31793 Résultats
Classification:
photographies
photographies
![View of the Yonghe Gong [Lamasery of Harmony and Peace] (also known as the Lama Temple) showing Wanfu Ge [Ten Thousand Blessings Hall] and other buildings, Peking (now Beijing), China](/img-collection/memXOugC1J7XlDuOTIOZg1NnBPM=/500x408/13843.jpg)
Actions:
Numéro de référence:
PH1986:0901:018
Description:
- This photograph was taken from the top of the northern wall of Peking (now Beijing), near the Anting Gate (now Anding Men), looking into the northeastern section of the Inner City. - The title of a published identical image, "View of Confucian temple from An-ting Gate, Peking, October 1860" is inaccurate, as the Confucius Temple [also known as the Kongzimiao] is situated to the right of the buildings depicted in this view (Naquin, p. 444, map 12.1).
PH1986:0901:018
Description:
- This photograph was taken from the top of the northern wall of Peking (now Beijing), near the Anting Gate (now Anding Men), looking into the northeastern section of the Inner City. - The title of a published identical image, "View of Confucian temple from An-ting Gate, Peking, October 1860" is inaccurate, as the Confucius Temple [also known as the Kongzimiao] is situated to the right of the buildings depicted in this view (Naquin, p. 444, map 12.1).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
13 October 1860 or later
13 October 1860 or later
Titre:
View of the Yonghe Gong [Lamasery of Harmony and Peace] (also known as the Lama Temple) showing Wanfu Ge [Ten Thousand Blessings Hall] and other buildings, Peking (now Beijing), China
Actions:
PH1986:0901:018
Description:
- This photograph was taken from the top of the northern wall of Peking (now Beijing), near the Anting Gate (now Anding Men), looking into the northeastern section of the Inner City. - The title of a published identical image, "View of Confucian temple from An-ting Gate, Peking, October 1860" is inaccurate, as the Confucius Temple [also known as the Kongzimiao] is situated to the right of the buildings depicted in this view (Naquin, p. 444, map 12.1).
View of the Yonghe Gong [Lamasery of Harmony and Peace] (also known as the Lama Temple) showing Wanfu Ge [Ten Thousand Blessings Hall] and other buildings, Peking (now Beijing), China
Actions:
PH1986:0901:018
Description:
- This photograph was taken from the top of the northern wall of Peking (now Beijing), near the Anting Gate (now Anding Men), looking into the northeastern section of the Inner City. - The title of a published identical image, "View of Confucian temple from An-ting Gate, Peking, October 1860" is inaccurate, as the Confucius Temple [also known as the Kongzimiao] is situated to the right of the buildings depicted in this view (Naquin, p. 444, map 12.1).
Classification:
photographies
photographies
Date:
13 October 1860 or later
13 October 1860 or later
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
Quantité:
3 File
photographies
Quantité:
3 File
Titre:
YWHA Building
YWHA Building
Numéro de référence:
ARCH37313
Description:
15P-01:b/w (24,1 x 19,0 cm); YM - YWHA Building, detail of main entrance. Photographer unknown. 15P-02:b/w (24,2 x 18,2 cm); YM - YWHA Building, memorial niche. Photographer unknown. 15P-03:b/w (17,2 x 24,1 cm); YM - YWHA Building, auditorium interior. Photographer unknown.
ARCH37313
Description:
15P-01:b/w (24,1 x 19,0 cm); YM - YWHA Building, detail of main entrance. Photographer unknown. 15P-02:b/w (24,2 x 18,2 cm); YM - YWHA Building, memorial niche. Photographer unknown. 15P-03:b/w (17,2 x 24,1 cm); YM - YWHA Building, auditorium interior. Photographer unknown.
Personnes et institutions:
Titre:
YWHA Building
Actions:
ARCH37313
Description:
15P-01:b/w (24,1 x 19,0 cm); YM - YWHA Building, detail of main entrance. Photographer unknown. 15P-02:b/w (24,2 x 18,2 cm); YM - YWHA Building, memorial niche. Photographer unknown. 15P-03:b/w (17,2 x 24,1 cm); YM - YWHA Building, auditorium interior. Photographer unknown.
YWHA Building
Actions:
ARCH37313
Description:
15P-01:b/w (24,1 x 19,0 cm); YM - YWHA Building, detail of main entrance. Photographer unknown. 15P-02:b/w (24,2 x 18,2 cm); YM - YWHA Building, memorial niche. Photographer unknown. 15P-03:b/w (17,2 x 24,1 cm); YM - YWHA Building, auditorium interior. Photographer unknown.
Classification:
photographies
Quantité:
3 File
photographies
Quantité:
3 File
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH284106
Description:
Inclus des photographies de l'Oratoire Saint-Joseph, du Saint-Michael's College, du Campus de l'Université de Montréal, l'Imprimerie National du Canada, et du Grand Séminaire de Québec. Contient les photographies numérotées P-7271 à P-7494 et P-7706 à P-7714.
