36019 Résultats
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on(...)
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on(...)
Titre:
Art Spaces : the architecture of four Tates
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on the buildings themselves as well as their artistic, political, and cultural contexts.
Art Spaces : the architecture of four Tates
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on the buildings themselves as well as their artistic, political, and cultural contexts.
Classification:
livres
livres
Publication:
mars 2004, London
mars 2004, London
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livres
livres
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$82.50
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Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50(...)
$82.50
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Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50(...)
Titre:
Shock of the old : Christopher Dresser's design revolution
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Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50 manufacturers to produce an enormous variety of reasonably priced, widely available consumer products. This book is published to accompany the first comprehensive exhibition devoted to his career.
Shock of the old : Christopher Dresser's design revolution
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Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50 manufacturers to produce an enormous variety of reasonably priced, widely available consumer products. This book is published to accompany the first comprehensive exhibition devoted to his career.
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livres
livres
Publication:
mars 2004, New York
mars 2004, New York
Sujet:
Design, monographies
Design, monographies
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livres
livres
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$33.95
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"Electric Dreams" charts the seismic shifts that transformed the monochrome product world of 1980's consumer electronics into a 21st century landscape full of shape, colour and variety. It considers the economic and technological imperatives which brought design to the heart of electronic innovation and marketing culture.
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"Electric Dreams" charts the seismic shifts that transformed the monochrome product world of 1980's consumer electronics into a 21st century landscape full of shape, colour and variety. It considers the economic and technological imperatives which brought design to the heart of electronic innovation and marketing culture.
Titre:
Electric dreams : designing for the digital age
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"Electric Dreams" charts the seismic shifts that transformed the monochrome product world of 1980's consumer electronics into a 21st century landscape full of shape, colour and variety. It considers the economic and technological imperatives which brought design to the heart of electronic innovation and marketing culture.
Electric dreams : designing for the digital age
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"Electric Dreams" charts the seismic shifts that transformed the monochrome product world of 1980's consumer electronics into a 21st century landscape full of shape, colour and variety. It considers the economic and technological imperatives which brought design to the heart of electronic innovation and marketing culture.
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livres
livres
Publication:
avril 2004, London
avril 2004, London
Sujet:
Design industriel
Design industriel
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livres
livres
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Light is a powerful force for design inspiration. From the mundane to the bizarre, the strictly functional to the wildly ostentatious, a panoply of objects has been created in response to the desire for artificial illumination. This first title in the V Contemporary Series explores the exciting range of new lighting forms and technologies from the archetypal domestic lamp(...)
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Light is a powerful force for design inspiration. From the mundane to the bizarre, the strictly functional to the wildly ostentatious, a panoply of objects has been created in response to the desire for artificial illumination. This first title in the V Contemporary Series explores the exciting range of new lighting forms and technologies from the archetypal domestic lamp(...)
Titre:
Brilliant : lights and lighting
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Light is a powerful force for design inspiration. From the mundane to the bizarre, the strictly functional to the wildly ostentatious, a panoply of objects has been created in response to the desire for artificial illumination. This first title in the V Contemporary Series explores the exciting range of new lighting forms and technologies from the archetypal domestic lamp to innovations in lighted clothing. It features a range of internationally renowned designers, from Ron Arad to Karim Rashid. Covering products from the one-off to the mass-produced, it also charts crossovers in design practice, incorporating textiles, fashion and ceramics as well as product design and new technological developments. New materials which pulse and glow, alternative means of power conduction which negate the need for wires, heat resistant fabrics and "cool" light sources all offer new and exciting opportunities to designers. This book introduces some of the most innovative names in contemporary lighting and explores the significance of light in the designed environment.
Brilliant : lights and lighting
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$33.95
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Light is a powerful force for design inspiration. From the mundane to the bizarre, the strictly functional to the wildly ostentatious, a panoply of objects has been created in response to the desire for artificial illumination. This first title in the V Contemporary Series explores the exciting range of new lighting forms and technologies from the archetypal domestic lamp to innovations in lighted clothing. It features a range of internationally renowned designers, from Ron Arad to Karim Rashid. Covering products from the one-off to the mass-produced, it also charts crossovers in design practice, incorporating textiles, fashion and ceramics as well as product design and new technological developments. New materials which pulse and glow, alternative means of power conduction which negate the need for wires, heat resistant fabrics and "cool" light sources all offer new and exciting opportunities to designers. This book introduces some of the most innovative names in contemporary lighting and explores the significance of light in the designed environment.
Classification:
livres
livres
Publication:
mars 2004, London
mars 2004, London
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
livres
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$67.50
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Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of(...)
$67.50
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Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of(...)
Publication:
juin 2004, New York
juin 2004, New York
Titre:
Cotton puffs, Q-tips, smoke and mirrors : the drawings of Ed Ruscha
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Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of highly personal mediums and techniques.
Cotton puffs, Q-tips, smoke and mirrors : the drawings of Ed Ruscha
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Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of highly personal mediums and techniques.
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livres
livres
Publication:
juin 2004, New York
juin 2004, New York
Classification:
livres
livres
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$34.95
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From modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive(...)
$34.95
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From modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive(...)
Titre:
From Abyssinian to Zion : a guide to Manhattan's houses of worship
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From modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive research of the city´s religious buildings, David W. Dunlap has revealed (and at times unearthed) an urban history that reinforces New York as a truly vibrant center of community and cultural diversity.
From Abyssinian to Zion : a guide to Manhattan's houses of worship
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$34.95
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From modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive research of the city´s religious buildings, David W. Dunlap has revealed (and at times unearthed) an urban history that reinforces New York as a truly vibrant center of community and cultural diversity.
Classification:
livres
livres
Publication:
juin 2004, New York
juin 2004, New York
Sujet:
Guides des villes
Guides des villes
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livres
livres
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$41.95
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Byrdcliffe was, and remains, a place of haunting beauty. One hundred years ago,it was established as an Arts and Crafts colony in the heart of the Catskill Mountains. Craftsmen, writers, and musicians came, lured by the atmosphere of creativity amid like-minded people. Furniture, pottery, paintings, metalwork, and textiles were all made there and the people themselves(...)
$41.95
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Byrdcliffe was, and remains, a place of haunting beauty. One hundred years ago,it was established as an Arts and Crafts colony in the heart of the Catskill Mountains. Craftsmen, writers, and musicians came, lured by the atmosphere of creativity amid like-minded people. Furniture, pottery, paintings, metalwork, and textiles were all made there and the people themselves(...)
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
Publication:
avril 2004, Ithaca
avril 2004, Ithaca
Titre:
Byrdcliffe : an American Arts and Crafts colony
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Byrdcliffe was, and remains, a place of haunting beauty. One hundred years ago,it was established as an Arts and Crafts colony in the heart of the Catskill Mountains. Craftsmen, writers, and musicians came, lured by the atmosphere of creativity amid like-minded people. Furniture, pottery, paintings, metalwork, and textiles were all made there and the people themselves became an interwoven part of the fabric of the place. This is the story of the first years of the colony, the artists who visited, and the artistic community they fostered in Woodstock, New York.
Byrdcliffe : an American Arts and Crafts colony
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Byrdcliffe was, and remains, a place of haunting beauty. One hundred years ago,it was established as an Arts and Crafts colony in the heart of the Catskill Mountains. Craftsmen, writers, and musicians came, lured by the atmosphere of creativity amid like-minded people. Furniture, pottery, paintings, metalwork, and textiles were all made there and the people themselves became an interwoven part of the fabric of the place. This is the story of the first years of the colony, the artists who visited, and the artistic community they fostered in Woodstock, New York.
Classification:
livres
livres
Publication:
avril 2004, Ithaca
avril 2004, Ithaca
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
Classification:
livres
livres
Prix:
$59.99
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Résumé:
Featuring 40 essays by U.S. and European historians, designers, cultural critics, geographers and social scientists, illustrated with over 250 color images in extensive visual "gazetteers" — including specially-commissioned portfolios by artists and designers — "Else/where mapping" investigates : how new technologies of navigation and location are emerging to chart(...)
$59.99
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Featuring 40 essays by U.S. and European historians, designers, cultural critics, geographers and social scientists, illustrated with over 250 color images in extensive visual "gazetteers" — including specially-commissioned portfolios by artists and designers — "Else/where mapping" investigates : how new technologies of navigation and location are emerging to chart(...)
Publication:
octobre 2005, Minneapolis
octobre 2005, Minneapolis
Titre:
Else/where : mapping new cartographies of networks and territories
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$59.99
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Featuring 40 essays by U.S. and European historians, designers, cultural critics, geographers and social scientists, illustrated with over 250 color images in extensive visual "gazetteers" — including specially-commissioned portfolios by artists and designers — "Else/where mapping" investigates : how new technologies of navigation and location are emerging to chart "virtual" terrain such as social networks and online conversations; how these new mapping strategies borrow and reinvent metaphors adapted from the cartography of physical terrain, considered at various scales — urban, regional, continental, global ; how new modes of representation of spatial data are evolving to explore the potential for collective "bottom-up" (rather than "top-down") mapping ; how cities, communities and social networks are being re-envisioned, as artists and designers use technologies such as GPS, GIS and digital interface design to devise alternative mappings of social and spatial relationships. Authors : Janet Abrams, Ole Bouman, Andrea Codrington, Denis Cosgrove, Steve Dietz, Paul Elliman, Yuri Engelhardt, Peter Hall, Brian Holmes, J.J. King, Cathy Lang Ho, Andrea Moed, David Pescovitz, Rebecca Ross, Ben Schouten, Alex Terzich, Alice Twemlow, Dirk van Weelden, Tom Vanderbilt, Peter Walsh and Stephen Zacks. Featured artists and designers included : Antenna Design New York, Julian Bleecker, Bureau d'Etudes, Sulki Choi, Layla Curtis, Judith Donath, Entropy8Zuper!, Michael Frumin, Ben Fry, De Geuzen, govcom.org, Marti Guixe, Mark Hansen, Robert Horn, Natalie Jeremijenko, Lisa Jevbratt, Nina Katchadourian, Valdis Krebs, Laura Kurgan, Mark Lombardi, The London Particular, Lumeta.org, Barrett Lyon, Brian McGrath, Julie Mehretu, Paul Mijksenaar, Sigi Moeslinger, MUST Architects, MVRDV, Josh On, W. Bradford Paley, Scott Paterson, Esther Polak, Richard Rogers, Ben Rubin, Warren Sack, Mike Silver, Marco Susani, Terraswarm, UN Studio, Urban Tapestries, Waag Society for Old and New Media, Ronald Wall, Kimberlee Whaley, Jeremy Wood and Marina Zurkow. Book design : Deborah Littlejohn.
Else/where : mapping new cartographies of networks and territories
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$59.99
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Résumé:
Featuring 40 essays by U.S. and European historians, designers, cultural critics, geographers and social scientists, illustrated with over 250 color images in extensive visual "gazetteers" — including specially-commissioned portfolios by artists and designers — "Else/where mapping" investigates : how new technologies of navigation and location are emerging to chart "virtual" terrain such as social networks and online conversations; how these new mapping strategies borrow and reinvent metaphors adapted from the cartography of physical terrain, considered at various scales — urban, regional, continental, global ; how new modes of representation of spatial data are evolving to explore the potential for collective "bottom-up" (rather than "top-down") mapping ; how cities, communities and social networks are being re-envisioned, as artists and designers use technologies such as GPS, GIS and digital interface design to devise alternative mappings of social and spatial relationships. Authors : Janet Abrams, Ole Bouman, Andrea Codrington, Denis Cosgrove, Steve Dietz, Paul Elliman, Yuri Engelhardt, Peter Hall, Brian Holmes, J.J. King, Cathy Lang Ho, Andrea Moed, David Pescovitz, Rebecca Ross, Ben Schouten, Alex Terzich, Alice Twemlow, Dirk van Weelden, Tom Vanderbilt, Peter Walsh and Stephen Zacks. Featured artists and designers included : Antenna Design New York, Julian Bleecker, Bureau d'Etudes, Sulki Choi, Layla Curtis, Judith Donath, Entropy8Zuper!, Michael Frumin, Ben Fry, De Geuzen, govcom.org, Marti Guixe, Mark Hansen, Robert Horn, Natalie Jeremijenko, Lisa Jevbratt, Nina Katchadourian, Valdis Krebs, Laura Kurgan, Mark Lombardi, The London Particular, Lumeta.org, Barrett Lyon, Brian McGrath, Julie Mehretu, Paul Mijksenaar, Sigi Moeslinger, MUST Architects, MVRDV, Josh On, W. Bradford Paley, Scott Paterson, Esther Polak, Richard Rogers, Ben Rubin, Warren Sack, Mike Silver, Marco Susani, Terraswarm, UN Studio, Urban Tapestries, Waag Society for Old and New Media, Ronald Wall, Kimberlee Whaley, Jeremy Wood and Marina Zurkow. Book design : Deborah Littlejohn.
Classification:
livres
livres
Publication:
octobre 2005, Minneapolis
octobre 2005, Minneapolis
Classification:
livres
livres
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$41.95
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Résumé:
Can a typeface communicate the unique character of a city? This is the question the University of Minnesota Design Institute proposed when it began the project “Typeface: Twin Cities” and commissioned six teams of talented typographers to create a custom font for Minneapolis and St. Paul. “Typeface: Twin Cities” was an experiment to further understand the relationship(...)
$41.95
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Résumé:
Can a typeface communicate the unique character of a city? This is the question the University of Minnesota Design Institute proposed when it began the project “Typeface: Twin Cities” and commissioned six teams of talented typographers to create a custom font for Minneapolis and St. Paul. “Typeface: Twin Cities” was an experiment to further understand the relationship(...)
