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1 volume (unpaged) : entirely color illustrations ; 24 cm
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1 volume (unpaged) : entirely color illustrations ; 24 cm
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[Athens, Greece?] : Void, 2024.
[Athens, Greece?] : Void, 2024.
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Italia o Italia / Federico Clavarino.
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1 volume (unpaged) : entirely color illustrations ; 24 cm
Italia o Italia / Federico Clavarino.
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1 volume (unpaged) : entirely color illustrations ; 24 cm
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[Athens, Greece?] : Void, 2024.
[Athens, Greece?] : Void, 2024.
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audio
audio
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1 online resource.
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[Place of publication not identified] : e-flux, 2024.
[Place of publication not identified] : e-flux, 2024.
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audio
audio
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[Place of publication not identified] : e-flux, 2024.
[Place of publication not identified] : e-flux, 2024.
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vii, 123 pages, plates (various pagings) : illustrations ; 32 cm.
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vii, 123 pages, plates (various pagings) : illustrations ; 32 cm.
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Wiesbaden : Reichert, 2005.
Wiesbaden : Reichert, 2005.
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Die Johanneskirche in Ephesos / von Andreas Thiel.
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vii, 123 pages, plates (various pagings) : illustrations ; 32 cm.
Die Johanneskirche in Ephesos / von Andreas Thiel.
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vii, 123 pages, plates (various pagings) : illustrations ; 32 cm.
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Wiesbaden : Reichert, 2005.
Wiesbaden : Reichert, 2005.
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$29.50
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Résumé:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
$29.50
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This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
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Architecture, monographies
Architecture, monographies
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janvier 1999, London
janvier 1999, London
Titre:
Visions of ruin : architectural fantasies & designs for garden follies
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This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
Visions of ruin : architectural fantasies & designs for garden follies
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$29.50
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This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
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livres
livres
Publication:
janvier 1999, London
janvier 1999, London
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Architecture, monographies
Architecture, monographies
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vidéo
vidéo
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Video recording (master): 1 videocassette (Mini-DV) : sound, color ; 1/4 in.
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Video recording (master): 1 videocassette (Mini-DV) : sound, color ; 1/4 in.
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[Place of production not identified] : Canadian Centre for Architecture, 2002.
[Place of production not identified] : Canadian Centre for Architecture, 2002.
Titre:
Victor Burgin in conversation with Hubertus von Amelunxen.
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Video recording (master): 1 videocassette (Mini-DV) : sound, color ; 1/4 in.
Victor Burgin in conversation with Hubertus von Amelunxen.
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Video recording (master): 1 videocassette (Mini-DV) : sound, color ; 1/4 in.
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vidéo
vidéo
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[Place of production not identified] : Canadian Centre for Architecture, 2002.
[Place of production not identified] : Canadian Centre for Architecture, 2002.
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vii, 200 pages : illustrations ; 20 cm
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vii, 200 pages : illustrations ; 20 cm
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New York : The New Press, [2014], ©2014
New York : The New Press, [2014], ©2014
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Undermining : a wild ride through land use, politics, and art in the changing West / Lucy R. Lippard.
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vii, 200 pages : illustrations ; 20 cm
Undermining : a wild ride through land use, politics, and art in the changing West / Lucy R. Lippard.
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vii, 200 pages : illustrations ; 20 cm
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livres
livres
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New York : The New Press, [2014], ©2014
New York : The New Press, [2014], ©2014
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$71.50
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Résumé:
In Renaissance Rome, ancient ruins were preserved as often as they were mined for their materials. Although the question of what to preserve and how continued to be subject to debate, preservation acquired renewed force and urgency in the fifteenth and sixteenth centuries as the new papal capital rose upon the ruins of the ancient city. Preservation practices became more(...)
$71.50
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Résumé:
In Renaissance Rome, ancient ruins were preserved as often as they were mined for their materials. Although the question of what to preserve and how continued to be subject to debate, preservation acquired renewed force and urgency in the fifteenth and sixteenth centuries as the new papal capital rose upon the ruins of the ancient city. Preservation practices became more(...)
Titre:
The ruin of the eternal city : Antiquity & preservation in renaissance Rome
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$71.50
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In Renaissance Rome, ancient ruins were preserved as often as they were mined for their materials. Although the question of what to preserve and how continued to be subject to debate, preservation acquired renewed force and urgency in the fifteenth and sixteenth centuries as the new papal capital rose upon the ruins of the ancient city. Preservation practices became more focused and effective in Renaissance Rome than ever before. "The Ruin of the Eternal City" offers a new interpretation of the ongoing life of ancient buildings within the expanding early modern city. While historians and archaeologists have long affirmed that early modern builders disregarded the protection of antiquity, this study provides the first systematic analysis of preservation problems as perceived by the Renaissance popes, the civic magistrates, and ordinary citizens. Based on new evidence and recent conservation theory, this compelling study explores how civic officials balanced the defense of specific sites against the pressing demands imposed by population growth, circulation, and notions of urban decorum. Above all, the preservation of antiquity remained an indispensable tool to advance competing political agendas in the papal capital. A broad range of preservation policies and practices are examined at the half-ruined Colosseum, the intact Pantheon, and the little-known but essential Renaissance bridge known as the Ponte Santa Maria.
