12414 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Nicollet Island
Nicollet Island
Numéro de référence:
AP143.S4.D188
Description:
File documents an unexecuted project for Nicollet Island, Minneapolis, Minnesota. The project was published in 'Design Quarterly', No. 101/102, "The River: Images of the Mississippi" (1976), pp. 80-83. Material in this file was probably produced in 1976. File contains design development drawings and presentation drawings.
AP143.S4.D188
Description:
File documents an unexecuted project for Nicollet Island, Minneapolis, Minnesota. The project was published in 'Design Quarterly', No. 101/102, "The River: Images of the Mississippi" (1976), pp. 80-83. Material in this file was probably produced in 1976. File contains design development drawings and presentation drawings.
Personnes et institutions:
Date:
[1976]
[1976]
Titre:
Nicollet Island
Actions:
AP143.S4.D188
Description:
File documents an unexecuted project for Nicollet Island, Minneapolis, Minnesota. The project was published in 'Design Quarterly', No. 101/102, "The River: Images of the Mississippi" (1976), pp. 80-83. Material in this file was probably produced in 1976. File contains design development drawings and presentation drawings.
Nicollet Island
Actions:
AP143.S4.D188
Description:
File documents an unexecuted project for Nicollet Island, Minneapolis, Minnesota. The project was published in 'Design Quarterly', No. 101/102, "The River: Images of the Mississippi" (1976), pp. 80-83. Material in this file was probably produced in 1976. File contains design development drawings and presentation drawings.
Niveau de description archivistique:
File 188
File 188
Date:
[1976]
[1976]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Tschumi fonds
Bernard Tschumi fonds
Numéro de référence:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Personnes et institutions:
Date:
circa 1964-2015
circa 1964-2015
Titre:
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1964-2015
circa 1964-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Personnes et institutions:
Date:
circa 1981-1992
circa 1981-1992
Titre:
Residence for Shri Aditya Prakash, Chandigarh, India (circa 1981-1992)
Actions:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Residence for Shri Aditya Prakash, Chandigarh, India (circa 1981-1992)
Actions:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Niveau de description archivistique:
Project
Project
Date:
circa 1981-1992
circa 1981-1992
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hans and Wassili Luckhardt
Hans and Wassili Luckhardt
Numéro de référence:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Personnes et institutions:
Date:
1919-1920
1919-1920
Titre:
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Niveau de description archivistique:
series
series
Date:
1919-1920
1919-1920
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Personnes et institutions:
Date:
circa 1919-1920
circa 1919-1920
Titre:
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
circa 1919-1920
circa 1919-1920
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Steel House
Steel House
Numéro de référence:
AP144.S2.D60
Description:
File documents an unsuccessful competition entry, in collaboration with Miles Park, Douglas Smith and Frank Newby, for a mass-produced housing system using steel, for a competition sponsored by the European Coal and Steel Community. Requirements called for rapid assembly/disassembly, and flexible unit plans that could be altered by home owners and appeal to a wide range of owners and their preferences. Schematic sketches include exterior elevations, floor plans, preliminary details, and charts for building components. Conceptual sketches show alternate unit and floor plan arrangements, and include network analysis plans, site maximization plans based on transportability, family breakdown diagrams, alternate internal unit layout plans based on age and other factors, functional area plans indicating separation possibilities, and charts which cross-reference factors such as transportability, construction, and assembly requirements. Design development drawings show typical plans, site plans, sections, elevations, details, axonometric drawings of structure and cladding, internal units, and components. Some material in this file was published in Price, Cedric, "Steel Housing", 'Architectural Design', vol. 37, (May 1967) 244, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984) 36, 49-50, 113. Material in this file was produced between 1965 and 1969. 'High Authority of the European Coal and Steel Community' is the full name of the client as found in the textual records. The title of the competition is 'International Competition for the Design of Industrially Fabricated Dwellings'. File contains conceptual drawings, design development drawings, photographic material, presentation panels, textual records, and model.
AP144.S2.D60
Description:
File documents an unsuccessful competition entry, in collaboration with Miles Park, Douglas Smith and Frank Newby, for a mass-produced housing system using steel, for a competition sponsored by the European Coal and Steel Community. Requirements called for rapid assembly/disassembly, and flexible unit plans that could be altered by home owners and appeal to a wide range of owners and their preferences. Schematic sketches include exterior elevations, floor plans, preliminary details, and charts for building components. Conceptual sketches show alternate unit and floor plan arrangements, and include network analysis plans, site maximization plans based on transportability, family breakdown diagrams, alternate internal unit layout plans based on age and other factors, functional area plans indicating separation possibilities, and charts which cross-reference factors such as transportability, construction, and assembly requirements. Design development drawings show typical plans, site plans, sections, elevations, details, axonometric drawings of structure and cladding, internal units, and components. Some material in this file was published in Price, Cedric, "Steel Housing", 'Architectural Design', vol. 37, (May 1967) 244, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984) 36, 49-50, 113. Material in this file was produced between 1965 and 1969. 'High Authority of the European Coal and Steel Community' is the full name of the client as found in the textual records. The title of the competition is 'International Competition for the Design of Industrially Fabricated Dwellings'. File contains conceptual drawings, design development drawings, photographic material, presentation panels, textual records, and model.
Personnes et institutions:
Date:
1965-1969
1965-1969
Titre:
Steel House
Actions:
AP144.S2.D60
Description:
File documents an unsuccessful competition entry, in collaboration with Miles Park, Douglas Smith and Frank Newby, for a mass-produced housing system using steel, for a competition sponsored by the European Coal and Steel Community. Requirements called for rapid assembly/disassembly, and flexible unit plans that could be altered by home owners and appeal to a wide range of owners and their preferences. Schematic sketches include exterior elevations, floor plans, preliminary details, and charts for building components. Conceptual sketches show alternate unit and floor plan arrangements, and include network analysis plans, site maximization plans based on transportability, family breakdown diagrams, alternate internal unit layout plans based on age and other factors, functional area plans indicating separation possibilities, and charts which cross-reference factors such as transportability, construction, and assembly requirements. Design development drawings show typical plans, site plans, sections, elevations, details, axonometric drawings of structure and cladding, internal units, and components. Some material in this file was published in Price, Cedric, "Steel Housing", 'Architectural Design', vol. 37, (May 1967) 244, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984) 36, 49-50, 113. Material in this file was produced between 1965 and 1969. 'High Authority of the European Coal and Steel Community' is the full name of the client as found in the textual records. The title of the competition is 'International Competition for the Design of Industrially Fabricated Dwellings'. File contains conceptual drawings, design development drawings, photographic material, presentation panels, textual records, and model.
Steel House
Actions:
AP144.S2.D60
Description:
File documents an unsuccessful competition entry, in collaboration with Miles Park, Douglas Smith and Frank Newby, for a mass-produced housing system using steel, for a competition sponsored by the European Coal and Steel Community. Requirements called for rapid assembly/disassembly, and flexible unit plans that could be altered by home owners and appeal to a wide range of owners and their preferences. Schematic sketches include exterior elevations, floor plans, preliminary details, and charts for building components. Conceptual sketches show alternate unit and floor plan arrangements, and include network analysis plans, site maximization plans based on transportability, family breakdown diagrams, alternate internal unit layout plans based on age and other factors, functional area plans indicating separation possibilities, and charts which cross-reference factors such as transportability, construction, and assembly requirements. Design development drawings show typical plans, site plans, sections, elevations, details, axonometric drawings of structure and cladding, internal units, and components. Some material in this file was published in Price, Cedric, "Steel Housing", 'Architectural Design', vol. 37, (May 1967) 244, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984) 36, 49-50, 113. Material in this file was produced between 1965 and 1969. 'High Authority of the European Coal and Steel Community' is the full name of the client as found in the textual records. The title of the competition is 'International Competition for the Design of Industrially Fabricated Dwellings'. File contains conceptual drawings, design development drawings, photographic material, presentation panels, textual records, and model.
Niveau de description archivistique:
File 60
File 60
Date:
1965-1969
1965-1969
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Generator
Generator
Numéro de référence:
AP144.S2.D100
Description:
File documents Generator, an unexecuted project for the Gilman Paper Company, at the White Oak Plantation, in Yulee, Florida. After an initial investigation Cedric Price proposed a complex that could accommodate company activities, cultural events, and artist residencies and would provide "a menu of items for individual and group demands of space, control, containment and delight. A place to work, create, think, and stare." ('Architectural Review', Jan. 1980, 16). The design called for timber-framed structures with variable infill panels and cladding, along with screens, to be placed on a grid of concrete pads by cranes with the help of computers in response to users' needs. Conceptual, schematic and design development drawings show grid placement, site layout, landscaping, designs for cubes and components, proposed activities, axonometric views, and design notes with sketches. Development sketches, site plans, and charts include site analysis examining future growth, activity charts, shadow study plans, and axonometric details. Drawings of the structures include: plans, elevations, details, and perspective views for cubes, screens, and cladding; shadow studies for cube variations; and axonometric views of cube arrangements. Other drawings include: site plans and sections; landscaping and parking layouts; plans for circulation patterns; drawings for boardwalks; and electrical and drainage plans. Charts study design validity, activities, networks, project feasibility, component life-cycle, and cube and component placement/construction sequencing. Computer generated printouts by John Frazer, et al show perspective views of cubes from various viewpoints. Two sets of annotated reprographic copies show details for a typical cube and the foundation. Presentation and publication materials include: photographs and reprographic copies of design models; coloured reprographic copies of computer parts and facilities; a coloured air-brushed rendering of cubes and screens by "Jeremie '77"; two perspective renderings; and reprographic copies made from published material. Some material in this file was published in 'Building Design', 23 February 1979; 'Building Design', 9 November 1979; 'Architectural Review' (January 1980), 16-17; 'L'Architecture d'Aujourd'hui', December 1980; 'Techniques et Architecture', December 1980; 'Design', January 1981; 'New Scientist', 19 March 1981; 'Schemes: Cedric Price' (ex. cat.; London: Waddington Galleries, 1981); 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 92-97. Material in this file was produced between 1959 and 1995, but predominantly between 1976 and 1980. Main consultants for Generator in the United Kingdom include Felix J. Samuely & Partners, consulting engineers; Baker, Wilkins and Smith, quantity surveyors; John Frazer, computer modelling and systems; Sandy Brown Associates, acoustic consultants. Main consultants in the United States include Marvin Boutwell; Law Engineering Testing Company as consulting engineers; and WTCA; Robertson Ward Jr., as architects. Computer printouts in group DR1995:0280:538-552 in Generator (AP144.S2.D100) are attributed to John and Julia Frazer, Art and Design Research, Ulster Polytechnic and the Department of Architecture, Liverpool Polytechnic. Some material in group DR1995:0280:567-576 is attributed to Felix J. Samuely & Partners. File contains conceptual drawings, design, development drawings, presentation drawings, photographic materials, boxes, an artefact, models, and textual records.
AP144.S2.D100
Description:
File documents Generator, an unexecuted project for the Gilman Paper Company, at the White Oak Plantation, in Yulee, Florida. After an initial investigation Cedric Price proposed a complex that could accommodate company activities, cultural events, and artist residencies and would provide "a menu of items for individual and group demands of space, control, containment and delight. A place to work, create, think, and stare." ('Architectural Review', Jan. 1980, 16). The design called for timber-framed structures with variable infill panels and cladding, along with screens, to be placed on a grid of concrete pads by cranes with the help of computers in response to users' needs. Conceptual, schematic and design development drawings show grid placement, site layout, landscaping, designs for cubes and components, proposed activities, axonometric views, and design notes with sketches. Development sketches, site plans, and charts include site analysis examining future growth, activity charts, shadow study plans, and axonometric details. Drawings of the structures include: plans, elevations, details, and perspective views for cubes, screens, and cladding; shadow studies for cube variations; and axonometric views of cube arrangements. Other drawings include: site plans and sections; landscaping and parking layouts; plans for circulation patterns; drawings for boardwalks; and electrical and drainage plans. Charts study design validity, activities, networks, project feasibility, component life-cycle, and cube and component placement/construction sequencing. Computer generated printouts by John Frazer, et al show perspective views of cubes from various viewpoints. Two sets of annotated reprographic copies show details for a typical cube and the foundation. Presentation and publication materials include: photographs and reprographic copies of design models; coloured reprographic copies of computer parts and facilities; a coloured air-brushed rendering of cubes and screens by "Jeremie '77"; two perspective renderings; and reprographic copies made from published material. Some material in this file was published in 'Building Design', 23 February 1979; 'Building Design', 9 November 1979; 'Architectural Review' (January 1980), 16-17; 'L'Architecture d'Aujourd'hui', December 1980; 'Techniques et Architecture', December 1980; 'Design', January 1981; 'New Scientist', 19 March 1981; 'Schemes: Cedric Price' (ex. cat.; London: Waddington Galleries, 1981); 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 92-97. Material in this file was produced between 1959 and 1995, but predominantly between 1976 and 1980. Main consultants for Generator in the United Kingdom include Felix J. Samuely & Partners, consulting engineers; Baker, Wilkins and Smith, quantity surveyors; John Frazer, computer modelling and systems; Sandy Brown Associates, acoustic consultants. Main consultants in the United States include Marvin Boutwell; Law Engineering Testing Company as consulting engineers; and WTCA; Robertson Ward Jr., as architects. Computer printouts in group DR1995:0280:538-552 in Generator (AP144.S2.D100) are attributed to John and Julia Frazer, Art and Design Research, Ulster Polytechnic and the Department of Architecture, Liverpool Polytechnic. Some material in group DR1995:0280:567-576 is attributed to Felix J. Samuely & Partners. File contains conceptual drawings, design, development drawings, presentation drawings, photographic materials, boxes, an artefact, models, and textual records.
Personnes et institutions:
Date:
1959-1995, predominant 1976-1980
1959-1995, predominant 1976-1980
Titre:
Generator
Actions:
AP144.S2.D100
Description:
File documents Generator, an unexecuted project for the Gilman Paper Company, at the White Oak Plantation, in Yulee, Florida. After an initial investigation Cedric Price proposed a complex that could accommodate company activities, cultural events, and artist residencies and would provide "a menu of items for individual and group demands of space, control, containment and delight. A place to work, create, think, and stare." ('Architectural Review', Jan. 1980, 16). The design called for timber-framed structures with variable infill panels and cladding, along with screens, to be placed on a grid of concrete pads by cranes with the help of computers in response to users' needs. Conceptual, schematic and design development drawings show grid placement, site layout, landscaping, designs for cubes and components, proposed activities, axonometric views, and design notes with sketches. Development sketches, site plans, and charts include site analysis examining future growth, activity charts, shadow study plans, and axonometric details. Drawings of the structures include: plans, elevations, details, and perspective views for cubes, screens, and cladding; shadow studies for cube variations; and axonometric views of cube arrangements. Other drawings include: site plans and sections; landscaping and parking layouts; plans for circulation patterns; drawings for boardwalks; and electrical and drainage plans. Charts study design validity, activities, networks, project feasibility, component life-cycle, and cube and component placement/construction sequencing. Computer generated printouts by John Frazer, et al show perspective views of cubes from various viewpoints. Two sets of annotated reprographic copies show details for a typical cube and the foundation. Presentation and publication materials include: photographs and reprographic copies of design models; coloured reprographic copies of computer parts and facilities; a coloured air-brushed rendering of cubes and screens by "Jeremie '77"; two perspective renderings; and reprographic copies made from published material. Some material in this file was published in 'Building Design', 23 February 1979; 'Building Design', 9 November 1979; 'Architectural Review' (January 1980), 16-17; 'L'Architecture d'Aujourd'hui', December 1980; 'Techniques et Architecture', December 1980; 'Design', January 1981; 'New Scientist', 19 March 1981; 'Schemes: Cedric Price' (ex. cat.; London: Waddington Galleries, 1981); 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 92-97. Material in this file was produced between 1959 and 1995, but predominantly between 1976 and 1980. Main consultants for Generator in the United Kingdom include Felix J. Samuely & Partners, consulting engineers; Baker, Wilkins and Smith, quantity surveyors; John Frazer, computer modelling and systems; Sandy Brown Associates, acoustic consultants. Main consultants in the United States include Marvin Boutwell; Law Engineering Testing Company as consulting engineers; and WTCA; Robertson Ward Jr., as architects. Computer printouts in group DR1995:0280:538-552 in Generator (AP144.S2.D100) are attributed to John and Julia Frazer, Art and Design Research, Ulster Polytechnic and the Department of Architecture, Liverpool Polytechnic. Some material in group DR1995:0280:567-576 is attributed to Felix J. Samuely & Partners. File contains conceptual drawings, design, development drawings, presentation drawings, photographic materials, boxes, an artefact, models, and textual records.
Generator
Actions:
AP144.S2.D100
Description:
File documents Generator, an unexecuted project for the Gilman Paper Company, at the White Oak Plantation, in Yulee, Florida. After an initial investigation Cedric Price proposed a complex that could accommodate company activities, cultural events, and artist residencies and would provide "a menu of items for individual and group demands of space, control, containment and delight. A place to work, create, think, and stare." ('Architectural Review', Jan. 1980, 16). The design called for timber-framed structures with variable infill panels and cladding, along with screens, to be placed on a grid of concrete pads by cranes with the help of computers in response to users' needs. Conceptual, schematic and design development drawings show grid placement, site layout, landscaping, designs for cubes and components, proposed activities, axonometric views, and design notes with sketches. Development sketches, site plans, and charts include site analysis examining future growth, activity charts, shadow study plans, and axonometric details. Drawings of the structures include: plans, elevations, details, and perspective views for cubes, screens, and cladding; shadow studies for cube variations; and axonometric views of cube arrangements. Other drawings include: site plans and sections; landscaping and parking layouts; plans for circulation patterns; drawings for boardwalks; and electrical and drainage plans. Charts study design validity, activities, networks, project feasibility, component life-cycle, and cube and component placement/construction sequencing. Computer generated printouts by John Frazer, et al show perspective views of cubes from various viewpoints. Two sets of annotated reprographic copies show details for a typical cube and the foundation. Presentation and publication materials include: photographs and reprographic copies of design models; coloured reprographic copies of computer parts and facilities; a coloured air-brushed rendering of cubes and screens by "Jeremie '77"; two perspective renderings; and reprographic copies made from published material. Some material in this file was published in 'Building Design', 23 February 1979; 'Building Design', 9 November 1979; 'Architectural Review' (January 1980), 16-17; 'L'Architecture d'Aujourd'hui', December 1980; 'Techniques et Architecture', December 1980; 'Design', January 1981; 'New Scientist', 19 March 1981; 'Schemes: Cedric Price' (ex. cat.; London: Waddington Galleries, 1981); 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 92-97. Material in this file was produced between 1959 and 1995, but predominantly between 1976 and 1980. Main consultants for Generator in the United Kingdom include Felix J. Samuely & Partners, consulting engineers; Baker, Wilkins and Smith, quantity surveyors; John Frazer, computer modelling and systems; Sandy Brown Associates, acoustic consultants. Main consultants in the United States include Marvin Boutwell; Law Engineering Testing Company as consulting engineers; and WTCA; Robertson Ward Jr., as architects. Computer printouts in group DR1995:0280:538-552 in Generator (AP144.S2.D100) are attributed to John and Julia Frazer, Art and Design Research, Ulster Polytechnic and the Department of Architecture, Liverpool Polytechnic. Some material in group DR1995:0280:567-576 is attributed to Felix J. Samuely & Partners. File contains conceptual drawings, design, development drawings, presentation drawings, photographic materials, boxes, an artefact, models, and textual records.
Niveau de description archivistique:
File 100
File 100
Date:
1959-1995, predominant 1976-1980
1959-1995, predominant 1976-1980
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH254888
Description:
"The Canadian Chancery, washington d.c. [sic]" by John Robulack - booklet of photocopied drawings for a Master of Architecture program at Clemson University
ARCH254888
Description:
"The Canadian Chancery, washington d.c. [sic]" by John Robulack - booklet of photocopied drawings for a Master of Architecture program at Clemson University
Personnes et institutions:
Date:
[1988?]
[1988?]
Titre:
The Canadian Chancery, washington d.c.
Actions:
ARCH254888
Description:
"The Canadian Chancery, washington d.c. [sic]" by John Robulack - booklet of photocopied drawings for a Master of Architecture program at Clemson University
The Canadian Chancery, washington d.c.
Actions:
ARCH254888
Description:
"The Canadian Chancery, washington d.c. [sic]" by John Robulack - booklet of photocopied drawings for a Master of Architecture program at Clemson University
Classification:
documents textuels
documents textuels
Date:
[1988?]
[1988?]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
House, Selsdon
House, Selsdon
Numéro de référence:
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1962-1964
1962-1964
Titre:
House, Selsdon
Actions:
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
House, Selsdon
Actions:
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 42
File 42
Date:
1962-1964
1962-1964
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Marcel Parizeau
Fonds Marcel Parizeau
Numéro de référence:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1917-1955
1917-1955
Personnes et institutions:
