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On an almost daily basis, Andy Goldsworthy makes art using the materials and conditions he encounters wherever he is, be it the land around his Scottish home, the mountain regions of France or Spain, or the sidewalks of New York City, Glasgow, or Rio de Janeiro. Out of earth, rocks, leaves, ice, snow, rain, sunlight, and shadow he creates works that exist briefly before(...)
Andy Goldsworthy: ephemeral works (2004-2014)
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On an almost daily basis, Andy Goldsworthy makes art using the materials and conditions he encounters wherever he is, be it the land around his Scottish home, the mountain regions of France or Spain, or the sidewalks of New York City, Glasgow, or Rio de Janeiro. Out of earth, rocks, leaves, ice, snow, rain, sunlight, and shadow he creates works that exist briefly before they are altered and erased by natural processes. They are documented in his photographs, and their larger meanings are bound up with the forces that they embody: materiality, temporality, growth, vitality, permanence, decay, chance, labor, and memory.
Land Art
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''Fiction Non Fiction'' is a series of readers edited by Bruno Zhu that pairs voices in literary criticism with the material histories of labor, gender, and race. Each volume offers a close reading of fictional and theoretical works to explore how identity politics have been narrativized by liberal institutions across different times and spaces. Volume 1, published in(...)
Fiction, non-fiction. Volume 1
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''Fiction Non Fiction'' is a series of readers edited by Bruno Zhu that pairs voices in literary criticism with the material histories of labor, gender, and race. Each volume offers a close reading of fictional and theoretical works to explore how identity politics have been narrativized by liberal institutions across different times and spaces. Volume 1, published in conjunction with Bruno Zhu's commission ''License to Live'' at Chisenhale Gallery, London, delves into the concept of space. Spanning Martinique and colonial Algeria, Jamaican plantations, and 1970s Lisbon, the collection examines the enduring impact of colonial projects that continue to underpin extractive systems today.
Littérature et poésie
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Neil Denari and his students in the UCLA A.UD Research Studio 2014-15 investigate this question during a year-long study of high rise towers and vertical density in the city of Shanghai. The result is a collection of speculative designs (fictional and financial) and accompanying scenarios presented against a backdrop of topics including the global city, political(...)
décembre 2015
Chroma_topia : generally different towers for Shanghai
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Neil Denari and his students in the UCLA A.UD Research Studio 2014-15 investigate this question during a year-long study of high rise towers and vertical density in the city of Shanghai. The result is a collection of speculative designs (fictional and financial) and accompanying scenarios presented against a backdrop of topics including the global city, political conformity, social mobility, migrant labor, and invisible currencies - all in the form of 24 high rise towers. The publication includes essays by Professor Neil Denari and UCLA Ph.D Student Jia Yi Gu, student along with a selection of photos by Shanghai-based photographer Tim Franco.
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In this publication, Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated(...)
Another aesthetics is possible: arts of rebellion in the fourth world war
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In this publication, Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
Théorie de l’art
Capital and language
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The Swiss-Italian economist Christian Marazzi is one of the core theorists of the Italian postfordist movement, along with Antonio Negri, Paolo Virno, and Bifo (Franco Berardi). But although his work is often cited by scholars (particularly by those in the field of "Cognitive Capitalism"), his writing has never appeared in English. This translation of his most recent(...)
Capital and language
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The Swiss-Italian economist Christian Marazzi is one of the core theorists of the Italian postfordist movement, along with Antonio Negri, Paolo Virno, and Bifo (Franco Berardi). But although his work is often cited by scholars (particularly by those in the field of "Cognitive Capitalism"), his writing has never appeared in English. This translation of his most recent work, Capital and Language (published in Italian in 2002), finally makes Marazzi's work available to an English-speaking audience. Capital and Language takes as its starting point the fact that the extreme volatility of financial markets is generally attributed to the discrepancy between the "real economy" (that of material goods produced and sold) and the more speculative monetary-financial economy. But this distinction has long ceased to apply in the postfordist New Economy, in which both spheres are structurally affected by language and communication. In Capital and Language Marazzi argues that the changes in financial markets and the transformation of labor into immaterial labor (that is, its reliance on abstract knowledge, general intellect, and social cooperation) are just two sides of the same coin. Capital and Language focuses on the causes behind the international economic and financial depression of 2001, and on the primary instrument that the U.S. government has since been using to face them: war. Marazzi points to capitalism’s fourth stage (after mercantilism, industrialism, and the postfordist culmination of the New Economy): the "War Economy" that is already upon us.
Théorie/ philosophie
livres
Description:
192 pages : illustrations ; 24 cm
Chicago ; London : The University of Chicago Press, [2016]
Obsolescence : an architectural history / Daniel M. Abramson.
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Description:
192 pages : illustrations ; 24 cm
livres
Chicago ; London : The University of Chicago Press, [2016]
Textiles : open letter
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An essential characteristic of textiles is their richly intertextual nature. Textiles: Open Letter stems from an exhibition at Museum Abteiberg, Germany, plus an extensive research project (2010 14) examining the place of textiles in the history of art and culture, media, society and technology through various voices. Representing traditions found in both applied and(...)
Textiles : open letter
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An essential characteristic of textiles is their richly intertextual nature. Textiles: Open Letter stems from an exhibition at Museum Abteiberg, Germany, plus an extensive research project (2010 14) examining the place of textiles in the history of art and culture, media, society and technology through various voices. Representing traditions found in both applied and fine arts, textiles hover between formalism and functionalism; as objects and techniques, they mediate between self and world, between affect-driven and knowledge-driven processes of appropriation. Functionally versatile, textiles are the fulcrum of an ensemble of activities, and illustrate relations between subject and object, material and immaterial, artistic and artisanal labor, and different cultures.
Théorie du design
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Solid, earthbound edifices of iron, brick, and stone made way for towers of steel and plate glass, imparting a striking new look to Chicago's growing urban landscape. Thomas Leslie reveals the daily struggles, technical breakthroughs, and negotiations that produced these magnificent buildings. He also considers how the city's infamous political climate contributed to its(...)
Chicago skyscrapers: 1871-1934
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Solid, earthbound edifices of iron, brick, and stone made way for towers of steel and plate glass, imparting a striking new look to Chicago's growing urban landscape. Thomas Leslie reveals the daily struggles, technical breakthroughs, and negotiations that produced these magnificent buildings. He also considers how the city's infamous political climate contributed to its architecture, as building and zoning codes were often disputed by shifting networks of rivals, labor unions, professional organizations, and municipal bodies. Featuring more than a hundred photographs and illustrations of the city's physically impressive and beautifully diverse architecture, Chicago Skyscrapers, 1871-1934 highlights an exceptionally dynamic, energetic period of architectural progress in Chicago.
Gratte-ciels
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As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. "The house archives built and other thoughts on Black archival possibilities" brings together years of those conversations(...)
The house archives built and other thoughts on Black archival possibilities
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As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. "The house archives built and other thoughts on Black archival possibilities" brings together years of those conversations from their origins in conference halls, webinars, and reading rooms to open them up to the public. The labor and theory that upholds archives has been obscured, but our understandings of history and ourselves rest on those invisible foundations. This book clarifies those foundations while offering new possibilities for imagining archival futures in and outside of institutional holdings.
Bog Myrtle
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Two sisters, one stubbornly cheerful (Beatrice) and one relentlessly grumpy (Magnolia), live in a drafty old house with a family of helpful spiders. When Beatrice is gifted magic yarn from a giant forest spider obsessed with sustainability named Bog Myrtle, she and the spiders set to work knitting up a perfectly warm sweater. But greedy Magnolia sees only the opportunity(...)
Bog Myrtle
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Two sisters, one stubbornly cheerful (Beatrice) and one relentlessly grumpy (Magnolia), live in a drafty old house with a family of helpful spiders. When Beatrice is gifted magic yarn from a giant forest spider obsessed with sustainability named Bog Myrtle, she and the spiders set to work knitting up a perfectly warm sweater. But greedy Magnolia sees only the opportunity for profit, and quickly converts the old house into a magic sweater factory. The exhausted spiders are driven to strike, and Bog Myrtle is not pleased . . . "Bog Myrtle" is a witty modern folktale that touches on themes of capitalism, environmentalism, labor rights, and being a nice person.
Littérature jeunesse