The ruin of the eternal city : Antiquity & preservation in renaissance Rome
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$71.50
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Résumé:
In Renaissance Rome, ancient ruins were preserved as often as they were mined for their materials. Although the question of what to preserve and how continued to be subject to debate, preservation acquired renewed force and urgency in the fifteenth and sixteenth centuries as the new papal capital rose upon the ruins of the ancient city. Preservation practices became more focused and effective in Renaissance Rome than ever before. "The Ruin of the Eternal City" offers a new interpretation of the ongoing life of ancient buildings within the expanding early modern city. While historians and archaeologists have long affirmed that early modern builders disregarded the protection of antiquity, this study provides the first systematic analysis of preservation problems as perceived by the Renaissance popes, the civic magistrates, and ordinary citizens. Based on new evidence and recent conservation theory, this compelling study explores how civic officials balanced the defense of specific sites against the pressing demands imposed by population growth, circulation, and notions of urban decorum. Above all, the preservation of antiquity remained an indispensable tool to advance competing political agendas in the papal capital. A broad range of preservation policies and practices are examined at the half-ruined Colosseum, the intact Pantheon, and the little-known but essential Renaissance bridge known as the Ponte Santa Maria.
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livres
livres
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avril 2011
avril 2011
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livres
livres
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$27.95
(disponible en magasin)
Résumé:
''Through the Ruins: Talks on Human Rights & the Arts 1'' is the inaugural volume of talks by activists, scholars, and artists from around the globe, presented at the OSUN Center for Human Rights and the Arts at Bard College (CHRA). In their own words and in conversation with others, they make evident the richness and range of contemporary practices at the intersection of(...)
$27.95
(disponible en magasin)
Résumé:
''Through the Ruins: Talks on Human Rights & the Arts 1'' is the inaugural volume of talks by activists, scholars, and artists from around the globe, presented at the OSUN Center for Human Rights and the Arts at Bard College (CHRA). In their own words and in conversation with others, they make evident the richness and range of contemporary practices at the intersection of(...)
Titre:
Through the ruins: Talks on human rights and the arts 1
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$27.95
(disponible en magasin)
Résumé:
''Through the Ruins: Talks on Human Rights & the Arts 1'' is the inaugural volume of talks by activists, scholars, and artists from around the globe, presented at the OSUN Center for Human Rights and the Arts at Bard College (CHRA). In their own words and in conversation with others, they make evident the richness and range of contemporary practices at the intersection of human rights and the arts.
Through the ruins: Talks on human rights and the arts 1
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$27.95
(disponible en magasin)
Résumé:
''Through the Ruins: Talks on Human Rights & the Arts 1'' is the inaugural volume of talks by activists, scholars, and artists from around the globe, presented at the OSUN Center for Human Rights and the Arts at Bard College (CHRA). In their own words and in conversation with others, they make evident the richness and range of contemporary practices at the intersection of human rights and the arts.
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livres
livres
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juillet 2023
juillet 2023
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Social
Social
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67 pages ; 15 cm
Description:
67 pages ; 15 cm
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Basel : Standpunkte, ©2016.
Basel : Standpunkte, ©2016.
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livres
livres
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Basel : Standpunkte, ©2016.
Basel : Standpunkte, ©2016.
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78 pages : color illustrations ; 25 x 30 cm.
Description:
78 pages : color illustrations ; 25 x 30 cm.
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New York, N.Y. : Aperture, [©1989]
New York, N.Y. : Aperture, [©1989]
Titre:
Sign language : contemporary Southwest native America / photographs by Skeet McAuley ; introduction by N. Scott Momaday ; The way it is by Luci Tapahonso ; traditional Navajo stories by Mike Mitchell ; "As the mementoes of the race" by Martha A. Sandweiss.
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78 pages : color illustrations ; 25 x 30 cm.
Sign language : contemporary Southwest native America / photographs by Skeet McAuley ; introduction by N. Scott Momaday ; The way it is by Luci Tapahonso ; traditional Navajo stories by Mike Mitchell ; "As the mementoes of the race" by Martha A. Sandweiss.
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78 pages : color illustrations ; 25 x 30 cm.
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livres
livres
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New York, N.Y. : Aperture, [©1989]
New York, N.Y. : Aperture, [©1989]
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