénierie