36051 Résultats
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livres
livres
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Au fur et à mesure que la population mondiale s'urbanise, la conception des blocs résidentiels doit évoluer afin d'assurer la création d'espaces adaptés à cette population changeante. Chaque oeuvre est présentée avec des plans, des croquis, des détails constructifs, des photographies et des textes descriptifs permettant de comprendre avec clarté les concepts développés et(...)
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Au fur et à mesure que la population mondiale s'urbanise, la conception des blocs résidentiels doit évoluer afin d'assurer la création d'espaces adaptés à cette population changeante. Chaque oeuvre est présentée avec des plans, des croquis, des détails constructifs, des photographies et des textes descriptifs permettant de comprendre avec clarté les concepts développés et(...)
Titre:
Conception et design : logements collectifs
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Au fur et à mesure que la population mondiale s'urbanise, la conception des blocs résidentiels doit évoluer afin d'assurer la création d'espaces adaptés à cette population changeante. Chaque oeuvre est présentée avec des plans, des croquis, des détails constructifs, des photographies et des textes descriptifs permettant de comprendre avec clarté les concepts développés et les notions utilisées pour chaque projet de logement collectif.
Conception et design : logements collectifs
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Au fur et à mesure que la population mondiale s'urbanise, la conception des blocs résidentiels doit évoluer afin d'assurer la création d'espaces adaptés à cette population changeante. Chaque oeuvre est présentée avec des plans, des croquis, des détails constructifs, des photographies et des textes descriptifs permettant de comprendre avec clarté les concepts développés et les notions utilisées pour chaque projet de logement collectif.
Classification:
livres
livres
Publication:
mai 2017
mai 2017
Sujet:
Logements collectifs
Logements collectifs
Classification:
livres
livres
Titre:
Homes, ensembles, city
Homes, ensembles, city
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$103.00
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The book shows 36 building projects of the near future after a thoroughly introduction by the author on the three scale-modules of the dwelling, the housing ensembles, and the city, suggesting that the city is to be perceived, conceived, and lived in terms of the relationship between the home and the public realm. Hence not only public spaces but also housing ensembles(...)
$103.00
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The book shows 36 building projects of the near future after a thoroughly introduction by the author on the three scale-modules of the dwelling, the housing ensembles, and the city, suggesting that the city is to be perceived, conceived, and lived in terms of the relationship between the home and the public realm. Hence not only public spaces but also housing ensembles(...)
Titre:
Homes, ensembles, city
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$103.00
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The book shows 36 building projects of the near future after a thoroughly introduction by the author on the three scale-modules of the dwelling, the housing ensembles, and the city, suggesting that the city is to be perceived, conceived, and lived in terms of the relationship between the home and the public realm. Hence not only public spaces but also housing ensembles become essential elements in defining the morphology of the city.
Homes, ensembles, city
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$103.00
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The book shows 36 building projects of the near future after a thoroughly introduction by the author on the three scale-modules of the dwelling, the housing ensembles, and the city, suggesting that the city is to be perceived, conceived, and lived in terms of the relationship between the home and the public realm. Hence not only public spaces but also housing ensembles become essential elements in defining the morphology of the city.
Classification:
livres
livres
Publication:
mars 2018
mars 2018
Sujet:
Logements collectifs
Logements collectifs
Classification:
livres
livres
Titre:
Ravens
Ravens
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$114.00
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Consistently proclaimed as one of the most important photobooks in the history of the medium, 'Ravens' by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo(...)
$114.00
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Consistently proclaimed as one of the most important photobooks in the history of the medium, 'Ravens' by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo(...)
Titre:
Ravens
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$114.00
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Consistently proclaimed as one of the most important photobooks in the history of the medium, 'Ravens' by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates 'Ravens' in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.
Ravens
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Consistently proclaimed as one of the most important photobooks in the history of the medium, 'Ravens' by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates 'Ravens' in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.
Classification:
livres
livres
Publication:
mai 2017
mai 2017
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and(...)
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Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and(...)
Titre:
Eileen Gray: the private painter
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Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and drawings. This book is the first to focus on Eileen Gray's important but essentially private work as a painter. Eileen Gray considered herself a designer and an architect, not a painter: she viewed her work as a painter with great modesty, treating it as a private occupation and a vehicle for artistic expression during periods when she could not design furniture. Much of her artwork has disappeared, either lost in the Second World War or destroyed by the artist herself. But a body of works on paper, produced between the 1920s and the 1950s, has survived: elegant, geometric drawings and gouaches of muted tonality and subtle power. This book, which reproduces unseen material from the Eileen Gray archive and draws on Gray's correspondence with her niece Prunella Clough on the nature of painting, will be a revelation to her many followers and admirers.
Eileen Gray: the private painter
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Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and drawings. This book is the first to focus on Eileen Gray's important but essentially private work as a painter. Eileen Gray considered herself a designer and an architect, not a painter: she viewed her work as a painter with great modesty, treating it as a private occupation and a vehicle for artistic expression during periods when she could not design furniture. Much of her artwork has disappeared, either lost in the Second World War or destroyed by the artist herself. But a body of works on paper, produced between the 1920s and the 1950s, has survived: elegant, geometric drawings and gouaches of muted tonality and subtle power. This book, which reproduces unseen material from the Eileen Gray archive and draws on Gray's correspondence with her niece Prunella Clough on the nature of painting, will be a revelation to her many followers and admirers.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Prix:
$93.99
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished(...)
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished(...)
Titre:
Designing the V: the museum as a work of art (1857-1909)
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V’s first Director, Henry Cole, conceived the museum’s building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole’s expressed policy to ‘assemble a splendid collection of objects representing the application of Fine Arts to manufacture’ was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques. This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum’s early collections and identity.
Designing the V: the museum as a work of art (1857-1909)
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$93.99
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Résumé:
The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V’s first Director, Henry Cole, conceived the museum’s building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole’s expressed policy to ‘assemble a splendid collection of objects representing the application of Fine Arts to manufacture’ was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques. This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum’s early collections and identity.
Classification:
livres
livres
Publication:
mars 2017
mars 2017
Classification:
livres
livres
Prix:
$80.95
(disponible en magasin)
Résumé:
Frank Lloyd Wright is known as the architect of an enduring modern American vision, but was himself extremely well-travelled, with journeys to far-flung corners of the world serving as opportunities to develop and promote his globalising ‘organic’ philosophy. Visits to Japan and Germany informed his Prairie House period, his Usonian manifesto was presented in Russia and(...)
$80.95
(disponible en magasin)
Résumé:
Frank Lloyd Wright is known as the architect of an enduring modern American vision, but was himself extremely well-travelled, with journeys to far-flung corners of the world serving as opportunities to develop and promote his globalising ‘organic’ philosophy. Visits to Japan and Germany informed his Prairie House period, his Usonian manifesto was presented in Russia and(...)
Titre:
Travels with Frank lloyd Wright: the first global architect
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Frank Lloyd Wright is known as the architect of an enduring modern American vision, but was himself extremely well-travelled, with journeys to far-flung corners of the world serving as opportunities to develop and promote his globalising ‘organic’ philosophy. Visits to Japan and Germany informed his Prairie House period, his Usonian manifesto was presented in Russia and the UK, and later he spent time in Italy and the Middle East during his Legacy period. Gwyn Lloyd Jones retraces Lloyd Wright’s footsteps in a fascinating globetrotting narrative that reveals Lloyd Wright’s architectural legacy as having emerged from what was, at the time, a newly globalised era of architectural production. Along the way the author meets the people who are living with and experiencing Lloyd Wright’s ‘organic’ architecture today and asks whether the buildings remain true to Lloyd Wright’s intent and what it is that makes them unique.
Travels with Frank lloyd Wright: the first global architect
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Frank Lloyd Wright is known as the architect of an enduring modern American vision, but was himself extremely well-travelled, with journeys to far-flung corners of the world serving as opportunities to develop and promote his globalising ‘organic’ philosophy. Visits to Japan and Germany informed his Prairie House period, his Usonian manifesto was presented in Russia and the UK, and later he spent time in Italy and the Middle East during his Legacy period. Gwyn Lloyd Jones retraces Lloyd Wright’s footsteps in a fascinating globetrotting narrative that reveals Lloyd Wright’s architectural legacy as having emerged from what was, at the time, a newly globalised era of architectural production. Along the way the author meets the people who are living with and experiencing Lloyd Wright’s ‘organic’ architecture today and asks whether the buildings remain true to Lloyd Wright’s intent and what it is that makes them unique.
Classification:
livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$39.99
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Résumé:
In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain(...)
$39.99
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Résumé:
In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain(...)
Titre:
An organic architecture: the architecture of democracy
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain an important expression of the architect’s core philosophy and are being reissued now in a new edition to commemorate the 150th anniversary in 2017 of Frank Lloyd Wright’s birth. In the lectures, Frank Lloyd Wright discusses several of his recent projects, including his Usonian houses, his homes and studios at Taliesin, Wisconsin and Arizona, Fallingwater and the Johnson administration building. His charismatic, flamboyant character and hugely creative intelligence leap to life from the pages as he looks to the ‘Future’, both in terms of the then-imminent Second World War and his vision for cities.
An organic architecture: the architecture of democracy
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain an important expression of the architect’s core philosophy and are being reissued now in a new edition to commemorate the 150th anniversary in 2017 of Frank Lloyd Wright’s birth. In the lectures, Frank Lloyd Wright discusses several of his recent projects, including his Usonian houses, his homes and studios at Taliesin, Wisconsin and Arizona, Fallingwater and the Johnson administration building. His charismatic, flamboyant character and hugely creative intelligence leap to life from the pages as he looks to the ‘Future’, both in terms of the then-imminent Second World War and his vision for cities.
Classification:
livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$120.99
(disponible sur commande)
Résumé:
Set within the cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Beginning with Wagner’s polemical manifesto, ''Moderne Architektur'', it stresses the importance of the fraught and highly polarized cultural politics that engulfed Vienna for(...)
$120.99
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Set within the cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Beginning with Wagner’s polemical manifesto, ''Moderne Architektur'', it stresses the importance of the fraught and highly polarized cultural politics that engulfed Vienna for(...)
Titre:
Rebel modernists: Viennese architecture since Otto Wagner
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Set within the cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Beginning with Wagner’s polemical manifesto, ''Moderne Architektur'', it stresses the importance of the fraught and highly polarized cultural politics that engulfed Vienna for most of the twentieth century and ultimately produced much of what is modern in every field of culture and science. The book also places architectural history within the context of the political economy that has shaped Vienna and highlights the relatively unknown tradition of Viennese social housing, initiated by social democratic Red Vienna in the 1920s. Today, 60% of Vienna’s population lives in the most successful social housing in the world.
Rebel modernists: Viennese architecture since Otto Wagner
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$120.99
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Set within the cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Beginning with Wagner’s polemical manifesto, ''Moderne Architektur'', it stresses the importance of the fraught and highly polarized cultural politics that engulfed Vienna for most of the twentieth century and ultimately produced much of what is modern in every field of culture and science. The book also places architectural history within the context of the political economy that has shaped Vienna and highlights the relatively unknown tradition of Viennese social housing, initiated by social democratic Red Vienna in the 1920s. Today, 60% of Vienna’s population lives in the most successful social housing in the world.
Classification:
livres
livres
Publication:
juillet 2017
juillet 2017
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven(...)
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"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven(...)
Titre:
Borderwall as architecture: a manifesto for the US-Mexico boundary
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"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.
Borderwall as architecture: a manifesto for the US-Mexico boundary
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$39.95
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Résumé:
"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.
Classification:
livres
livres
Publication:
mai 2017
mai 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$75.95
(disponible sur commande)
Résumé:
More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the(...)
$75.95
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Résumé:
More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the(...)
Titre:
Wright on exhibit: Frank Lloyd Wright's architectural exhibitions
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$75.95
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More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright’s earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright’s exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision.
Wright on exhibit: Frank Lloyd Wright's architectural exhibitions
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Résumé:
More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright’s earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright’s exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision.
Classification:
livres
livres
Publication:
mai 2017
mai 2017
Sujet:
Architecture, monographies
Architecture, monographies