Publication:
septembre 2003, Minneapolis
septembre 2003, Minneapolis
Titre:
Metro letters : a typeface for the Twin Cities
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$41.95
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Résumé:
Can a typeface communicate the unique character of a city? This is the question the University of Minnesota Design Institute proposed when it began the project “Typeface: Twin Cities” and commissioned six teams of talented typographers to create a custom font for Minneapolis and St. Paul. “Typeface: Twin Cities” was an experiment to further understand the relationship between typography and urban identity that sought not to brand the cities themselves but to engage the public’s awareness and appreciation of design and typography throughout the metro area. What began as an attempt to discover a subtle form of civic identity evolved into the invention of a truly unique concept. The Twin font is accompanied by a software program that can link the typeface via the Internet with live databases detailing the Twin Cities’ urban conditions—wind, temperature, traffic congestion—and these variations visibly affect the type’s appearance. "Metro Letters" recounts the complete process behind the development of a font that aims to visually represent the diversity of the Twin Cities and inspires other designers to devise their own new ideas, innovative prototypes, and creative experiments.
Metro letters : a typeface for the Twin Cities
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$41.95
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Résumé:
Can a typeface communicate the unique character of a city? This is the question the University of Minnesota Design Institute proposed when it began the project “Typeface: Twin Cities” and commissioned six teams of talented typographers to create a custom font for Minneapolis and St. Paul. “Typeface: Twin Cities” was an experiment to further understand the relationship between typography and urban identity that sought not to brand the cities themselves but to engage the public’s awareness and appreciation of design and typography throughout the metro area. What began as an attempt to discover a subtle form of civic identity evolved into the invention of a truly unique concept. The Twin font is accompanied by a software program that can link the typeface via the Internet with live databases detailing the Twin Cities’ urban conditions—wind, temperature, traffic congestion—and these variations visibly affect the type’s appearance. "Metro Letters" recounts the complete process behind the development of a font that aims to visually represent the diversity of the Twin Cities and inspires other designers to devise their own new ideas, innovative prototypes, and creative experiments.
Classification:
livres
livres
Publication:
septembre 2003, Minneapolis
septembre 2003, Minneapolis
Classification:
livres
livres
Prix:
$76.00
(disponible sur commande)
Résumé:
Vaudremer est assurément le grand oublié de la réhabilitation dont bénéficie depuis trente ans l'architecture du XIXe siècle. Cet ouvrage permet enfin d'éclairer cette figure dont le prestige égalait celui du plus grand architecte de son temps, Charles Garnier. Formé à l'Ecole des beaux-arts au classicisme, proche par sa sensibilité de la réflexion structurelle de(...)
$76.00
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Résumé:
Vaudremer est assurément le grand oublié de la réhabilitation dont bénéficie depuis trente ans l'architecture du XIXe siècle. Cet ouvrage permet enfin d'éclairer cette figure dont le prestige égalait celui du plus grand architecte de son temps, Charles Garnier. Formé à l'Ecole des beaux-arts au classicisme, proche par sa sensibilité de la réflexion structurelle de(...)
Titre:
Émile Vaudremer 1829-1914 : la rigueur de l'architecture publique
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$76.00
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Vaudremer est assurément le grand oublié de la réhabilitation dont bénéficie depuis trente ans l'architecture du XIXe siècle. Cet ouvrage permet enfin d'éclairer cette figure dont le prestige égalait celui du plus grand architecte de son temps, Charles Garnier. Formé à l'Ecole des beaux-arts au classicisme, proche par sa sensibilité de la réflexion structurelle de Viollet-le-Duc sur le gothique, Vaudremer se distinguera en adoptant un style original qui fait la symbiose de ces deux tendances contradictoires, annonçant, par son dépouillement, l'architecture de la première moitié du XXe siècle, d'Otto Wagner à Auguste Perret.
Émile Vaudremer 1829-1914 : la rigueur de l'architecture publique
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$76.00
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Résumé:
Vaudremer est assurément le grand oublié de la réhabilitation dont bénéficie depuis trente ans l'architecture du XIXe siècle. Cet ouvrage permet enfin d'éclairer cette figure dont le prestige égalait celui du plus grand architecte de son temps, Charles Garnier. Formé à l'Ecole des beaux-arts au classicisme, proche par sa sensibilité de la réflexion structurelle de Viollet-le-Duc sur le gothique, Vaudremer se distinguera en adoptant un style original qui fait la symbiose de ces deux tendances contradictoires, annonçant, par son dépouillement, l'architecture de la première moitié du XXe siècle, d'Otto Wagner à Auguste Perret.
Classification:
livres
livres
Publication:
mars 2004, Paris
mars 2004, Paris
Sujet:
Architecture, monographies
Architecture, monographies