ARCH284106
Description:
Inclus des photographies de l'Oratoire Saint-Joseph, du Saint-Michael's College, du Campus de l'Université de Montréal, l'Imprimerie National du Canada, et du Grand Séminaire de Québec. Contient les photographies numérotées P-7271 à P-7494 et P-7706 à P-7714.
Personnes et institutions:
Date:
1930s-1970s
1930s-1970s
Titre:
Photographies de divers projets de Cormier
Actions:
ARCH284106
Description:
Inclus des photographies de l'Oratoire Saint-Joseph, du Saint-Michael's College, du Campus de l'Université de Montréal, l'Imprimerie National du Canada, et du Grand Séminaire de Québec. Contient les photographies numérotées P-7271 à P-7494 et P-7706 à P-7714.
Photographies de divers projets de Cormier
Actions:
ARCH284106
Description:
Inclus des photographies de l'Oratoire Saint-Joseph, du Saint-Michael's College, du Campus de l'Université de Montréal, l'Imprimerie National du Canada, et du Grand Séminaire de Québec. Contient les photographies numérotées P-7271 à P-7494 et P-7706 à P-7714.
Classification:
photographies
photographies
Date:
1930s-1970s
1930s-1970s
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
ARCH172472
Description:
Document du concours, photographies du site, textes de Jacques Rousseau sur le concours, coupures de journaux
ARCH172472
Description:
Document du concours, photographies du site, textes de Jacques Rousseau sur le concours, coupures de journaux
Personnes et institutions:
Titre:
Document du concours, photographies du site, textes de Jacques Rousseau sur le concours
Actions:
ARCH172472
Description:
Document du concours, photographies du site, textes de Jacques Rousseau sur le concours, coupures de journaux
Document du concours, photographies du site, textes de Jacques Rousseau sur le concours
Actions:
ARCH172472
Description:
Document du concours, photographies du site, textes de Jacques Rousseau sur le concours, coupures de journaux
Classification:
documents textuels, photographies
documents textuels, photographies
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH259301
Description:
Correspondance avec le révérend W.M. Duke, incluant des notes d'entrevue et 4 photographies de l'église.
ARCH259301
Description:
Correspondance avec le révérend W.M. Duke, incluant des notes d'entrevue et 4 photographies de l'église.
Personnes et institutions:
Date:
1927
1927
Titre:
Correspondance avec clients, notes et photographies de l'église
Actions:
ARCH259301
Description:
Correspondance avec le révérend W.M. Duke, incluant des notes d'entrevue et 4 photographies de l'église.
Correspondance avec clients, notes et photographies de l'église
Actions:
ARCH259301
Description:
Correspondance avec le révérend W.M. Duke, incluant des notes d'entrevue et 4 photographies de l'église.
Classification:
documents textuels
documents textuels
Date:
1927
1927
Personnes et institutions:
Titre:
Park and Pine Interchange
Park and Pine Interchange
Numéro de référence:
ARCH193413
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
ARCH193413
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Personnes et institutions:
Date:
s.d.
s.d.
Titre:
Park and Pine Interchange
Actions:
ARCH193413
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Park and Pine Interchange
Actions:
ARCH193413
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Date:
s.d.
s.d.
Personnes et institutions:
Titre:
Book one / Mc Cormick Dam
Book one / Mc Cormick Dam
Numéro de référence:
ARCH193416
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
ARCH193416
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Personnes et institutions:
Date:
s.d.
s.d.
Titre:
Book one / Mc Cormick Dam
Actions:
ARCH193416
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Book one / Mc Cormick Dam
Actions:
ARCH193416
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Date:
s.d.
s.d.
Personnes et institutions:
Titre:
Book two / Mc Cormick Dam
Book two / Mc Cormick Dam
Numéro de référence:
ARCH193417
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
ARCH193417
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Personnes et institutions:
Date:
s.d.
s.d.
Titre:
Book two / Mc Cormick Dam
Actions:
ARCH193417
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Book two / Mc Cormick Dam
Actions:
ARCH193417
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Date:
s.d.
s.d.
Personnes et institutions:
Titre:
Book three / Mc Cormick Dam
Book three / Mc Cormick Dam
Numéro de référence:
ARCH193418
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
ARCH193418
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Personnes et institutions:
Date:
s.d.
s.d.
Titre:
Book three / Mc Cormick Dam
Actions:
ARCH193418
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Book three / Mc Cormick Dam
Actions:
ARCH193418
Description:
Reliure à anneaux vide dans laquelle était à l'origine rangées les pages sur lesquelles sont collées les photographies.
Date:
s.d.
s.d.
Personnes et institutions:
